Antique Sideboard

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

18th Century-style mahogany Bureau-on-Chest, Victorian walnut and floral marquetry Side Cabinet, Chinese export lacquer Work Table, Chinese carved rosewood Jardiniere Stand

An 18th Century-style mahogany Bureau-on-Chest, circa 1920, the quarter veneered fall revealing a fitted interior, the serpentine-fronted commode base with two short and two

long graduated drawers, the canted corners above shaped bracket feet, 109cm. high by 94cm. wide; 3ft. 7in. by 3ft. lin., possibly German.

A Victorian walnut and inlaid
Cabinet Bookcase, circa 1850, with
gilt-metal mounts, the moulded cornice
above a pair of glass panel doors
enclosing a velvet-lined and shelved
interior, below are a pair of panel doors
and a shaped plinth base, 198cm. high by
124cm. wide; 6ft. 6in. by 4ft. lin.

A Victorian mahogany Buffet,
circa 1870, with three tiers and turned
supports, on brass castors, 88cm. wide;
2ft. 10V2in.

A Victorian carved mahogany
Gothic-style box-seat Settle, circa 1870,
the tall back with a cornice above pierced
tracery panels and heraldic shields, the
linenfold box seat with a hinged cover,
200cm. high by 157cm. wide; 6ft. 7in. by
5ft. 2in.

A Victorian walnut and floral marquetry Side Cabinet, the raised mirror back with a pierced carved cresting, the serpentine white marble top above a pair of panelled doors, on a

plinth base, 173cm. high by 149cm. wide; 5ft. 8in. by 4ft. Whin.

A George Ill-style mahogany and painted twin-pedestal Dining Table, made-up, the ‘D’-end top decorated en grisaille with a classical border, the columnar turned pillars on

splayed tripod supports with brass cappings and castors, 300 by 121cm.; 9ft. Win. by
3ft. HV2in., including two leaf insertions.

A set of ten Victorian gilt carved
and upholstered Chairs, circa 1850, the
cartouche-shaped backs and bowed seats
covered in gold damask, the foliate
decorated frames with paterae cresting
rails, the cabriole legs ending in castors.

A Victorian rosewood Card
Table, circa 1840, the fold-over top with
circular claret baize lining, the medallion
carved frieze above a leaf-clad pillar and
domed base, on carved scroll feet and
castors, 92cm. wide; 3ft.

A Victorian burr walnut
harlequin Davenport, circa 1850, with
rising rear section revealing pigeonholes
and three small drawers, the piano
moulded hinged top revealing slide,
adjustable inset and two small drawers,
on carved cabriole supports, the sides
with four real and four opposing dummy
drawers, on bun feet and castors, the
rising action requiring restoration, 56cm.
wide; lft. Win.

ORIENTAL FURNITURE

A pair of Chinese carved
hardwood Armchairs, circa 1900, the
pierced tub-shaped backs profusely carved with dragons, the solid serpentine seats above cabriole legs.

A Japanese lacquer Occasional
Table, circa 1920, the yellow-ochre top
decorated with floral sprays, the gilt stem
with foliate carved supports, on a square
base with bracket feet, 67cm. diam.; 2ft.

A Chinese export lacquer Work Table, circa 1830, decorated with gilt pavilions on a cinnamon ground, the hinged top revealing a black lacquer and gilt interior with lidded

compartments and ivory accessories, the baluster turned stem on triform base with paw feet, 62cm. wide; 2ft.

A Chinese rosewood Altar Table, circa 1900, the rectangular top with an inset burrwood panel flanked by scrolled ends, the fret carved frieze on square legs joined by

stretchers, 81cm. high by 119cm. wide; 2ft. 8in. by 3ft. llin.

A Burmese carved rosewood
Tripod Table, circa 1880, the circular
top with an inset famille-verte ceramic
panel, the baluster turned stem above
triple splayed legs, 56cm. diam.; lft. Win.

A Chinese carved rosewood Jardiniere Stand, circa 1900, with a circular marble-inset top above a pierced prunus frieze, on cabriole legs, 90cm. high; 2ft. HViin.
A Chinese carved hardwood Jardiniere Stand, circa 1900, with a marble-inset rectangular top above a pierced fret frieze and shaped supports, united by two undertiers, 42cm.

wide; lft. 4′/2in.

A Japanese black lacquer and mother-of-pearl inlaid Work Table, late 19th Century, decorated throughout with birds and flowers, the chamfered rectangular top above a fabric well

and pierced supports, on arched legs, 46cm. wide; lft. 6in.

Chinese coromandel lacquer six-fold Screen, late 19th Century, with a gilt reserved scene depicting courtesans and a pavilion, the reverse side depicting birds and flowers

within stylised borders, 183 cm. high; 6ft.; together with an associated mahogany Stand, with a carved gallery back and a drawer, on turned feet, converted from, a William IV

sideboard, 249cm. wide; 8ft. 2in.
An Indian carved hardwood Armchair, circa 1890, of tub form, profusely carved and pierced with birds and beasts amidst scrolls, on eagle scroll feet with purple velvet stuffed

seat.

CONTINENTAL FURNITURE

An Egyptian walnut and
mother-of-pearl inlaid leopard Stool,
circa 1900, decorated throughout with
inlaid geometric designs, the woven seat
with a rear raised panel depicting
Egyptian figures, on twin stylised leopard
supports, 64cm. high by 78cm. wide;
2ft. lin. by 2ft. 6V2in.

A pair of stools of similar design were sold at Sotheby’s London on 4 November 1988, lot 162.

A Dutch mahogany and floral
marquetry Stool, circa 1890, the drop-in
tapestry seat and scrolled sides on
cabriole legs ending in claw and ball feet,
75cm. wide; 2ft. 5V2in.

George III mahogany Knife Box, rosewood and brass-bound Writing Slope, Victorian Tunbridgeware maple and rosewood Sewing Box, Victorian Tunbridgeware rosewood Box

A Japanese black lacquer and
mother-of-pearl inlaid Stationery
Cabinet, late 19th Century, of
wedge-shaped form, decorated
throughout with birds and flowers
overlaid with gilt, the pair of doors and
hinged top revealing compartments,
40cm. wide; lft. 4m.

An octagonal tortoiseshell-veneered Tea Caddy, 19th century, with shallow pyramidal lid, ivory stringing and silver mounts.

A George III mahogany Knife Box, circa 1790, with kingwood crossbanding, the sloping hinged top inlaid with a shell medallion, the interior with cutlery divisions, 23cm. wide;

9in.

A Victorian papier-mache Tray,
circa 1850, of serpentined form, painted
with a floral spray, birds and butterflies,
on an ivory ground, 82cm. wide; 2ft. 8in.

A George III mahogany two-
division Cheese Coaster, circa 1790, of
typical form, on brass castors, faults,
43cm. wide; lft. 5m.

A Victorian black papier-mache Tray, circa 1850, of serpentined outline, painted with floral sprays and gilt scrolls, faults, 77cm. wide; 2ft. 6in.    ?300—500

A George III satinwood Tea Caddy, circa 1790, inlaid throughout with stringing and kingwood banding, the top and front with oval harewood medallions, 12cm.; 43Ain.
A George III mahogany Knife Box, circa 1790, of typical form, inlaid with chevron stringing and a compass point medallion, the interior converted for stationery, 26cm. wide;

Win.

A William IV rosewood and
mother-of-pearl inlaid Tea Caddy, circa
1835, with gadrooned mouldings
throughout, the hinged top revealing a
three-division interior, on bun feet, 32cm.
wide; 12V2in.

A George IV mahogany and
rosewood Writing Slope, circa 1825,
with cut-brass inlay, the top centred by a plaque engraved Charles Coward, the interior with compartments and a lateral frieze drawer, 51cm. wide; lft. 8in.

A rosewood and brass-bound Writing Slope, circa 1825, with countersunk handles and a leather-lined interior including compartments, 46cm. wide; lft. 6m.

A rosewood and ebonised miniature Writing Cabinet, circa 1850,
inlaid throughout with ivory floral
motifs, the pair of doors with foliate
scroll pilasters and central stylised
fruiting vines, the interior with a glazed
fall-front above two drawers flanked by
open shelves, 36cm. wide; lft. 2in., possibly
Sinhalese.

A George IV rosewood and
brass-bound Writing Slope, circa 1825,
with a leather-lined interior and compartments, 51 cm. wide; lft. 8in.

A George III satinwood Tea
Caddy, circa 1810, of sarcophagus form,
inlaid with geometric bandings, on
gilt-metal ball feet, altered, 31cm. wide;
12in.

A Victorian Tunbridgeware
maple and rosewood Sewing Box, circa
1850, inlaid throughout with geometric
mosaic, the hinged top and fall-front
revealing accessories including tatting
shuttles, a ratchet action winder and a
pair of small drawers, on bun feet, 28cm.
wide; llin.
A boulle Casket, circa 1860, the
slightly domed square hinged top revealing a void interior, on gilt-metal bun feet, 14cm. wide; 5Win.

A George IV rosewood and
brass-bound Decanter Box, circa 1820,
of square form, with carrying handles, the hinged top revealing three glass decanters and stoppers, 20cm. wide; 8in.

A George III mahogany Octagonal
Tea Caddy, circa 1790, inlaid with
stringing and crossbanding, the hinged
top revealing a two-division interior,
15cm. wide; 6in.

A George IV mahogany small
Jewellery Cabinet, circa 1820, of square
form, inlaid with stringing, the hinged
top revealing silk-lined compartments,
the pair of opposing doors each
enclosing six drawers, on bracket feet,
32cm. high by 29cm. wide; 12′/2in. by
lV/iin

A Regency rosewood
Tunbridgeware Candle Stand, circa
1825, with a circular top, on a turned
adjustable stem and moulded base,
22.5cm. high; 83Ain., bearing a trade label
Edward Nye, Manufacturer, Mount Ephraim
and Parade, Tunbridge Wells.

An ebonised wood and brass inlaid Decanter Box, 3rd quarter 19th Century, the top and front hinged opening to reveal four matching faceted glass decanters and thirteen glasses,

32cm.; 12Wn.

A French ebonised wood and brass inlaid rectangular Decanter Box, circa 1870’s, with hinged front and sides, fitted with four cut-glass decanters and sixteen glasses
A straw-work Box, French, circa 1815, of rectangular form, the cover with a farming scene surrounded by a scroll border, on bracket feet, 14cm.; 5Win.

A French brass and red
tortoiseshell Standish, circa 1840, of
rectangular shape, fitted with twin moulded glass inkwells and taper holder and snuffer, 32cm. wide; 12Win.

A French brass and red
tortoiseshell boulle Standish, mid-19th
Century, of rectangular form, with
beaded volute mounts and sphinx
caryatid corner mounts, fitted with twin
faceted glass inkwells, 35cm.; 14in.

A boulle Standish, French, 19th
Century, of rectangular shape, fitted
with pen-tray and twin wells, all-over
inlaid with brass, on four ormolu
‘Turkish’ caryatids, 29cm. wide; lVMn.

A Victorian Jennens and Bettridge
oval papier-mache Tray, circa 1840, the
black field painted with a flower spray
within gilt foliate surround, 74cm. wide;
2ft. 5 in., signed on the back Jennens and
Bettridge.

A Victorian scallop-shaped papier-mache Tray, circa 1850, the
centre inlaid with mother-of-pearl flower
spray within raised gilt painted vine
border, 76cm.; 30in.
A Victorian papier-mache
Inkstand, circa 1850, of scallop shape
with mother-of-pearl inlay, central
compartment and twin glass wells with
gilt-metal mounts, 31cm.; 12in. across.

A Victorian Tunbridgeware
rosewood Box, circa 1850, of
wedge-shaped form, inlaid throughout with geometric mosaic, 16cm.; 6V2in.

Nine various pieces of Victorian
Tunbridgeware, 1st half 19th Century,
comprising: a rectangular Box with a cube pattern top, 26cm. wide; Win., a Watch Stand, 9cm.; 31/2in., a small rectangular Box and Cover, 11cm.; 4V2in., a square Box and Cover

with cube pattern inlay, 8cm.; 3in., two Pin Cushions, 3 and 4cm. diam.; 1 and Vhin., a ring turned Box and Cover, 4cm. high; ll/2in., a square Picture Frame with a circular

aperture, 13cm.; 5in., and a Ruler, 23cm. wide; 9in.
A sycamore Tea Caddy, of
cantaloup form, the segmented sides
with one ebonised panel, 11cm. high;
4V2in.

GAMES BOXES AND CHESS SETS

A Victorian papier-mache shaped
rectangular Games Box, circa 1840,
hinged, opening to reveal five
compartments containing mother-of-
pearl counters and playing cards, painted
all-over with flowers and ornamental
pheasants, some slight damage, 24cm.;
9′/2in. wide.

An Indian ebony and ivory
veneered octagonal miniature Chess
Table, 19th Century, with horn stem,
23cm.; 9in.; together with miniature ivory
Chess set in sandalwood box.

A Victorian burr walnut and
inlaid Games Compendium, circa 1870,
of triangular form, the front hinged
opening to reveal cribbage board,
dominoes, playing cards and two score
boards, 25cm. wide; Win.

A Jaques Staunton boxwood and
ebony Chess Set, the kings 9cm.; 3V2in., in
mahogany box with original label.

An Indian bone Chess set, 19th Century, chip carved pieces, the kings 8cm.; 3in.; and a similar ivory Chess Set, incomplete.

An Indian ivory Chess Set, 19th Century, red stained and natural, baluster turned pieces on acanthus carved circular bases, the kings 6cm.; 2V2in., in wood box.

A bone Chess Set, mid-19th Century, with sectional carved and turned pieces, on beaded circular bases, the kings 13cm.; 5V4in., in wood box.

George III mahogany extending Dining Table, Regency mahogany rectangular pedestal Table, George II mahogany Occasional Table, Victorian burr walnut combined Work and Writing Table

A Regency mahogany rectangular
pedestal Table, circa 1810, the tilt-top
with rounded corners, on a ring turned
pillar and quadruple splayed legs ending
in brass cappings and castors, 135cm.
long; 4ft. 5in., bears impressed mark
Wilkinson, Ludgate Hill.

A Regency rosewood and brass
strung pedestal Table, made-up, the
circular tilt-top with roundel inlaid medallion, the later base with a tapering octagonal pillar, on carved claw feet and castors, 127cm. diam.; 4ft. 2in.

A George III mahogany
secretaire Chest-on-Chest, circa 1770,
the dentilled cornice and blind-fret frieze above two short and three long graduated drawers flanked by canted fluted corners, the fitted writing drawer above three long

graduated drawers, on ogee bracket feet, 190cm. high by 107cm. wide; 6ft. 3in. by 3ft. 6in.

A George III mahogany extending
Dining Table, circa 1770, with drop-leaf
and extending with three leaf insertions,
on eight moulded tapered square legs
with bell flower carved knees and spade
feet, restored, 114 by 264cm. fully extended;
3ft. 9in. by 8ft. 8in.

A George IV mahogany Chiffonier, circa 1820, with gadrooned mouldings throughout, the raised open tier back with an anthemion cresting above foliate carved ‘S’-scroll supports,

the pair of convex frieze drawers with corresponding panel doors below, on turned feet, doors warped, 169cm. high by 95cm. wide; 5ft. 6V2in. by 3ft. lWin.

A George II red walnut Bureau
Bookcase, circa 1750, the pair of fielded
panel doors enclosing pigeon-holes, the
cleated fall revealing a fitted interior,
below is an arrangement of two short
and three long drawers, on later shaped
bracket feet, 168cm. high by 91.5cm. wide;
5ft. 6m. by 3ft.

A George IV mahogany Side
Table, circa 1820, the bow-front top with
a pair of frieze drawers flanked by
paterae, on ring turned legs, 87cm. wide;
2ft. 10 Win.

A Regency mahogany breakfront
Sideboard, circa 1810, inlaid throughout
with ebony stringing, the central frieze
drawer above an arched apron flanked
by three drawers, including a cellaret
drawer, on ring turned tapering legs,
94cm. high by 169cm. wide; 3ft. lin. by
5ft.

A George III mahogany ‘D’-end
Dining Table, circa 1800, with a later
leaf insertion, the ring turned pillar
above inverted tripod supports, on brass
castors, restored, 97 by 171cm. fully
extended; 3ft. 2in. by 5ft. 7in.

A George II mahogany
Occasional Table, circa 1750, the
square-shaped tilt-top above a fluted
pillar and acanthus carved tripod
supports ending in egg and claw feet,
69cm.; 2ft. 3in.

VICTORIAN AND EDWARDIAN FURNITURE

A Victorian mahogany ‘D’-end
four-pedestal Dining Table, the fluted
pillars above moulded tripod supports
ending in stylised leaf-clad feet, top
162 by 290cm.; 5ft. 4in. by 9ft. 6in.

A set of nine George II-style
carved walnut and upholstered Chairs,
circa 1910, including a pair of
armchairs, the serpentined backs and
sprung seats covered in striped crimson
velvet, the cabriole legs carved at the
knees with grotesque masks and on hairy
paw feet.

.A Victorian carved walnut and button upholstered Occasional Chair, circa 1850, the balloon-shaped back with paperscroll and foliate mouldings, the pierced sides above a

serpentined seat, on cabriole legs.

A George II-style carved mahogany Tripod Table, made-up, the
tilt-top with a moulded acanthus leaf
border, the turned stem on triple
cabriole legs ending in claw feet, restored,
86cm. diam.; 2ft. Win.

A Victorian rosewood Teapoy, circa 1840, the gadrooned hinged top revealing four canisters and a pair of cut-glass blending bowls, the cavetto sides with egg and dart mouldings,

on a lobed baluster stem and carved tripod supports, 44cm. wide; lft. 5l/2in.

A Victorian burr walnut
combined Work and Writing Table,
circa 1865, inlaid with ebonised panels
of stylised ivy, the hinged top revealing a
writing surface and compartments, the
frieze drawer above a solid well, on
turned and splayed supports joined by a
stretcher, 61cm. wide; 2ft.

A Victorian burr walnut
Sutherland Table, circa 1860, inlaid with
stringing, arabesques and foliate
decoration, the turned supports joined
by a pole stretcher, 58.5cm. wide;
lft. llin.

A George Ill-style mahogany
Tripod Table, circa 1900, the rect-
angular tilt-top with a pierced fret
gallery, the fluted stem on lappet carved
cabriole legs, 70cm. wide; 2ft. 4 Win.

A set of eight Victorian rosewood balloon-back Chairs, circa 1850, with pierced mid-rails and serpentined red velvet upholstered seats, on carved cabriole legs (8)
A Victorian burr walnut combined Work and Games Table, circa 1865, inlaid with arabesques and stringing, the hinged top revealing chess, backgammon and cribbage boards, the

fitted frieze drawer above a solid well, on turned and splayed supports joined by a stretcher, 69.5cm. wide; 2ft. 3Win.

A Victorian walnut and inlaid harlequin Davenport, circa 1865, the
rising stationery compartments above a
piano-shaped top revealing a pull-out
writing surface, the sides with four real
and four opposing dummy drawers, the
front with applied turned and carved
pilasters, on a plinth base with castors,
58cm. wide; lft. llin.

A George Ill-style mahogany ‘D’-end Dining Table, circa 1910, with a fluted frieze, on fluted tapered square legs with paterae capitals and spade feet, 243cm. long by 137cm.

wide fully extended, including two leaves; 8ft. by 4ft. 6in.

LOMBARD WALNUT COMMODES, Louis XV/XVI TRANSITIONAL ORMOLU-MOUNTED TULIPWOOD AND AMARANTH COMMODE, LOUIS XV ORMOLU AND BRONZE MANTEL CLOCK, Louis XVI SIDE CHAIRS

AN UNUSUAL SUITE OF GERMAN GROTTO SEAT FURNITURE comprising a three-seat
settee, six armchairs and a rocking chair, the tall carved silvered backs and seats with gilt-
wood dolphin arms on rockwork legs, the rocking chair on scroll dolphin supports and
the rockers with dolphin heads, 18th/19th Century
Provenance: Schloss Rheinsberg
A similar armchair, thought to have been made about 1760/70, is in the Kunst¬gewerbe Museum, Berlin, Schloss Kopenick, and is illustrated by Heinrich Kreisel, Die Kunst des

Deutschen Mobels, vol. II, figure 1111

A PAIR OF LOMBARD WALNUT COMMODES, each with a rectangular top, a drawer in the concave frieze, one also with a slide, with two further drawers in the concave lower part, on

cabriole legs, 2ft. 8in. high by 3ft. 5in. wide (81cm. by 104cm.) circa 1760

A Louis XV/XVI TRANSITIONAL TABLE signed Dusautoy and stamped JME, and with silvered mounts, the oval white marble top with a three-quarter gallery, the frieze inlaid with

flowerhead trellis and with a fitted drawer on one side raised on cabriole legs inlaid with chains of husks and ending in scroll sabots, and joined by a kidney-shaped stretcher

inlaid with a panel of flowers flanked by flowerhead trellis, circa 1780
Jean-Pierre Dusautoy, 1719-1800, was received Master in 1799

A LATE LOUIS XV GILTWOOD VOYEUSE, indistinctly stamped, probably Chevigny, with padded toprail, stufied lyre-shaped back, stufied saddle-shape seat and ^fluted tapering legs,

circa 1765
Tean Nicolay L’Art et la Maniere des Maitres Ebenistes Francais au XVIIIe Siecle, page 102, fig. C, illustrates a very simUar chair by Claude Chevigny, received Master in 1768

A Louis XV/XVI TRANSITIONAL ORMOLU-MOUNTED TULIPWOOD AND AMARANTH
COMMODE stamped J. C. Stumpf/, with mottled grey and white marble top, the front
with a gently swelling centre section and containing three small and two long drawers, the
rounded corners inlaid to simulate fluting, on cabriole legs, 2ft. Hin. high by 4ft. 4V2in.
wide (89cm. by 134cm.) circa 1775
Jean-Chrysostome StumpfT, 1731-1806, received Master in 1766

A FINE AND RARE MAHOGANY BUREAU attributed to Abraham Roentgen, the top
and shaped fall-front inlaid with a chequer banding, the interior fitted with an arrangement
of shaped rosewood-veneered drawers above a plain frieze drawer and shaped kneehole flanked
to each side by a deep drawer with tambour lid and hinged opening to reveal tulipwood-
veneered drawers, on cabriole legs with brass mounts, 3ft. high by 3ft. 3?2in. wide (91.5cm. by
100.5cm.) circa 1765, Neuwied
Hans Huth, Roentgen Furniture, London 1974, illustrates a very similar bureau, plate 18, in the Neues Schloss at Baden Baden

A Louis XV ORMOLU MANTEL CLOCK, the (later) enamel dial and movement signed Balthazard A Paris, in a waisted case with a reclining cherub cresting, the whole profusely chased

with shellwork, scrolls and leaves, 20in. high (51cm.) circa 1760

A LOUIS XVI ORMOLU CARTEL CLOCK with a 9in. (cracked) enamel dial and pierced
gilt hands, the movement with rectangular plates and outside count wheel, the case sur-
mounted by an urn and with pineapple finials, acanthus flanking the dial and a female
mask below, 37in. high (94cm.) circa 1780

A LOUIS XV/XVI TRANSITIONAL BOIS SATINE COMMODE, the shaped moulded
brown and green mottled marble top above an ormolu-mounted frieze divided as two
drawers above two drawers inlaid with ribbon tied musical instruments, sheet music and
flowers with a moulded ormolu mount flanked by an ormolu moulded panel inlaid with
drapes and above an ormolu-mounted frieze on ormolu moulded cabriole legs, 2ft. lO’Mn.
high by 4ft. 2in. wide (87cm. by 127cm.) circa 1775

AN EARLY LOUIS XVI MARQUETRY SECRETAIRE A ABATTANT with a mottled grey
marble top and a drawer in the frieze, the fall-front inlaid with a spray of flowers and
leaves and enclosing a fitted interior, with a pair of doors below, 4ft. 6in. high by 2ft. 7in.
wide (138cm. by 79cm.) circa 1775

A SMALL LOUIS XVI QUARTER-REPEATING ORMOLU CARTEL TIMEPIECE, the (chipped) 4V2in. enamel dial signed Olin a Paris, the similarly signed movement with circular plates and

repeating on one bell Struck by two hammers, the case surmounted by an um and decorated with scrolls, acanthus and swags of bay, 18in. high (46cm.)        ?800-1200

A LATE LOUIS XV ORMOLU AND BRONZE MANTEL CLOCK, the case stamped St. Germain, the enamel dial signed Charles Le Roy A Paris and with pierced gilt hands, the similarly signed

movement with later escapement and outside numbered count wheel, the case surmounted by a lamp and resting on a fluted column, a cockerel at one side and a bronze seated female

figure at the other, the base with a band of fret hung with swags of leaves, on ebony-veneered base mounted with trefoils, 22in. high (56cm.) circa 1770
Jean-Joseph de Saint Germain is mentioned in L’Almanach General des Marchands in 1747 and 1772, with his address, rue Saint Nicolas in the Faubourg Saint Antoine

AN EARLY LOUIS XVI ORMOLU-MOUNTED BLEU-TURQUIN MARBLE VASE of navette shape, the lid surmounted by a pomegranate finial with leaves below, the pierced vitruvian scroll frieze

centred at each side by a mask with swags of oak branches, the leaf-cast fluted handles supported by leafy moustachioed masks, the gadrooned body raised on a waisted socle and

fluted and bead-moulded plinth, Whin. high (31.5cm.) circa 1775

AN UNUSUAL LOUIS XVI GILTWOOD BAROMETER with an oval paper register
plate signed Par Sormanif Rue de L’Arbre sec No. 17 a Paris, with a thermometer in the
centre, the frame with swags of flowers and leaves, an um cresting and a sunburst mask
below, 43V2in. high (110cm.) circa 1780

A Louis XVI ORMOLU-MOUNTED MAHOGANY REGULATOR of long duration, the
dished 13in. enamel dial signed Lepaute A Paris and with pierced engraved gilt hands,
steel centre seconds hand and an enamel calendar ring below VI mounted on a wheel
revolving once a year, the weight-driven movement with shaped plates, piain pillars, four
wheel train with delicate wheelwork and incomplete pin-wheel escapement, the massive
compensation gridiron pendulum with knife-edge suspension from a bracket attached to
the backboard, temperature indication and lenticular bob, the case with a moulded rec-
tangular hood and mounted with bands of petal moulding, flowerheads and a female mask
in the waist door, 7ft. Hin. high (240cm.) circa 1785, plinth lacking

A Louis XVI ORMOLU-MOUNTED KINGWOOD AND TULIPWOOD MARQUETRY CONSOLE DESSERTE, stamped J. Stockei JME, bow-fronted and with a white marble top, the frieze inlaid with an

interlaced geometric strapwork design and containing a central drawer flanked by pivoted segment-shaped drawers, the Supports inlaid to simulate fluting, and with a panelled

back, conforming shelf stretcher, and turned tapering legs also inlaid to simulate fluting, 2ft. Hin. high by 3ft. 4in. wide (88cm. by 102cm.) circa 1775
Joseph Stockei, 1743-1802, was received Master in 1775

A PAIR OF LOUIS XVI GILTWOOD FAUTEUILS, one stamped G. Jacob, each arched
top-rail centred by flowers and with stuffed backs, padded arms with scroll terminais and
stuffed seats on stop-fluted tapering legs, circa 1780
Georges Jacob, 1739-1814, received Master in 1765

A SET OF FOUR Louis XVI PAINTED ARMCHAIRS with rectangular moulded backs,
downswept moulded panelied arms with scroll handles on stop-fluted supports, the stuffed
seats on moulded seatrails and turned tapering fluted and stop-fluted legs headed by
flowerheads, circa 1780, one pair decorated in off-white, the other in off-white and beige,
one reduced in height

A PAIR OF Louis XVI SIDE CHAIRS, similar, but with rounded front corners,
circa 1780

A Louis XVI CARVED GILTWOOD AND GESSO CONSOLE with fleur de peche marble
top, the frieze carved with leafy wave motif and hung with garlands of flowers, raised on
fluted tapering legs, the guilloche-carved stretcher centred by a flower-draped um, 2ft. 9in.
high by 2ft. 11 in. wide (84cm. by 89cm.) circa 1780

KINGWOOD AND PLASTER WALL MIRROR, ROSEWOOD WHATNOT, MAHOGANY SEWING TABLE, ROSEWOOD SECRETAIRE, TWO-PEDESTAL DINING TABLE

A ‘GEORGE Iii’ MAHOGANY   DISPLAY
CABINET, the broken-arched cornice above a pair of cupboard doors each with two sections of diamond and square glazed trellis enclosing shelves; 226 by 133.5cm, partly made up

from 18th century pieces.

A KINGWOOD AND PLASTER WALL MIRROR
with a convex mirror plate within a reeded ebonised moulding and a gilt frame carved with ‘C scrolls, 39in; 99cm diam., second quarter of the 19th century.

A  WILLIAM  IV ROSEWOOD  OCCASIONAL
TABLE, with two small drawers in the frieze, on a trestle support joined by a lotus-carved stretcher, 29 by 23fin; 74 by 60cm, c. 1835.

A WALNUT CENTRE TABLE, the OVal top
inlaid with foliage and stringing above turned supports and out-curved leaf-carved legs, 42 by 28in; 107 by 71cm, c. 1890.

A   MAHOGANY   BREAKFAST   TABLE,   the
circular top with a moulded border above a hinged panel, the octagonal tapering stem and circular base with scroll feet, 30 by 43in; 76 by 109cm, c. 1840.

A ‘GEORGE Iii’ PINE SERPENTINE CHEST
OF DRAWERS with three graduated long drawers on bracket feet, 32 by 28in; 81.3 by 72.5cm, 19th century.

A WHATNOT with three tiers above a frieze drawer with twist-turned supports, 49| by 2lin; 100 by 53.4cm, gallery replaced, c. 1840.

A ROSEWOOD WHATNOT, nOW with tWO
tiers and a drawer, with turned supports, 24 by 20in; 61 by 51cm, eut down, c. 1840.

A SET OF THREE SIMULATED ROSEWOOD
DINING CHAIRS, each with a curved top-
rail and lotus-carved crossbar, above
stuffed seat on turned tapering legs,
c. 1840.

A MAHOGANY SEWING TABLE with a WOrk
drawer above a pleated silk bag, on a concave-sided base with outset reeded feet, 28 by 20in; 71 by 51cm, c. 1840.

A MAHOGANY POLE SCREEN, the screen painted with a bull on a turned pole and socle, 46|in; 117.5cm, mid 19th century.

A ROSEWOOD TIP-TOP DINING TABLE with
a circular top on an octagonal tapering column and concave-sided triangular base, 47|in; 121cm diam., stencilled From Atkins’s Upholstery & Paper Hanging and Cabinet Warehouse

Northampton, 1840’s.

A  MAHOGANY  CARD   TABLE,  the  rect-
angular top above a turned column and concave-sided base with turned feet, 29 by 35in; 75 by 89cm, c. 1840,
baize lacking.

A ROSEWOOD SECRETAIRE, the superstructure with a stepped pediment on turned self-tapering supports and a shelf above six further turned supports, the lower part with a

secretaire carved with mehrabs enclosing a fitted interior of six drawers and a central cupboard door, on large cabriole legs with scroll feet, on a square base joined by a

concave-fronted tier stretcher, the sides similarly carved with mehrabs and turned supports.

A   MAHOGANY   DISPLAY   CABINET,   the
dentil cornice above a pair of thirteen-panel glazed doors, the projecting lower part with a pair of cupboards, 80 by 42|in; 204.5 by 107.5cm, mid 19th century.

A PINE FOLDING POLE LADDER in 18th
century style, the brass Attings stamped Taylors Patent, 124in; 406.5cm long closed, mid 19th century.

A ROSEWOOD BAGATELLE TABLE, opening
to reveal a baize-lined interior, the stand with four turned tapering legs, 41f by 43f by 23in; 106 by 111 by 58.5cm closed, mid I9th Century.

A ‘GEORGE III’ MAHOGANY GENTLEMAN’S
WARDROBE, the broken arch with a dentil comice above a pair of cupboards inlaid with urns, the lower part with two short and one long dummy drawers above a long drawer, 93 by

56in; 236 by 142cm, altered from an 18th Century wardrobe, c. 1900.

A PAINTED SEWING TABLE, the top of
serpentine outline with a bird and foliage enclosing a fitted interior, on a baluster stem with four outcurved legs on a concave-sided base, 31 by 25in; 79 by 63.5cm, c. 1850.

A ‘GEORGE III’ MAHOGANY SERPENTINE
SIDEBOARD with three frieze drawers above four cupboard doors, with a plate-glass top, 36 by 73 by 21iin; 91 by 185.5 by 54.5cm, modem

A BURR-WALNUT CENTRE TABLE, the reCt-
angular top above trestle supports joiried by a pole stretcher, 29 by 42in; 73 by 107cm, made up in the 2Qth century.

A ‘GEORGE III’ MAHOGANY TWO-PEDESTAL
DINING TABLE with two ‘D’ ends and a crossbanded border, the pedestals with triple reeded downswept legs, 45in; 114cm wide, 88in; 223.5cm long fully extended, 20th century.

A GEORGE II REVIVAL MAHOGANY DINING-
ROOM SUITE, comprising a Dining Table,
46in; 118cm wide, 109in; 227cm long
fully extended; a Sideboard, 9lin;
231cm wide; a Serving Table, 55in;
140cm wide; a set of eight Dining
Chairs, including a pair of Armchairs,
and a pair of Bergeres ; a Mirror, 53in ;
135cm wide, late 1920’s.

ASH LADDER BACK DINING CHAIRS - GEORGE III ELM SETTLE - EARLY GEORGE III OAK SETTLE - SIX OAK DINING CHAIRS - FARTHINGALE DINING CHAIRS

A GOOD EARLY GEORGE III ELM SETTLE with a tall paneled concave back and paneled arms above а box seat fitted with a cupboard door, mid 18th century.

A HARLEQUIN SET OF THREE GEOR
GIAN ELM SIDE CHAIRS, each with а
vase shaped solid splat, one dated
1705, solid seat on turned sup
ports, rails and pad feet, mid 18th
century.

A GEORGE III ОАК SETTLE with a four
panel back, open arms, solid seat on cabriole supports and pad feet; late 18th century.

SIX ASH LADDER BACK DINING CHAIRS, including one arm chair, each with a rush seat on turned supports and pad feet, all early 19th century, four matching, the others very similar

and contemporary.

A SET OF FIVE ASH AND ELM WINDSOR
WHEEL BACK DINING CHAIRS, each
with a wheel pierced splat flanked
by sticks, dished seat on turned
supports and rails, second quarter
19th century, each bearing a brand
mark M.S.

AN ОAK SETTLE with a triple panel back carved with lozenges, open arms, paneled seat with a squab cushion on turned front supports, reconstructed from some 17th century pieces.

A SET OF SIX ASH LADDER BACK DIN
ING CHAIRS, each with a slightly
shaped у оке rail, rush seat on
turned supports and pad feet, early
19th century; And two very similar
Ash Dining Chairs, each with а
straight rail.

AN OAK HALL BENCH, the triple
panel back above а box seat,
flanked by open arms on stump
supports,  part 18th century.

AN OAK SIDE CHAIR, with a solid
vase shaped splat, solid seat on
turned supports, early 18th century.

A COMPOSED SET OF EIGHT ASH AND ELM LADDER BACK DINING CHAIRS, each with a slightly concave turned back rail, four chairs with straight ladder slats and four chairs with wave

ladder slats, each with a rush seat on turned supports and pad feet; And another Cut Down Ladder Back Chair, all early 19th century.

А17TH CENTURY STYLE WALNUT ARM
CHAIR, with a padded panel back and rail arms, padded seat, with turned supports and rails throughout, upholstered in red dragon and applied with an 18th century silk and metal

thread cartouche, 20th century.

A HARLECUIN SET OF EIGHT ASH LAD
DER BACK DINING CHAIRS, including
two armchairs, each with stepped
shaped slat back, rush seat on
turned front supports joined by а
baluster stretcher on pad feet, early
19th century.

A HARLEOUIN SET OF SIX OAK DINING
CHAIRS, each with a shaped rail, vase shaped splat, solid seat on square supports, early 19th century.

AN EARLY GEORGE III OAK SETTLE, the
rectangular fielded four panel back above a later solid seat, open arms on cabriole supports and pad feet, mid 18th century.

AN EARLY GEORGE III ОAK AND ELM
WAINSCOT ARMCHAIR, the shaped rail above a fielded panel back, open arms, solid seat, the sides enclosed with elm panels, mid 18th century.

AN OAK WAINSCOT ARM CHAIR with
a shaped cresting above a foliate
carved panel back, open arms,
later solid seat on baluster turned
supports,  overall,
17th century.

AN ASH AND ELM WINDSOR ARMCHAIR, dished seat on ring turned supports, mid 19th century.

A SET OF SIX OAK DINING CHAIRS,
each with a shaped rail and a vase
solid splat, solid seat on square
supports; And A Similar Oak Arm
Chair, all late 18th century.

A SET OF EIGHT MID 17th CENTURY
STYLE FARTHINGALE DINING CHAIRS,
including two armchairs, each
with a rectangular padded back
and seat on baluster and reel
turned supports, early 20th century.