Antique Sideboard

An Art Nouveau oak Sideboard, Victorian carved walnut framed Sofa, Queen Anne oak boarded Box, Queen Anne-style walnut Dining Chairs

An Art Nouveau oak Sideboard, circa 1905, the galleried back with an embossed copper panel and pierced sides, the pair of frieze drawers above inverted tapered square legs

joined by stretchers, 126cm. high by 111cm. wide.

A William and Mary walnut and featherbanded Chest, circa 1690, now in two parts, the moulded crossbanded top above two short and three long graduated drawers, on later bracket

feet, 96cm. high by 86cm. wide.

A George III mahogany and
crossbanded bow-front Sideboard, circa 1790,
inlaid throughout with stringing, the central
frieze drawer above a pair of small panelled
doors flanked by deep drawers, the tapered
square legs on brass spade feet and castors,
90cm. high by 138cm. wide.

A matched set of eight Regency
rail-back Dining Chairs, circa 1815,
comprising: a pair of armchairs with gadrooned crestings and stuffed seats, on ring turned legs, and a set of six rail-back standard chairs, on turned legs, re-railed and

restored.

A Victorian carved walnut framed Sofa, circa 1860, covered in button upholstered gold dralon, the arched pierced back with a foliate scroll cresting, the bowed arms above scroll

facings carved with fruit, on cabriole legs, 196cm. wide.

A George III mahogany Occasional Table, circa 1770, the square moulded tilt-top with a galleried border, with a baluster turned pillar and tripod supports, altered, 61cm. wide.

A Chinese carved hardwood Armchair, circa 1900, the dragon mask cresting above a panel back carved in relief with a stylised dragon, the serpentine solid seat with dragon arms,

on cabriole legs.

A George III mahogany Pembroke Table, circa 1790, the oval top with two fall leaves and chequered inlay above one real and one dummy frieze drawers, the fronts with rosewood

crossbanding, on square tapering legs with spade feet, restored, 76cm.

A Louis XVI walnut miniature
Commode, circa 1790, the later grey marble
top above three drawers with brass mouldings,
the fluted sides on tapered square feet, 31cm.
high by 31cm. wide.

An Edwardian oak pedestal Writing Desk, the tooled leather-inset top above an arrangement of nine drawers, on tapered square feet, 153 cm. wide, bears trade label of Robson &

Sons, Newcastle-on-Tyne.

A Queen Anne oak boarded Box, with hinged cover, faults, 61cm. wide.

A George IV mahogany Tea Table, with a rectangular top, on a turned pillar.

A George IV mahogany tripod Table, the circular tilt-top above a turned column a reeded legs, faults, 56cm. diam.

A George III mahogany Chest, of two short and three long graduated drawers, on bracket feet, 106cm.

A Victorian Chaise Longue, the scrolled; end and seat upholstered in green dralon, on turned feet, 162cm.

A pair of Queen Anne-style walnut Dining Chairs, with vase-shaped splats, the drop-in needlework seats above shell carved cabriole legs with ‘H’-shaped stretchers.

An Edwardian mahogany Armchair, the
oval cane panel back and serpentine seat above
turned legs; together with another Edwardian
mahogany Armchair, on stop-fluted turned
legs.

An Edwardian mahogany Writing Desk,
the galleried leather-inset top with two small
drawers, below is an arrangement of nine
drawers, 122cm. wide, now on plinth bases.

A George III mahogany Side Table,
fitted with two frieze drawers, on chamfered
square legs, 100cm. wide.

A George I-style walnut Card Table, the eared fold-over top with counter recesses, on shell carved cabriole legs and pad feet, 80cm. wide.

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

Victorian carved walnut and upholstered spoon-back Occasional Chair, Victorian walnut inlaid and gilt-metal mounted Side Cabinet, Victorian walnut Music Cabinet

A Victorian satinwood and
rosewood crossbanded Centre Table,
circa 1880, in the French style, the
serpentine top centred by an amboyna
roundel within an amboyna border, the
ends with opposing frieze drawers, on
gilt-metal mounted cabriole legs, 73cm.
high by 118cm. wide; 2ft. 5in. by
3ft. lOVzin., drawer stamped John Metcalfe
Maker, Richmond.

A rose ood and brass-bound secretaire Military Chest, in two parts, the stationery drawer fitted with small drawers above three long drawers, 100cm. wide; 3ft.
A Victorian black papier-mache and painted Occasional Table, circa 1850, the shaped oval tilt-top with a central spray of flowers bordered with mother-of-pearl and gilt, the

baluster turned stem and moulded circular base with gilt decoration, on iron scroll feet.

A Victorian carved walnut and
upholstered spoon-back Occasional
Chair, circa 1850, with Royal heraldic
needlework and beadwork covering, Honi
Soit qui mal y pense, on cabriole legs and
ceramic castors.

A Victorian papier-mache black
lacquer and mother-of-pearl inlaid
Chair, circa 1850, the broad cresting and
oval splat above a woven cane serpentine
seat, on cabriole legs.

A Victorian walnut and amboyna
banded Davenport, circa 1865, inlaid
throughout with stringing, the sloping
top with a rear stationery compartment,
the panelled sides including a door
enclosing drawers, on a platform base
with bun feet, 58cm. wide; lft. 10V2in.

A George Ill-style carved
gilt-gesso mirror-back Console Table,
circa 1850, the back with a pierced scroll
cresting above a pair of twin-branch
candle sconces, the serpentine white
marble top above a pierced frieze with a
central cartouche, on scrolled cabriole
supports, 255cm. high by 89cm. wide;
8ft. Wrin. by 2ft. llin.

A Victorian carved mahogany
scroll-end Chaise Longue, circa 1850,
with a pierced side-rail and pink velvet
upholstery, on cabriole legs, 186cm. long;
6ft. lin.

A William and Mary-style walnut
Candle Stand, circa 1920, the octagonal
crossbanded top above a turned, carved
and chamfered stem, on scrolled tripod
supports, 32cm. wide; 121/2in.

A Victorian walnut inlaid and
gilt-metal mounted Side Cabinet, circa
1870, the central panel door enclosing a
lined interior, flanked by a pair of bowed
glazed doors, on turned ebonised bun
feet, faults, 107cm. high by 152cm. wide;
3ft. 6in. by 5ft.

A George Ill-style mahogany
Bowl Stand, with triple turned supports
293    and a pair of small drawers, on cabriole
legs, 92cm. high; 3ft. Viin.

A George Ill-style mahogany
Bowl Stand, with triple turned supports
and a pair of small drawers, on cabriole
legs, 81cm. high; 2ft. 8in.

A Victorian ash Writing Table,
circa 1860, the rounded rectangular top
with a frieze drawer, the turned end
supports joined by a stretcher, on
scrolled legs, 76cm. wide; 2ft. 6in., bearing
trade label of Wylie & Lockhead, 45
Buchanan Street, Glasgow.

A George II-style carved
mahogany Library Armchair, circa
1900, upholstered in brown hide, on
cabriole legs with acanthus carved knees
and scroll feet.

A Victorian walnut Music
Cabinet, circa 1870, inlaid throughout
with ebonised spandrels and boxwood
stringing, the glazed panel door
enclosing divisions and a drawer, the
turned pilasters above a plinth base, on
castors, 102cm. high by 62cm. wide; 3ft. 4in.
by 2ft. Vim.

A Victorian carved Stool, circa
1850, with a floral beadwork seat, on
cabriole legs, 84cm. wide; 3ft. 7in.

A George Ill-style mahogany and
fretwork Urn Table, circa 1880, with a
pierced galleried top above a slide, on
moulded chamfered square legs headed
by pierced angle brackets, on flared feet
joined by stretchers, 68cm. high by 28cm.
wide; 2ft. 3in. by llin.

An oak narrative Cabinet by The Reverend Charles Donald, made-up,
relating to the Latin legend of Sir Guy, the
domed mother-of-pearl inlaid cornice
centred by three candle sconces and
flanked by panels of script above a pair
of recessed panelled doors with iron
hasps enclosing a painted interior with a
door and pierced tracery, the pierced
supports with painted figures including
an angel, below are two long panelled
drawers with iron handles and pierced
iron escutcheons, the whole with painted
portrait and figural niches and a pair of
heraldic shields, 190cm. high by 122cm.
wide; 6ft. 3in. by 4ft
The following information is provided in a document supplied by the vendor: Made by The Rev. Charles Donald in his later years, about 1920, having retired to Staffordshire after

25 years’ magnificent work in the worst slums of London. The wood used was oak 600 years old, used in the construction of a barn which had to be pulled down by the village

squire: no nails or screws were used in Sir Bevis, which was constructed using tools which were in use 600 years earlier at the time the oak was planted. These two pieces of

furniture were the first and last he ever made.
The Christmas Cupboard The Latin legend on ‘Sir Guy’ says: ‘This oak is made for Common use but dedicated to the Highest like ourselves’. The Latin on the inner door says: ‘I

sought thee without - but lo! Thou wast within’. ‘One seeks God in Nature in vain. He is within the heart.’ Le coeur a raisons car le raison ne connait pas.
Sir Guy had lived a gay life, till he met on Christmas Day a poor girl with her babe which changed his life after he gave himself to charity. This is depicted inside. They were

done by a very good professional artist, Conway.

An oak narrative Cabinet by The Rev. Charles Donald, made-up, relating to the tale of Sir Bevis, the shallow raised back surmounted by wrought iron candle sconces and colonnade

niches enclosing miniature painted figures, the pierced front carved throughout with borders of script and enclosed by a pair of doors, below is a three-panel base including a

pair of doors and revealing painted panels, on stile feet, 120cm. high by 165cm. wide; 3ft. llin. by 5ft. 5in.
The following information is provided in a document supplied by the vendor: Sir Bevis, by The Rev. Charles Donald. ‘I made it at Brampton where I got the finely seasoned oak.

The Bramptons had held the old half-timbered Hall for centuries till they sold it to my Squire, Sir John Hall. A young Brampton was shot there by the Cromwellians as he stood in

the doorway clothed in silk shirt and red stockings. The villagers say his ghost has often been seen there - a sad child in red stockings. An educated lady assured me that she

had seen him. I spent midnight alone there, but he failed to appear. In the parish was Blore(?) Heath where the famous battle was fought, and on the edge of the moat (now mostly

a bog) is a wood where, according to local legend, a great serpent once lived, the terror of villagers crossing that lonely spot. The “ghost” (red stockings) and the Snake of

Blore Heath are the background of Sir Bevis.
In the left panel, Sir Bevis is in bed and hears the red-hosed ghost who tells him the coming fate of his two sons.
The younger, a good lad, who always did as he was told, was to marry a rich heiress. All the centre panel is taken up with the wedding in the chapel - the organist and retainers

etc. - and the rich opal, a gift from the bride.
But the elder son was a very bad boy. He put live rats in his father’s boots and sewed up the sleeves of his Sunday suits, etc. So the Serpent of Blore scared his horse and

later devoured him. That is the story when I made the service cupboard for the child. That opal by the way is real and cost ?10 when opals were cheap.’

An Edwardian mahogany and
satinwood banded breakfront Library
Bookcase, circa 1910, the moulded
cornice above three astragal doors
enclosing adjustable shelves, the lower
part with three panel cupboard doors, on
a plinth base, 224cm. high by 183cm. wide;
7ft. 4in. by 6ft.

A late Victorian mahogany and
satinwood banded breakfront secretaire
Bookcase, circa 1900, by Edwards &
Roberts, inlaid throughout with urns, •
trophies and stylised floral designs, the
pierced fret swan-neck pediment above
two pairs of astragal doors enclosing
adjustable shelves, the lower part with a
writing drawer revealing satinwood
veneered stationery compartments, below
are two pairs of panelled doors, on
bracket feet, 285cm. high by 250cm. wide;
9ft. 4in. by 8ft. 2V2in., drawer stamped
Edwards fcf Roberts.

Edwardian satinwood and parcel-gilt small Bureau, Victorian rosewood Occasional Table, Edwardian mahogany Display Cabinet, Edwardian mahogany Armchairs

An Edwardian satinwood and
parcel-gilt small Bureau, circa 1910,
decorated throughout with painted floral
sprays, the fall revealing a well and
pigeon-holes, the frieze drawer above
turned and fluted splayed legs joined by
pierced stretchers, 74cm. high by 38cm.
wide; 2ft. 5in. by lft. 3in.

A late Victorian rosewood
Occasional Table, circa 1900, inlaid
throughout with ivory and boxwood
stringing, the serpentine top with a
central arabesque roundel, the cabriole
legs with stretchers joined by a small
circular undertier, 75cm. wide; 2ft. 5V2in.

A George Ill-style mahogany
Wing Armchair, circa 1900, with
tapestry upholstery, on moulded
chamfered square legs joined by
stretchers.

A Victorian satinwood secretaire
Cabinet, circa 1860, the panelled fall
with rosewood inlaid arabesques, the
interior with stationery compartments
and a leather-inset writing surface, the
conformingly inlaid frieze drawer above
fluted turned legs with gilt-metal
mounts, on brass castors, 136cm. high by
97cm. wide; 4ft. 5V2in. by 3ft. 2in., castors
stamped Cope Collinson Patent.

A set of six Victorian carved
walnut balloon-back Chairs, circa 1855,
with floral crestings and mid-rails above
damask upholstered serpentine seats, on
cabriole legs.

A Victorian figured walnut combined Work and Tea Table, circa 1860, inlaid throughout with stringing, the rectangular fold-over top above a frieze drawer and a solid well, the

turned and splayed supports joined by a stretcher, 61cm. wide; 2ft.

An Edwardian mahogany Display
Cabinet, circa 1905, inlaid throughout
with ivory and sycamore floral motifs,
the domed cornice with a mirrored
recess above a pair of bowed leaded
glazed doors, the base with a further
recess and a pair of leaded glazed doors,
on tapered square legs with foliate
carved feet, 225cm. high by 99cm. wide;
7ft. 4V2in. by 3ft. 3in.

A pair of George Ill-style
satinwood and painted Armchairs, circa
1880, the pierced shield-shaped backs
decorated with floral sprays, the caned
seats above tapered square legs, on spade
feet.
Cf. Regency Furniture by Francis Collard, published by Antique Collectors’ Club, page 235: A painted satinwood Chair, circa 1880, by Wright &f Mansfield.

A black lacquer Chinoiserie
Bergere Sofa, circa 1920, the double
caned back and seat with turquoise velvet
upholstered cushions, on square legs,
168cm. wide; 5ft. 6in.

A George Ill-style mahogany
small Chest, 20th Century, the moulded
top above a slide and three long drawers,
on bracket feet, 73cm. high by 67cm. wide;
2ft. 5in. by 2ft. 2V2in.

A George Ill-style mahogany
Armchair, made-up, with a pierced
trellis back and bowed cane seat with
green velvet squab cushion, on fluted
turned legs.

An Edwardian satinwood
demi-lune Pier Cabinet, circa 1905,
inlaid throughout with ebony stringing and sycamore bandings, the later marble top above a panelled door decorated with marquetry ribbon-tied baskets of fruit, on shaped bracket

feet, 90cm. high by 111cm. wide; 2ft. 11′fain, by 3ft. 7′/2in., formerly with an upper section.

A pair of Edwardian mahogany
Armchairs, circa 1910, the wreath inlaid
cresting rails above tub-shaped backs
with griffin arm supports, the
serpentined seats on cabriole legs ending
in paw feet.

A George Ill-style mahogany
armchair, circa 1910, with a pierced and
swag carved splat and dipped striped
velvet upholstered seat, on moulded
chamfered square legs; together with a
matching single Chair.

A Victorian papier-mache Music
Stand, circa 1855, the adjustable
cartouche-shaped frame with a titled
painting of Paul and Virginie, after
Augustus Leopold Egg, on a telescopic
brass stem and gilt decorated baluster
pillar with scrolled tripod supports,
faults, now lacking detachable music ledge,
74cm. high when retracted; 2ft. 5in., the
reverse with an indistinct hand-written
label.

A Victorian walnut and inlaid Side Cabinet, circa 1855, with gilt-metal mounts and inset Sevres-style porcelain plaques, the central cupboard flanked by a pair of bowed glazed

doors, on a plinth base, 107cm. high by 156cm. wide; 3ft. 6in. by 5ft. IVnn.

A George Ill-style carved giltwood Overmantel Mirror, circa 1850, the pierced foliate and flame motif frame with four cartouche-shaped panels, 109cm. high by 118cm. wide;

A Victorian burr walnut and
tulipwood crossbanded Centre Table,
circa 1850, the rectangular quarter-
veneered top with serpentine sides, the
scroll carved supports joined by a
stretcher with lion masks at each end,
72cm. high by 149cm. wide; 2ft. 4l/iin. by
4ft. llin.

A George Ill-style mahogany breakfront Library Bookcase, circa 1920, the dentilled cornice above four pairs of astragal doors and a pair of slides, the interior with adjustable

shelves, on bracket feet, 249cm. high by 238cm. wide; 8ft. 2in. by 7ft. 11 tein.

A pair of George Ill-style gilt-
gesso Wall Mirrors, the cartouche-
shaped surrounds carved with ‘C’-scrolls,
flame motifs and flowerheads, 66cm. high
by 49cm. wide; 2ft. 2in. by lft. 7in.

George III mahogany breakfront Library Bookcase, Regency rosewood Writing Table, George IV mahogany Serving Table and Cellaret

A George III mahogany
breakfront Library Bookcase, circa
1810, with the moulded cornice above
two pairs of lancet astragal doors
enclosing adjustable shelves, the lower
part enclosed by corresponding panel
doors with ebonised mouldings, on a
plinth base, 241cm. high by 246cm. wide;
7ft. llin. by 8ft. lin.

A George III mahogany small
Bureau, circa 1790, the fall outlined with
stringing and enclosing stationery
compartments, the four long graduated
drawers above bracket feet, 94cm. high by
76cm. wide; 3ft. lin. by 2ft. 4in.

A William IV rosewood Games
Table, circa 1830, the rectangular top
with a reversible sliding panel with
chessboard inlay revealing a
backgammon board, the columnar
turned stem on a shaped platform base
with bun feet, 73cm. high by 55cm. wide;
2ft. 5in. by lft. 9V2in.

A Regency rosewood Writing
Table, circa 1820, the rectangular top
with a leather-inset top and gadrooned
mouldings, the pair of frieze drawers
above a slide, the twin ring turned end
supports joined by a pole stretcher with
paterae mounted sides, on splayed legs
ending in chased brass castors, 75cm. high
by 112cm. wide; 2ft. 5J/2in. by 3ft. 8in.

A William IV rosewood Teapoy,
circa 1835, the circular top enclosing
four divisions, the gadrooned frieze
above a baluster turned and cabochon
carved support with scrolled acanthus
tripod supports, 48cm. diam.; lft. 7in.

A George III mahogany Chest,
circa 1760, the moulded top above two
short and three long graduated drawers,
on ogee bracket feet, 81 by 97cm. wide;
2ft. 8in. by 3ft. 2in.

A George IV mahogany Serving
Table and Cellaret, circa 1825, the
rectangular table top above an acanthus carved frieze, on reeded turned tapering legs, 94cm. high by 175cm. wide; 3ft. lin. by 5ft. 9in.; together with a matching mahogany

Cellarette of sarcophagus form, the moulded hinged top revealing lead-lined partitions, the panelled sides above gadrooned feet, 52cm. high by 71 cm. wide; lft. 8′/2in. by 2ft.

4in.

A Regency mahogany secretaire
Bookcase, circa 1810, the broken-arch
pediment with a stylised swag and
volutes, the pair of astragal doors
enclosing adjustable drawers, the writing
drawer revealing satinwood stationery
compartments, below are three long
graduated drawers, on turned feet,
230 by 105cm.

A Regency rosewood Chiffonier,
circa 1815, the raised back with an open
tier above a frieze drawer and a pair of
panelled doors, on later bun feet, 118cm.
high by 92cm. wide; 3ft. lO’fan. by 3ft.

A William IV mahogany breakfront Bookcase, circa 1835, the
chamfered cornice above four astragal
doors enclosing adjustable shelves, below
are three frieze drawers and four panel
doors enclosing adjustable shelves, on a
plinth base, 213cm. high by 234cm. wide;
7ft. by 7ft. 8m.

A George IV rosewood Cabinet, circa 1825, in two parts, the moulded cornice above a glazed panelled upper section enclosed by a pair of doors, the mirror-backed interior with

lined shelves, the projecting base with a pair of pleated fabric panel doors enclosing adjustable shelves, on a plinth base, 203cm. high by 127cm. wide: 6ft. 8in. by 4ft. 2m.

A George IV mahogany Cheval Dressing Mirror, circa 1820, the
rectangular plate with scrolled reeded supports joined by stretchers, on hipped splayed legs ending in brass paw feet and castors, 78cm. wide; 2ft. 61hin.

A George III mahogany oval pedestal Table, circa 1800, the tilt-top with later satinwood crossbanding, the columnar turned stem on quadruple splayed legs ending in brass

castors, restored, 132 by 108cm.; 4ft. 4in. by 3ft.61/2in.

A George IV rosewood Davenport, circa 1825, the leather-inset top with a rear pierced fret gallery including a pair of drawers, the pierced lyre-shaped supports with plume

splats, on platform base with a turned stretcher and scroll feet, 53cm. wide; lft. 9in.

A William IV mahogany
Partners’ Writing Table, circa 1835, the
moulded rectangular top with a tooled
leather inset and six opposing drawers,
the reeded turned legs on brass cappings
and ceramic castors, 111 by 180cm.;
3ft. Win. by 5ft. llin., bearing drawer
impress E. W. Hammond, 30 Bell Yard,
Lincolns Inn.

A Regency painted and gilt
Overmantel, circa 1815, the stepped
cornice above a circular convex plate
within green and gilt lattice frieze, the
bound cluster columns with acanthus
capitals enclosing a rectangular plate,
98cm. high by 132.5cm. wide; 3ft. 2l/2in. by
4ft. 4′Ain., plates later.

A George III mahogany tray-top Commode, circa 1790, the tambour front above a pull-out base, on square legs, 78cm. high by 51cm. wide; 2ft. 63Ain. by lft. 8in.

A painted canvas four-fold Screen, early 19th Century, decorated throughout with flowers and exotic birds within nailed borders, 160cm. high;
5ft. 3in.

A George III mahogany Library
Bookcase, circa 1780, the arched
dentilled cornice and blind-fret frieze
above a pair of geometric astragal doors
enclosing shelves, below are a pair of
panel doors enclosing two short and two
long crossbanded drawers, on a plinth
base, 272cm. high by 140cm. wide; 7ft. llin.
by 4ft. 7in.

A George III mahogany ‘D’-end
Dining Table, circa 1790, with a reeded
border, on tapered square legs ending in
brass spade feet and castors, altered,
173cm. long by 121cm. wide fully extended.

George I walnut chair-back Settee, William and Mary walnut and featherbanded Tea Table,  George I walnut Armchair, George II yew-wood Chest-on-Chest

A George I walnut and featherbanded Bureau Bookcase, circa 1720, the arched cavetto cornice above a pair of astragal doors enclosing adjustable shelves with a pair of candle

slides and a dummy drawer, the fall revealing stepped stationery compartments and a well above a pair of doors enclosing later sliding trays, on bracket feet, restored, 223cm.

high by 95cm. wide; 7ft. 4m. by 3ft. IVzin.

A Queen Anne-style walnut and featherbanded Bureau Bookcase, circa 1910, the double domed cornice with urn finials above a pair of bevelled and star cut mirror panel doors

enclosing adjustable shelves, the fall surmounted by a pair of candle slides and enclosing a fitted interior including a well, the two short and two long graduated drawers above

shaped bracket feet, 210cm. high by 95cm. wide; 7ft. lOViin. by 3ft. Vfcin.

A William and Mary oyster laburnum and walnut Chest, circa 1700,
with segmented veneers and holly
stringing, with two short and three long
graduated drawers, the sides with
roundels, on later shaped bracket feet,
restored, 90cm. high by 94cm. wide;
2ft. litem, by 3ft. lin.

A Queen Anne walnut Dressing Table Mirror, made-up, the bevelled plate with pierced fret surmount, the stepped base with three short drawers above one long drawer, on bun feet,

41cm. wide; I ft. 4in.

A George III cherrywood Bureau, circa 1780, the fall revealing stationery compartments, the four long graduated drawers above later bracket feet, faults, 98cm. high by 81cm.

wide; 3ft. 2V2in. by
2ft. 8in.

A George I walnut chair-back Settee, circa 1720, the shell carved cresting above triple pierced vase-shaped splats, the drop-in seat on shell carved cabriole legs with pad feet,

restored

A George I walnut Side Table, circa 1720, the moulded top above three frieze drawers and a shaped apron, on cabriole legs ending in pointed pad feet, restored, 71cm. high by

86cm. wide; 2ft. 4in. by
2ft. Win.

A William and Mary walnut and featherbanded Tea Table, circa 1700,
the semi-elliptical top with a pair of small
frieze drawers, the turned and octagonal
tapering legs joined by stretchers, on bun
feet, restored and including later components,
71cm. wide; 2ft. 4in.

A George I walnut and feather-
banded Bureau, circa 1720, the fall
revealing a well and stepped stationery
compartments, the two short and two
long graduated drawers above later
bracket feet, 98cm. high by 91cm. wide;
3ft. 21hin. by 3ft.

A George I walnut Armchair,
circa 1715, the oak cresting rail above a
solid vase-shaped splat, the leathercloth
upholstered seat on cabriole legs joined
by turned ‘H’-shaped stretchers

A pair of George I walnut Side
Chairs, circa 1750, with solid
vase-shaped splats and drop-in seats, on
cabriole legs with pad feet

A George I walnut and feather-banded secretaire Chest, circa 1720, the
later top above a moulded frieze,
formerly with a slide, the writing drawer
revealing stationery compartments above
three long graduated drawers, on
bracket feet, 113cm. high by 107cm. wide;
3ft. 8in. by 3ft. 6in., formerly with an upper
section

A William and Mary walnut cushion frame Wall Mirror, circa 1690,
with a later rectangular plate, restored, 53 by 49cm.; lft. 9in. by lft. 7in.

A George I walnut Armchair, circa 1720, with a solid vase-shaped splat and drop-in seat, on cabriole legs joined by turned ‘H’-shaped stretchers and with pad feet, restored

A William and Mary beech wood and cane Side Chair, circa 1690, with a pierced cresting and cabriole legs joined by turned ‘H’-shaped stretchers

A George I walnut and feather-
banded kneehole Writing Desk, circa
1720, the quarter veneered crossbanded
top above one long frieze drawer
revealing a writing surface and
compartments, the kneehole with a
recessed cupboard door surrounded by
seven drawers, on bracket feet, restored,
74cm. high by 75cm. wide; 2ft. 5in. by
2ft. 51/2tn.

A George I walnut and feather-
banded Chest, circa 1715, the
crossbanded top above two short and three long graduated drawers, on reduced bracket feet, restored, 97cm. high by 89cm. wide; 3ft. 2in. by 2ft. 11 in.

A George II yew-wood
Chest-on-Chest, circa 1730, the moulded
cornice above two short and three long
graduated drawers, the base with three
further long graduated drawers, on
bracket feet, 175cm. high by 96cm. wide;
5ft. 9m. by 3ft. 2in.

A William and Mary walnut and
featherbanded Bureau Bookcase, circa
1700, the moulded cornice above a pair
of doors with later mirror panels
enclosing shelves with candle slides
below, the fall revealing a well and
stepped stationery compartments, below
are two short and two long drawers, on
later bun feet, restored, 202cm. high by
104cm. wide; 6ft. Ttein. by 3ft. 5in.

A George I walnut Stool, circa
1720, the rectangular needlework seat
above cabriole legs with scroll carved
knees, on pad feet, 49cm. wide; lft. 7V2in.

OAK GATELEG TABLE - WILLIAM AND MARY ОAK BUREAU - ОAK PLANK COFFER - OAK COURT CUPBOARD - FRUITWOOD CHEST - CHARLES I ОAK COFFER

AN OAK GATELEG TABLE, the plain oval top above a fitted drawer on columnar turned supports, third quarter 17th century with restorations.

A LATE 17th CENTURY OAK SIDE TABLE, the rectangular two plank top above a single frieze drawer on turned supports joined by rails, with later feet and restorations.

A MID GEORGIAN OAK DINING TABLE, the rectangular three plank top with clinched ends, on four square tapering supports joined by an ‘H’ stretcher, mid 18th century.

AN EARLY GEORGE III OAK LAP DINING TABLE, the rectangular top on turned supports and pad feet, mid 18th century.

А CROMWELLIAN STYLE OAK REFECTORY TABLE, the three plank top with clinched ends on a fluted frieze and four baluster turned supports joined by square rails, early 20th century.

AN EARLY 17th CENTURY STYLE OAK
REFECTORY TABLE, the five plank rectangular top with clinched ends on a molded rail and foliate carved cup and cover baluster supports joined by square rails, reconstructed

using some early timber.

AN OAK MULE CHEST, the rectangular top with molded edge, the frieze rail carved with stylized grapes above two panels applied with molding and initialed I M 1720 and inlaid with

ebony and boxwood designs, above two short drawers also applied with moldings, on feet, third quarter 17th century, dated in the 18th century and with later restorations.

A LARGE OAK COFFER, the rectangular top hinged in two parts, above a broad rail incised Henn Smith and Elin Smith, 1677 above a five panel front, each panel carved with stylized

flowers and foliage on molded stump supports, third quarter 17th century.

A CHARLES I OAK COFFER, the plain top above a triple panel front applied with molding and initialed IP 1684, on square stump supports, the side panels similar applied with

moldings, second quarter 16th century, the top restored.

A COMMONWEALTH OAK COFFER, the four panel top above a foliate carved frieze rail and three lozenge and pendant carved panels, on stump supports, drawer lacking, mid 17th

century.

A LARGE ОАК ARMS CHEST, the seven panel top above a carved rail and а twelve panel front on stump supports, third quarter 17th century, the top with restorations.

A CHARLES I ОAK COFFER, the rectangular top with molded edge above a two paneled front, carved with roundels and hobs joined foliate carved rails and styles, on stump feet,

second quarter of the 17th century.

A GEORGE III OAK WALL CUPBOARD,
with a pair of arched fielded panel doors flanked by quadrant corners above a shaped apron rail,  third quarter 18th century.

A GEORGE II OAK MULE CHEST, the
rectangular top above three fielded panels and a series of three drawers above a shaped apron disguising stump supports, second quarter 18th century.

AN ОAK BUREAU BOOKCASE, the upper part with a pair of panel doors enclosing shelves and nine drawers, the lower part with a fall front and nicely fitted interior, above four

long graduated drawers, the lower part late 18th century, the upper part made up in the 19th century and carved throughout in the 19th century.

AN EARLY GEORGE III OAK CHEST ON
STAND, the upper part with а molded pediment above two short and three long cock beaded drawers, flanked by fluted corners, the stand fitted with five short cock beaded drawers

above а shaped apron on the front and sides, on cabriole supports, pad feet and castors, mid 18th century.

AN OAK CHEST, the top with molded edge above four long drawers each applied with geometric moldings and now on bracket feet, late 17th century, originally in two parts but now

joined and restored.

A GEORGE III POLLARD ОAK CHEST of four graduated cock beaded drawers on ogee bracket feet, cross banded throughout in mahogany, third quarter 18th century.

A SMALL ОAK PLANK COFFER, the top
with molded edge, the front plank carved with lunettes, mid 17th century with restorations.

AN OAK COURT CUPBOARD, the upper part with pendant finials and three arched fielded panel doors, the lower part with three frieze drawers above a pair of panel doors on stump

supports, early 18th century.

AN EARLY GEORGE III ОAK CORNER WALL CUPBOARD, the dentil cornice above a pair of arched panel doors, enclosing shelves above two dummy and one real drawer, flanked by fluted

canted sides, third quarter 18th century.

A MID GEORGIAN WALNUT MINIA
TURE CHEST, the rectangular top opening to reveal the interior divided into compartments, above two drawers with a secret drawer, behind, on bracket feet.

A GEORGE III ОAK MULE CHEST, the rectangular hinged top with molded edge above a series of six dummy and three real drawers flanked by fluted quadrant corners, on shaped stump

feet, cross banded throughout in mahogany, third quarter 18th century.

A GEORGE II ОAK AND  of two short and three long drawers, each drawer with broad herringbone banding, now on bracket feet, second quarter of the 18th century.

A LARGE OAK TRIDARN, with a castellated pediment, above a shaped pelmet initialed T В 1675 and an open section, the rail below carved with rosettes and pendant bosses flanking

two cupboard doors and а lozenge molded panel, the lower part with a fluted rail and a pair of four panel doors, now on turned feetmid 17th century, but the pediment early 20th

century and with restorations throughout.
*** The pediment indistinctly inscribed ‘This cabinet was repaired and polished by Robinson Swire, Cabinet Maker, late of Skipton, and brother-in-law to John Biker Man . . .

House, July, 1901′

AN OAK BUREAU, the fall front inlaid with an oval patter enclosing a fitted interior, above four graduated cross banded and cock beaded drawers on ogee bracket feet, early 19th

century with restorations.

A GEORGE III OAK BUREAU, the cross banded fall front enclosing a fitted interior above two short and three long cross banded drawers, now on castors, late 18th early 19th

century.

A GOOD EARLY GEORGE III ELM CRICKET TABLE, the 25in diameter top above a shaped frieze and down swept supports with pad feet, mid 18th century.

A WILLIAM AND MARY ОAK BUREAU, the fall front enclosing a fitted interior with eight drawers and а well, above two loppers and three short and two long cross banded drawers on

later bun feet, late 17th century.

17th CENTURY STYLE ОAK REFECTORY TABLE - ОAK CORNER WALL CUPBOARD - ОAK HANGING CORNER CUPBOARD -  ОAK DRESSER BASE

AN OAK DRESSER BASE, the rectangular top above three drawers on baluster turned supports and now on turned feet, late 17th early 18th century with restorations.

A 17th CENTURY STYLE ОAK REFECTORY TABLE, the rectangular top on trestle supports joined by a rail, late 19th early 20th century.

AN ОAK BIBLE ВОХ, the sloping front carved SB 1702, enclosing a well with three drawers, the front carved with vines and grapes, on а later stand, early 19th century.

A GOOD JAMES I STYLE ОAK DRESSER
BASE, the top with molded edge above two drawers applied with rectangular moldings, on six baluster supports and standard feet joined by a flat rail, early 20th century.

A GOOD EARLY GEORGE III ОAK CHEST
of small proportions, the top with molded edge above two short and two long cock beaded drawers on ogee bracket feet, third quarter 18th century.

AN ОAK DRESSER, the upper part with an ogee pediment above three plate rails, the lower part with three frieze drawers above а pair of panel doors flanking three central

drawers, on bracket feet, early 19th century.

AN ОAK СORNER CUPBOARD, the
dentil cornice above an astragal
glazed door enclosing two shaped
shelves, reconstructed.

A GEORGE III CORNER WALL CUP
BOARD, with a rectangular fielded
panel door enclosing three shaped
shelves, third quarter 19th century.

A MID GEORGIAN ОAK DRESSER, the
upper part with an arcaded pediment above three plate rails, the lower part with a pair of paneled doors applied with dummy drawer fronts, flanking a central panel, on stump

supports, mid 18th century.

AN ОAK CORNER WALL CUPBOARD with a molded pediment and а pair of bow front doors inlaid with stars within chevron bandings, enclosing three fitted shelves, early 19th century,

now on a later stand.

AN ОAK CORNER HANGING WALL
CUPBOARD, the door applied with molding and cross banded in mahogany, enclosing three fitted shelves, mid 19th century.

AN ОАК DRESSER, the upper part with a wavy pediment above а plate rail and a pair of panel doors flanking two further plate rails, the lower part with three drawers above a

conforming wavy apron, now on turned front supports, the upper part reconstructed, 18th century.

A GEORGIAN ОAK CORNER CUPBOARD of bow front outline, the molded pediment above a pair of cross banded doors enclosing shelves, late 18th early 19th century.

A GEORGE III О AK STANDING CORNER CUPBOARD, the upper part with а molded pediment above a pair of glazed cupboard doors with bars enclosing shaped shelves, the lower part with a

pair of panel doors, late 18th early 19th century.

AN ОAK DRESSER, the upper part with а cyma recta pediment above two plate rails, the lower part with molded edge above two central shallow drawers and a small spice drawer about

two arched panels, and flanked by a deep cockbeaded drawer on either side, above an open section and a pot board, on bracket feet, reconstructed in the 19th century.

A GEORGIAN ELM HANGING CORNER
CUPBOARD with a plain paneled
door enclosing two shaped
shelves, early 19th century.

A GEORGE III ОAK HANGING CORNER CUPBOARD with a molded pediment above a pair of bow front doors enclosing three shelves, flanked by fluted sides, late 18th century.

A GEORGE III ОAK CORNER CUPBOARD, with a pair of mahogany cross banded bow front doors, shelves lacking, early 19th century.

AN ОAK CABINET of rectangular form, with a pair of cupboard doors each applied with geometric moldings opening to reveal an arrangement of ten drawers about a central cupboard

door enclosing three further drawers, on a later stand with barley twist supports, the cabinet third quarter 17th century, with restorations.

A GEORGIAN ОАК DRESSER, the upper part with three plate shelves, the lower part with a two plank top above three frieze drawers and three dummy drawers, flanked on either side

by a cupboard door, third quarter 18th century.

A GEORGIAN ОAK DRESSER BASE, the rectangular top with molded edge above three frieze drawers each now with turned pulls on turned front supports, slightly reduced in height, mid

18th century.

NORTH ITALIAN PAINTED CHAIRS - DUTCH MAHOGANY COMMODE - PAINTED DISPLAY TABLE - ELM CHEST OF DRAWERS - WALNUT SECRETAIRE A ABATTANT - EXPORT LACQUER WORK TABLE

A PAIR OF NORTH ITALIAN PAINTED CHAIRS, the moulded cartouche-shaped backs with pierced splats, the stuffed seats on moulded cabriole legs, circa 1765.

AN ITALIAN KINGWOOD- AND PARQUETRY-VENEERED
COMMODE, the serpentine front containing three drawers
with brass swan’s neck handles and pierced backplates,
the shaped apron raised on short cabriole legs, 3ft. 3′/2in.
high by 3ft. lOin. wide (100cm. by 117cm.) circa 1770,
marble top missing, later mounts.

A DUTCH WALNUT CHEST, the arc-shaped front containing four long drawers, 2ft. 5in. high by 3ft. 2in. wide (74cm. by 97cm.) mid-18th Century, later feet.

A DUTCH MAHOGANY COMMODE of slightly bombe
form, with mottled pink marble top above three long
drawers on splayed bracket feet, 2ft. 8in. high by 3ft. 3in.
wide (81cm. by 99cm.) circa 1770, originally with a
wooden top, mounts replaced.

A LOMBARD WALNUT TABLE, the top crossbanded in tulipwood, the frieze inset with panels of kingwood, and raised on square tapering legs, 2ft. 5in. high by 3ft. 7in. wide (74cm.

by 109cm.) circa 1780, with restoration.

AN ITALIAN ARTE-POVERA BEDSIDE CUPBOARD, with hinged top and square tapering legs decorated with peasant figures in an antique landscape on a cream ground with mottled blue

scrollwork outlined in gilt, 2ft. bin. high by 2ft. wide (74cm. by 60.5cm.) late 18th Century, originally fitted with a pot, decoration restored.

A DUTCH WALNUT AND MARQUETRY CARD TABLE,
the serpentine top inlaid with flowers, the polished
interior inlaid with a chessboard with a playing card at
each corner, the frieze with a drawer, raised on square
tapering legs, 2ft. 6in. wide (76cm.) circa 1780, top and
legs warped.

A PAINTED DISPLAY TABLE with hinged glazed lid and glazed frieze, raised on circular fluted tapering legs with leafy collars and feet, painted gilt and dark red, 2ft. 6in. high

by 2ft. Hin. wide (76cm. by 89cm.) late 18th Century, Italian, possibly altered from a centre table.

A MlLANESE MARQUETRY SMALL CHEST of three
drawers on square tapering legs, the top inlaid with a musical trophy, the front with figures, 2ft. 6in. high by Ift. 9in. wide (76cm. by 53cm.) late 18th Century.

A MARQUETRY COMMODE, with a rectangular top, three long drawers and square tapering legs, inlaid with panels of floral marquetry, 2ft. Hin. high by 4ft. 5in. wide (89cm. by

135cm.) circa 1790, Milanese or Sicilian.

A FRENCH PROVINCIAL ARMOIRE with a cavetto cornice, the frieze inlaid with flowerheads above a cup-board door with a shaped moulded panel above two short drawers and another

panelled cupboard door, with fluted sides and a shaped apron, on short cabriole feet, 7ft. high by 3ft. 8in. wide (210cm. by 112cm.) circa 1770.

A DUTCH POLLARD ELM TALLBOY, with a white
marble top, canted corners and six long drawers, on
tapering block feet, 5/t. l’Ain. high by 3ft. 4in. wide
(155.5cm. by 42cm.) early 19th Century.

A DUTCH POLLARD ELM CHEST OF DRAWERS, the top crossbanded in walnut, the bowed front with one shallow and three deep drawers, on bracket feet, 2ft. 9V2in. high by 2ft. 5in. wide

(85cm. by 73.5cm.) circa 1795.

A VIENNESE MAHOGANY DESK with a tambour above a bowed front containing a slide and a pair of tambour cupboards flanked by ebonised pillars, with gilt-metal mounts and tall,

giltwood, paw feet, 3ft. 4in. high by 2ft. 21hin. wide (101cm. by 68cm.) circa 1820.

A DUTCH SEMI-CIRCULAR MARQUETRY GAMES
TABLE, the interior inlaid with a chessboard and playing
cards, the front with a pair of tambours and raised on
four square, fluted, tapering legs, 2ft. lin. high (19cm.)
circa 1180, inlay 19th Century.

A STAINED BEECHWOOD ALCOVE BED, the slightly scrolled ends of equal height and faced with rosettes, raised on short circular tapering legs, the front two headed by diamond

panels, 5ft. Whin. wide by 2ft. 8in. high (119cm. by 81cm.) circa 1900, front-rail cracked.

MAHOGANY   AND   PARCEL-GILT   OVERMANTEL
GLASS, the rectangular plate framed within rounded
pilasters with gilt capitals, lft. 9in. high by 2ft. lOVzin.
wide (53cm. by 88cm.) circa 1825.

A BIEDERMEIER WALNUT SECRETAIRE A ABATTANT
with grey fossil marble top, the fall-front with a fitted
interior, one drawer above and three long drawers
below, flanked by projecting, split-baluster columns, on
bail feet, 4ft. lin. high by 3ft. 2′/2in. wide (140cm. by
98cm.) circa 1825.

A DUTCH MAHOGANY AND MARQUETRY BEDSIDE
CUPBOARD with a tambour door above a drawer, on
turned legs, 2ft. 3in. high by lft. lin. wide (69cm. by
48cm.) circa 1830, extensively restored.

A GOOD SlNHALESE TEAK AND EBONY CUPBOARD in
two parts, the upper part with a moulded cornice and a
pair of doors with panels outlined with ebony leaves
forming ovals and flanked by a pair of free-standing
turned pillars, the slightly projecting lower part with
three leaf-carved drawers above a pair of doors similar to
the upper part, on turned feet, 6ft. 2in. high by 4ft. wide
(188cm. by 122cm.) circa 1830.

AN EXPORT LACQUER WORK TABLE, the shaped slightly domed lid decorated in shades of gilt on black with figures and enclosing a removable tray of compart-ments, raised on pierced

lyre supports with claw feet, 2ft. 4in. high by 2ft. l’Ain, wide (70cm. by 65cm.) early 19th Century, originally with a work bag.

A SET OF THREE ANGLO-INDIAN ROSEWOOD ARM-CHAIRS with stuffed shield-shaped backs, the padded arms with leaf-carved handles and supports, the seatrials raised on circular,

tapering, reeded legs with leafy capitals and feet, circa 1820, backs probably altered.

A CIRCULAR EXTENDING DlNING TABLE SUpported
on a massive divided circular pedestal and concave plinth base, 2ft. 5in. high by 4ft. 5in. diameter closed (73.5cm. by 135cm.) circa 1830, probably German.

A PAIR OF COLONIAL HARDWOOD SMALL SETTEES
each with a double chair back, caned seat and square tapering legs, circa 1800, formed form one long settee.

AN UNUSUAL COLONIAL TEAK CUPBOARD, with a
pair of panelled doors and bun feet, 4ft. 7′Mn. high by
4ft. lin. wide (141cm. by 124cm.) circa 1800, probably
Chinese.

A   BIEDERMEIER   MAHOGANY   DECANTER   CASE
shaped like a miniature cylinder bureau, the hinged lid
opening to reveal six gilt-decorated glass bottles, W’Mn.
wide (27cm.) circa 1825.

A   WALNUT   BLACKAMOOR   LOW   TABLE  - A CARVED WALNUT JEWEL BOX - DOOR KNOCKER -  GILT-BRONZE  CANDELABRA - PAIR OF GILT-BRONZE AND PORCELAIN WALL SCONCES

A   WALNUT   BLACKAMOOR   LOW   TABLE
with a pierced top supported by a child lying on his back in a tree, 22+in; 57cm, Italian, mid 19th Century.

A CARVED WALNUT JEWEL BOX, the Hd
with a family of grouse above a locking fiap holding six pivoting drawers, 13fin; 35cm, Swiss, c. 1900.

A   PAINTED   WHITE   CLAY   BUST   OF   A
MOROCCAN WOMAN wearing a headscarf and a single large ear-ring, a string of beads around her head, stamped Koenig & Lengsfeld, Koelin, 24 in; 62cm, probably Austrian, c. 1900.

A WHITE MARBLE LAMP carved with a young woman standing semi-naked filling her vase from a rocky spring, a leafy tree growing around the rock fitted with a light, 24in; 61cm, probably Italian, late 19th Century.

A BRASS INLAID WALL MIRROR, the rect-
angular plate within a frame inlaid with trails of leaves within a chevron border, 25 by 23in; 63.5 by 58.5cm, probably Indian, late 19th Century.

AN UNUSUAL DOOR KNOCKER OR PAPER
WEIGHT cast with a single hand holding a bail, hinged at the wrist and cast with leaves, now on a marble plinth, 6 by 12in; 15 by 30cm, third quarter of the 19th century.

A ‘SWISS CHALET’ DECANTER CASE in the
form of a rustic chalet, the roof and facade hinged to reveal a decanter tray, 21 i by ; 54 by 65cm, c. 1900.

A PAIR OF GILTWOOD WALL MIRRORS, each
with a tapering frame and plate en-
graved with a figure, the whole sur-
mounted by a pierced leaf cresting,
20|in; 52cm, probably Italian, late 19th
century.

A GILT-BRONZE  CANDELABRA with five
scrolling candle-arms supported by a naked female figure on a pierced rococo base, 23fin; 59cm, c. 1880.

AFTER MORE AU. A Spelter Figure of the Chasseur D’Aigles, an eagle strapped to his shoulder, signed Louis Moreau and titled, 69cm, c. 1900.

A BRONZE FIGURE OF A YOUNG GIRL in
mid eighteenth century style, holding her apron in a coy pose, 8fin; 22.2cm, mid brown/black patination, mid 19th century.

A   BRONZE   GROUP   OF   TWO   CHILDREN
FIGHTING, one boy throwing his play-mate over his Shoulders, on a black marble socle, 4in; 12cm, brown patination, c. 1880.

A BRONZE FIGURE OF A BOY BEATING A
DRUM, standing naked, the drum at his feet, on a black marble socle, 5in; 13cm, brown patination, c. 1880.

A VENETIAN SMALL CASKET mid 18th
century style of serpentine bombe form with a fitted interior and a mirror, 14in; 35.5cm, 1900-1920.

AN   ALABASTER   FIGURE   OF   PEACE,   the
young woman Standing wearing a long skirt, her hair tied back, 15in; 38cm, c. 1870.

AN EBONY VENEERED BRASS INLAID LARGE
WRITING BOX, the lid with a hinged front enclosing two short drawers with a silk lined interior, the whole inlaid with mother-of-pearl and cut-brass foliage with red tortoiseshell strapwork, 22Jin; 56.5cm, c. 1870.

AFTER OMERTH. A Pair of Spelter
Figures entitled Sur la Plage and Bonne
Peche, one of a young woman holding a
lobster and a stick, the other of a young
man holding a fish and a fishing rod,
each signed G. Omerth, on plinths,
16in; 42cm and 17in; 43cm.

A GILT-BRONZE CHANDELIER, the central supports with a lambrequin with six scrolling candle-arms, each supporting four lights fitted for electricity, 41 by 42in; 104 by 107cm approximately, 1840-1860.

A PAIR OF GILT-BRONZE AND PORCELAIN
WALL SCONCES, each with a ‘Sevres’
plate painted with a central reserve of a
young courting couple, within a border
of flowers, the rims cast with a ribbon,
the base with a mask and two candle-
arms, 14in; 36cm, fitted for electricity,
c. 1880.

A CHAMPLEVE ENAMEL AND GILT-BRONZE
LETTER TRAY, the centre inlaid with two birds drinking from a pool within a border of scrolling leaves, the sides with carrying handles cast with masks, 12in; 32cm, c. 1870.