Antique Sideboard

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

Edwardian mahogany Dressing Table Mirror, Edwardian mahogany two-seater Settee, George IV mahogany Cheval Mirror, Victorian walnut and inlaid oval Games Table

A George Ill-style mahogany Corner Armchair, with pierced splats, the drop-in seat above carved cabriole turned legs.

A George III mahogany gendeman’s Washstand, the divided hinged top revealing a rising mirror, fitted below with a drawer and a tambour door, on square legs, 46cm.

An Edwardian mahogany Dressing
Table Mirror, the triple panels on reeded
supports and splayed legs, 117cm. wide.

A Victorian walnut Davenport, inlaid with chequer banding, fitted with four real and four opposing dummy drawers, on turned supports, 54cm.    ?500—800

A George IV mahogany bow-front Chest, of three drawers flanked by fluted canted corners, on bracket feet, 108cm.

A George IV mahogany Cheval Mirror,
the rectangular plate on counter-weights
flanked by a pair of adjustable brass candle
holders, on quadruple splayed supports, 80cm.
wide.

A William IV yew-wood octagonal
Occasional Table, on turned support and
platform base and quadruple feet, 52cm.

A Louis XV-style mahogany and inlaid tray-top Bedside Cupboard, with a marble inset above three drawers and cabriole legs, 45cm. wide.

A mahogany Centre Table, inlaid with stringing, the top with rounded ends, on square tapering legs joined by a shaped undertier, with applied metal paterae, some veneers

lacking, 126cm.

A Victorian oak Cabinet Bookcase, the cavetto cornice above a pair of glazed doors enclosing adjustable shelves, below are a pair of drawers and a pair of panel doors, on plinth

base, 220cm. high by 123cm. wide.

A George IV mahogany three-tier Shelf,
on turned brass supports, 76cm. wide.

An Edwardian mahogany two-seater Settee, inlaid with ebony stringing, the cane two-panelled back and seat above square tapering legs and spade feet, together with a green fabric

cushion.

A Victorian winged tub Armchair, upholstered in yellow silk rep.

A George III inlaid mahogany and satinwood crossbanded bow-front Corner Washstand, the hinged top opening to form a splash-guard, revealing apertures, fitted below with a

cupboard door and a drawer, on square splayed legs joined by an undertier, 67cm. wide.

A Regency mahogany rail-back Armchair, the pierced splat with oval paterae, the reeded arms and nailed stuffed hide seat above turned legs.

A George III mahogany two-tier Washstand, the top with a shaped frieze above a drawer, on tapered square legs, 42cm. wide.

A mahogany electric Floor Lamp, on a
turned and reeded column and tripod base,
formerly a pole screen, 147cm. high.

A mahogany framed three-fold Screen, each panel with a silk needlework of flowers, 164cm. wide.

A Victorian walnut and inlaid oval Games Table, the tilt-top with chessboard inlay, on turned cluster support and tripod base, 75cm.

A George III mahogany pie-crust Table, the associated tilt-top above a turned pillar and tripod base, 74cm.

A mahogany Partners’ Desk, 19th Century, with inset top and real and dummy frieze drawers, the pedestals each with three drawers and an opposing cupboard, on a plinth base,

faults, 155cm. wide.

Continental carved oak Desk, Chinese red lacquered Cabinet, Edwardian mahogany and inlaid Side Cupboard, French provincial walnut Writing Table

A Regency mahogany Armchair, the
rectangular back with rope twist rail, the upholstered seat on turned tapering legs; together with a William IV mahogany Armchair, the rectangular back with carved clasp and

scroll arms above an upholstered seat, on turned tapering legs.

A Continental carved oak Desk, 19th
Century, the rectangular top above two real
and two dummy frieze drawers, on bulbous
legs joined by caned and turned stretchers,
151cm. wide.

A Continental carved oak Sideboard,
19th Century, the mirror panel back with
floral and foliate carved cresting above
caryatids, the rectangular top with three frieze
drawers, on twin pedestal bases each with
cupboard enclosed by panel door carved with
dead game between caryatid stiles, on plinth
bases, 223cm. wide.

A Continental carved oak Buffet, the
rectangular top with floral and foliate carved cresting and frieze drawer above undershelf and cupboard enclosed by a pair of panel doors carved with dead game between caryatid

stiles, on platform base, 146cm. wide.

A Continental oak Mirror, the frame carved with three crowns, winged angel and serpent with scroll border, 135cm. high.

An oak kneehole Office Desk, modern,
with seven drawers, 131cm. wide.

A George IV mahogany Sideboard, the rectangular top above cupboard, two short drawers, cellaret drawer and undershelf, on turned tapering legs, 124cm. wide.

A Chinese red lacquered Cabinet, 19th Century, with fall-front, now lacking, above an arrangement of six short and one long drawers; together with matching stool, faults, 67cm.

wide.

An Edwardian mahogany and inlaid
breakfront Sideboard, the top with brass rail
and curtain back and two lidded compart-
ments above five frieze drawers and three
cupboards enclosed by a pair of tambour
doors and a pair of panel doors between two
further cupboards, each enclosed by an inlaid
panelled door, on plinth bases, 210cm. wide;
together with a mahogany two-tier Shelf,
132cm. wide.

An Edwardian mahogany and inlaid Side Cupboard, the rectangular top with two frieze drawers above two cupboards each enclosed by inlaid panel door, on a plinth base, 106cm.

wide.

A Victorian walnut Bonheur du Jour, the superstructure with shelf and pierced foliate cresting above four short drawers, the writing surface inset with green leather above a

frieze drawer, on cabriole legs, 80cm. wide.

A Victorian rosewood Davenport, the
top with baluster turned gallery, the hinged
writing surface inset with green leather and
revealing two real and two dummy drawers,
the side with hinged pen tray and four real
and four dummy drawers, on a plinth base,
faults, 48cm. wide.

A set of eight mahogany Hepplewhite-style Dining Chairs, including two armchairs, the shield-shaped backs with pierced vase-shaped splats, the seats upholstered in brown

leather, on square tapered moulded legs.

A mahogany Tea Table, 19th Century, the ‘D’-shaped fold-over top above satinwood inlaid frieze, on square tapering legs, 91 cm. wide.

A Regency mahogany rectangular Pembroke pedestal Table, with opposing frieze drawer, the quadruple square pillar above splayed legs ending in brass cappings and castors, 106cm.

wide.

A French provincial walnut Writing Table, late 18th Century, with tooled jfjiher-inset top and a drawer, the scroll apron cabriole legs, worm, restored, 81cm. wide.

A George III mahogany rectangular drop-leaf Table, on chamfered square legs, one :.t>if carped. 106cm. wide.

A George Ill-style mahogany Occasional Table, the circular top with distressed pie-crust border, the stop-fluted pillar above scroll tripod supports, 53cm. diam.

A Queen Anne walnut and crossbanded Chest, restored, the two short and three long drawers on bun feet, 97cm. wide, possibly Anglo-Dutch.

A late George III pine standing Corner Cupboard, enclosed by two pairs of panelled doors, on a plinth base, restored, 185cm. high by
105cm. wide.

18th Century-style mahogany Bureau-on-Chest, Victorian walnut and floral marquetry Side Cabinet, Chinese export lacquer Work Table, Chinese carved rosewood Jardiniere Stand

An 18th Century-style mahogany Bureau-on-Chest, circa 1920, the quarter veneered fall revealing a fitted interior, the serpentine-fronted commode base with two short and two

long graduated drawers, the canted corners above shaped bracket feet, 109cm. high by 94cm. wide; 3ft. 7in. by 3ft. lin., possibly German.

A Victorian walnut and inlaid
Cabinet Bookcase, circa 1850, with
gilt-metal mounts, the moulded cornice
above a pair of glass panel doors
enclosing a velvet-lined and shelved
interior, below are a pair of panel doors
and a shaped plinth base, 198cm. high by
124cm. wide; 6ft. 6in. by 4ft. lin.

A Victorian mahogany Buffet,
circa 1870, with three tiers and turned
supports, on brass castors, 88cm. wide;
2ft. 10V2in.

A Victorian carved mahogany
Gothic-style box-seat Settle, circa 1870,
the tall back with a cornice above pierced
tracery panels and heraldic shields, the
linenfold box seat with a hinged cover,
200cm. high by 157cm. wide; 6ft. 7in. by
5ft. 2in.

A Victorian walnut and floral marquetry Side Cabinet, the raised mirror back with a pierced carved cresting, the serpentine white marble top above a pair of panelled doors, on a

plinth base, 173cm. high by 149cm. wide; 5ft. 8in. by 4ft. Whin.

A George Ill-style mahogany and painted twin-pedestal Dining Table, made-up, the ‘D’-end top decorated en grisaille with a classical border, the columnar turned pillars on

splayed tripod supports with brass cappings and castors, 300 by 121cm.; 9ft. Win. by
3ft. HV2in., including two leaf insertions.

A set of ten Victorian gilt carved
and upholstered Chairs, circa 1850, the
cartouche-shaped backs and bowed seats
covered in gold damask, the foliate
decorated frames with paterae cresting
rails, the cabriole legs ending in castors.

A Victorian rosewood Card
Table, circa 1840, the fold-over top with
circular claret baize lining, the medallion
carved frieze above a leaf-clad pillar and
domed base, on carved scroll feet and
castors, 92cm. wide; 3ft.

A Victorian burr walnut
harlequin Davenport, circa 1850, with
rising rear section revealing pigeonholes
and three small drawers, the piano
moulded hinged top revealing slide,
adjustable inset and two small drawers,
on carved cabriole supports, the sides
with four real and four opposing dummy
drawers, on bun feet and castors, the
rising action requiring restoration, 56cm.
wide; lft. Win.

ORIENTAL FURNITURE

A pair of Chinese carved
hardwood Armchairs, circa 1900, the
pierced tub-shaped backs profusely carved with dragons, the solid serpentine seats above cabriole legs.

A Japanese lacquer Occasional
Table, circa 1920, the yellow-ochre top
decorated with floral sprays, the gilt stem
with foliate carved supports, on a square
base with bracket feet, 67cm. diam.; 2ft.

A Chinese export lacquer Work Table, circa 1830, decorated with gilt pavilions on a cinnamon ground, the hinged top revealing a black lacquer and gilt interior with lidded

compartments and ivory accessories, the baluster turned stem on triform base with paw feet, 62cm. wide; 2ft.

A Chinese rosewood Altar Table, circa 1900, the rectangular top with an inset burrwood panel flanked by scrolled ends, the fret carved frieze on square legs joined by

stretchers, 81cm. high by 119cm. wide; 2ft. 8in. by 3ft. llin.

A Burmese carved rosewood
Tripod Table, circa 1880, the circular
top with an inset famille-verte ceramic
panel, the baluster turned stem above
triple splayed legs, 56cm. diam.; lft. Win.

A Chinese carved rosewood Jardiniere Stand, circa 1900, with a circular marble-inset top above a pierced prunus frieze, on cabriole legs, 90cm. high; 2ft. HViin.
A Chinese carved hardwood Jardiniere Stand, circa 1900, with a marble-inset rectangular top above a pierced fret frieze and shaped supports, united by two undertiers, 42cm.

wide; lft. 4′/2in.

A Japanese black lacquer and mother-of-pearl inlaid Work Table, late 19th Century, decorated throughout with birds and flowers, the chamfered rectangular top above a fabric well

and pierced supports, on arched legs, 46cm. wide; lft. 6in.

Chinese coromandel lacquer six-fold Screen, late 19th Century, with a gilt reserved scene depicting courtesans and a pavilion, the reverse side depicting birds and flowers

within stylised borders, 183 cm. high; 6ft.; together with an associated mahogany Stand, with a carved gallery back and a drawer, on turned feet, converted from, a William IV

sideboard, 249cm. wide; 8ft. 2in.
An Indian carved hardwood Armchair, circa 1890, of tub form, profusely carved and pierced with birds and beasts amidst scrolls, on eagle scroll feet with purple velvet stuffed

seat.

CONTINENTAL FURNITURE

An Egyptian walnut and
mother-of-pearl inlaid leopard Stool,
circa 1900, decorated throughout with
inlaid geometric designs, the woven seat
with a rear raised panel depicting
Egyptian figures, on twin stylised leopard
supports, 64cm. high by 78cm. wide;
2ft. lin. by 2ft. 6V2in.

A pair of stools of similar design were sold at Sotheby’s London on 4 November 1988, lot 162.

A Dutch mahogany and floral
marquetry Stool, circa 1890, the drop-in
tapestry seat and scrolled sides on
cabriole legs ending in claw and ball feet,
75cm. wide; 2ft. 5V2in.

Edwardian satinwood and parcel-gilt small Bureau, Victorian rosewood Occasional Table, Edwardian mahogany Display Cabinet, Edwardian mahogany Armchairs

An Edwardian satinwood and
parcel-gilt small Bureau, circa 1910,
decorated throughout with painted floral
sprays, the fall revealing a well and
pigeon-holes, the frieze drawer above
turned and fluted splayed legs joined by
pierced stretchers, 74cm. high by 38cm.
wide; 2ft. 5in. by lft. 3in.

A late Victorian rosewood
Occasional Table, circa 1900, inlaid
throughout with ivory and boxwood
stringing, the serpentine top with a
central arabesque roundel, the cabriole
legs with stretchers joined by a small
circular undertier, 75cm. wide; 2ft. 5V2in.

A George Ill-style mahogany
Wing Armchair, circa 1900, with
tapestry upholstery, on moulded
chamfered square legs joined by
stretchers.

A Victorian satinwood secretaire
Cabinet, circa 1860, the panelled fall
with rosewood inlaid arabesques, the
interior with stationery compartments
and a leather-inset writing surface, the
conformingly inlaid frieze drawer above
fluted turned legs with gilt-metal
mounts, on brass castors, 136cm. high by
97cm. wide; 4ft. 5V2in. by 3ft. 2in., castors
stamped Cope Collinson Patent.

A set of six Victorian carved
walnut balloon-back Chairs, circa 1855,
with floral crestings and mid-rails above
damask upholstered serpentine seats, on
cabriole legs.

A Victorian figured walnut combined Work and Tea Table, circa 1860, inlaid throughout with stringing, the rectangular fold-over top above a frieze drawer and a solid well, the

turned and splayed supports joined by a stretcher, 61cm. wide; 2ft.

An Edwardian mahogany Display
Cabinet, circa 1905, inlaid throughout
with ivory and sycamore floral motifs,
the domed cornice with a mirrored
recess above a pair of bowed leaded
glazed doors, the base with a further
recess and a pair of leaded glazed doors,
on tapered square legs with foliate
carved feet, 225cm. high by 99cm. wide;
7ft. 4V2in. by 3ft. 3in.

A pair of George Ill-style
satinwood and painted Armchairs, circa
1880, the pierced shield-shaped backs
decorated with floral sprays, the caned
seats above tapered square legs, on spade
feet.
Cf. Regency Furniture by Francis Collard, published by Antique Collectors’ Club, page 235: A painted satinwood Chair, circa 1880, by Wright &f Mansfield.

A black lacquer Chinoiserie
Bergere Sofa, circa 1920, the double
caned back and seat with turquoise velvet
upholstered cushions, on square legs,
168cm. wide; 5ft. 6in.

A George Ill-style mahogany
small Chest, 20th Century, the moulded
top above a slide and three long drawers,
on bracket feet, 73cm. high by 67cm. wide;
2ft. 5in. by 2ft. 2V2in.

A George Ill-style mahogany
Armchair, made-up, with a pierced
trellis back and bowed cane seat with
green velvet squab cushion, on fluted
turned legs.

An Edwardian satinwood
demi-lune Pier Cabinet, circa 1905,
inlaid throughout with ebony stringing and sycamore bandings, the later marble top above a panelled door decorated with marquetry ribbon-tied baskets of fruit, on shaped bracket

feet, 90cm. high by 111cm. wide; 2ft. 11′fain, by 3ft. 7′/2in., formerly with an upper section.

A pair of Edwardian mahogany
Armchairs, circa 1910, the wreath inlaid
cresting rails above tub-shaped backs
with griffin arm supports, the
serpentined seats on cabriole legs ending
in paw feet.

A George Ill-style mahogany
armchair, circa 1910, with a pierced and
swag carved splat and dipped striped
velvet upholstered seat, on moulded
chamfered square legs; together with a
matching single Chair.

A Victorian papier-mache Music
Stand, circa 1855, the adjustable
cartouche-shaped frame with a titled
painting of Paul and Virginie, after
Augustus Leopold Egg, on a telescopic
brass stem and gilt decorated baluster
pillar with scrolled tripod supports,
faults, now lacking detachable music ledge,
74cm. high when retracted; 2ft. 5in., the
reverse with an indistinct hand-written
label.

A Victorian walnut and inlaid Side Cabinet, circa 1855, with gilt-metal mounts and inset Sevres-style porcelain plaques, the central cupboard flanked by a pair of bowed glazed

doors, on a plinth base, 107cm. high by 156cm. wide; 3ft. 6in. by 5ft. IVnn.

A George Ill-style carved giltwood Overmantel Mirror, circa 1850, the pierced foliate and flame motif frame with four cartouche-shaped panels, 109cm. high by 118cm. wide;

A Victorian burr walnut and
tulipwood crossbanded Centre Table,
circa 1850, the rectangular quarter-
veneered top with serpentine sides, the
scroll carved supports joined by a
stretcher with lion masks at each end,
72cm. high by 149cm. wide; 2ft. 4l/iin. by
4ft. llin.

A George Ill-style mahogany breakfront Library Bookcase, circa 1920, the dentilled cornice above four pairs of astragal doors and a pair of slides, the interior with adjustable

shelves, on bracket feet, 249cm. high by 238cm. wide; 8ft. 2in. by 7ft. 11 tein.

A pair of George Ill-style gilt-
gesso Wall Mirrors, the cartouche-
shaped surrounds carved with ‘C’-scrolls,
flame motifs and flowerheads, 66cm. high
by 49cm. wide; 2ft. 2in. by lft. 7in.

George III mahogany Knife Box, rosewood and brass-bound Writing Slope, Victorian Tunbridgeware maple and rosewood Sewing Box, Victorian Tunbridgeware rosewood Box

A Japanese black lacquer and
mother-of-pearl inlaid Stationery
Cabinet, late 19th Century, of
wedge-shaped form, decorated
throughout with birds and flowers
overlaid with gilt, the pair of doors and
hinged top revealing compartments,
40cm. wide; lft. 4m.

An octagonal tortoiseshell-veneered Tea Caddy, 19th century, with shallow pyramidal lid, ivory stringing and silver mounts.

A George III mahogany Knife Box, circa 1790, with kingwood crossbanding, the sloping hinged top inlaid with a shell medallion, the interior with cutlery divisions, 23cm. wide;

9in.

A Victorian papier-mache Tray,
circa 1850, of serpentined form, painted
with a floral spray, birds and butterflies,
on an ivory ground, 82cm. wide; 2ft. 8in.

A George III mahogany two-
division Cheese Coaster, circa 1790, of
typical form, on brass castors, faults,
43cm. wide; lft. 5m.

A Victorian black papier-mache Tray, circa 1850, of serpentined outline, painted with floral sprays and gilt scrolls, faults, 77cm. wide; 2ft. 6in.    ?300—500

A George III satinwood Tea Caddy, circa 1790, inlaid throughout with stringing and kingwood banding, the top and front with oval harewood medallions, 12cm.; 43Ain.
A George III mahogany Knife Box, circa 1790, of typical form, inlaid with chevron stringing and a compass point medallion, the interior converted for stationery, 26cm. wide;

Win.

A William IV rosewood and
mother-of-pearl inlaid Tea Caddy, circa
1835, with gadrooned mouldings
throughout, the hinged top revealing a
three-division interior, on bun feet, 32cm.
wide; 12V2in.

A George IV mahogany and
rosewood Writing Slope, circa 1825,
with cut-brass inlay, the top centred by a plaque engraved Charles Coward, the interior with compartments and a lateral frieze drawer, 51cm. wide; lft. 8in.

A rosewood and brass-bound Writing Slope, circa 1825, with countersunk handles and a leather-lined interior including compartments, 46cm. wide; lft. 6m.

A rosewood and ebonised miniature Writing Cabinet, circa 1850,
inlaid throughout with ivory floral
motifs, the pair of doors with foliate
scroll pilasters and central stylised
fruiting vines, the interior with a glazed
fall-front above two drawers flanked by
open shelves, 36cm. wide; lft. 2in., possibly
Sinhalese.

A George IV rosewood and
brass-bound Writing Slope, circa 1825,
with a leather-lined interior and compartments, 51 cm. wide; lft. 8in.

A George III satinwood Tea
Caddy, circa 1810, of sarcophagus form,
inlaid with geometric bandings, on
gilt-metal ball feet, altered, 31cm. wide;
12in.

A Victorian Tunbridgeware
maple and rosewood Sewing Box, circa
1850, inlaid throughout with geometric
mosaic, the hinged top and fall-front
revealing accessories including tatting
shuttles, a ratchet action winder and a
pair of small drawers, on bun feet, 28cm.
wide; llin.
A boulle Casket, circa 1860, the
slightly domed square hinged top revealing a void interior, on gilt-metal bun feet, 14cm. wide; 5Win.

A George IV rosewood and
brass-bound Decanter Box, circa 1820,
of square form, with carrying handles, the hinged top revealing three glass decanters and stoppers, 20cm. wide; 8in.

A George III mahogany Octagonal
Tea Caddy, circa 1790, inlaid with
stringing and crossbanding, the hinged
top revealing a two-division interior,
15cm. wide; 6in.

A George IV mahogany small
Jewellery Cabinet, circa 1820, of square
form, inlaid with stringing, the hinged
top revealing silk-lined compartments,
the pair of opposing doors each
enclosing six drawers, on bracket feet,
32cm. high by 29cm. wide; 12′/2in. by
lV/iin

A Regency rosewood
Tunbridgeware Candle Stand, circa
1825, with a circular top, on a turned
adjustable stem and moulded base,
22.5cm. high; 83Ain., bearing a trade label
Edward Nye, Manufacturer, Mount Ephraim
and Parade, Tunbridge Wells.

An ebonised wood and brass inlaid Decanter Box, 3rd quarter 19th Century, the top and front hinged opening to reveal four matching faceted glass decanters and thirteen glasses,

32cm.; 12Wn.

A French ebonised wood and brass inlaid rectangular Decanter Box, circa 1870’s, with hinged front and sides, fitted with four cut-glass decanters and sixteen glasses
A straw-work Box, French, circa 1815, of rectangular form, the cover with a farming scene surrounded by a scroll border, on bracket feet, 14cm.; 5Win.

A French brass and red
tortoiseshell Standish, circa 1840, of
rectangular shape, fitted with twin moulded glass inkwells and taper holder and snuffer, 32cm. wide; 12Win.

A French brass and red
tortoiseshell boulle Standish, mid-19th
Century, of rectangular form, with
beaded volute mounts and sphinx
caryatid corner mounts, fitted with twin
faceted glass inkwells, 35cm.; 14in.

A boulle Standish, French, 19th
Century, of rectangular shape, fitted
with pen-tray and twin wells, all-over
inlaid with brass, on four ormolu
‘Turkish’ caryatids, 29cm. wide; lVMn.

A Victorian Jennens and Bettridge
oval papier-mache Tray, circa 1840, the
black field painted with a flower spray
within gilt foliate surround, 74cm. wide;
2ft. 5 in., signed on the back Jennens and
Bettridge.

A Victorian scallop-shaped papier-mache Tray, circa 1850, the
centre inlaid with mother-of-pearl flower
spray within raised gilt painted vine
border, 76cm.; 30in.
A Victorian papier-mache
Inkstand, circa 1850, of scallop shape
with mother-of-pearl inlay, central
compartment and twin glass wells with
gilt-metal mounts, 31cm.; 12in. across.

A Victorian Tunbridgeware
rosewood Box, circa 1850, of
wedge-shaped form, inlaid throughout with geometric mosaic, 16cm.; 6V2in.

Nine various pieces of Victorian
Tunbridgeware, 1st half 19th Century,
comprising: a rectangular Box with a cube pattern top, 26cm. wide; Win., a Watch Stand, 9cm.; 31/2in., a small rectangular Box and Cover, 11cm.; 4V2in., a square Box and Cover

with cube pattern inlay, 8cm.; 3in., two Pin Cushions, 3 and 4cm. diam.; 1 and Vhin., a ring turned Box and Cover, 4cm. high; ll/2in., a square Picture Frame with a circular

aperture, 13cm.; 5in., and a Ruler, 23cm. wide; 9in.
A sycamore Tea Caddy, of
cantaloup form, the segmented sides
with one ebonised panel, 11cm. high;
4V2in.

GAMES BOXES AND CHESS SETS

A Victorian papier-mache shaped
rectangular Games Box, circa 1840,
hinged, opening to reveal five
compartments containing mother-of-
pearl counters and playing cards, painted
all-over with flowers and ornamental
pheasants, some slight damage, 24cm.;
9′/2in. wide.

An Indian ebony and ivory
veneered octagonal miniature Chess
Table, 19th Century, with horn stem,
23cm.; 9in.; together with miniature ivory
Chess set in sandalwood box.

A Victorian burr walnut and
inlaid Games Compendium, circa 1870,
of triangular form, the front hinged
opening to reveal cribbage board,
dominoes, playing cards and two score
boards, 25cm. wide; Win.

A Jaques Staunton boxwood and
ebony Chess Set, the kings 9cm.; 3V2in., in
mahogany box with original label.

An Indian bone Chess set, 19th Century, chip carved pieces, the kings 8cm.; 3in.; and a similar ivory Chess Set, incomplete.

An Indian ivory Chess Set, 19th Century, red stained and natural, baluster turned pieces on acanthus carved circular bases, the kings 6cm.; 2V2in., in wood box.

A bone Chess Set, mid-19th Century, with sectional carved and turned pieces, on beaded circular bases, the kings 13cm.; 5V4in., in wood box.

George III mahogany and crossbanded pedestal Sideboard, George II red walnut small Tea Table, George III mahogany Bureau, George IV mahogany Side Table

A George III mahogany and
crossbanded pedestal Sideboard,
made-up, of inverted serpentine form,
inlaid throughout with stringing, the
three frieze drawers above a pair of
bowed cupboard doors, on plinth bases,
97cm. high by 188cm. wide; 3ft. 2in. by
6ft. 2in.

A George II red walnut small Tea
Table, circa 1740, the semi-circular
fold-over top revealing a well, the
tapered turned legs on pad feet, 72cm.
high by 60cm. wide; 2ft. 41/2in. by
lft. HV2in.

A George III mahogany Bureau,
circa 1770, the fall revealing stationery
compartments, the four long graduated
drawers above ogee bracket feet, 107cm.
high by 107cm. wide; 3ft. 6in. by 3ft. 6in.

A George II mahogany and
parcel-gilt Wall Mirror, circa 1745, the
swan-neck cresting surmounted by a later ho-ho bird, the rectangular plate within a shaped surround, 108cm. high by 49cm. wide; 3ft. 6V2in. by lft. 7lAin.

A Regency ebonised and parcel-gilt Side Cabinet, circa 1815, the
top with a pierced brass gallery above a
frieze drawer mounted with book spines,
the pair of panelled cupboard doors
flanked by cluster column pilasters with
sphinx mask capitals and lion paw feet,
altered and restored, 96cm. high by 114cm.
wide; 3ft. 2in. by 3ft. 9in.

A set of four George IV carved
mahogany Dining Chairs, circa 1820,
including two armchairs, the scrolled
cresting rails above pierced mid-rails and
drop-in Genoa velvet-covered seats, on
sabre legs.

A set of four Regency simulated
rosewood brass inlaid Dining Chairs,
circa 1820, the rail backs with gadrooned
cresting, the drop-in seats above sabre
legs.

A William IV rosewood Teapoy,
circa 1835, the hinged top revealing a
pair of canisters and cut-glass blending
bowls, the lotus leaf carved and turned
stem on a shaped platform base with
gadrooned bun feet, 45cm. wide;
lft. 5l/2in.

A George IV mahogany Side
Table, circa 1825, the breakfront hinged
top revealing a divided well, the panelled
frieze above reeded turned tapering legs,
77cm. high by 91cm. wide; 2ft. 6in. by 3ft.

A Regency calamander Occasional
Table, circa 1825, the rectangular top
with bead and reed mouldings, the
octagonal turned and foliate carved stem
on a shaped platform base with bun feet,
55cm. wide; lft. 91/2in.

A George III mahogany hexagonal
brass-bound Wine Cooler, circa 1790,
with a hinged top revealing a void
interior, on tapered square legs with
brass spade feet and castors, 48cm. wide;
lft. Tin.

A set of six Regency mahogany
rail-back Dining Chairs, circa 1815, with
paperscroll crestings and stuffed
vermilion fabric, on ring turned splayed
legs.

A George III mahogany serpentine
Card Table, circa 1770, on moulded
chamfered legs with leaf carved brackets,
one leg replaced, 91 cm. wide; 3ft.

A George III mahogany
Dumb-Waiter, circa 1800, the two
circular tiers with drop-leaves, the ring turned stem on reeded tripod supports ending in brass cappings and castors, 92cm. high by 58cm. diam.; 3ft. by lft. llin.

A George IV mahogany pedestal
Table, circa 1820, the rectangular
rosewood crossbanded tilt-top on a
turned stem with quadruple hipped
splayed legs ending in brass cappings
and castors, 123cm. wide; 4ft. l/2in.

A set of six George IV rosewood
rail-back Dining Chairs, circa 1825, with
fan-shaped crestings and pierced shell
carved mid-rails above drop-in seats, on
reeded turned legs, bearing trade label
of Richardson of Highgate, restored

B A pair of Regency mahogany
rail-back Armchairs, circa 1815, with
pierced clasp-shaped mid-rails and
stuffed brocade upholstered seats, on
turned legs.

A George III mahogany Bureau,
circa 1790, the crossbanded fall
revealing pigeon-holes, small drawers
and a door, the four long graduated
drawers above shaped bracket feet,
107cm. wide; 3ft. 6in.

A set of six George III mahogany
rail-back Dining Chairs, circa 1805, with
reeded ‘X’-shaped splats and stuffed
green velvet seats, on turned tapering
legs, one chair distressed.

A set of four Regency simulated
rosewood rail-back Dining Chairs, circa
1815, with carved crestings and brass
inlaid mid-rails, the drop-in seats on
sabre legs.

Queen Anne walnut Table Desk, William and Mary walnut and crossbanded Side Table, walnut Display Cabinet-on-Stand

A Queen Anne walnut and
featherbanded Table Desk, circa 1710,
the fall revealing stepped small drawers and pigeon-holes, the cavetto frieze drawer with lidded and open compartments, 41cm. wide; lft. 4in.

A William and Mary walnut Candle
Stand, circa 1690, the dodecagonal top
inlaid with stringing, the spiral twist
turned stem on splayed tripod supports,
restored, 36cm. wide; lft. 2in.

A George I walnut Chair, circa 1715, with a solid vase-shaped splat and drop-in seat, on shell carved cabriole legs ending in pad feet, restored

A Queen Anne walnut hanging Corner Cupboard, circa 1710, the
crossbanded door inlaid with chevron stringing, the interior with shelves, 93cm. high by 62cm. wide; 3ft. V2in. by 2ft.

A George I walnut and parcel-gilt
Overmantel Mirror, circa 1725, the later
triple bevelled plates within a moulded
border flanked by fretwork sides, 127cm.
wide; 4ft. 2in., formerly with candle sconces

A William and Mary walnut and
crossbanded Side Table, circa 1700, the
moulded top with a frieze drawer, the shaped apron above turned legs joined by waved ‘X’-shaped stretchers, 71cm. high by 79cm. wide; 2ft. 4in. by 2ft. 7in.

A George I walnut and
crossbanded Bureau, circa 1720, the fall
revealing stationery compartments, the
three short and three long graduated
drawers above bracket feet, 100cm. high
by 91cm. wide; 3ft. 3V2in. by 3ft.

A pair of George I walnut Chairs,
circa 1720, with solid vase-shaped splats
and drop-in seats, on cabriole legs
ending in pad feet

A Queen Anne walnut and featherbanded Chest, circa 1710, with two short and three long graduated drawers, on shaped bracket feet, restoration to feet, 94cm. high by 99cm. wide;

3ft. lin. by 3ft. 3in.

A William and Mary walnut and crossbanded Cabinet-on-Chest, circa 1700, inlaid throughout with stringing, the moulded cornice with a cushion frieze drawer above a pair of doors

enclosing an arrangement of drawers and pigeon-holes with a central door, below are two short and two long graduated drawers, on later bun feet, restored, 170cm. high by 113 cm.

wide;
5ft. 7in. by 3ft. 8V2in.

A George I walnut and feather-
banded Chest-on-Chest, circa 1720, the
cavetto cornice above three short and
three long graduated drawers flanked by
fluted chamfered corners, below are
three long graduated drawers, on
bracket feet, restored, partially re-veneered,
182cm. high by 102cm. wide; 6ft. by
3ft. 4in

A Queen Anne walnut and
featherbanded Chest, circa 1710, the
rectangular top above a pair of frieze
drawers and slide with integral lopers,
below are two short and two long
graduated drawers, on later bracket feet,
altered, 76cm. high by 82cm. wide; 2ft. 6in.
by2ft.8in.

A walnut Display Cabinet-on-Stand, now without a cornice, the pair of
domed astragal doors enclosing shelves
above four short and one long
featherbanded drawer, on octagonal
turned legs joined by waved stretchers
with bun feet, 217cm. high by 180cm. wide;
7ft. lin. by 5ft. llin., including early 18th
Century components, probably Dutch

A George I walnut and feather-
banded Bureau, circa 1725, the fall
enclosing stationery compartments, the
four long graduated drawers above
shaped bracket feet, 102cm. high by 92cm.
wide; 3ft. 4in. by 3ft.

GEORGIAN AND REGENCY FURNITURE
A George III mahogany secretaire Bookcase, circa 1790, the satinwood banded cornice with urn finials and arcaded mouldings, the pair of astragal doors enclosing adjustable

shelves, the writing drawer revealing satinwood small drawers, below are three long graduated drawers, on bracket feet, 238cm. high by 109cm. wide; lft. 91hin. by 3ft. 7in.

A George IV mahogany secretaire Bookcase, circa 1825, the moulded cornice above a pair of astragal doors enclosing adjustable shelves, the writing drawer revealing small drawers

and pigeon-holes, below are a pair of panel doors, on a plinth base, 262cm. high by 147cm. wide; 8ft. 71Mn. by 4ft. Win.

A George III mahogany secretaire
Library Bookcase, circa 1790, of
breakfront form, inlaid with stringing, the two pairs of astragal doors enclosing adjustable shelves, the writing drawer above three long graduated drawers flanked by a pair of

cupboard doors each with a dummy drawer, on a plinth base, now in three vertical sections, altered and restored, 230cm. high by 230cm. wide; 7ft. 6lhin. by 7ft. 6′/2in.

A George II mahogany Chest-
on-Chest, circa 1750, the moulded
cornice above three short and three long
graduated drawers flanked by fluted
corners, the base with a slide and three
long graduated drawers, on bracket feet,
81cm. high by 113cm. wide; 5ft. llin. by
3ft.6′/2in.

A George HI mahogany Bureau Bookcase, the associated upper section with a swan-neck pediment above a pair of lancet astragal doors enclosing adjustable shelves, the fall

revealing stationery compartments, below are two short and three long graduated drawers, on bracket feet, 246cm. high by 109cm. wide; 8ft. lin. by 3ft. lin.

A George III mahogany Chest, circa 1760, the moulded top above two short and three long graduated drawers flanked by fluted corners, on shaped bracket feet, 89cm. high by 97cm.

wide; 2ft. llin. by 3ft. 2in.

Louis XV ORMOLU CARTEL CLOCK, BRONZE HANGING LANTERN, LOUIS XV CANED BEECHWOOD FAUTEUIL, Louis XV PAINTED WINDOW SEAT, PORCELAIN-MOUNTED ORMOLU MANTEL CLOCK

A GILT BRONZE HANGING LANTERN, the pentagonal body with five serpentine
glass panels surmounted by urns and swags of berried foliage, with five leaf-cast scroll
supports, 2ft. Hin. high (90cm.) 19th Century

A Louis XV ORMOLU CARTEL CLOCK, the (cracked) 7V2in. enamel dial with blue
numerals and pierced gilt hands, the later movement contained in a case surmounted by
a cherub holding a flaming torch and with shellwork, scrolls, sprays of flowers and an
engraved floral fret below the dial, 32in. high (81.5cm.) circa 1760

A LOUIS XV GREEN-PAINTED BRACKET CLOCK with a convex enamel dial, the movement with chamfered corners to the plates and outside count wheel, in a waisted case outlined with

rococo mounts and decorated on an apple-green ground with sprays of flowers, 3ft. 5in. high (74cm.) circa 1760, with restoration

A LOUIS XV CANED BEECHWOOD FAUTEUIL, the moulded frame carved with leaves and flame motifs, with arched back, padded arms and cabriole legs, circa 1740

A VENETIAN LACQUER POVERA MINIATURE BUREAU, the flap above a projecting
serpentine drawer, on bracket feet, the whole decorated with flowers and landscapes,
lft. 3V2in. high by lft. 8in. wide (39cm. by 50cm.) circa 1750, restored

A Louis XV FRUITWOOD TABLE stamped Delorme, the hinged serpentine top
opening to reveal a well, the front with a leather-lined slide, with a drawer at one side, raised
on cabriole legs, joined by stretchers, and ending in ormolu sabots, 2ft. 6in. high by lft. 6in.
wide (76cm. by 46cm.) circa 1760
Adrien Delorme, received Master in 1768

A PAIR OF Louis XV ORMOLU-MOUNTED PARQUETRY CORNER CUPBOARDS with red and white mottled marble tops, each arch-shaped front containing two doors, raised on shaped feet, 2ft. 11

in. high by 2ft. 6in. wide (88.5cm. by 76cm.) circa 1740

A Louis XV SMALL KINGWOOD PARQUETRY SECRETAIRE EN PENTE, indistinctly
stamped, possibly Lave, the bombe body inlaid with a chevron design, the serpentine flap
enclosing a writing surface, three short drawers and a double-sided well inlaid with leafy
stems, on cabriole legs, the whole applied with small leaf-cast gilt-bronze mounts,
2ft. 83Uin. high by lft. l’Mn. wide (83cm. by 60cm.) mid-18th Century
Sold in these rooms, 26th June 1964, lot 119

A LOUIS XV PARQUETRY TABLE EN CHIFFONIERE in tulipwood and kingwood, and of slightly bombe form, the hinged top with three-quarters brass gallery inset with a panel of Sevres

porcelain painted with pheasants on a turquoise trellis enclosing flower-heads, the front, back and sides with a diamond trellis and the front with a leather-lined slide above a

drawer, with a drawer in the right, on slender cabriole legs, 2ft. 3V2in. high by lft. 4V2in. wide (70cm. by 43cm.) circa 1770, porcelain panel 19th Century

A LATE Louis XV PARQUETRY COMMODE with an associated moulded brescia
marble top, the serpentine front and shaped sides with a diamond cube parquetry in
ebony, kingwood and tulipwood within Greek key borders, the front with two drawers each
with three panels, with a shaped apron and splayed legs, 2ft. Whin, high by 3ft. 6in. wide
(68cm. by 106cm.) circa 1760

A Louis XV PAINTED WINDOW SEAT with arched scrolled ends, moulded leaf-
carved frame and cabriole legs, 3ft. 4in. wide (102cm.) circa 1760

A Louis XV SECRETAIRE A RIDEAUX stamped Reizell, with moulded grey fossil marble top, veneered in quarter-veneered kingwood, with slightly bowed front and serpen¬tine sides, the

frieze inlaid with a Greek key in purple heart and with a drawer above a pair of tambour cupboards, faced with two “shelves” of tooled calf book-spines, and enclosing shelves,

pigeon-holes and drawers, with a drawer below matching the frieze and revealing a leather-lined slide with a drawer on the left and a fitted writing drawer on the right, above

another pair of tambour cupboards matching the upper pair, the apron with an ormolu applique, and the short feet with ormolu sabots, the sides inlaid with a diamond cube

parquetry, 4ft. 6V2in. high by 3ft. 2in. zvide (139cm. by 97cm.) circa 1765

A FINE SUITE OF PAINTED AND PARCEL-GILT STOOLS comprising two small stools
and a banquette, the stuffed seats covered in contemporary painted Chinese silk, the
cabriole legs and serpentine friezes carved with scrolls and flowers painted in green and
red, stools lft. 8lhin. wide (52cm.) banquette 3ft. 6in. zvide (107cm.) mid 18th Century,
Austrian or South German

A VENETIAN CARVED GILTWOOD BARGE OR CARRIAGE ARMCHAIR, with arched
upholstered back and seat of currule form with a box cupboard below, the frame boldly
carved with leaves and scrolls and surmounted by a cherub wearing a crown, the waisted
supports with painted panels, with splayed legs, covered in 18th Century silk brocade
partly woven in silver thread, mid-18th Century, restored

A PORCELAIN-MOUNTED ORMOLU MANTEL CLOCK, the 23/4in. enamel dial signed
Crosnier Her. du Roi A Paris, the movement with circular plates, the case framed in sprays
of polychrome flowers and the pierced base mounted with a group of two laughing
figures dressed in green and yellow, 17Vzin. high (44.5cm.) circa 1760 and later, pendulum
lacking

A PAIR OF LOUIS XV GILT-BRONZE CANDLESTICKS, with rococo cast nozzles,
baluster stems and domed bases, 1 lin. high (28cm.) mid-18th Century

A Louis XV WALNUT CAUSEUSE, stamped Nogaret a Lyon, with moulded frame, cartouche-shaped back, serpentine-fronted seatrail and cabriole legs, circa 1750
Nogaret, who always signed without his initiais, was received Master circa 1740 Jean Nicolay’s L’Art et la Maniere des Maitres Ebenistes Francais au XVille Siecle, figure A,

illustrates a similar chair

A RARE ITALIAN MARQUETRY PRIE-DIEU attributed to Pietro Piffetti, in quarter-
veneered kingwood and with kingwood quarter-banding and inlaid in engraved ivory and
mother-of-pearl; the top with a panel of the Annunciation enclosed by scrollwork and
fiowers, the concave front similarly inlaid to the sides with ribbon panels and containing
a drawer with secret compartments behind, on cabriole legs joined by a conforming
platform with a drawer pulling forward with part of the front feet as a kneeler, the back
inlaid in ivory with the Flight into Egypt, 2ft. Whin. high by 2ft. 3in. wide (88cm. by
69cm.) circa 1740, restored
Elio Quaglino, Mobiii Regionali Italiani, Il Piemonte illustrates, page 125, a prie-dieu by Piffetti with similar inlay. Hugh Honour, Cabinet Makers and Furniture Designers,

pages 96-101 also illustrates and discusses wbrks by Piffetti with similar decoration to this prie-dieu.
Pietro Piffetti {circa 1700-1777), having previously worked in Rome moved to Turin in 1730 and was designated by Royal patent ebanista nostro to the King on the 13th July of

that year. He continued working for the Royal Household until his deathin 1777

A LOMBARD PARQUETRY COMMODE, of serpentine bombe form, the front con-taining three drawers inlaid similarly to the sides with scroll and strapwork borders and central lobed

cartouches, 3ft. 3in. high by 4ft. wide (100cm. by 122cm.) mid-18th Century

A SET OF EIGHT VENETIAN PAINTED AND PARCEL-GILT ARMCHAIRS, each with a
moulded rococo frame carved with flame motifs, the cartouche-shaped backs with inset
stuffed panels, with scroll arms, stuffed drop-in serpentine-fronted seats and cabriole
legs, mid-18th Century

A Louis XVI PAINTED AND PARCEL-GILT SUITE comprising six fauteuils and a
canape, the oval backs headed by bows, with padded arms and stuffed seats on stop-fluted
tapering legs, the Aubusson upholstery delicately woven with tasselled drapery enclosing
flowers, canape 6ft. wide (185.5cm.) circa 1780, possibly Belgian

GEORGIAN OAK DRESSER, LARGE OAK TRIDARN, OAK AND ELM BUREAU, ASH AND ELM WINDSOR WHEEL BACK DINING CHAIRS, OAK COUNTRY MADE DINING CHAIRS

A MID GEORGIAN OAK DRESSER BASE,
the rectangular top above three
cock beaded drawers and an open
section interposed by turned
balusters, above a pot board and
shaped plinth, 3l2in (80cm) by
73in (186cm), mid 18th century.

A LATE GEORGE III OAK AND MAHOGANY DRESSER, the pediment supported by corbels and split balusters, with three plate shelves, the break front lower part with f our central

drawers, flanked on either side by a drawer and a panel cupboard door, on bracket feet, 85in (216cm) by 62in (166cm), second quarter 19th century.

AN OAK PRESS, with a pair of arched panel doors enclosing hanging pegs above a series of four short cock beaded drawers and one long drawer, on bracket feet, 77in (196cm) by

51in (130cm), 19th century.

AN OAK DRESSER, the upper part with a molded pediment above three plate rails, the lower part with three frieze drawers above а pair of cupboard doors flanking three further

short drawers, above a shaped apron, 80in (203cm) by 66in (168cm), second quarter 19th century.

AN OAK TRIDARN, the upper part with a frieze initialed M.I., Aged 13, 1714, above an open section with turned supports, the centre section with pendant bosses and а pair of

cupboard doors flanking а central panel, the lower part with а pair of cupboard doors, on stump supports, 83in (211cm) by 57in (145cm), early 18th century but extensively

restored.

A LARGE OAK TRIDARN, with a castellated pediment, above a shaped
pelmet initialed ТВ 1675 and an
open section, the rail below carved
with rosettes and pendant bosses
flanking two cupboard doors and а
lozenge molded panel, the lower
part with a fluted rail and a pair of
four panel doors, now on turned
feet,  912in  (233cm) by 79in
(201cm), mid 17th century, but the
pediment early20th century, and with
restorations throughout.
The pediment indistinctly
inscribed ‘This cabinet was
repaired and polished by Robinson
Swire, Cabinetmaker.

A LATE GEORGIAN OAK AND ELM DRESSER, the upper part with three plate shelves, the lower part with three frieze drawers above a pair of cupboard doors enclosing three further

central drawers, on bracket feet, 81(207cm) by 64in, late 18th century, later pulls.

A LATE GEORGE III OAK AND MAHOG ANY    DRESSER,     the
mahogany veneered pediment inlaid with boxwood lines above three plate rails, the lower part with three short drawers above а pair of mahogany veneered panel doors flanking one

real and two dummy drawers on bracket feet, 80in (203cm) by (153cm), early 19th century.

A GEORGE III OAK BUREAU, the fall front enclosing a fitted drawer above four graduated drawers, on later bracket feet, 40in (102cm) by 36in (92cm), third quarter 18th century.

AN OAK AND ELM BUREAU, the fall
front applied with geometric moldings enclosing a fitted interior, pollard elm veneered sides, above two short and three long drawers, each applied with geometric moldings, on

bracket feet, 40in (103cm) by 34in (86cm), reconstructed and remodeled in the 20th century.

A GEORGE III OAK CHEST ON STAND, the cross banded top above two short and three long graduated cock beaded drawers, the stand with four short drawers flanking an arched centre,

on dwarf cabriole supports, 48in (122cm) by 42in (107cm), late 18thlearly 19th century.

A WALNUT CHEST ON STAND, with а
molded pediment above two
short and three long drawers, first
quarter 18th century, the stand with
one long and two deep drawers
above a shaped apron on cabriole
supports, inlaid with herring-
bone bandings throughout, 61in
(155cm) by 45in (114cm).

A CHARLES II OAK CHEST ON STAND, the chest in two parts, each part with two drawers applied with geometric moldings, the stand with three drawers above an arcade, reduced in

height, 45in(114 cm) by 43in (109cm), third quarter 17th century.

A SET OF TEN ‘JACOBEATHAN’ DINING
CHAIRS, including a pair of arm-
chairs, each with a tall carved and
pierced back with a padded panel,
padded seat on baluster supports
and castors, third quarter 19th century.

AN OAK WAINSCOT ARM CHAIR, with
a shaped cresting above a foliate carved panel back, open arms, later solid seat on baluster turned supports, 49in (125cm) overall, second quarter 17th, century.

A SET OF FLVE ASH AND ELM WINDSOR
WHEEL BACK DINING CHAIRS, each
with a wheel pierced splat flanked
by sticks, dished seat on turned
supports and rails, second quarter
19th century, each bearing a brand
Mark M.S.

A HARLEQUIN SET OF EIGHT ELM LAD-
DER BACK DINING CHAIRS, including
four side chairs, each with а pоке
rail, and a pair of side chairs, and
two armchairs, all with rush seats
and on pad feet.

A MID 17ТН CENTURY OAK JOINT BACK
STOOL with a shaped cresting flanked by finials, the back panel carved with stylized foliage and contained by guilloche and lunette carved rails and styles, solid seat on ring

turned supports.

A HARLEQUIN SET OF SEVEN GEORGE
III  OAK COUNTRY MADE DINING
CHAIRS including one armchair, five with an arched rail, all with stick splats and solid seat on tapering supports, all late 18th century.

AN ASH AND ELM WINDSOR ARMCHAIR, with a pierced splat, dished seat on turned supports joined by a crinoline stretcher, mid 19th century.