Antique Sideboard

An Art Nouveau oak Sideboard, Victorian carved walnut framed Sofa, Queen Anne oak boarded Box, Queen Anne-style walnut Dining Chairs

An Art Nouveau oak Sideboard, circa 1905, the galleried back with an embossed copper panel and pierced sides, the pair of frieze drawers above inverted tapered square legs

joined by stretchers, 126cm. high by 111cm. wide.

A William and Mary walnut and featherbanded Chest, circa 1690, now in two parts, the moulded crossbanded top above two short and three long graduated drawers, on later bracket

feet, 96cm. high by 86cm. wide.

A George III mahogany and
crossbanded bow-front Sideboard, circa 1790,
inlaid throughout with stringing, the central
frieze drawer above a pair of small panelled
doors flanked by deep drawers, the tapered
square legs on brass spade feet and castors,
90cm. high by 138cm. wide.

A matched set of eight Regency
rail-back Dining Chairs, circa 1815,
comprising: a pair of armchairs with gadrooned crestings and stuffed seats, on ring turned legs, and a set of six rail-back standard chairs, on turned legs, re-railed and

restored.

A Victorian carved walnut framed Sofa, circa 1860, covered in button upholstered gold dralon, the arched pierced back with a foliate scroll cresting, the bowed arms above scroll

facings carved with fruit, on cabriole legs, 196cm. wide.

A George III mahogany Occasional Table, circa 1770, the square moulded tilt-top with a galleried border, with a baluster turned pillar and tripod supports, altered, 61cm. wide.

A Chinese carved hardwood Armchair, circa 1900, the dragon mask cresting above a panel back carved in relief with a stylised dragon, the serpentine solid seat with dragon arms,

on cabriole legs.

A George III mahogany Pembroke Table, circa 1790, the oval top with two fall leaves and chequered inlay above one real and one dummy frieze drawers, the fronts with rosewood

crossbanding, on square tapering legs with spade feet, restored, 76cm.

A Louis XVI walnut miniature
Commode, circa 1790, the later grey marble
top above three drawers with brass mouldings,
the fluted sides on tapered square feet, 31cm.
high by 31cm. wide.

An Edwardian oak pedestal Writing Desk, the tooled leather-inset top above an arrangement of nine drawers, on tapered square feet, 153 cm. wide, bears trade label of Robson &

Sons, Newcastle-on-Tyne.

A Queen Anne oak boarded Box, with hinged cover, faults, 61cm. wide.

A George IV mahogany Tea Table, with a rectangular top, on a turned pillar.

A George IV mahogany tripod Table, the circular tilt-top above a turned column a reeded legs, faults, 56cm. diam.

A George III mahogany Chest, of two short and three long graduated drawers, on bracket feet, 106cm.

A Victorian Chaise Longue, the scrolled; end and seat upholstered in green dralon, on turned feet, 162cm.

A pair of Queen Anne-style walnut Dining Chairs, with vase-shaped splats, the drop-in needlework seats above shell carved cabriole legs with ‘H’-shaped stretchers.

An Edwardian mahogany Armchair, the
oval cane panel back and serpentine seat above
turned legs; together with another Edwardian
mahogany Armchair, on stop-fluted turned
legs.

An Edwardian mahogany Writing Desk,
the galleried leather-inset top with two small
drawers, below is an arrangement of nine
drawers, 122cm. wide, now on plinth bases.

A George III mahogany Side Table,
fitted with two frieze drawers, on chamfered
square legs, 100cm. wide.

A George I-style walnut Card Table, the eared fold-over top with counter recesses, on shell carved cabriole legs and pad feet, 80cm. wide.

George III mahogany Knife Box, rosewood and brass-bound Writing Slope, Victorian Tunbridgeware maple and rosewood Sewing Box, Victorian Tunbridgeware rosewood Box

A Japanese black lacquer and
mother-of-pearl inlaid Stationery
Cabinet, late 19th Century, of
wedge-shaped form, decorated
throughout with birds and flowers
overlaid with gilt, the pair of doors and
hinged top revealing compartments,
40cm. wide; lft. 4m.

An octagonal tortoiseshell-veneered Tea Caddy, 19th century, with shallow pyramidal lid, ivory stringing and silver mounts.

A George III mahogany Knife Box, circa 1790, with kingwood crossbanding, the sloping hinged top inlaid with a shell medallion, the interior with cutlery divisions, 23cm. wide;

9in.

A Victorian papier-mache Tray,
circa 1850, of serpentined form, painted
with a floral spray, birds and butterflies,
on an ivory ground, 82cm. wide; 2ft. 8in.

A George III mahogany two-
division Cheese Coaster, circa 1790, of
typical form, on brass castors, faults,
43cm. wide; lft. 5m.

A Victorian black papier-mache Tray, circa 1850, of serpentined outline, painted with floral sprays and gilt scrolls, faults, 77cm. wide; 2ft. 6in.    ?300—500

A George III satinwood Tea Caddy, circa 1790, inlaid throughout with stringing and kingwood banding, the top and front with oval harewood medallions, 12cm.; 43Ain.
A George III mahogany Knife Box, circa 1790, of typical form, inlaid with chevron stringing and a compass point medallion, the interior converted for stationery, 26cm. wide;

Win.

A William IV rosewood and
mother-of-pearl inlaid Tea Caddy, circa
1835, with gadrooned mouldings
throughout, the hinged top revealing a
three-division interior, on bun feet, 32cm.
wide; 12V2in.

A George IV mahogany and
rosewood Writing Slope, circa 1825,
with cut-brass inlay, the top centred by a plaque engraved Charles Coward, the interior with compartments and a lateral frieze drawer, 51cm. wide; lft. 8in.

A rosewood and brass-bound Writing Slope, circa 1825, with countersunk handles and a leather-lined interior including compartments, 46cm. wide; lft. 6m.

A rosewood and ebonised miniature Writing Cabinet, circa 1850,
inlaid throughout with ivory floral
motifs, the pair of doors with foliate
scroll pilasters and central stylised
fruiting vines, the interior with a glazed
fall-front above two drawers flanked by
open shelves, 36cm. wide; lft. 2in., possibly
Sinhalese.

A George IV rosewood and
brass-bound Writing Slope, circa 1825,
with a leather-lined interior and compartments, 51 cm. wide; lft. 8in.

A George III satinwood Tea
Caddy, circa 1810, of sarcophagus form,
inlaid with geometric bandings, on
gilt-metal ball feet, altered, 31cm. wide;
12in.

A Victorian Tunbridgeware
maple and rosewood Sewing Box, circa
1850, inlaid throughout with geometric
mosaic, the hinged top and fall-front
revealing accessories including tatting
shuttles, a ratchet action winder and a
pair of small drawers, on bun feet, 28cm.
wide; llin.
A boulle Casket, circa 1860, the
slightly domed square hinged top revealing a void interior, on gilt-metal bun feet, 14cm. wide; 5Win.

A George IV rosewood and
brass-bound Decanter Box, circa 1820,
of square form, with carrying handles, the hinged top revealing three glass decanters and stoppers, 20cm. wide; 8in.

A George III mahogany Octagonal
Tea Caddy, circa 1790, inlaid with
stringing and crossbanding, the hinged
top revealing a two-division interior,
15cm. wide; 6in.

A George IV mahogany small
Jewellery Cabinet, circa 1820, of square
form, inlaid with stringing, the hinged
top revealing silk-lined compartments,
the pair of opposing doors each
enclosing six drawers, on bracket feet,
32cm. high by 29cm. wide; 12′/2in. by
lV/iin

A Regency rosewood
Tunbridgeware Candle Stand, circa
1825, with a circular top, on a turned
adjustable stem and moulded base,
22.5cm. high; 83Ain., bearing a trade label
Edward Nye, Manufacturer, Mount Ephraim
and Parade, Tunbridge Wells.

An ebonised wood and brass inlaid Decanter Box, 3rd quarter 19th Century, the top and front hinged opening to reveal four matching faceted glass decanters and thirteen glasses,

32cm.; 12Wn.

A French ebonised wood and brass inlaid rectangular Decanter Box, circa 1870’s, with hinged front and sides, fitted with four cut-glass decanters and sixteen glasses
A straw-work Box, French, circa 1815, of rectangular form, the cover with a farming scene surrounded by a scroll border, on bracket feet, 14cm.; 5Win.

A French brass and red
tortoiseshell Standish, circa 1840, of
rectangular shape, fitted with twin moulded glass inkwells and taper holder and snuffer, 32cm. wide; 12Win.

A French brass and red
tortoiseshell boulle Standish, mid-19th
Century, of rectangular form, with
beaded volute mounts and sphinx
caryatid corner mounts, fitted with twin
faceted glass inkwells, 35cm.; 14in.

A boulle Standish, French, 19th
Century, of rectangular shape, fitted
with pen-tray and twin wells, all-over
inlaid with brass, on four ormolu
‘Turkish’ caryatids, 29cm. wide; lVMn.

A Victorian Jennens and Bettridge
oval papier-mache Tray, circa 1840, the
black field painted with a flower spray
within gilt foliate surround, 74cm. wide;
2ft. 5 in., signed on the back Jennens and
Bettridge.

A Victorian scallop-shaped papier-mache Tray, circa 1850, the
centre inlaid with mother-of-pearl flower
spray within raised gilt painted vine
border, 76cm.; 30in.
A Victorian papier-mache
Inkstand, circa 1850, of scallop shape
with mother-of-pearl inlay, central
compartment and twin glass wells with
gilt-metal mounts, 31cm.; 12in. across.

A Victorian Tunbridgeware
rosewood Box, circa 1850, of
wedge-shaped form, inlaid throughout with geometric mosaic, 16cm.; 6V2in.

Nine various pieces of Victorian
Tunbridgeware, 1st half 19th Century,
comprising: a rectangular Box with a cube pattern top, 26cm. wide; Win., a Watch Stand, 9cm.; 31/2in., a small rectangular Box and Cover, 11cm.; 4V2in., a square Box and Cover

with cube pattern inlay, 8cm.; 3in., two Pin Cushions, 3 and 4cm. diam.; 1 and Vhin., a ring turned Box and Cover, 4cm. high; ll/2in., a square Picture Frame with a circular

aperture, 13cm.; 5in., and a Ruler, 23cm. wide; 9in.
A sycamore Tea Caddy, of
cantaloup form, the segmented sides
with one ebonised panel, 11cm. high;
4V2in.

GAMES BOXES AND CHESS SETS

A Victorian papier-mache shaped
rectangular Games Box, circa 1840,
hinged, opening to reveal five
compartments containing mother-of-
pearl counters and playing cards, painted
all-over with flowers and ornamental
pheasants, some slight damage, 24cm.;
9′/2in. wide.

An Indian ebony and ivory
veneered octagonal miniature Chess
Table, 19th Century, with horn stem,
23cm.; 9in.; together with miniature ivory
Chess set in sandalwood box.

A Victorian burr walnut and
inlaid Games Compendium, circa 1870,
of triangular form, the front hinged
opening to reveal cribbage board,
dominoes, playing cards and two score
boards, 25cm. wide; Win.

A Jaques Staunton boxwood and
ebony Chess Set, the kings 9cm.; 3V2in., in
mahogany box with original label.

An Indian bone Chess set, 19th Century, chip carved pieces, the kings 8cm.; 3in.; and a similar ivory Chess Set, incomplete.

An Indian ivory Chess Set, 19th Century, red stained and natural, baluster turned pieces on acanthus carved circular bases, the kings 6cm.; 2V2in., in wood box.

A bone Chess Set, mid-19th Century, with sectional carved and turned pieces, on beaded circular bases, the kings 13cm.; 5V4in., in wood box.

MAHOGANY TWO-PEDESTAL DINING TABLE - MAHOGANY DINING CHAIRS - REVIVAL PEDESTAL DESK - SIX MAHOGANY DINING CHAIRS

A   FLORENTINE    MOSAIC   MARBLE    TOP
TABLE, worked with doves and views of Rome in a sample marble border, in-cluding malachite, palfrey, breche violet, onyx, marble, lapiz lazuli, brocatell and langue d’oc marbles, on an English walnut tripod stand, 30 by 19±in; 77.5 by 48.5cm, 1860’s.

A   MAHOGANY   TWO-PEDESTAL   DINING
TABLE with two rounded ends each with tip-tops above a turned tapering column and four reeded outswept legs with brass castors and paw feet with one extra leaf, 30 by 73in; 76 by 186cm, c. 1880.

A LARGE PAIR OF OAK BOOKCASES, the
concave cornices painted with panels of fruit and flowers on a gilt ground, the gothic-glazed doors above a pair of cupboard doors each with nine small fielded panels with incised brass geo-metrie mounts, one with a half-roof above the comice, the other removed, the largest 96 by 54in; 244 by 138.5cm, c. 1870.

A BROADWOOD MARQUETRY OAK BOUDOIR
GRAND PIANO, the iron frame stamped Patent, with ivory accidentais and ebony occidentals, the whole inlaid with stylised flowers, dots and geometrie devices within saw-edged bandings, c. 1880.
Marquetry of a similar feeling was incorporated into a more elaborate design for a piano by Charles Bevan for Titus Sait Junior, at Saltaire in Yorkshire. The piano and a considerable amount of other furniture, including a bed-room suite, was made by the Leeds firm of Marsh and Jones, who started business in the second half of the eighteenth Century, taken over by John Marsh and Edward Jones in 1864. The firm made a considerable amount of furniture very much in the style of Charles Bevan and many pieces attributed to the style of Bevan are possibly made by Marsh and Jones. See High Victorian Furniture: The Example of Marsh and Jones of Leeds, by L. O. Boynton, The Furniture Hutory Society, 1967, including illustrations.

A WALNUT  WRITING  DESK,  the  SUper-
structure with a pierced gallery above a central drawer flanked by four short drawers, the crossbanded writing surface inlaid with a leather panel, the frieze with a single oval drawer inset with a porcelain plaque painted with a cherub on cabriole legs applied at the knees with gilt-bronze mounts, 38 by 40iin; 96.5 by 103cm, c. 1860.

A   PAIR   OF   ‘GEORGE   III’   MAHOGANY
DINING CHAIRS, with pierced vase splats and drop-in-seats, the cabriole legs ending in claw-and-ball-feet, c. 1880.

A   WALNUT   AND   MARQUETRY   SEWING
TABLE with a hinged octagonal top inlaid with a bird and foliage on a turned stem and tripod base, 28 by 16iin; 71 by 42cm, c. 1860.

A   SET   OF   EIGHT   MAHOGANY   DINING
CHAIRS, including two Armchairs each
with an arched top-rail and pierced
splat the out-curved arms above padded
drop-in seats and square tapering legs.

A ROCKING CRADLE with an arched hood at one end above a rectangular body on curved rockers, 26 by 39in; 66 by 100cm, mid 19th century.

A WALNUT OVAL BREAKFAST TABLE, the
quarter-veneered tip-top inlaid with birds and stylised foliage, the baluster supports on four outswept legs; 70 by 180cm, c. 1870, top and support not formerly together.

A WALNUT AND MARQUETRY SIDE CABINET,
the bow-front inlaid with swags and flowers and inset with a bow-fronted
glazed cupboard door flanked by con-
cave pillars headed by maie masks and flanked in turn by serpentine sides, 45 by 46in; 116 by 117cm, c. 1870.

LORD TENNYSON’S DESK. AN OAK JACO-BEAN REVIVAL PEDESTAL DESK, the rect-
angular leather top with outset corners supported on eight maie and female terms with two short drawers either side, each drawer above a geometrie panelled cupboard, the frieze carved with mannerist birds and foliage, the sides with panels of cherubs and chariots, 31 by 84 by 4lin; 80 by 213.5 by 104cm, incorporating some 17th Century carving, third quarter of the 19th Century.
The present owner’s great-great-grandfather, The Rt Hon. Charles Tennyson d’Eyncourt, P.C., M.P., was, with his brothers and sisters, the last surviving descendant of the last Baron d’Eyncourt, Earl of Scarsdale, whose ancester had been the Standard Bearer to William the Conqueror at the Battle of Hastings, and was allowed by Royal Warrant to adopt the name of d’Eyncourt to preserve this famous name His elder brother, the Rev. George Tennyson, was father to, among others, Alfred, later Lord and Poet Laureate
In about 1810 Charles was told that the then Duke of Bedford was pulling down one of the d’Eyncourt family houses, an Elizabethan Manor which had become part of the Bedford Estates called Woburn d’Eyncourt.
Charles posted down to Woburn, went through the house and pur-chased ail the Elizabethan and Jacobean panelling, which he had carted back to Bayons Manor, his family seat
He then instructed his estate car-penter to make this desk out of some of the panelling and supporters from the Elizabethan overmantels at Woburn d’Eyncourt. When it was finished it took pride of place in Charles’ enormous library at Bayons. Meanwhile, Alfred was growing up, and having been tutored only by his father, who refused to send any of his children to school, was a constant visitor to Bayons where he spent a considerable time browsing through Charles’ immense collection of books
In the family the commonly held belief is that, on one of his visits to Bayons, Alfred went for a long walk in the park and was observed sitting obsessed by the waterfall of the stream that runs through the Home Park of Bayons. When he returned to the house, he went straight to the library and sitting at this desk wrote the outline of one of his most famous poems, ‘The Brook’: ‘I Come from haunts of Coot and Hern. . . .’ In later years he told a friend (Hallam) that the poem was based on his observations and reflections on the stream at Bayons.

A  SATINWOOD  OCCASIONAL  TABLE,  the
circular top painted with a border of leaves, the frieze with a diamond trellis, on square tapering legs, 29 by 17|in; 74 by 45cm, c. 1900.

A BURR-WALNUT GAMES TABLE, the top
inlaid with foliate stringing, the interior with a piain surface, on a trestle support with leaf-carved cabriole legs joined by a pole stretcher, 27| by 35in; 70 by 89cm, c. 1870.

A WALNUT WHATNOT with three curved tiers joined by turned supports, 39 by 23in; 99 by 58.5cm, modern.

A PAIR OF GILTWOOD SIDE TABLES, each
with a serpentine marble top and
pierced frieze carved with scroll-work,
on four cabriole legs carved with
festoons of flowers and joined by leaf-
carved scrolling stretchers, 34by
53in; 88 by 136cm, third quarter of the
Century.

A WALNUT CENTRE TABLE, the tip-top of
serpentine outline with a moulded border, on a pierced base carved with scrolls, with scroll-carved cabriole legs, 30 by 59in; 76 by 150cm, c. 1860.

A   LATE    ‘GEORGE    II’    EDWARDS   AND
ROBERTS URN TABLE, the square top of serpentine outline with an open fret gallery above a shallow drawer, on square chamfered legs carved with blind fret, stamped Edwards & Roberts, 21′i by 13in; 69 by 33cm, 1880′.

A MAHOGANY PEDESTAL DESK with three
frieze drawers and three drawers in each pedestal, 47in; 120cm wide, 1890.

A GOOD MAHOGANY AND BURR SYCAMORE
WOOTTON DESK, the superstructure flanked by urns, above a hinged panel enclosing pigeon-holes and two short-panelled curved cupboards inset with two letter-boxes, one inscribed Letters, the other Manufactured by Wootton Desk Co. Indianapolis, Ind. Pad. Oct. 6 1874, enclosing an arrangement of cupboard doors, pigeon-holes and open shelves and a fall-front enclosing further pigeon-holes, drawers and shelves, above four drawers flanked by magazine racks and open shelves, 72 by 41in; 183 by 105cm, c. 1880.

A   PAINTED   THREE-FOLD   SCREEN,   each
panel with a figure of Ceres, Flora and Pomona in classical costume in rect-angular mahogany frames, each with a pierced cresting, the reverse plain, each fold 71 by 20lin; 180 by 52cm, first quarter of the 20th century.

A SET OF SIX MAHOGANY DINING CHAIRS,
the tapered backs with padded top-rails
carved with art nouveau stylised foliage,
the sprung seats on baluster turned
tapering legs, c. 1910.

A MAHOGANY AND SATINWOOD CROSS-BANDED  BUREAU BOOKCASE,  the upper
part with a pair of glazed doors above a fitted interior, above two short and three long graduated drawers, 88 by 43in; 211 by 109cm, with two keys, 1900.

Louis XV GILT CONSOLE - ITALIAN GILTWOOD GIRANDOLES - FLEMISH CORNER CUPBOARD - WALNUT CHEST ON STAND - SMALL WALNUT BUREAU

A Louis XV GILT CONSOLE with pierced leaf-carved frieze,
in-scrolled legs carved with leaves and husks and joined
by a pierced stretcher centred by a cartouche, 2ft. 7in. high by 2ft. 8V2W.
wide (79cm. by 82.5cm.) mid-18th Century, green marble top.

A TULiPWOOD COMMODE stamped R. Roessle, with moulded brescia marble top,
the quarter-veneered tulipwood body quarter-banded in kingwood and with two drawers,
on cabriole legs with ormolu mounts, 2ft. 6lMn. high by 2ft. 3′/2in. wide (77cm. by 69cm.).

А CAPE DUTCH STINKWOOD OGEE-FRONTED CHEST
of three long drawers, with canted corners, on claw and
ball feet, 2ft. high by 3ft. 2in. wide (77cm. by
96.5cm.) circa 1750, restored.

A CAPE DUTCH STINKWOOD CORNER ARMCHAIR, the arched back curving around to form the arms with
caned splats and ring-turned baluster supports, the 187 A pair of gilt-metal Candlesticks with spiralling
caned seat on cabriole legs joined by ring-turned sconces, stems and bases, lOin. high (26cm.) circa 1750,
stretchers, circa 1750, with squab cushion.

A PAIR OF LOUIS XV GILT-METAL CANDLESTICKS,
with baluster stems and shaped circular bases, lO’Ain.
high (26cm.) mid-18th Century.

A GLASS CHANDELIER OF SIX S-SCROLL ARMS, the
double gourd-shaped stem also supporting spiral-twist
scrolls, 2ft. high by lft. 9in. wide (61cm. by 53cm.) circa
1750, probably Venetian, some drops later.

A DUTCH MARQUETRY STANDING CORNER CUP-
BOARD with serpentine front, the upper part with
a moulded comice and a pair of panelled doors with a slide below, the lower
part with a pair of panelled doors, on bail feet, 8ft. 5in. high (257cm.) mid-18th Century, inlaid

with
floral marquetry on an oak ground.

A PAIR OF ITALIAN GILTWOOD GIRANDOLES, each
tapering serpentine-topped plate with a cresting and side
pieces of rococo scrolls with flowerheads, each apron
with grotesque mask, 2ft. lin. high by Ift. 4lhin. wide
(63cm. by 42cm.) mid-18th Century, originally with
candle-arms.

A DUTCH PINE CUPBOARD with triangular broken
pediment above a pair of cupboard doors enclosing
shelves and drawers, above an ogee-fronted base with
three long drawers, 7ft. 7in. high by 5ft. wide (231cm. by
152cm.) circa 1760.

A PAIR OF DUTCH WALNUT AND MARQUETRY CHAIRS,
each curved solid vase splat inlaid with birds and
flowers partly in bone and with shaped supports, the shaped drop-in seats on
cabriole legs with pointed pad and waved H-stretchers, mid-18th Century.

A Louis XV KINGWOOD ETAGERE,
the elliptical top with a moulded border and inlaid with a
chequer banding, with a smaller conforming shelf below, on pierced trestle supports
joined by a crossbar, 2ft. 4in. high by 2ft. Win. wide (71cm. by 87cm.) circa 1770.

A SCANDINAVIAN CARVED OAK BOX inscribed with the date anno 174*
and with two sets of initiais, the hinged lid and sides incised
with geometrie roundels, /ft. 3% in. wide (40cm.) mid-18th Century.

AN ITALIAN NEO-CLASSICAL ALTAR CANDLESTICK
in gilt and silvered wood, 2ft. lOin. high (87cm.)
circa 1770, fitted for electricity.

A FLEMISH CORNER CUPBOARD, the pair of doors
painted with the Virgin kneeling with attendant angels
below draperies, 3ft. high by lft. llin. wide (92cm. by
58cm.) third quarter 18th Century.

A PAIR OF LOUIS XV CARVED WALNUT ARMOIRE
DOORS, each with two panels outlined by simple foliate
rococo carving, 5ft. llin. high by lft. 9in. wide (180cm. by
53cm.) circa 1760.

A WILLIAM AND MARY WALNUT-VENEERED CHEST
OF DRAWERS, the moulded top and three long drawers
inlaid with simple stringing, with panelled sides, 2ft. 9in.
wide (84cm.) circa 1690, base now altered and with later
bracket feet, height now 2ft. Hin (89cm.).

A WILLIAM IV WORK BOX, the whole covered in red/brown
leather, the coffered lid inset with a brass panel, enclosing a
fitted interior lined in blue silk, with a drawer below, with
carrying handles at the sides and on gilt-metal feet with
flowerheads, leaves and berries, 53Ain. high by ll3Ain. wide (153cm. by 29cm.) circa 1835.

AN OYSTER-LABURNUM AND ROSEWOOD-VENEERED
CABINET ON CHEST, the doors enclosing an interior fitted
with drawers surrounding a central cupboard with
further drawers inside, the base with two short and two
long drawers, raised on bracket feet, 4ft. Win. high by
3ft. 9in. wide (148cm. by 114.5cm.) extensively re-
constructed and restored.

A GEORGE I WALNUT CHEST ON STAND,
the moulded cornice above three frieze drawers and
three graduated long drawers with canted, fluted corners, the lower
part with one short drawer flanked by deep drawers and a curved apron,
on later cabriole legs, 5ft. 63Ain. high by 3ft.

A QUEEN ANNE WALNUT BUREAU CABINET, the
upper part with a moulded comice above two mirrored
doors engraved with an arch and flowerheads, with a
pair of candle-slides below, the lower part with a flap
and bookrest, enclosing a fitted interior with a well
above three dummy frieze drawers and two short and
two graduated long drawers, on later bun feet, 6ft. 8in.
high by 3ft. 3V4in. wide (204cm. by 100cm.) both parts circa
1710, but not originally together.

A SMALL WALNUT BUREAU, the Aap enclosing a
fitted interior and well above three graduated long
drawers, on later bracket feet, 3ft. lin. high by lft. lVhin.
wide (94cm. by 60cm.) extensively restored and reduced
inwidth.

A QUEEN ANNE WALNUT SIDE TABLE with a
moulded quarter-veneered crossbanded top, a cross-
banded drawer above a shaped apron and cabriole legs
with pad feet, 2ft. 3in. high by 2ft. Sin. wide (69cm. by
73cm.) circa 1710.