Antique Sideboard

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

Louis XV ORMOLU CARTEL CLOCK, BRONZE HANGING LANTERN, LOUIS XV CANED BEECHWOOD FAUTEUIL, Louis XV PAINTED WINDOW SEAT, PORCELAIN-MOUNTED ORMOLU MANTEL CLOCK

A GILT BRONZE HANGING LANTERN, the pentagonal body with five serpentine
glass panels surmounted by urns and swags of berried foliage, with five leaf-cast scroll
supports, 2ft. Hin. high (90cm.) 19th Century

A Louis XV ORMOLU CARTEL CLOCK, the (cracked) 7V2in. enamel dial with blue
numerals and pierced gilt hands, the later movement contained in a case surmounted by
a cherub holding a flaming torch and with shellwork, scrolls, sprays of flowers and an
engraved floral fret below the dial, 32in. high (81.5cm.) circa 1760

A LOUIS XV GREEN-PAINTED BRACKET CLOCK with a convex enamel dial, the movement with chamfered corners to the plates and outside count wheel, in a waisted case outlined with

rococo mounts and decorated on an apple-green ground with sprays of flowers, 3ft. 5in. high (74cm.) circa 1760, with restoration

A LOUIS XV CANED BEECHWOOD FAUTEUIL, the moulded frame carved with leaves and flame motifs, with arched back, padded arms and cabriole legs, circa 1740

A VENETIAN LACQUER POVERA MINIATURE BUREAU, the flap above a projecting
serpentine drawer, on bracket feet, the whole decorated with flowers and landscapes,
lft. 3V2in. high by lft. 8in. wide (39cm. by 50cm.) circa 1750, restored

A Louis XV FRUITWOOD TABLE stamped Delorme, the hinged serpentine top
opening to reveal a well, the front with a leather-lined slide, with a drawer at one side, raised
on cabriole legs, joined by stretchers, and ending in ormolu sabots, 2ft. 6in. high by lft. 6in.
wide (76cm. by 46cm.) circa 1760
Adrien Delorme, received Master in 1768

A PAIR OF Louis XV ORMOLU-MOUNTED PARQUETRY CORNER CUPBOARDS with red and white mottled marble tops, each arch-shaped front containing two doors, raised on shaped feet, 2ft. 11

in. high by 2ft. 6in. wide (88.5cm. by 76cm.) circa 1740

A Louis XV SMALL KINGWOOD PARQUETRY SECRETAIRE EN PENTE, indistinctly
stamped, possibly Lave, the bombe body inlaid with a chevron design, the serpentine flap
enclosing a writing surface, three short drawers and a double-sided well inlaid with leafy
stems, on cabriole legs, the whole applied with small leaf-cast gilt-bronze mounts,
2ft. 83Uin. high by lft. l’Mn. wide (83cm. by 60cm.) mid-18th Century
Sold in these rooms, 26th June 1964, lot 119

A LOUIS XV PARQUETRY TABLE EN CHIFFONIERE in tulipwood and kingwood, and of slightly bombe form, the hinged top with three-quarters brass gallery inset with a panel of Sevres

porcelain painted with pheasants on a turquoise trellis enclosing flower-heads, the front, back and sides with a diamond trellis and the front with a leather-lined slide above a

drawer, with a drawer in the right, on slender cabriole legs, 2ft. 3V2in. high by lft. 4V2in. wide (70cm. by 43cm.) circa 1770, porcelain panel 19th Century

A LATE Louis XV PARQUETRY COMMODE with an associated moulded brescia
marble top, the serpentine front and shaped sides with a diamond cube parquetry in
ebony, kingwood and tulipwood within Greek key borders, the front with two drawers each
with three panels, with a shaped apron and splayed legs, 2ft. Whin, high by 3ft. 6in. wide
(68cm. by 106cm.) circa 1760

A Louis XV PAINTED WINDOW SEAT with arched scrolled ends, moulded leaf-
carved frame and cabriole legs, 3ft. 4in. wide (102cm.) circa 1760

A Louis XV SECRETAIRE A RIDEAUX stamped Reizell, with moulded grey fossil marble top, veneered in quarter-veneered kingwood, with slightly bowed front and serpen¬tine sides, the

frieze inlaid with a Greek key in purple heart and with a drawer above a pair of tambour cupboards, faced with two “shelves” of tooled calf book-spines, and enclosing shelves,

pigeon-holes and drawers, with a drawer below matching the frieze and revealing a leather-lined slide with a drawer on the left and a fitted writing drawer on the right, above

another pair of tambour cupboards matching the upper pair, the apron with an ormolu applique, and the short feet with ormolu sabots, the sides inlaid with a diamond cube

parquetry, 4ft. 6V2in. high by 3ft. 2in. zvide (139cm. by 97cm.) circa 1765

A FINE SUITE OF PAINTED AND PARCEL-GILT STOOLS comprising two small stools
and a banquette, the stuffed seats covered in contemporary painted Chinese silk, the
cabriole legs and serpentine friezes carved with scrolls and flowers painted in green and
red, stools lft. 8lhin. wide (52cm.) banquette 3ft. 6in. zvide (107cm.) mid 18th Century,
Austrian or South German

A VENETIAN CARVED GILTWOOD BARGE OR CARRIAGE ARMCHAIR, with arched
upholstered back and seat of currule form with a box cupboard below, the frame boldly
carved with leaves and scrolls and surmounted by a cherub wearing a crown, the waisted
supports with painted panels, with splayed legs, covered in 18th Century silk brocade
partly woven in silver thread, mid-18th Century, restored

A PORCELAIN-MOUNTED ORMOLU MANTEL CLOCK, the 23/4in. enamel dial signed
Crosnier Her. du Roi A Paris, the movement with circular plates, the case framed in sprays
of polychrome flowers and the pierced base mounted with a group of two laughing
figures dressed in green and yellow, 17Vzin. high (44.5cm.) circa 1760 and later, pendulum
lacking

A PAIR OF LOUIS XV GILT-BRONZE CANDLESTICKS, with rococo cast nozzles,
baluster stems and domed bases, 1 lin. high (28cm.) mid-18th Century

A Louis XV WALNUT CAUSEUSE, stamped Nogaret a Lyon, with moulded frame, cartouche-shaped back, serpentine-fronted seatrail and cabriole legs, circa 1750
Nogaret, who always signed without his initiais, was received Master circa 1740 Jean Nicolay’s L’Art et la Maniere des Maitres Ebenistes Francais au XVille Siecle, figure A,

illustrates a similar chair

A RARE ITALIAN MARQUETRY PRIE-DIEU attributed to Pietro Piffetti, in quarter-
veneered kingwood and with kingwood quarter-banding and inlaid in engraved ivory and
mother-of-pearl; the top with a panel of the Annunciation enclosed by scrollwork and
fiowers, the concave front similarly inlaid to the sides with ribbon panels and containing
a drawer with secret compartments behind, on cabriole legs joined by a conforming
platform with a drawer pulling forward with part of the front feet as a kneeler, the back
inlaid in ivory with the Flight into Egypt, 2ft. Whin. high by 2ft. 3in. wide (88cm. by
69cm.) circa 1740, restored
Elio Quaglino, Mobiii Regionali Italiani, Il Piemonte illustrates, page 125, a prie-dieu by Piffetti with similar inlay. Hugh Honour, Cabinet Makers and Furniture Designers,

pages 96-101 also illustrates and discusses wbrks by Piffetti with similar decoration to this prie-dieu.
Pietro Piffetti {circa 1700-1777), having previously worked in Rome moved to Turin in 1730 and was designated by Royal patent ebanista nostro to the King on the 13th July of

that year. He continued working for the Royal Household until his deathin 1777

A LOMBARD PARQUETRY COMMODE, of serpentine bombe form, the front con-taining three drawers inlaid similarly to the sides with scroll and strapwork borders and central lobed

cartouches, 3ft. 3in. high by 4ft. wide (100cm. by 122cm.) mid-18th Century

A SET OF EIGHT VENETIAN PAINTED AND PARCEL-GILT ARMCHAIRS, each with a
moulded rococo frame carved with flame motifs, the cartouche-shaped backs with inset
stuffed panels, with scroll arms, stuffed drop-in serpentine-fronted seats and cabriole
legs, mid-18th Century

A Louis XVI PAINTED AND PARCEL-GILT SUITE comprising six fauteuils and a
canape, the oval backs headed by bows, with padded arms and stuffed seats on stop-fluted
tapering legs, the Aubusson upholstery delicately woven with tasselled drapery enclosing
flowers, canape 6ft. wide (185.5cm.) circa 1780, possibly Belgian

LOMBARD WALNUT COMMODES, Louis XV/XVI TRANSITIONAL ORMOLU-MOUNTED TULIPWOOD AND AMARANTH COMMODE, LOUIS XV ORMOLU AND BRONZE MANTEL CLOCK, Louis XVI SIDE CHAIRS

AN UNUSUAL SUITE OF GERMAN GROTTO SEAT FURNITURE comprising a three-seat
settee, six armchairs and a rocking chair, the tall carved silvered backs and seats with gilt-
wood dolphin arms on rockwork legs, the rocking chair on scroll dolphin supports and
the rockers with dolphin heads, 18th/19th Century
Provenance: Schloss Rheinsberg
A similar armchair, thought to have been made about 1760/70, is in the Kunst¬gewerbe Museum, Berlin, Schloss Kopenick, and is illustrated by Heinrich Kreisel, Die Kunst des

Deutschen Mobels, vol. II, figure 1111

A PAIR OF LOMBARD WALNUT COMMODES, each with a rectangular top, a drawer in the concave frieze, one also with a slide, with two further drawers in the concave lower part, on

cabriole legs, 2ft. 8in. high by 3ft. 5in. wide (81cm. by 104cm.) circa 1760

A Louis XV/XVI TRANSITIONAL TABLE signed Dusautoy and stamped JME, and with silvered mounts, the oval white marble top with a three-quarter gallery, the frieze inlaid with

flowerhead trellis and with a fitted drawer on one side raised on cabriole legs inlaid with chains of husks and ending in scroll sabots, and joined by a kidney-shaped stretcher

inlaid with a panel of flowers flanked by flowerhead trellis, circa 1780
Jean-Pierre Dusautoy, 1719-1800, was received Master in 1799

A LATE LOUIS XV GILTWOOD VOYEUSE, indistinctly stamped, probably Chevigny, with padded toprail, stufied lyre-shaped back, stufied saddle-shape seat and ^fluted tapering legs,

circa 1765
Tean Nicolay L’Art et la Maniere des Maitres Ebenistes Francais au XVIIIe Siecle, page 102, fig. C, illustrates a very simUar chair by Claude Chevigny, received Master in 1768

A Louis XV/XVI TRANSITIONAL ORMOLU-MOUNTED TULIPWOOD AND AMARANTH
COMMODE stamped J. C. Stumpf/, with mottled grey and white marble top, the front
with a gently swelling centre section and containing three small and two long drawers, the
rounded corners inlaid to simulate fluting, on cabriole legs, 2ft. Hin. high by 4ft. 4V2in.
wide (89cm. by 134cm.) circa 1775
Jean-Chrysostome StumpfT, 1731-1806, received Master in 1766

A FINE AND RARE MAHOGANY BUREAU attributed to Abraham Roentgen, the top
and shaped fall-front inlaid with a chequer banding, the interior fitted with an arrangement
of shaped rosewood-veneered drawers above a plain frieze drawer and shaped kneehole flanked
to each side by a deep drawer with tambour lid and hinged opening to reveal tulipwood-
veneered drawers, on cabriole legs with brass mounts, 3ft. high by 3ft. 3?2in. wide (91.5cm. by
100.5cm.) circa 1765, Neuwied
Hans Huth, Roentgen Furniture, London 1974, illustrates a very similar bureau, plate 18, in the Neues Schloss at Baden Baden

A Louis XV ORMOLU MANTEL CLOCK, the (later) enamel dial and movement signed Balthazard A Paris, in a waisted case with a reclining cherub cresting, the whole profusely chased

with shellwork, scrolls and leaves, 20in. high (51cm.) circa 1760

A LOUIS XVI ORMOLU CARTEL CLOCK with a 9in. (cracked) enamel dial and pierced
gilt hands, the movement with rectangular plates and outside count wheel, the case sur-
mounted by an urn and with pineapple finials, acanthus flanking the dial and a female
mask below, 37in. high (94cm.) circa 1780

A LOUIS XV/XVI TRANSITIONAL BOIS SATINE COMMODE, the shaped moulded
brown and green mottled marble top above an ormolu-mounted frieze divided as two
drawers above two drawers inlaid with ribbon tied musical instruments, sheet music and
flowers with a moulded ormolu mount flanked by an ormolu moulded panel inlaid with
drapes and above an ormolu-mounted frieze on ormolu moulded cabriole legs, 2ft. lO’Mn.
high by 4ft. 2in. wide (87cm. by 127cm.) circa 1775

AN EARLY LOUIS XVI MARQUETRY SECRETAIRE A ABATTANT with a mottled grey
marble top and a drawer in the frieze, the fall-front inlaid with a spray of flowers and
leaves and enclosing a fitted interior, with a pair of doors below, 4ft. 6in. high by 2ft. 7in.
wide (138cm. by 79cm.) circa 1775

A SMALL LOUIS XVI QUARTER-REPEATING ORMOLU CARTEL TIMEPIECE, the (chipped) 4V2in. enamel dial signed Olin a Paris, the similarly signed movement with circular plates and

repeating on one bell Struck by two hammers, the case surmounted by an um and decorated with scrolls, acanthus and swags of bay, 18in. high (46cm.)        ?800-1200

A LATE LOUIS XV ORMOLU AND BRONZE MANTEL CLOCK, the case stamped St. Germain, the enamel dial signed Charles Le Roy A Paris and with pierced gilt hands, the similarly signed

movement with later escapement and outside numbered count wheel, the case surmounted by a lamp and resting on a fluted column, a cockerel at one side and a bronze seated female

figure at the other, the base with a band of fret hung with swags of leaves, on ebony-veneered base mounted with trefoils, 22in. high (56cm.) circa 1770
Jean-Joseph de Saint Germain is mentioned in L’Almanach General des Marchands in 1747 and 1772, with his address, rue Saint Nicolas in the Faubourg Saint Antoine

AN EARLY LOUIS XVI ORMOLU-MOUNTED BLEU-TURQUIN MARBLE VASE of navette shape, the lid surmounted by a pomegranate finial with leaves below, the pierced vitruvian scroll frieze

centred at each side by a mask with swags of oak branches, the leaf-cast fluted handles supported by leafy moustachioed masks, the gadrooned body raised on a waisted socle and

fluted and bead-moulded plinth, Whin. high (31.5cm.) circa 1775

AN UNUSUAL LOUIS XVI GILTWOOD BAROMETER with an oval paper register
plate signed Par Sormanif Rue de L’Arbre sec No. 17 a Paris, with a thermometer in the
centre, the frame with swags of flowers and leaves, an um cresting and a sunburst mask
below, 43V2in. high (110cm.) circa 1780

A Louis XVI ORMOLU-MOUNTED MAHOGANY REGULATOR of long duration, the
dished 13in. enamel dial signed Lepaute A Paris and with pierced engraved gilt hands,
steel centre seconds hand and an enamel calendar ring below VI mounted on a wheel
revolving once a year, the weight-driven movement with shaped plates, piain pillars, four
wheel train with delicate wheelwork and incomplete pin-wheel escapement, the massive
compensation gridiron pendulum with knife-edge suspension from a bracket attached to
the backboard, temperature indication and lenticular bob, the case with a moulded rec-
tangular hood and mounted with bands of petal moulding, flowerheads and a female mask
in the waist door, 7ft. Hin. high (240cm.) circa 1785, plinth lacking

A Louis XVI ORMOLU-MOUNTED KINGWOOD AND TULIPWOOD MARQUETRY CONSOLE DESSERTE, stamped J. Stockei JME, bow-fronted and with a white marble top, the frieze inlaid with an

interlaced geometric strapwork design and containing a central drawer flanked by pivoted segment-shaped drawers, the Supports inlaid to simulate fluting, and with a panelled

back, conforming shelf stretcher, and turned tapering legs also inlaid to simulate fluting, 2ft. Hin. high by 3ft. 4in. wide (88cm. by 102cm.) circa 1775
Joseph Stockei, 1743-1802, was received Master in 1775

A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS, one stamped G. Jacob, each arched
top-rail centred by flowers and with stuffed backs, padded arms with scroll terminais and
stuffed seats on stop-fluted tapering legs, circa 1780
Georges Jacob, 1739-1814, received Master in 1765

A SET OF FOUR Louis XVI PAINTED ARMCHAIRS with rectangular moulded backs,
downswept moulded panelied arms with scroll handles on stop-fluted supports, the stuffed
seats on moulded seatrails and turned tapering fluted and stop-fluted legs headed by
flowerheads, circa 1780, one pair decorated in off-white, the other in off-white and beige,
one reduced in height

A PAIR OF Louis XVI SIDE CHAIRS, similar, but with rounded front corners,
circa 1780

A Louis XVI CARVED GILTWOOD AND GESSO CONSOLE with fleur de peche marble
top, the frieze carved with leafy wave motif and hung with garlands of flowers, raised on
fluted tapering legs, the guilloche-carved stretcher centred by a flower-draped um, 2ft. 9in.
high by 2ft. 11 in. wide (84cm. by 89cm.) circa 1780

OAK BREAKFRONT BOOKCASE, MAHOGANY CHAISE LONGUE, WALNUT OCCASIONAL TABLE, MAHOGANY GEORGE III PEDESTAL DINING TABLE, CARVED WALNUT WALL MIRROR

AN OAK BREAKFRONT BOOKCASE with a
moulded cornice above four glazed cupboard doors enclosing shelves, the outset lower part with panelled cupboard doors.

A GILTWOOD WALL MIRROR, the rect-angular bevelled plate within a frame pierced and carved with berries and leaves, 51 by 45in; 130 by 114cm, c. 1870.

A   PORCELAIN-MOUNTED   BURR-WALNUT
SIDE CABINET, D-shaped top, with two panelled cupboard doors inset with oval porcelain panels within interlaced cross-banded doors, the sides with convex glazed cupboard doors,

43 by 72in; 109 by 183cm, 1860.

A SET OF FOUR OAK DINING CHAIRS, the
slightly scrolled backs with a rung
support, padded back, sprung seat and
turned legs on castors, 1870’s.

A   MAHOGANY   CHAISE   LONGUE with a
scroll end with a balustrade back support, the sprung seat on bulbous turned legs, c. 1870.

A   MAHOGANY   CARD   TABLE,   the   rect-
angular top above a parcel-gilt frieze, with turned tapering legs joined by an ‘X’ stretcher on brass castors, 29 by 36Jin; 74 by 92cm, c. 1870.

A PINE SIDE TABLE, the rectangular top and two frieze drawers on trestle supports held by notched buttresses, 48in; 112cm wide, c. 1870.

A SET OF SIX WALNUT DINING CHAIRS,
each with a waisted back pierced and carved with scrolls above a stuffed serpentine seat, on moulded cabriole legs, c. 1860.

AN OAK SIDE CHAIR with a panelled back fianked by twisted supports and unusual buttress supports, the solid seat on turned and square-section legs, c. 1870.

AN UNUSUAL CEDARWOOD SIDE CABINET
with two cupboard doors inlaid with ebony stringing within ebonised borders, the whole flanked by outset columns with gilt-bronze capitals, 42 by 40in; 108 by 102cm, c. 1870.

A WALNUT LOO TABLE with a quarter-veneered tip-top, in well-figured wood above a serpentine apron on a pierced baluster column and four cabriole legs, 29 by 60 by 41in; 74 by

152 by 130cm, c. 1860.

A PAIR OF GOTHIC REVIVAL HARDWOOD
NARROW DOORS, each with three tall
lancet arches above crenellation and
diagonal tongued and grooved saw-
and leaf-edged panels each.

A CARVED WALNUT WALL MIRROR, the
oval mirror plate within a border carved with various fruits and cereals, 43 by 34in; 109 by 86.5cm, c. 1870.

A GILLOWS ‘LOUIS   XVI SATINWOOD
CIRCULAR TABLE, the moulded top on a central fluted column with fluted outset supports on a tripod trestle base, stamped Gillows number L1427, c. 1870

A WALNUT OCCASIONAL TABLE in well-
figured wood, the octagonal top inlaid with trellis and leaves, on turned legs joined by a tier stretcher similarly inlaid, 26 by 29in; 66 by 74cm, c. 1870.

A   ROSEWOOD   OCCASIONAL   TABLE,   the
lobed tip-top on a slender stem and moulded tripod base, 27 by 30in; 70 by 76cm, c. 1840.

A SET OF SIX ‘GEORGE Hl’  MAHOGANY
DINING CHAIRS, including two Arm-
chairs, each with a slightly dipped top-
rail, vase splat and stuffed drop-in seat,
on cabriole legs, c. 1880.

A SATINWOOD DISPLAY TABLE, the glazed top inlaid with a floral border, on cabriole legs joined by a stretcher inlaid with a musical trophy, 29 by 24|in; 74 by 62cm, c. 1880.

A PAIR OF ‘GEORGE IIl’ MAHOGANY DINING
CHAIRS with pierced vase splats and
drop-in seats, the cabriole legs ending
in claw-and-ball feet, c. 1880.

A   ‘GEORGE   III’   SATINWOOD   PEMBROKE
TABLE, the top inlaid with a reserve of leaves and flowers, the frieze with a single drawer, on square tapering legs with brass castors, 27 by 27fin; 69 by 70.5cm, late 19th

century.

A PAIR OF JAPANNED STANDARD LAMPS,
attributed to Hille & Co., each with a chamfered square tapering column above an octagonal base with a blind-fret frieze painted and gessoed throughout with chinoiserie, 63in;

162cm, c. 1920.

AN EDWARD IAN ART NOUVEAU MAHOGANY
TEA TABLE, the serpentine square top on outset square tapering legs, the frieze with three baize-lined hinged circular trays, inlaid with stylised foliage, 29 by 18in; 73.5 by

45.5cm, c. 1910.

A MAHOGANY BUTLERN TRAY with four
hinged edges pierced with carrying handles, on square-section legs, 18 by 24in; 46 by 61cm, modem.

A   MAHOGANY   ‘GEORGE   III   PEDESTAL
DINING TABLE, the ‘D’ ends with a reeded border on triple downswept legs, with an extra leaf, 39in; 100cm wide, 97in; 247.5cm long fully extended, 20th century.

ROSEWOOD SIDE CHAIRS, FIVE STAINED OAK ARMCHAIRS, WALNUT OCCASIONAL TABLE, BURR-WALNUT CARD TABLE, WALNUT WELLINGTON CHEST

A PAIR OF ROSEWOOD SIDE CHAIRS, the
saddle backs with stuffed serpentine
seats on cabriole legs, c. 1850.

A  MAHOGANY  NARROW  BOOKCASE,   the
moulded cornice above a pair of glazed doors enclosing shelves with recessed ebonised roundels above a pair of panelled cupboard doors, 243 by 138.5 by 35.5cm, c. 1850.
The narrow proportions of this bookcase suggest that it was made for a recess and has not been altered from a large bookcase.

A MAHOGANY DINING TABLE with tWO
‘D’ ends and two extra leaves, the top with a moulded border, on four leaf-carved turned fluted tapering legs with china castors, 30 by 108in; 76 by 274cm, c. 1870.

A WALNUT FOOTSTOOL with panelled ends and curved foot support, one bun foot replacee, 52in; 132cm wide, 1860’s.

A BEECHWOOD STOOL, the padded rect-angular top on four leaf-carved cabriole legs

A SET OF FIVE STAINED OAK ARMCHAIRS,
designed by E. Gomme, with oval backs and downswept arms, on stile supports, stamped Reg. No. 807334, c. 1932.

The High Wycombe firm of E. Gomme is mentioned in British Furniture 1880-1915 by Agius, pub. Antique Collectors Club, 1978, p. 189.
A GOOD THREE-PEDESTAL   MAHOGANY
DINING TABLE with two ‘D’ ends, inlaid with a rosewood border on a cross-banded edge, with three pedestals, each with lotus-carved stems and moulded twisted legs with brass

castors, 28 by 57in; 72.5 by 145cm, centre leaves lacking, measurements height and width only, c. 1850.

A ROSEWOOD PRIE-DIEU, the ‘T’-shaped back and seat worked with floral petit-point on moulded cabriole legs with scroll toes, c. 1860.

A MAHOGANY PEDESTAL DESK, the rect-
angular top with a leather inset above two frieze drawers with three drawers in each pedestal, 53i by 29in; 136 by 75cm wide and deep, mid 19th century.

A BURR-WALNUT CARD TABLE, the bow-fronted baize-lined top above a baluster with pierced corbel supports and quadruple legs, 36in; 93cm wide, 1860’s.

A SET OF FOUR GOOD ROSEWOOD DINING
CHAIRS, each with a serpentine top-
rail and conforming leaf-carved crossbar
above a stuffed serpentine seat, on
moulded cabriole legs with scroll toes,
c. 1860

A  WALNUT   LOW  CHAIR   with   button-
upholstered oval back with fluted supports, sprung seat, fluted legs with castors, c. 1860’s.

A   SIMULATED WALNUT WELLINGTON
CHEST with six graduated short drawers enclosed by a retaining bar, 41 by 2lin; 104 by 53cm, c. 1860.

A WALNUT OCCASIONAL TABLE, the lobed
top inlaid with foliage, the spirally incised column on triple leaf-carved legs, 29 by 19in; 75 by 48cm, 1860’s.

A GILTWOOD AND PLASTER OVERMANTEL
MIRROR, the mirror plate within a moulded frame surmounted by scrolling acanthus, 76 by 62in; 193 by 158cm, c. 1860.

A WALNUT SETTEE with a double chair back and leaf-carved twisted curved arms, on moulded cabriole legs, c. 1860.

A ROSEWOOD DRAWING-ROOM SUITE,
comprising a pair of Armchairs and a
Settee, 70in; 178cm wide, two pieces
button-upholstered, one with upholstery
lacking, c. 1850.

A MAHOGANY POT CUPBOARD, the circular top above a fluted body, 14 by 17in; 37 by43cm,c. 1860.

A BURR-WALNUT CARD TABLE, the rect-angular baize-lined top above trestle supports joined by a pole stretcher.

A WALNUT CENTRE TABLE in Well-figured
wood, the top crossbanded in tulip-wood, the frieze pierced with scroll-work and carved with cabochon, on a leaf-carved trestle support with cabriole legs carved at the knees

with leaves and joined by a moulded stretcher, 29 by 56in; 75 by 147cm, c. 1860.

A PAIR OF LATE  I7TH CENTURY STYLE
CHAIRS, each with an arched back
carved with a shell above a double
caned panel and a caned seat, on shell
carved cabriole legs joined by stretchers,
c. 1860.

OAK CROSS-FRAME ARMCHAIR - MAHOGANY PEDESTAL SIDEBOARD - ROSEWOOD SETTEE - MAHOGANY OVERMANTEL MIRROR - WALNUT SIDE CHAIR - OVERMANTEL MIRROR

AN OAK CROSS-FRAME ARMCHAIR, the button-upholstered back with padded arms and sprung seat, c. 1840.

A MAHOGANY PEDESTAL SIDEBOARD, the
rectangular top with three cushion drawers above two pedestal cupboards, 33 by 60in; 84 by 152.5cm, c. 1840.

A SET OF SIX MAHOGANY DINING CHAIRS,
each with a carved top-rail above a
stuffed drop-in seat on turned tapering.

AN ELIZABETHAN REVIVAL WALNUT SIDE
CABINET, the mirrored frame with strap-work cresting above a white Carrara serpentine marble top above a pair of serpentine doors applied with pierced strapwork, 69 by 77|in; 175 by 196cm, 1840’s.

A WILLIAM IV MAHOGANY MUSIC STAND
with two adjustable lyre supports on a turned stem with a gadrooned base, on four outcurved legs with brass castors, 48|in; 123cm, restored, c. 1835.

A  GILTWOOD  GIRONDOLE  MIRROR,  the
oval plate with a moulded frame applied with bold acanthus and ‘C-scrolls, 36 by 27in; 91.5 by 68.5cm, candie sconce missing, 1840’s.

A    WALNUT    ARMCHAIR,    the    button-
upholstered back with a moulded leaf-carved top-rail, sprung seat and cabriole legs, c. 1850.

A MAHOGANY  WINE  COOLER of Sarco-
phagus form on leaf-carved bun feet with castors, 28in; 71cm, 1840.

A ROSEWOOD SETTEE with a padded back and overscroll sides above a sprung seat and two balusters, the moulded sides carved with scrolls and rosettes on gadrooned turned legs, 85Jin; 217cm wide, c. 1840 m.

A ‘LOUIS XV’ REVIVAL KINGWOOD AND
BURR-WALNUT CENTRE TABLE, of CrOSS-
banded serpentine form with cabriole legs and frieze drawers, 33in; 84cm wide, 1850′.

A MAHOGANY BREAKFAST TABLE with an
oval tip-top with a moulded edge above a baluster column and four hea-vy cabriole legs carved with scrollwork, 28? by 57|in; 72 by 146cm, c. 1870.

A MAHOGANY SETTEE, the back with a solid splat inlaid with musical instru¬ments flanked by two splats inlaid with urns and ribbons above a stuffed seat on square tapering legs and castors; 108cm wide, c. 1900.

A ROSEWOOD POLE SCREEN with a circular
tapestry panel of flowers in a strapwork frame on a circular base; 153cm, c. 1840.

A MAHOGANY TEA TABLE, the rectangular top enclosing a polished interior on an octagonal stand and concave base with turned feet, 28 ? by 40in; 72 by 102cm, c. 1840.

A SET OF SIX MAHOGANY DINING CHAIRS,
each with a waisted back and dipped
top-rail above a conforming crossbar
and stuffed seat on octagonal baluster
legs, mid 19th century.

AN   OAK   CELLARETTE
form, surmounted by a cluster of oak leaves, the sides carved with Bacchic figures enclosing a zinc lining, 23 by 8.5 by 82.5cm, c. 1850.

AN EBONISED  WOOD  FIRE  SCREEN,  the
moulded frame carved with ‘C’-scrolls and shells enclosing a petit-point panel worked with a young man in 18th century dress watching a lady at her embroidery, on scroll feet; 110 by 71cm, c. 1850.

A MAHOGANY OVERMANTEL MIRROR with
a moulded pediment applied with baubles above a frieze panel hung with swags and flanked by dancing women, the sides with fluted columns enclosing three rectangular bevelled glazed mirror plates, 35 by 54in; 90 by 137cm, mid 19th century.

A ROSEWOOD SIDE CHAIR, the waisted back upholstered with petit-point and bead-work flowers and leaves above a conforming sprung serpentine seat on moulded cabriole legs, c. 1860.

AN OAK HALL SEAT with a single pew-end carved with trefoil and a mask below a roof moulding surmounted by a mythological beast, the back with a pierced panel above a padded seat and moulded feet, 49in; 125cm, mid 19th century.

A WALNUT SIDE CHAIR, the button-upholstered back with a waisted frame above a sprung seat on moulded cabriole legs, c. 1860.

BRONZE AND GILT-BRONZE CHANDELIER - NORTH ITALIAN WALNUT COFFER - WROUGHT-IRON STRONG BOX - GENOESE WALNUT CABINET - FLEMISH CABINET ON STAND - DUTCH PAINTED THREE-FOLD CHIMNEY BOARD

A PAIR OF ORMOLU CANDLESTICKS, with flower-
cast nozzles and the circular engine-turned stems
with feather tops, on circular bases cast with lyres and
butterflies, Hin. high (28cm.) circa 1820, one drip-pan
missing.

A PAIR OF EMPIRE ORMOLU CANDLESTICKS with
engine-turned stems and circular bases, lOin. high
(25cm.), early 19th Century.

A BRONZE AND GILT-BRONZE CHANDELIER, the stem
in the form of a flaming amphora supporting six horn-
shaped arms cast with leafy faces, lft. 6in. high by lft.
9′/2in. diameter (46cm. by 55cm.) early 19th Century,
French or German.

A MAHOGANY MUSICAL NECESSAIRE in the form
of a piano, the interior fitted with a scent bottle, thimble
and scissors, 6in. high by Whin. long (15cm. by 29cm.)
circa 1830, possibly Viennese.

A NORTH ITALIAN WALNUT COFFER, with a hinged lid, the front decorated in sgraffitto-work with griffons, flowers and animal heads, on solid lozenge-cut base, and with iron

carrying handles, lft. Hin. high by 5ft. lin. wide (155cm. by 59cm.) late 16th Century.

A POINT D’HONGRIE RUG of 17th Century style with a central cartouche surrounded by birds and meandering flowering branches, all in pastel silks on a chrome yellow ground, lft.

8in. by 4ft. (232cm. by 122cm.) early 20th Century.

A GOOD BRASS-MOUNTED MAHOGANY TRAVELLING
WRITING BOX with flush-mounted brass mouldings and handles, the mirror-lined lid enclosing a hinged baize-lined surface with two flaps, one enclosing numerous compartments and

Attings including coffee cup and saucer, and a pair of white metal detachable candie arms, also with a pair of glass white metal stoppered glass ink bottles, all with walnut

linings and divisions, lft. 6in. wide (45.5cm.) circa 1820, French or German.

A PAIR OF POINT D’HONGRIE SOFA COVERS AND
SIXTEEN CHAIR COVERS, similar to above lots, sofa covers
lft. 8in. by 2ft. 2in. (233cm. by 65cm.) early 20th Century.

ANOTHER STRONG BOX in iron overlaid with riveted woven strapwork, the lid with a six-tongue interior lock, the guard with a pair of pierced and engraved sea monsters, lft. 2in.

high by 2ft. 5in. wide (36cm. by 73cm.) 17th Century, now painted green.

A WROUGHT-IRON STRONG BOX, of rectangular
shape overlaid with strapwork, the interior with an
elaborate locking mechanism, lft. 6in. high by 2ft. 103Ain.
wide (46cm. by 88cm.) 17th Century.

ANOTHER STRONG BOX, painted and iron-bound,
with hinged lid, decorated in black and red, the sides
with iron-carrying handles, lft. 7in. high by 2ft. 93Ain.
long (48cm. by 85cm.) 17th Century.

A GENOESE WALNUT CABINET, the frieze with a pair of drawers, the handles in the form of wreathed Roman heads and divided by cartouches, the door with an architectural

arrangement of figures surrounding a niche with a carving of Diana and a young satyr and enclosing an arrangement of nine drawers and two cupboards flanked by pilasters carved

with figures, 2ft. 2lhin. high by 2ft. VMn. wide (67cm. by 80cm.) circa 1600, with restoration, carving of Diana late 19th Century, raised on a late 19th Century walnut stand

with six turned legs joined by moulded stretchers.

A WALNUT TABLE CABINET, the interior with eight
drawers, 17in. high by 16in. wide (44cm. by 40cm.) late 17th
Century, the door now inset with a panel of early 17th
Century Augsburg marquetry.

FLORENTINE CARVED GILTWOOD WALL CUP-
BOARD of architectural form, with a central niche for a
figure flanked on each side by a cupboard, the base with
a small drawer at each side, 3ft. 2in. high by 2ft. lOin.
wide (97cm. by 86cm.) early 17th Century.

A PAINTED AND GILT SlDE CABINET in Italian 17th
Century style, of inverted double breakfront form, with
fluted pilasters flanking a pair of cupboard doors carved
with polychrome figures of saints, 3ft. 6in. high by 4ft.
Gin. wide (94cm. by 137cm.).

A PAIR OF PORTUGUESE LEATHER-COVERED
BEECHWOOD CHAIRS, the tall backs with shaped tops and
bases and covered in leather stamped with flowers and
figures, held by giant brass-headed nails, the seats with
floral design and raised on turned legs with shaped front
stretchers, late 17th Century.

A FLEMISH CABINET ON STAND, with an archi-
tectural moulded superstructure above three cupboard
doors flanking six short drawers, set with ivory panels
engraved with figures, landscapes and fruit and flowers,
the lower part with a frieze drawer similarly decorated,
on six later spirally turned legs and waved X-stretchers,
4ft. 4in. high by 3ft. 8in. wide (133cm. by 113cm.)part 17th
Century, distressed.

A PAINTED, LEATHER-COVERED CHEST, the domed
top, front and sides painted with armoriai designs, with
carrying handles, 2ft. 3V2in. high by 3ft. 2in. wide (70cm.
by 97cm.) late 17th/early 18th Century, probably German,
on later bun feet.

A FLEMISH WALNUT ARMCHAIR, the toprail carved
with scrolls flanking a Coronet, with spirally-turned
supports and oval caned splat within a scroll-carved
frame, with outcurved scrolling arms and spiral supports
on a caned seat and scrolling acanthus-leaf-carved front
legs with scrolled coronet-carved front stretcher, circa
1680, extensively restored.

A DUTCH PAINTED THREE-FOLD CHIMNEY BOARD
showing the interior of a mill with a horse operating a
treadmill and the miller baling flour at one side, painted
with the legend van boekwyt maakt men meel van gerste
maakt men grutten den gever die geeftveel omt lichaamt
onderstutten, circa 1900.

NORTH ITALIAN PAINTED CHAIRS - DUTCH MAHOGANY COMMODE - PAINTED DISPLAY TABLE - ELM CHEST OF DRAWERS - WALNUT SECRETAIRE A ABATTANT - EXPORT LACQUER WORK TABLE

A PAIR OF NORTH ITALIAN PAINTED CHAIRS, the moulded cartouche-shaped backs with pierced splats, the stuffed seats on moulded cabriole legs, circa 1765.

AN ITALIAN KINGWOOD- AND PARQUETRY-VENEERED
COMMODE, the serpentine front containing three drawers
with brass swan’s neck handles and pierced backplates,
the shaped apron raised on short cabriole legs, 3ft. 3′/2in.
high by 3ft. lOin. wide (100cm. by 117cm.) circa 1770,
marble top missing, later mounts.

A DUTCH WALNUT CHEST, the arc-shaped front containing four long drawers, 2ft. 5in. high by 3ft. 2in. wide (74cm. by 97cm.) mid-18th Century, later feet.

A DUTCH MAHOGANY COMMODE of slightly bombe
form, with mottled pink marble top above three long
drawers on splayed bracket feet, 2ft. 8in. high by 3ft. 3in.
wide (81cm. by 99cm.) circa 1770, originally with a
wooden top, mounts replaced.

A LOMBARD WALNUT TABLE, the top crossbanded in tulipwood, the frieze inset with panels of kingwood, and raised on square tapering legs, 2ft. 5in. high by 3ft. 7in. wide (74cm.

by 109cm.) circa 1780, with restoration.

AN ITALIAN ARTE-POVERA BEDSIDE CUPBOARD, with hinged top and square tapering legs decorated with peasant figures in an antique landscape on a cream ground with mottled blue

scrollwork outlined in gilt, 2ft. bin. high by 2ft. wide (74cm. by 60.5cm.) late 18th Century, originally fitted with a pot, decoration restored.

A DUTCH WALNUT AND MARQUETRY CARD TABLE,
the serpentine top inlaid with flowers, the polished
interior inlaid with a chessboard with a playing card at
each corner, the frieze with a drawer, raised on square
tapering legs, 2ft. 6in. wide (76cm.) circa 1780, top and
legs warped.

A PAINTED DISPLAY TABLE with hinged glazed lid and glazed frieze, raised on circular fluted tapering legs with leafy collars and feet, painted gilt and dark red, 2ft. 6in. high

by 2ft. Hin. wide (76cm. by 89cm.) late 18th Century, Italian, possibly altered from a centre table.

A MlLANESE MARQUETRY SMALL CHEST of three
drawers on square tapering legs, the top inlaid with a musical trophy, the front with figures, 2ft. 6in. high by Ift. 9in. wide (76cm. by 53cm.) late 18th Century.

A MARQUETRY COMMODE, with a rectangular top, three long drawers and square tapering legs, inlaid with panels of floral marquetry, 2ft. Hin. high by 4ft. 5in. wide (89cm. by

135cm.) circa 1790, Milanese or Sicilian.

A FRENCH PROVINCIAL ARMOIRE with a cavetto cornice, the frieze inlaid with flowerheads above a cup-board door with a shaped moulded panel above two short drawers and another

panelled cupboard door, with fluted sides and a shaped apron, on short cabriole feet, 7ft. high by 3ft. 8in. wide (210cm. by 112cm.) circa 1770.

A DUTCH POLLARD ELM TALLBOY, with a white
marble top, canted corners and six long drawers, on
tapering block feet, 5/t. l’Ain. high by 3ft. 4in. wide
(155.5cm. by 42cm.) early 19th Century.

A DUTCH POLLARD ELM CHEST OF DRAWERS, the top crossbanded in walnut, the bowed front with one shallow and three deep drawers, on bracket feet, 2ft. 9V2in. high by 2ft. 5in. wide

(85cm. by 73.5cm.) circa 1795.

A VIENNESE MAHOGANY DESK with a tambour above a bowed front containing a slide and a pair of tambour cupboards flanked by ebonised pillars, with gilt-metal mounts and tall,

giltwood, paw feet, 3ft. 4in. high by 2ft. 21hin. wide (101cm. by 68cm.) circa 1820.

A DUTCH SEMI-CIRCULAR MARQUETRY GAMES
TABLE, the interior inlaid with a chessboard and playing
cards, the front with a pair of tambours and raised on
four square, fluted, tapering legs, 2ft. lin. high (19cm.)
circa 1180, inlay 19th Century.

A STAINED BEECHWOOD ALCOVE BED, the slightly scrolled ends of equal height and faced with rosettes, raised on short circular tapering legs, the front two headed by diamond

panels, 5ft. Whin. wide by 2ft. 8in. high (119cm. by 81cm.) circa 1900, front-rail cracked.

MAHOGANY   AND   PARCEL-GILT   OVERMANTEL
GLASS, the rectangular plate framed within rounded
pilasters with gilt capitals, lft. 9in. high by 2ft. lOVzin.
wide (53cm. by 88cm.) circa 1825.

A BIEDERMEIER WALNUT SECRETAIRE A ABATTANT
with grey fossil marble top, the fall-front with a fitted
interior, one drawer above and three long drawers
below, flanked by projecting, split-baluster columns, on
bail feet, 4ft. lin. high by 3ft. 2′/2in. wide (140cm. by
98cm.) circa 1825.

A DUTCH MAHOGANY AND MARQUETRY BEDSIDE
CUPBOARD with a tambour door above a drawer, on
turned legs, 2ft. 3in. high by lft. lin. wide (69cm. by
48cm.) circa 1830, extensively restored.

A GOOD SlNHALESE TEAK AND EBONY CUPBOARD in
two parts, the upper part with a moulded cornice and a
pair of doors with panels outlined with ebony leaves
forming ovals and flanked by a pair of free-standing
turned pillars, the slightly projecting lower part with
three leaf-carved drawers above a pair of doors similar to
the upper part, on turned feet, 6ft. 2in. high by 4ft. wide
(188cm. by 122cm.) circa 1830.

AN EXPORT LACQUER WORK TABLE, the shaped slightly domed lid decorated in shades of gilt on black with figures and enclosing a removable tray of compart-ments, raised on pierced

lyre supports with claw feet, 2ft. 4in. high by 2ft. l’Ain, wide (70cm. by 65cm.) early 19th Century, originally with a work bag.

A SET OF THREE ANGLO-INDIAN ROSEWOOD ARM-CHAIRS with stuffed shield-shaped backs, the padded arms with leaf-carved handles and supports, the seatrials raised on circular,

tapering, reeded legs with leafy capitals and feet, circa 1820, backs probably altered.

A CIRCULAR EXTENDING DlNING TABLE SUpported
on a massive divided circular pedestal and concave plinth base, 2ft. 5in. high by 4ft. 5in. diameter closed (73.5cm. by 135cm.) circa 1830, probably German.

A PAIR OF COLONIAL HARDWOOD SMALL SETTEES
each with a double chair back, caned seat and square tapering legs, circa 1800, formed form one long settee.

AN UNUSUAL COLONIAL TEAK CUPBOARD, with a
pair of panelled doors and bun feet, 4ft. 7′Mn. high by
4ft. lin. wide (141cm. by 124cm.) circa 1800, probably
Chinese.

A   BIEDERMEIER   MAHOGANY   DECANTER   CASE
shaped like a miniature cylinder bureau, the hinged lid
opening to reveal six gilt-decorated glass bottles, W’Mn.
wide (27cm.) circa 1825.

A PAIR OF TABLE LAMPS - BRONZE DOOR KNOCKER - CHARRIERE MAHOGANY KNIFE BOX - SET OF six OAK CHAIRS - STAINED GLASS PANEL

A PAIR OF TABLE LAMPS, each with an
oriental vase mounted with an electrical
fitting, painted with birds and flowering
stems, on carved wood plinths, 16in;
40cm, modem.

A WALNUT WRITING SLOPE banded with brass, the interior with a writing surface and fitted compartments, by 18in; 18 by 46cm, c. 1870.

A WALNUT AND PARQUETRY WRITING BOX,
with thin bands of inlay along the edges with wider bands across the top and front, the interior with fitted compartments and pen scoop, 7 by 20in; 17.8 by 50.7cm, mid 19ih century.

A WALNUT TEA CADDY in Well-figured
wood, the interior with two caddies and a later mixing bowl with a ’secret’ compartment in the lid, 15Jin; 38.7cm, 1840’s.

A BRONZE DOOR KNOCKER, cast with a lion’s head holding a ring cast with cherubs and a mask, 27cm, c. 1880.

A FOLDER  OF VARIOUS DRAWINGS  AND
PRINTS by various designers, late 19th
Century.

A   WILLIAM   IV   MAHOGANY   WRITING
SLOPE, the top inlaid with brass string-ing, the interior with compartments and a writing surface c. 1830.

A CELADON VASE, now fitted as a lamp, with shade, the vase loin; 41cm, c. 1900.

A PAIR OF CELADON VASES of bulboUS
ovoid form, fitted for electricity as
lamps, with rectangular green silk
shades, 32in; 81cm overall approx., 20th
Century    .

A BRASS FIRE KERB of elongated ‘C shape with steel supports and wire trellis, 65in; 165cm wide, mid I9th
century

A STAINED GLASS PANEL with a central roundel of the Devil with a young shepherd enclosed by entwined leaves and branches in a pine frame, by 31iin; 103 by 80cm, c. 1880.

A CHARRIERE MAHOGANY KNIFE BOX, the
brass-bound sloping front with inset carrying handles and a fitted interior, the slope initialled AH, the lock plate signed A. Charriere a Paris, 23in; 58cm wide, the base with a button-operated secret drawer, third quarter of the 19th century.

A SET OF FOUR STAINED GLASS PANELS
portraying four angels, inscribed By
Love Serve One Another Not By Might
Nor By Power But By My Spirit Saith
The Lord Of Hosts, two with the
Y.W.C.A. inverted triangle, 44 by  ; 112.5 by 41.3cm, late 19th
century.

A ROSEWOOD WHATNOT, nOW with tWO
tiers and a drawer, with turned supports, 24 by 20in; 61 by 51cm, eut down, c. 1840.

A MARBLE OCCASIONAL TABLE inlaid with
an asymmetrical design of various marbles, the centre with an Italian mosaic panel of the Coliseum on a triple cluster column and concave-sided base, 28 by 2lin; 71 by 53.5cm, c. 1870.

A MAHOGANY SEWING TABLE with tWO
real opposing two dummy drawers in a frieze, on a trestle support, 29 by 28lin; 75 by 72cm, c. 1850, restored.

A LARGE GILTWOOD AND PLASTER OVER-
MANTEL MIRROR with a moulded pedi-ment above a panel carved with leaves and flowers, above three mirror plates divided by stop-fluted columns, sup-ported by three further plates with urn and leaf-carved supports, 611 by 75lin; 156 by 192cm, c. 1870.

A SET OF six OAK CHAIRS, each with a leaf- and shell-carved top-rail above a pierced splat and moulded curved side supports, the sprung seats on turned tapering legs with castors, c. 1870.

A MAHOGANY BOOKCASE with a moulded pediment above two large glazed cup-board doors with moulded astragals, on bracket feet, 94 by 73in; 239 by 186cm, mid 19th century.

A WALNUT DISPLAY CABINET, the COn-
cave frieze inlaid with foliage above a glazed door and pilasters applied with spelter terms, 41 by 31 fin; 105 by 79.5cm, 1850’s.

Louis XV GILT CONSOLE - ITALIAN GILTWOOD GIRANDOLES - FLEMISH CORNER CUPBOARD - WALNUT CHEST ON STAND - SMALL WALNUT BUREAU

A Louis XV GILT CONSOLE with pierced leaf-carved frieze,
in-scrolled legs carved with leaves and husks and joined
by a pierced stretcher centred by a cartouche, 2ft. 7in. high by 2ft. 8V2W.
wide (79cm. by 82.5cm.) mid-18th Century, green marble top.

A TULiPWOOD COMMODE stamped R. Roessle, with moulded brescia marble top,
the quarter-veneered tulipwood body quarter-banded in kingwood and with two drawers,
on cabriole legs with ormolu mounts, 2ft. 6lMn. high by 2ft. 3′/2in. wide (77cm. by 69cm.).

А CAPE DUTCH STINKWOOD OGEE-FRONTED CHEST
of three long drawers, with canted corners, on claw and
ball feet, 2ft. high by 3ft. 2in. wide (77cm. by
96.5cm.) circa 1750, restored.

A CAPE DUTCH STINKWOOD CORNER ARMCHAIR, the arched back curving around to form the arms with
caned splats and ring-turned baluster supports, the 187 A pair of gilt-metal Candlesticks with spiralling
caned seat on cabriole legs joined by ring-turned sconces, stems and bases, lOin. high (26cm.) circa 1750,
stretchers, circa 1750, with squab cushion.

A PAIR OF LOUIS XV GILT-METAL CANDLESTICKS,
with baluster stems and shaped circular bases, lO’Ain.
high (26cm.) mid-18th Century.

A GLASS CHANDELIER OF SIX S-SCROLL ARMS, the
double gourd-shaped stem also supporting spiral-twist
scrolls, 2ft. high by lft. 9in. wide (61cm. by 53cm.) circa
1750, probably Venetian, some drops later.

A DUTCH MARQUETRY STANDING CORNER CUP-
BOARD with serpentine front, the upper part with
a moulded comice and a pair of panelled doors with a slide below, the lower
part with a pair of panelled doors, on bail feet, 8ft. 5in. high (257cm.) mid-18th Century, inlaid

with
floral marquetry on an oak ground.

A PAIR OF ITALIAN GILTWOOD GIRANDOLES, each
tapering serpentine-topped plate with a cresting and side
pieces of rococo scrolls with flowerheads, each apron
with grotesque mask, 2ft. lin. high by Ift. 4lhin. wide
(63cm. by 42cm.) mid-18th Century, originally with
candle-arms.

A DUTCH PINE CUPBOARD with triangular broken
pediment above a pair of cupboard doors enclosing
shelves and drawers, above an ogee-fronted base with
three long drawers, 7ft. 7in. high by 5ft. wide (231cm. by
152cm.) circa 1760.

A PAIR OF DUTCH WALNUT AND MARQUETRY CHAIRS,
each curved solid vase splat inlaid with birds and
flowers partly in bone and with shaped supports, the shaped drop-in seats on
cabriole legs with pointed pad and waved H-stretchers, mid-18th Century.

A Louis XV KINGWOOD ETAGERE,
the elliptical top with a moulded border and inlaid with a
chequer banding, with a smaller conforming shelf below, on pierced trestle supports
joined by a crossbar, 2ft. 4in. high by 2ft. Win. wide (71cm. by 87cm.) circa 1770.

A SCANDINAVIAN CARVED OAK BOX inscribed with the date anno 174*
and with two sets of initiais, the hinged lid and sides incised
with geometrie roundels, /ft. 3% in. wide (40cm.) mid-18th Century.

AN ITALIAN NEO-CLASSICAL ALTAR CANDLESTICK
in gilt and silvered wood, 2ft. lOin. high (87cm.)
circa 1770, fitted for electricity.

A FLEMISH CORNER CUPBOARD, the pair of doors
painted with the Virgin kneeling with attendant angels
below draperies, 3ft. high by lft. llin. wide (92cm. by
58cm.) third quarter 18th Century.

A PAIR OF LOUIS XV CARVED WALNUT ARMOIRE
DOORS, each with two panels outlined by simple foliate
rococo carving, 5ft. llin. high by lft. 9in. wide (180cm. by
53cm.) circa 1760.

A WILLIAM AND MARY WALNUT-VENEERED CHEST
OF DRAWERS, the moulded top and three long drawers
inlaid with simple stringing, with panelled sides, 2ft. 9in.
wide (84cm.) circa 1690, base now altered and with later
bracket feet, height now 2ft. Hin (89cm.).

A WILLIAM IV WORK BOX, the whole covered in red/brown
leather, the coffered lid inset with a brass panel, enclosing a
fitted interior lined in blue silk, with a drawer below, with
carrying handles at the sides and on gilt-metal feet with
flowerheads, leaves and berries, 53Ain. high by ll3Ain. wide (153cm. by 29cm.) circa 1835.

AN OYSTER-LABURNUM AND ROSEWOOD-VENEERED
CABINET ON CHEST, the doors enclosing an interior fitted
with drawers surrounding a central cupboard with
further drawers inside, the base with two short and two
long drawers, raised on bracket feet, 4ft. Win. high by
3ft. 9in. wide (148cm. by 114.5cm.) extensively re-
constructed and restored.

A GEORGE I WALNUT CHEST ON STAND,
the moulded cornice above three frieze drawers and
three graduated long drawers with canted, fluted corners, the lower
part with one short drawer flanked by deep drawers and a curved apron,
on later cabriole legs, 5ft. 63Ain. high by 3ft.

A QUEEN ANNE WALNUT BUREAU CABINET, the
upper part with a moulded comice above two mirrored
doors engraved with an arch and flowerheads, with a
pair of candle-slides below, the lower part with a flap
and bookrest, enclosing a fitted interior with a well
above three dummy frieze drawers and two short and
two graduated long drawers, on later bun feet, 6ft. 8in.
high by 3ft. 3V4in. wide (204cm. by 100cm.) both parts circa
1710, but not originally together.

A SMALL WALNUT BUREAU, the Aap enclosing a
fitted interior and well above three graduated long
drawers, on later bracket feet, 3ft. lin. high by lft. lVhin.
wide (94cm. by 60cm.) extensively restored and reduced
inwidth.

A QUEEN ANNE WALNUT SIDE TABLE with a
moulded quarter-veneered crossbanded top, a cross-
banded drawer above a shaped apron and cabriole legs
with pad feet, 2ft. 3in. high by 2ft. Sin. wide (69cm. by
73cm.) circa 1710.