Antique Sideboard

An Art Nouveau oak Sideboard, Victorian carved walnut framed Sofa, Queen Anne oak boarded Box, Queen Anne-style walnut Dining Chairs

An Art Nouveau oak Sideboard, circa 1905, the galleried back with an embossed copper panel and pierced sides, the pair of frieze drawers above inverted tapered square legs

joined by stretchers, 126cm. high by 111cm. wide.

A William and Mary walnut and featherbanded Chest, circa 1690, now in two parts, the moulded crossbanded top above two short and three long graduated drawers, on later bracket

feet, 96cm. high by 86cm. wide.

A George III mahogany and
crossbanded bow-front Sideboard, circa 1790,
inlaid throughout with stringing, the central
frieze drawer above a pair of small panelled
doors flanked by deep drawers, the tapered
square legs on brass spade feet and castors,
90cm. high by 138cm. wide.

A matched set of eight Regency
rail-back Dining Chairs, circa 1815,
comprising: a pair of armchairs with gadrooned crestings and stuffed seats, on ring turned legs, and a set of six rail-back standard chairs, on turned legs, re-railed and

restored.

A Victorian carved walnut framed Sofa, circa 1860, covered in button upholstered gold dralon, the arched pierced back with a foliate scroll cresting, the bowed arms above scroll

facings carved with fruit, on cabriole legs, 196cm. wide.

A George III mahogany Occasional Table, circa 1770, the square moulded tilt-top with a galleried border, with a baluster turned pillar and tripod supports, altered, 61cm. wide.

A Chinese carved hardwood Armchair, circa 1900, the dragon mask cresting above a panel back carved in relief with a stylised dragon, the serpentine solid seat with dragon arms,

on cabriole legs.

A George III mahogany Pembroke Table, circa 1790, the oval top with two fall leaves and chequered inlay above one real and one dummy frieze drawers, the fronts with rosewood

crossbanding, on square tapering legs with spade feet, restored, 76cm.

A Louis XVI walnut miniature
Commode, circa 1790, the later grey marble
top above three drawers with brass mouldings,
the fluted sides on tapered square feet, 31cm.
high by 31cm. wide.

An Edwardian oak pedestal Writing Desk, the tooled leather-inset top above an arrangement of nine drawers, on tapered square feet, 153 cm. wide, bears trade label of Robson &

Sons, Newcastle-on-Tyne.

A Queen Anne oak boarded Box, with hinged cover, faults, 61cm. wide.

A George IV mahogany Tea Table, with a rectangular top, on a turned pillar.

A George IV mahogany tripod Table, the circular tilt-top above a turned column a reeded legs, faults, 56cm. diam.

A George III mahogany Chest, of two short and three long graduated drawers, on bracket feet, 106cm.

A Victorian Chaise Longue, the scrolled; end and seat upholstered in green dralon, on turned feet, 162cm.

A pair of Queen Anne-style walnut Dining Chairs, with vase-shaped splats, the drop-in needlework seats above shell carved cabriole legs with ‘H’-shaped stretchers.

An Edwardian mahogany Armchair, the
oval cane panel back and serpentine seat above
turned legs; together with another Edwardian
mahogany Armchair, on stop-fluted turned
legs.

An Edwardian mahogany Writing Desk,
the galleried leather-inset top with two small
drawers, below is an arrangement of nine
drawers, 122cm. wide, now on plinth bases.

A George III mahogany Side Table,
fitted with two frieze drawers, on chamfered
square legs, 100cm. wide.

A George I-style walnut Card Table, the eared fold-over top with counter recesses, on shell carved cabriole legs and pad feet, 80cm. wide.

William IV rosewood pedestal Table, Victorian oak pedestal Desk, George I walnut Tallboy, early Victorian mahogany Writing Table

A George III mahogany tripod Table,
now with a fixed rectangular top, on a turned
stem and cabriole legs with pad feet, 82cm.
wide.

A George IV mahogany Clerk’s Desk,
the fall revealing a fitted interior, below are
two undertiers and a drawer, on turned
supports, 80cm. wide.

A Victorian mahogany narrow Writing Table, with inset top, two frieze drawers and bold turned legs, 183cm. long.

An early Victorian mahogany Writing Table, with inset top, the frieze with three drawers to the opposing side, the turned and reeded legs with ceramic castors, faults, one

drawer distressed, stamped W. Priest, 1 & 2 Tudor Street, Blackfriars, 168cm. long.

A Charles II oak boarded Box, circa 1680, carved throughout with geometric and fluted panels with punched decoration, 49cm. wide.

An elm Bench, 19th Century, of
primitive construction, on splayed feet, 233cm.
long.

A Continental mahogany Display Cabinet, mid-19th Century, with a pierced cresting above a panelled glazed door enclosing shelves, the base with an apron drawer, 190cm. high by

88cm. wide.

A William IV rosewood pedestal Table, the rectangular tilt-top on a chamfered pillar and shaped platform base with paw feet, 154cm. wide.

An ebonised and gilt-metal mounted Secretaire a Abattant, late 19th Century, the grey veined white marble top above fall-front enclosing stationery compartment and four short

drawers above three drawers between free-standing Corinthian column stiles, the whole front inlaid with brass foliate scrolls, on plinth base and turned feet, 74cm. wide.

A French mahogany and gilt-metal
mounted Pier Cabinet, 19th Century, the
black marble top above three shelves enclosed by a panelled door, on plinth base, 96cm. wide.

A Chinoiserie Bergere Suite, with green velvet upholstered cushion seats, on bun feet, comprising: a settee, 160cm. wide, and a pair of armchairs, faults.

A George I revival mahogany Cabinet, with a gadrooned top above a pair of doors with engraved brass mounts, the apron with a pair of drawers and a carved frieze, on cabriole

legs with claw and ball feet, distressed and locked, 121cm. wide.

A set of six Queen Anne-style beechwood Chairs, including a pair of carvers, with pink dralon drop-in seats, on cabriole legs.

A Victorian oak pedestal Desk, with a pair of real and one dummy frieze drawer above six drawers, on plinth bases, restored, 121cm. wide.

A George Ill-style mahogany and rosewood crossbanded bow-front Sideboard, with a frieze drawer and a pair of doors, on tapered square legs with spade feet, 133cm. wide
A set of eight Regency-style mahogany rail-back Dining Chairs, including a pair of armchairs, with scarlet dralon seats, on turned legs.

A set of ten Chippendale-style carved mahogany Dining Chairs, including a pair of armchairs, with cream damask seats, on cabriole legs with claw and ball feet.

A French mahogany and parquetry
Meuble d’Appui, with gilt-metal mounts and
inlaid bandings, the mirror back above a breche
d’alep marble top, the base with drawers,
glazed doors and cupboard doors, 204cm. wide.

A George III mahogany shield-back
Armchair, with a pierced splat and nailed
brown hide seat, on tapered square legs, arms
associated.

A George Ill-style mahogany Sideboard,
on turned fluted legs, 166cm. wide.

A George I walnut Tallboy, circa 1725,
with moulded cornice, two short and three
long drawers with three long drawers below,
on bracket feet, 162cm. high by 103cm. wide.

George IV mahogany rail-back Armchair, Victorian walnut Wellington Chest, George III mahogany Side Table, Edwardian Art Nouveau Armchair

A George IV mahogany rail-back Armchair, the scrolled arms above an upholstered stuffed seat, on turned and reeded tapering legs.

A set of eight George Ill-style mahogany Dining Chairs, including an armchair, the pierced splats above upholstered drop-in seats, on tapered square legs.

A carved walnut Armchair, late 19th
Century, on ‘X’-shaped supports, faults.

A Victorian mahogany inverted breakfront Wardrobe, the moulded cornice with applied paterae above a pair of panel doors enclosing slides, above two short and two long drawers

flanked by a pair of panel doors enclosing hanging space, on plinth base, 210cm. high by 245cm. wide.

A George III mahogany secretaire Chest, the writing drawer fitted with small drawers and pigeon-holes above two other drawers flanked by canted corners, on bracket feet, 102cm.

wide.

A Victorian mahogany Wellington Chest, of seven graduated drawers, on plinth base, 58cm. wide.

An Edwardian mahogany Display Cabinet, inlaid with stringing, the pair of glazed panel doors with painted fretwork, on splayed square legs joined by an undertier, 92cm. wide.
A set of five George IV mahogany rail-back Dining Chairs, the stuffed seats above tapered square legs and spade feet.

A Victorian walnut Wellington Chest, of
seven graduated drawers, on plinth base,
distressed, 60cm. wide.

A Victorian carved walnut serpentine
Centre Table, on cabriole legs, 110cm. wide;
together with two Victorian ebonised single
Chairs and an Armchair.

A pair of George III mahogany Chairs,
the pierced oval splat backs above upholstered drop-in seats, on chamfered square legs.

A George III mahogany pedestal
Sideboard, the raised upper section now lacking
sliding door, the top with convex ends above an
arrangement of five drawers, on tapered
square legs and spade feet, faults, 1/Ocm. wide.

An oak Refectory Table, on solid end supports, 153cm.

A George III mahogany Side Table, the
moulded top above a frieze drawer and two small drawers, on square legs, 91cm. wide.

A late George III mahogany and
crossbanded rectangular Card Table, inlaid
with stringing, on ring turned legs, 90cm. wide.

A William IV mahogany breakfront Side Cabinet, with a pair of panel doors flanked by open adjustable shelves, on a plinth base, 168cm. wide.

A late George Ill-style mahogany twin-pedestal Dining Table, on turned pillars with triple reeded splayed legs ending in brass paw feet and castors, 203cm. long by 98cm. wide,

including a leaf insertion and clips.

A late George III mahogany Card Table, of chamfered rectangular form, inlaid with stringing, on ring turned legs, 91cm. wide.

A George III mahogany gendeman’s Dressing Table, the crossbanded hinged top revealing a mirror and compartments, the front with dummy drawers, a door and a deep drawer, on

tapered square legs with spade feet and an undertier, 61cm. wide.

An Edwardian Art Nouveau Armchair,
the tall triple pierced splat back above an
upholstered seat, on turned legs; together with
two other mahogany tall Chairs of Art
Nouveau design, with upholstered backs and
seats.

An Edwardian carved mahogany Torchere, on fluted turned support and tripod base, 30cm. diam.

Continental carved oak Desk, Chinese red lacquered Cabinet, Edwardian mahogany and inlaid Side Cupboard, French provincial walnut Writing Table

A Regency mahogany Armchair, the
rectangular back with rope twist rail, the upholstered seat on turned tapering legs; together with a William IV mahogany Armchair, the rectangular back with carved clasp and

scroll arms above an upholstered seat, on turned tapering legs.

A Continental carved oak Desk, 19th
Century, the rectangular top above two real
and two dummy frieze drawers, on bulbous
legs joined by caned and turned stretchers,
151cm. wide.

A Continental carved oak Sideboard,
19th Century, the mirror panel back with
floral and foliate carved cresting above
caryatids, the rectangular top with three frieze
drawers, on twin pedestal bases each with
cupboard enclosed by panel door carved with
dead game between caryatid stiles, on plinth
bases, 223cm. wide.

A Continental carved oak Buffet, the
rectangular top with floral and foliate carved cresting and frieze drawer above undershelf and cupboard enclosed by a pair of panel doors carved with dead game between caryatid

stiles, on platform base, 146cm. wide.

A Continental oak Mirror, the frame carved with three crowns, winged angel and serpent with scroll border, 135cm. high.

An oak kneehole Office Desk, modern,
with seven drawers, 131cm. wide.

A George IV mahogany Sideboard, the rectangular top above cupboard, two short drawers, cellaret drawer and undershelf, on turned tapering legs, 124cm. wide.

A Chinese red lacquered Cabinet, 19th Century, with fall-front, now lacking, above an arrangement of six short and one long drawers; together with matching stool, faults, 67cm.

wide.

An Edwardian mahogany and inlaid
breakfront Sideboard, the top with brass rail
and curtain back and two lidded compart-
ments above five frieze drawers and three
cupboards enclosed by a pair of tambour
doors and a pair of panel doors between two
further cupboards, each enclosed by an inlaid
panelled door, on plinth bases, 210cm. wide;
together with a mahogany two-tier Shelf,
132cm. wide.

An Edwardian mahogany and inlaid Side Cupboard, the rectangular top with two frieze drawers above two cupboards each enclosed by inlaid panel door, on a plinth base, 106cm.

wide.

A Victorian walnut Bonheur du Jour, the superstructure with shelf and pierced foliate cresting above four short drawers, the writing surface inset with green leather above a

frieze drawer, on cabriole legs, 80cm. wide.

A Victorian rosewood Davenport, the
top with baluster turned gallery, the hinged
writing surface inset with green leather and
revealing two real and two dummy drawers,
the side with hinged pen tray and four real
and four dummy drawers, on a plinth base,
faults, 48cm. wide.

A set of eight mahogany Hepplewhite-style Dining Chairs, including two armchairs, the shield-shaped backs with pierced vase-shaped splats, the seats upholstered in brown

leather, on square tapered moulded legs.

A mahogany Tea Table, 19th Century, the ‘D’-shaped fold-over top above satinwood inlaid frieze, on square tapering legs, 91 cm. wide.

A Regency mahogany rectangular Pembroke pedestal Table, with opposing frieze drawer, the quadruple square pillar above splayed legs ending in brass cappings and castors, 106cm.

wide.

A French provincial walnut Writing Table, late 18th Century, with tooled jfjiher-inset top and a drawer, the scroll apron cabriole legs, worm, restored, 81cm. wide.

A George III mahogany rectangular drop-leaf Table, on chamfered square legs, one :.t>if carped. 106cm. wide.

A George Ill-style mahogany Occasional Table, the circular top with distressed pie-crust border, the stop-fluted pillar above scroll tripod supports, 53cm. diam.

A Queen Anne walnut and crossbanded Chest, restored, the two short and three long drawers on bun feet, 97cm. wide, possibly Anglo-Dutch.

A late George III pine standing Corner Cupboard, enclosed by two pairs of panelled doors, on a plinth base, restored, 185cm. high by
105cm. wide.

George III mahogany Linen Press, George II mahogany Armchair, George IV oak breakfront Library Bookcase, George IV mahogany drop-leaf Breakfast Table

A George III mahogany Card
Table, circa 1800, inlaid throughout with
ebonised stringing, the chamfered
rectangular fold-over top above tapered
square legs with spade feet, 89cm. wide;
2ft. llin.

A George III mahogany Linen Press, circa 1800, inlaid throughout with stringing, the swan-neck pediment with later gilt-metal mounts, the pair of oval rosewood crossbanded panel

doors now enclosing hanging space, below are four long graduated drawers, on splayed bracket feet,. 129cm. high by 126cm. wide; 4ft. 3in. by 4ft. 2in.

A Regency mahogany and
rosewood crossbanded Breakfast Table,
circa 1820, the rounded rectangular
tilt-top above a ring turned pillar and
quadruple splayed legs ending in brass
cappings and castors, 139 by 100cm.;
4ft. 6′/2in. by 3ft. 3′/2in.

A set of six George III mahogany
Dining Chairs, circa 1780, the
shield-shaped backs with pierced splats, the nailed green leathercloth seats above tapered square legs.

A George II mahogany Armchair, circa 1750, with a pierced vase-shaped splat and drop-in green hide seat, on carved cabriole legs ending in pad feet, restored, including later

seat rails.

A George III mahogany Press
Cupboard, circa 1800, the arched
cornice above a pair of oval panelled
doors, now enclosing a hanging space,
the lower section now with two short and
one long dummy drawer above a real
drawer, on shaped apron with splayed
bracket feet, altered, 211cm. high by 121cm.
wide; 7ft. 11 in. by 4ft.

A George IV oak breakfront
Library Bookcase, circa 1830, with
ebonised mouldings throughout, the
swan-neck pediment above an egg and
dart cornice with dentilled and foliate
carved mouldings, the three pairs of
astragal doors with brass grille panels,
the three frieze drawers each with a pair
of panel doors below enclosing adjustable
shelves, on a plinth base, altered including
later components, 279cm. high by 396cm.
wide; 9ft. 2in. by 13ft.

A George III mahogany oval
Pembroke Table, circa 1800, the
satinwood crossbanded top above a single
drawer, on boxwood strung tapered
square legs ending in castors, restored,
101cm. wide; 3ft. 33/4in.

A George IV mahogany drop-leaf Breakfast Table, circa 1825, with a frieze drawer, the quadruple turned legs above moulded sabre feet ending in ornate brass cappings, noiv

lacking castors, 107cm. wide; 3ft. 6in.

A George III mahogany serpentine-front Sideboard, circa 1790,
the central frieze drawer flanked by two
drawers and a door, on tapered square
legs with spade feet, 160cm. wide;
5ft. 3in.

A Regency rosewood Sofa Table,
circa 1815, the rectangular top
crossbanded in maple, the pair of real
and opposing dummy frieze drawers
inlaid with stringing, the conforming
inlaid rectangular supports on maple
banded splayed legs ending in brass paw
feet and castors, 144cm. wide when open;
4ft. 9in.

A George IV mahogany secretaire Bookcase, circa 1825, the flared cornice above a pair of astragal doors enclosing adjustable shelves, the writing drawer revealing stationery

compartments, below are three long graduated drawers, on bracket feet, 214cm. high by 103cm. wide; 7ft. by 3ft. 4′/2in.

A George IV mahogany secretaire Bookcase, circa 1820, inlaid throughout with ebonised stringing, the flared cornice above a pair of panel doors enclosing adjustable shelves, the

rosewood crossbanded base with a writing drawer above two long drawers, on splayed bracket feet, 230cm. high by 101cm. wide; 7ft. by 3ft.

A Victorian mahogany and brass-bound secretaire Military Chest, circa 1850, in two parts, the pair of frieze drawers including a writing drawer above three long graduated

drawers, on turned feet, 109cm. high by 99cm. wide; 3ft. 7m. by 3ft. 3m.

A late George III mahogany and upholstered Wing Armchair, circa 1800,
the tub-shaped back upholstered in
green velvet, on ring turned legs with
brass castors.

A George II red walnut kneehole
Dressing Table, circa 1740, the moulded
top above one long frieze drawer and an
arrangement of seven drawers
surrounding a recessed cupboard door,
on bracket feet, 71cm. high by 77cm. wide;
2ft. 4in. by 2ft. 6in.

A George III mahogany Wing
Armchair, circa 1760, upholstered in
nailed brown hide, on chamfered square
legs joined by stretchers.

A George III mahogany Card Table, circa 1790, inlaid throughout with stringing, the satinwood banded ‘D’-shaped top above tapered square legs, 91 cm. wide; 3ft.

A late George III mahogany Commode Chest, circa 1800, the
crossbanded fall-front above two drawers, on bracket feet, altered, 71cm. high by 63cm. wide; 2ft. 4in. by 2ft. lin.

A William IV mahogany Cellaret,
circa 1830, of sarcophagus form, the
hinged top revealing a lead-lined
interior, with panelled sides, on a plinth
base, 65cm.; 2ft. V/2in.

Regency gilt framed Pier Mirror, George III mahogany secretaire Bookcase, George III carved mahogany Library Armchair, George III mahogany pedestal Cupboard

A Regency gilt framed Pier Mirror, circa 1810, the classical frieze above a rectangular plate flanked by spiral terminals, 117cm. high by 70cm. wide; 3ft. Win. by 2ft. 3V2in.

A George III satinwood and upholstered scroll-end Settee, circa 1780, inlaid with ebonised stringing, covered in pale-blue striped fabric, the arched back with leaf inlay, on

tapered square legs and spade feet, restored, 203cm. wide; 6ft. 8in.

A Regency rosewood and walnut
Tripod Table, circa 1815, the brass
inlaid top above a spiral-twist turned and
leaf decorated stem, on a triform base
ending in splayed leaf carved scroll feet,
altered, converted from a pole screen, 36cm.
wide; lft. 2in.

A set of eight George III mahogany rail-back Dining Chairs, circa 1805, including a pair of armchairs, with nailed hide upholstered seats, on ring turned tapering legs (8)

A Regency similar rosewood adjustable Dressing Mirror, circa 1810,
the circular swing-frame plate on a
telescopic ring turned stem with splayed
tripod supports joined by stretchers, with
turned feet, 123cm. high retracted;
4ft. tein.

A George III mahogany secretaire
Bookcase, circa 1780, the dentil cornice
above a pair of astragal doors enclosing
adjustable shelves, the crossbanded and
strung writing drawer revealing
stationery compartments, below are a
pair of panelled doors enclosing sliding
trays, on bracket feet, 228cm. high by
117cm. wide; 7ft. 6in. by 3ft. Win.

A Regency rosewood and
satinwood banded small Bookcase, circa
1815, with open shelves flanked by
shaped sides above a pair of later glazed
doors, on short turned legs with brass
paw feet, faults, 111cm. high by 76cm. wide;
3ft. 71/2in. by 2ft. 6in.

A George III carved mahogany
Library Armchair, circa 1770, the
serpentined back and stuffed seat
covered in floral needlework, the foliate
carved arm facings above blind-fret
chamfered square legs with pierced angle
brackets and pierced fret stretchers,
faults.

A George III mahogany secretaire
Bookcase, circa 1790, the domed cornice
above a pair of astragal doors enclosing
adjustable shelves, the panelled writing
drawer with ebonised stringing and
crossbanding enclosing stationery
compartments, below are three long
graduated drawers, on later shaped
bracket feet, 227cm. high by 105cm. wide;
7ft. 5′/2in. by 3ft. 5in., upper part possibly
associated.

A Regency amboyna and simulated burrwood Occasional Table, circa 1820,
the chamfered rectangular top on a
spirally fluted baluster turned stem, the
triform base on splayed bracket feet,
53cm. wide; lft. 9in.

A George III mahogany pedestal
Cupboard, made-up, the square top with
a fluted frieze above two panelled doors
enclosing cupboards, the guilloche
carved apron above splayed square legs
on castors, 84cm. high by 45cm. wide;
2ft. 9in. by lft. 6in.

A George III mahogany secretaire
Chest, circa 1785, inlaid throughout with
stringing and spandrels, the later
moulded top above a writing drawer
enclosing stationery compartments, below
are three long graduated drawers, on
shaped bracket feet, 112cm. high by
126cm. wide; 3ft. 8in. by 4ft. V/2in.

A George III mahogany bow-front
Sideboard, circa 1790, inlaid throughout
with stringing and kingwood cross-
banding, the frieze drawer above an
arched apron flanked by a pair of deep
drawers, on tapered square legs with
spade feet, formerly with rear brass gallery,
90cm. high by 153cm. wide; 2ft.

A George III mahogany Writing
Table, circa 1800, the rectangular
fold-over top with coromandel
crossbanding, the panelled frieze with
opposing lopers and a drawer, on ring
turned legs with castors, 73cm. high by
64cm. wide; 2ft. 41hin. by 2ft.

A George III mahogany Bureau
Bookcase, circa 1790, the associated
upper section inlaid with stringing and
enclosed by a pair of astragal doors, the
later veneered fall enclosing small
drawers inlaid with stringing, the four
long drawers above splayed bracket feet,
230cm. high by 113cm. wide; 7ft. 6in. by
3ft. 8in.

A George II mahogany Card Table, circa 1750, the rectangular fold-over top on turned tapering legs headed by lappets and on pad feet, 82cm. wide; 2ft.8V2in.
A George III mahogany and brass-bound Wine Cooler, circa 1790, of
octagonal form, with a hinged top revealing a lead-lined interior, on later tapered square legs, 46cm. wide; lft. 6in.

A George III mahogany
breakfront Sideboard, circa 1790, the
satinwood crossbanded top with an oval
harewood fan medallion, the frieze with
an arrangement of three shallow drawers
and one deep drawer surrounding an
arched apron with inlaid spandrels, the
tapered square legs surmounted by floral
swags and spade feet, some inlay later,
95cm. high by 180cm. wide; 3ft. lJ/2in. by
5ft. llin.

A George III mahogany extending
Dining Table, circa 1810, the rounded
rectangular top with concertina action,
the frieze with narrow boxwood banding,
on spiral reeded turned legs with brass
castors, 329cm. long by 121cm. wide;
10ft. 91/2in. by 3ft. lltein., including five
leaves.

A George IV rosewood Teapoy, circa 1830, the moulded hinged top revealing a pair of canisters and blending bowl divisions, the sides with scroll handles, on a square tapered

pillar, shaped platform base and moulded splayed feet, 45cm. wide; lft. 51/2in.

ASH LADDER BACK DINING CHAIRS - GEORGE III ELM SETTLE - EARLY GEORGE III OAK SETTLE - SIX OAK DINING CHAIRS - FARTHINGALE DINING CHAIRS

A GOOD EARLY GEORGE III ELM SETTLE with a tall paneled concave back and paneled arms above а box seat fitted with a cupboard door, mid 18th century.

A HARLEQUIN SET OF THREE GEOR
GIAN ELM SIDE CHAIRS, each with а
vase shaped solid splat, one dated
1705, solid seat on turned sup
ports, rails and pad feet, mid 18th
century.

A GEORGE III ОАК SETTLE with a four
panel back, open arms, solid seat on cabriole supports and pad feet; late 18th century.

SIX ASH LADDER BACK DINING CHAIRS, including one arm chair, each with a rush seat on turned supports and pad feet, all early 19th century, four matching, the others very similar

and contemporary.

A SET OF FIVE ASH AND ELM WINDSOR
WHEEL BACK DINING CHAIRS, each
with a wheel pierced splat flanked
by sticks, dished seat on turned
supports and rails, second quarter
19th century, each bearing a brand
mark M.S.

AN ОAK SETTLE with a triple panel back carved with lozenges, open arms, paneled seat with a squab cushion on turned front supports, reconstructed from some 17th century pieces.

A SET OF SIX ASH LADDER BACK DIN
ING CHAIRS, each with a slightly
shaped у оке rail, rush seat on
turned supports and pad feet, early
19th century; And two very similar
Ash Dining Chairs, each with а
straight rail.

AN OAK HALL BENCH, the triple
panel back above а box seat,
flanked by open arms on stump
supports,  part 18th century.

AN OAK SIDE CHAIR, with a solid
vase shaped splat, solid seat on
turned supports, early 18th century.

A COMPOSED SET OF EIGHT ASH AND ELM LADDER BACK DINING CHAIRS, each with a slightly concave turned back rail, four chairs with straight ladder slats and four chairs with wave

ladder slats, each with a rush seat on turned supports and pad feet; And another Cut Down Ladder Back Chair, all early 19th century.

А17TH CENTURY STYLE WALNUT ARM
CHAIR, with a padded panel back and rail arms, padded seat, with turned supports and rails throughout, upholstered in red dragon and applied with an 18th century silk and metal

thread cartouche, 20th century.

A HARLECUIN SET OF EIGHT ASH LAD
DER BACK DINING CHAIRS, including
two armchairs, each with stepped
shaped slat back, rush seat on
turned front supports joined by а
baluster stretcher on pad feet, early
19th century.

A HARLEOUIN SET OF SIX OAK DINING
CHAIRS, each with a shaped rail, vase shaped splat, solid seat on square supports, early 19th century.

AN EARLY GEORGE III OAK SETTLE, the
rectangular fielded four panel back above a later solid seat, open arms on cabriole supports and pad feet, mid 18th century.

AN EARLY GEORGE III ОAK AND ELM
WAINSCOT ARMCHAIR, the shaped rail above a fielded panel back, open arms, solid seat, the sides enclosed with elm panels, mid 18th century.

AN OAK WAINSCOT ARM CHAIR with
a shaped cresting above a foliate
carved panel back, open arms,
later solid seat on baluster turned
supports,  overall,
17th century.

AN ASH AND ELM WINDSOR ARMCHAIR, dished seat on ring turned supports, mid 19th century.

A SET OF SIX OAK DINING CHAIRS,
each with a shaped rail and a vase
solid splat, solid seat on square
supports; And A Similar Oak Arm
Chair, all late 18th century.

A SET OF EIGHT MID 17th CENTURY
STYLE FARTHINGALE DINING CHAIRS,
including two armchairs, each
with a rectangular padded back
and seat on baluster and reel
turned supports, early 20th century.

MAHOGANY TUB CHAIR - WALNUT ARMCHAIRS -  EDWARDIAN ART NOUVEAU OAK WRITING DESK - PEDESTAL DINING TABLE - GILT LACQUER PEMBROKE TABLE

A MAHOGANY TUB CHAIR, the frame inlaid with boxwood stringing with a padded back and sprung bow-fronted seat on square tapering legs, with castors, c. 1900.

A SET OF SIX GRAINED WALNUT CHAIRS,
each with an oval back with pierced
brackets carved with scrolls above a
sprung serpentine seat on moulded
cabriole legs, c. 1878.

A WALNUT ARMCHAIR with a waisted button-upholstered back and padded arms above a serpentine seat on leaf-carved cabriole legs, c. 1860.

A ROSEWOOD AND MARQUETRY ENVELOPE
CARD TABLE, the quartered top inlaid with bone and boxwood foliage and birds enclosing a baize-lined playing surface and counter wells, on square tapering legs joined by a stretcher; 75 by 54cm, c. 1900.

A NEST OF THREE LACQUERED OCCASIONAL
TABLES, each with a rectangular top,
two painted with dragons and vases,
the third an asymmetrical low table on
pierced lyre supports carved with
dragon-head feet, the largest 28 by
2lin; 71 by 53cm, c. 1920.

A  PAIR  OF  WALNUT  ARMCHAIRS,   each
with a padded back and outcurved arms
with leaf-carved terminais, the ser-
pentine sprung seats on scroll-carved
cabriole legs with claw-and-ball feet,
c. 1920.

A PAIR OF ROSEWOOD SIDE CHAIRS, each
with an oval padded back and pierced
scroll and flower cresting, the sprung
seats on leaf-carved cabriole legs,
mid 19th century.

A MAHOGANY CARD TABLE, the ‘D’-shaped top with a gadrooned border enclosing a baize-lined interior, the frieze carved with Greek key, on square tapering legs, 29?by31in;75 by 79cm.

A MAHOGANY BOOKCASE in tWO parts,
the upper part with a dentil cornice above a pair of thirteen-panel glazed cupboard doors, the lower section with two short drawers above another pair of thirteen-panel glazed doors enclosing shelves, 75by 36in; 192.5 by 91.5cm, c. 1910.

A ‘REGENCY’ GREEN AND GOLD PAINTED FOUR-SEATER SETTEE with moulded top-rails above a splat painted with trophies, on turned legs joined by stretchers, with four loose squab seats and two cushions, 67in; 170cm wide, c. 1900.

A ZANZIBAR BRASS-BOUND SMALL COFFER
with a fitted interior, the feet fitted with rollers, the whole bound in repousse brass, 22in; 56cm, late 19th/ early 20th century.

A GREEN AND GILT LACQUER PEMBROKE
TABLE, the top painted with Chinese dragons on six bobbin-turned supports joined by a turned stretcher, 27 by 69 by 57cm, c. 1920.

AN    EDWARDIAN    ART    NOUVEAU    OAK
WRITING DESK, the attenuated superstructure with adjustable bookshelves at the sides enclosing a recess, with a presentation plaque dated 1914, 72 by 42in; 183 by 107cm, c. 1910.

A   BLACK   LACQUER   AND   CHINOISERIE
BUREAU, with a fitted interior, the fiap working in conjunction with the lopers above two drawers, the stand with cabriole legs, 31 in; 79cm wide, 1920’s.

AN ‘EDWARDIAN ART NOUVEAU’ MAHO-
GANY SETTLE, the paclded back and sides upholstered with a repeating pattern of birds in stylised blossoming txees, the sprung seats similarly up¬holstered, the front with tapering square columns headed by branches, the apron pierced with a heart, on stepped block feet; 143.5cm wide, c. 1910.

A   ‘GEORGE   III’   MAHOGANY  ARMCHAIR,
the pierced back carved with ribbon-tied foliage, the outcurved arms with scroll terminais carved with leaves above a padded seat on cabriole legs with scroll toes carved with leaves, c. 1900.

A   BLACK   LACQUER   AND   CHINOISERIE
COCKTAIL CABINET en suite with the previous lot, with two cupboard doors above two short drawers, the stand with cabriole legs, 53 f by 44in; 136.5 by 112cm, c. 1920.

A ‘GEORGE I’ WALNUT SIDE CABINET with
a moulded top above two arched cup-board doors flanked by two further arched cupboard doors above two long drawers, on a stand with a moulded border and cabriole legs, 48 by 31 in; 122 by 79cm, c. 1920.

A MAHOGANY PEDESTAL DESK, the rect-
angular top with a leather-lined writing surface, the frieze with three long drawers above three graduated drawers in each pedestal, on bracket feet, 31 by 60in; 79 by 152cm, 20th century.

A ‘GEORGE III’ MAHOGANY DINING TABLE,
the ‘D’-ends with self-tapering columns and three downswept legs, 95in; 241.5cm long fully extended, 55in; 104cm wide, made up in the 20th century.

A SET OF SIX WALNUT DINING CHAIRS,
including a pair of Armchairs, in Art Deco style, each with an upholstered back with broadly canted tops and sprung seats and moulded legs, 1930’s.
Several of these chairs bear a small unidentified stamp of a shaped cross within a horseshoe.

A   MAHOGANY   BREAKFAST   TABLE,   the
circular top inlaid with bandings on a tripod support with paw castors, the top re-veneered and with later inlay, married to the base, 43|in; 111cm diam., late 19thjearly 20th century.

A WALNUT AND MARQUETRY SIDE CABINET,
the envelope top inlaid with seaweed marquetry enclosing a polished surface, the frieze with three graduated drawers, on cabriole legs with pad feet, 33 by loin; 84 by 41cm, c. 1920.

A NEST OF MAHOGANY QUARTETTO TABLES,
the rectangular tops banded in satin-
wood on turned trestle supports, the
largest 28 by 22in; 71 by 56cm, early
20th century.

A MAHOGANY SEWING TABLE, the frieze
with a central drawer flanked by leaf scrolls above a silk workbag on a trestle base joined by a pole stretcher with bun feet, 29 by 27|in; 74 by 70cm, c. 1840.

A   ‘GEORGE   III’   MAHOGANY   PEDESTAL
DINING TABLE, with two ‘D’-ends and four leaves, each pedestal with four reeded downswept legs, 146in; 481.5cm long fully extended, third quarter of the 20th century.

1700`s American Rococo Sideboards

In America, the Rococo sideboard emerged as a distinctly restrained version of the European style : interiors were hardly as fanciful as their European counterparts, and drawing room walls were ornamented with architectural pediments and rectangular panels rather than gilt cartouches, in a persistence of the Palladian style. Japanning was popular, especially in Boston, but in America the fantastic cult of chinoiserie never crystallized into carved mahogany dragons. The Gothic revival struck no chord in American tradition, and the stylized rustic scenes favoured by mid-century English and French aristocrats could hardly have been adopted as refreshing in a nation still developing vast expanses of wilderness.
Because examples reached the colonies largely through pattern-books, some American Rococo carving is flat rather than sculptural, especially on Boston pieces. Queen Anne forms such as arched pediments, classical details and claw-and-ball feet were retained, and Rococo ornaments and variations added to them.
The superior craftsmanship of Philadelphia cabinetmakers, such as Benjamin Randolph and the English immigrant Thomas Affleck, produced well-proportioned sideboards with swan-neck pediments, flame finials, sculptural carvings of foliage and figures, and sculptured busts and cartouches held above the broken pediments. Scroll pediments carved with Philadelphia-style open lattice-work may be found in the cherry sideboards from Connecticut executed by Eliphalet Chapin, who worked for some time in Philadelphia.
Some case pieces of Boston, where John Cogswell worked, exhibit the only bombe forms found in the colonies; mirrored panels with ogee-curve borders are also found on cabinets made there. The cabinets and
chest-of-drawers from the Townsend-Goddard cabinet-making family of Newport, Rhode Island, were exceptional pieces of workmanship, with undercut claw-and-ball feet, undulating concave and convex shells and smoothly executed block fronts.
American ideboards were of many forms including Pembroke and fold-top card-sideboards. Serpentine sideboards from New York had rectangular candle supports at the corners and gadrooning on the aprons. Small Philadelphia bird-cage sideboards, with tilting tops, stood on fluidly curved tripods. Upholstered seats included sofas with sinuous rails and straight ‘Marlborough’ legs, easy sideboards with cartouches carved on the cabriole legs, and local variants of sideboards copied from the publications of Chippendale, Manwaring, and Ince and Mayhew. More primitive forms, such as the brightly painted chests and cupboards of German and Dutch settlements in Pennsylvania and New York, continued to be made in provincial areas. The Rococo in EuropeIn Italy, where the landscaped grotto was a long-established source of ornament, the Rococo at times took on an extreme lightness, with sideboards and tables resting on shapely cabriole legs comprised of reversing C-scrolls. Delicate effects of underground rock-like growth were achieved in the crisp, crustaceous carvings on the edges of legs, backs and skirts of tables and sideboards. Carved shells, lion masks and naturalistic foliage appeared alongside elements of chinoiserie such as peasant figures of antique American sideboards.