Antique Sideboard

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

LOUIS XVI MARBLE, BRONZE AND ORMOLU PENDULE, DIRECTOIRE ORMOLU-MOUNTED MARBLE MANTEL CLOCK, XVI ORMOLU-MOUNTED MAHOGANY SIDE CABINET, ORMOLU AND BRONZE WALL CLOCK

A RARE AND VERY IMPORTANT LOUIS XVI MARBLE, BRONZE AND ORMOLU PENDULE
A CERCLES TOURNANTS attributed to Thomire, the enamel hour and minute rings decorated in the manner of Coteau with exceptionally finely drawn gilt and polychrome scrollwork, the

pointer at the end of a spray of roses, the movement with inverted anchor escapement and numbered count wheel, the case in the form of a drum-shaped altar faced with a

pro¬cession of well-modelled figures bearing offerings to the sacrifice, one leading a bull, and with a ram’s mask at either side, on the right a priestess stands before a

smoking tripod making libation over the flame, her acolyte kneeling before her between a red marble urn and a bunch of summer flowers spilling from a basket, the base mounted

with a leafy mask between two gryphons and acanthus scrolls enclosing trophies, the curved ends with garlands of fruit and flowers, 2V/2in. high by 24in. wide (54cm. by 61cm.)

circa 1785
Design for Lot 99 attributed to Thomire, published by kind permission oj the Musee des Arts Decoratifs, Paris
An almost identical clock is shown in a design attributed to Thomire in the Musee des Arts Decoratifs, Paris. The design, which shows alternative arrangements for a chimney

piece, is probably part of a bronzier’s catalogue rather than an actual project for decoration
A similar clock was exhibited The Age of Neo-Classicism, London 1972, catalogue number 1620, it was also attributed to Thomire
Another version is at Longleat House in the Collection of the Marquess of Bath and is illustrated in the guidebook
A third version was sold from the Collection of the Countess Bismarck, Sotheby Monte Carlo, 26th May 1980, lot 656

A Louis XVI ORMOLU-MOUNTED MARBLE MANTEL CLOCK, the enamel dial signed Blanc l’aine et Compe. a Paris and with pierced gilt hands, the movement with silk suspension and outside

count wheel, the case surmounted by an urn and supported between two shaped columns headed by porcelain plaques, the base faced with mounts composed of eagles’ masks and

flowering scrolls, 20V2in. high (52cm.) circa 1790

A GOOD ORMOLU, BRONZE AND WHITE MARBLE MANTEL CLOCK, the enamel
dial signed Polin Vaine A Paris and with pierced engraved gilt hands and calendar
dial with red numerals, the movement with silk suspension and outside count wheel, the
case surmounted by a bacchante and in the form of a litter borne on the Shoulders of two
putti astride seated goats, the breakfront base mounted with infant musicians among
clouds, 20in. high (51cm.), late 18th/early 19th Century    ?2500-3500
For another example of the same model see Tardy, La Pendule Francaise, Volume 2, page 122. A similar clock was exhibited in the 1968 Antique Dealers’ Fair at Grosvenor House

A Louis XVI ORMOLU-MOUNTED GREY MARBLE MANTEL CLOCK, the enamel
dial signed Martinet London and with pierced gilt hands and steel calendar hand, the
movement with outside count wheel and altered suspension, the arched base surmounted
by a fiaming torch and quiver and with fluted pilasters flanked by fruit and flowers below
the dial, the inverted breakfront base faced with foliate mounts, Whin. high (47cm.) circa
1785
Presumably made for the English market

A DIRECTOIRE ORMOLU-MOUNTED MARBLE MANTEL CLOCK, the (chipped) enamel
dial signed Le Cour a Paris, the movement with silk suspension and outside count wheel,
the case surmounted by an um and supported between two verde antico columns of rec-
tangular section headed by vases of flowers, on a stepped rectangular base, 20in. high (51cm.)
circa 1795

A LATE Louis XVI ORMOLU-MOUNTED MAHOGANY SMALL COMMODE, with
Belgian fossil marble top, three long drawers, fluted rounded corners and fluted tapering
legs, 2ft. Hin. high by 2ft. lOin. wide (89cm. by 86.5cm.) circa 1785

A PAIR OF LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLES DESSERTES, the wedge-shaped white marble tops with pierced three-quarter galleries, each with a drawer in the panelled

frieze, raised on fluted supports joined by conforming shelf stretchers, with turned tapering legs, 2ft. 9in. high by 2ft. 7in. wide (84cm. by 79cm.) circa 1785

A Louis XVI GILTWOOD ARMCHAIR stamped P. Gerard, the rectangular back
with a bead moulded frame, the vase-shaped splat hung with laurel swags and trumpets,
the padded arms on downcurved moulded supports, with stuffed seat, on turned fluted
tapering legs headed by paterae, circa 1780
Ponce Gerard received Master 13 May 1778

A PAIR OF LOUIS XVI MAHOGANY SIDE CABINETS, the mottled grey marble tops with three-quarter galleries, the friezes with ormolu bead and petal mouldings, the doors each with

three mirrored panels enclosing shelves, flanked by reeded pilasters, on toupie feet, 3ft. 6in. high by 2ft. 9V4in. wide (107cm. by 84cm.) circa 1785, mirror panels later

A DIRECTOIRE BRASS-MOUNTED MAHOGANY COMMODE, the breche violette marble
top with a pierced three-quarters brass gallery and with three long brass-panelled drawers,
the top one with three small panels and with original rectangular loop handles, the pro-
jecting rounded corners inlaid with brass fluting, raised on toupie feet, 2ft. Whin. high
by 4ft. 1 ‘Mn. zoide (88cm. by 126cm.) circa 1790

A A PAIR OF ORMOLU CHENETS, each in the form of a cherub, issuing from boldly
cast leafy scrollwork and warming his hands at a flaming brazier, on fluted and bead-cast
bases, W/nn. high by 15in. wide (34cm. by 38.5cm.) 19th Century

A PAIR OF ORMOLU-MOUNTED GREY MARBLE VASES in Louis XVI style, with
pomegranate fmials, lion mask handles, leafy socles and square bases, 18in. high (64cm.)
19th Century

A Louis XVI ORMOLU-MOUNTED MAHOGANY SIDE CABINET with white marble
top, the panelled frieze with beaded borders above three glazed doors also with beaded
borders and fianked by fluted and stop-fluted pilasters, on fluted tapering legs, the back
with interlaced double V mark, 2ft. Hin. high by 6ft. V2in. wide (89cm. by 185cm.) circa
1785
The double V inventory mark is traditionally associated with Versailles, though it is also recorded as being the mark of the Chateau de Wideville

AN ORMOLU AND BRONZE WALL CLOCK, the circular white enamel dial and
movement signed Planchon a Paris, the case in the form of a drum suspended from ribbons
with an eagle and laurel leaves below, 21 in. high (55cm.) the back stamped MP and
numbered 9572,19th Century

A LOUIS XVI PAINTED HALF-TESTER BED, with waved moulded cornice
supported on two fluted posts, with arched stuffed ends faced by fluted and leaf-carved
columns, raised on fluted tapering feet, 4ft. 9in. wide by 7ft. long (145cm. by 213cm.) circa
1780

A PAIR OF LOUIS XVI BRONZE AND ORMOLU CANDLESTICKS, each with a leafy nozzle held in the arms of a winged bronze cherub who balances on one foot on a cloud, on cylindrical white

marble pillar with square base, 103Ain. high (27cm.) circa 1790

A PAIR OF LOUIS XVI ORMOLU-MOUNTED PORPHYRY VASES of urn shape with
satyr mask handles supporting swags of flowers, the gadrooned leaf-cast socles on rec-
tangular bases, Hin. high (28cm.) circa 1780, on later rectangular ormolu-mounted blocks,
WMn. high overall (39cm.)

A PAIR OF Louis XVI BRONZE, GILT-BRONZE AND WHITE MARBLE CANDELABRA,
each in the form of a cherub with scant drapery holding a flaming torch in each hand
forming the candie nozzles, standing on drum-shaped marble plinths with rectangular
bases, Whin. (42cm.) circa 1780

A LOUIS XVI ORMOLU-MOUNTED BLACK AND WHITE MARBLE MANTEL CLOCK,
the enamel dial signed Piolaine a Paris, and with pierced gilt hands and Arabie chapters,
the movement with outside count wheel and altered suspension, the case surmounted
by an eagle and with fluted columns backed by corbels faced with chains of flowers, ail
headed by urns of flowers, the base mounted with floral scrolls, 21 ‘hin. high (54.5cm.)
excluding later feet, circa 1785

A DIRECTOIRE MAHOGANY SECRETAIRE A ABATTANT, the moulded comice above a frieze set with a brass band, above a drawer and a fall-front enclosing a fitted interior, with three

further drawers and a drawer in the base flanked by fiuted columns, on turned feet, 4ft. IVhin. high by2ft. 6in. wide (151cm. by 76cm.) late 18th Century

MAHOGANY TUB CHAIR - WALNUT ARMCHAIRS -  EDWARDIAN ART NOUVEAU OAK WRITING DESK - PEDESTAL DINING TABLE - GILT LACQUER PEMBROKE TABLE

A MAHOGANY TUB CHAIR, the frame inlaid with boxwood stringing with a padded back and sprung bow-fronted seat on square tapering legs, with castors, c. 1900.

A SET OF SIX GRAINED WALNUT CHAIRS,
each with an oval back with pierced
brackets carved with scrolls above a
sprung serpentine seat on moulded
cabriole legs, c. 1878.

A WALNUT ARMCHAIR with a waisted button-upholstered back and padded arms above a serpentine seat on leaf-carved cabriole legs, c. 1860.

A ROSEWOOD AND MARQUETRY ENVELOPE
CARD TABLE, the quartered top inlaid with bone and boxwood foliage and birds enclosing a baize-lined playing surface and counter wells, on square tapering legs joined by a stretcher; 75 by 54cm, c. 1900.

A NEST OF THREE LACQUERED OCCASIONAL
TABLES, each with a rectangular top,
two painted with dragons and vases,
the third an asymmetrical low table on
pierced lyre supports carved with
dragon-head feet, the largest 28 by
2lin; 71 by 53cm, c. 1920.

A  PAIR  OF  WALNUT  ARMCHAIRS,   each
with a padded back and outcurved arms
with leaf-carved terminais, the ser-
pentine sprung seats on scroll-carved
cabriole legs with claw-and-ball feet,
c. 1920.

A PAIR OF ROSEWOOD SIDE CHAIRS, each
with an oval padded back and pierced
scroll and flower cresting, the sprung
seats on leaf-carved cabriole legs,
mid 19th century.

A MAHOGANY CARD TABLE, the ‘D’-shaped top with a gadrooned border enclosing a baize-lined interior, the frieze carved with Greek key, on square tapering legs, 29?by31in;75 by 79cm.

A MAHOGANY BOOKCASE in tWO parts,
the upper part with a dentil cornice above a pair of thirteen-panel glazed cupboard doors, the lower section with two short drawers above another pair of thirteen-panel glazed doors enclosing shelves, 75by 36in; 192.5 by 91.5cm, c. 1910.

A ‘REGENCY’ GREEN AND GOLD PAINTED FOUR-SEATER SETTEE with moulded top-rails above a splat painted with trophies, on turned legs joined by stretchers, with four loose squab seats and two cushions, 67in; 170cm wide, c. 1900.

A ZANZIBAR BRASS-BOUND SMALL COFFER
with a fitted interior, the feet fitted with rollers, the whole bound in repousse brass, 22in; 56cm, late 19th/ early 20th century.

A GREEN AND GILT LACQUER PEMBROKE
TABLE, the top painted with Chinese dragons on six bobbin-turned supports joined by a turned stretcher, 27 by 69 by 57cm, c. 1920.

AN    EDWARDIAN    ART    NOUVEAU    OAK
WRITING DESK, the attenuated superstructure with adjustable bookshelves at the sides enclosing a recess, with a presentation plaque dated 1914, 72 by 42in; 183 by 107cm, c. 1910.

A   BLACK   LACQUER   AND   CHINOISERIE
BUREAU, with a fitted interior, the fiap working in conjunction with the lopers above two drawers, the stand with cabriole legs, 31 in; 79cm wide, 1920’s.

AN ‘EDWARDIAN ART NOUVEAU’ MAHO-
GANY SETTLE, the paclded back and sides upholstered with a repeating pattern of birds in stylised blossoming txees, the sprung seats similarly up¬holstered, the front with tapering square columns headed by branches, the apron pierced with a heart, on stepped block feet; 143.5cm wide, c. 1910.

A   ‘GEORGE   III’   MAHOGANY  ARMCHAIR,
the pierced back carved with ribbon-tied foliage, the outcurved arms with scroll terminais carved with leaves above a padded seat on cabriole legs with scroll toes carved with leaves, c. 1900.

A   BLACK   LACQUER   AND   CHINOISERIE
COCKTAIL CABINET en suite with the previous lot, with two cupboard doors above two short drawers, the stand with cabriole legs, 53 f by 44in; 136.5 by 112cm, c. 1920.

A ‘GEORGE I’ WALNUT SIDE CABINET with
a moulded top above two arched cup-board doors flanked by two further arched cupboard doors above two long drawers, on a stand with a moulded border and cabriole legs, 48 by 31 in; 122 by 79cm, c. 1920.

A MAHOGANY PEDESTAL DESK, the rect-
angular top with a leather-lined writing surface, the frieze with three long drawers above three graduated drawers in each pedestal, on bracket feet, 31 by 60in; 79 by 152cm, 20th century.

A ‘GEORGE III’ MAHOGANY DINING TABLE,
the ‘D’-ends with self-tapering columns and three downswept legs, 95in; 241.5cm long fully extended, 55in; 104cm wide, made up in the 20th century.

A SET OF SIX WALNUT DINING CHAIRS,
including a pair of Armchairs, in Art Deco style, each with an upholstered back with broadly canted tops and sprung seats and moulded legs, 1930’s.
Several of these chairs bear a small unidentified stamp of a shaped cross within a horseshoe.

A   MAHOGANY   BREAKFAST   TABLE,   the
circular top inlaid with bandings on a tripod support with paw castors, the top re-veneered and with later inlay, married to the base, 43|in; 111cm diam., late 19thjearly 20th century.

A WALNUT AND MARQUETRY SIDE CABINET,
the envelope top inlaid with seaweed marquetry enclosing a polished surface, the frieze with three graduated drawers, on cabriole legs with pad feet, 33 by loin; 84 by 41cm, c. 1920.

A NEST OF MAHOGANY QUARTETTO TABLES,
the rectangular tops banded in satin-
wood on turned trestle supports, the
largest 28 by 22in; 71 by 56cm, early
20th century.

A MAHOGANY SEWING TABLE, the frieze
with a central drawer flanked by leaf scrolls above a silk workbag on a trestle base joined by a pole stretcher with bun feet, 29 by 27|in; 74 by 70cm, c. 1840.

A   ‘GEORGE   III’   MAHOGANY   PEDESTAL
DINING TABLE, with two ‘D’-ends and four leaves, each pedestal with four reeded downswept legs, 146in; 481.5cm long fully extended, third quarter of the 20th century.

BRONZE AND GILT-BRONZE CHANDELIER - NORTH ITALIAN WALNUT COFFER - WROUGHT-IRON STRONG BOX - GENOESE WALNUT CABINET - FLEMISH CABINET ON STAND - DUTCH PAINTED THREE-FOLD CHIMNEY BOARD

A PAIR OF ORMOLU CANDLESTICKS, with flower-
cast nozzles and the circular engine-turned stems
with feather tops, on circular bases cast with lyres and
butterflies, Hin. high (28cm.) circa 1820, one drip-pan
missing.

A PAIR OF EMPIRE ORMOLU CANDLESTICKS with
engine-turned stems and circular bases, lOin. high
(25cm.), early 19th Century.

A BRONZE AND GILT-BRONZE CHANDELIER, the stem
in the form of a flaming amphora supporting six horn-
shaped arms cast with leafy faces, lft. 6in. high by lft.
9′/2in. diameter (46cm. by 55cm.) early 19th Century,
French or German.

A MAHOGANY MUSICAL NECESSAIRE in the form
of a piano, the interior fitted with a scent bottle, thimble
and scissors, 6in. high by Whin. long (15cm. by 29cm.)
circa 1830, possibly Viennese.

A NORTH ITALIAN WALNUT COFFER, with a hinged lid, the front decorated in sgraffitto-work with griffons, flowers and animal heads, on solid lozenge-cut base, and with iron

carrying handles, lft. Hin. high by 5ft. lin. wide (155cm. by 59cm.) late 16th Century.

A POINT D’HONGRIE RUG of 17th Century style with a central cartouche surrounded by birds and meandering flowering branches, all in pastel silks on a chrome yellow ground, lft.

8in. by 4ft. (232cm. by 122cm.) early 20th Century.

A GOOD BRASS-MOUNTED MAHOGANY TRAVELLING
WRITING BOX with flush-mounted brass mouldings and handles, the mirror-lined lid enclosing a hinged baize-lined surface with two flaps, one enclosing numerous compartments and

Attings including coffee cup and saucer, and a pair of white metal detachable candie arms, also with a pair of glass white metal stoppered glass ink bottles, all with walnut

linings and divisions, lft. 6in. wide (45.5cm.) circa 1820, French or German.

A PAIR OF POINT D’HONGRIE SOFA COVERS AND
SIXTEEN CHAIR COVERS, similar to above lots, sofa covers
lft. 8in. by 2ft. 2in. (233cm. by 65cm.) early 20th Century.

ANOTHER STRONG BOX in iron overlaid with riveted woven strapwork, the lid with a six-tongue interior lock, the guard with a pair of pierced and engraved sea monsters, lft. 2in.

high by 2ft. 5in. wide (36cm. by 73cm.) 17th Century, now painted green.

A WROUGHT-IRON STRONG BOX, of rectangular
shape overlaid with strapwork, the interior with an
elaborate locking mechanism, lft. 6in. high by 2ft. 103Ain.
wide (46cm. by 88cm.) 17th Century.

ANOTHER STRONG BOX, painted and iron-bound,
with hinged lid, decorated in black and red, the sides
with iron-carrying handles, lft. 7in. high by 2ft. 93Ain.
long (48cm. by 85cm.) 17th Century.

A GENOESE WALNUT CABINET, the frieze with a pair of drawers, the handles in the form of wreathed Roman heads and divided by cartouches, the door with an architectural

arrangement of figures surrounding a niche with a carving of Diana and a young satyr and enclosing an arrangement of nine drawers and two cupboards flanked by pilasters carved

with figures, 2ft. 2lhin. high by 2ft. VMn. wide (67cm. by 80cm.) circa 1600, with restoration, carving of Diana late 19th Century, raised on a late 19th Century walnut stand

with six turned legs joined by moulded stretchers.

A WALNUT TABLE CABINET, the interior with eight
drawers, 17in. high by 16in. wide (44cm. by 40cm.) late 17th
Century, the door now inset with a panel of early 17th
Century Augsburg marquetry.

FLORENTINE CARVED GILTWOOD WALL CUP-
BOARD of architectural form, with a central niche for a
figure flanked on each side by a cupboard, the base with
a small drawer at each side, 3ft. 2in. high by 2ft. lOin.
wide (97cm. by 86cm.) early 17th Century.

A PAINTED AND GILT SlDE CABINET in Italian 17th
Century style, of inverted double breakfront form, with
fluted pilasters flanking a pair of cupboard doors carved
with polychrome figures of saints, 3ft. 6in. high by 4ft.
Gin. wide (94cm. by 137cm.).

A PAIR OF PORTUGUESE LEATHER-COVERED
BEECHWOOD CHAIRS, the tall backs with shaped tops and
bases and covered in leather stamped with flowers and
figures, held by giant brass-headed nails, the seats with
floral design and raised on turned legs with shaped front
stretchers, late 17th Century.

A FLEMISH CABINET ON STAND, with an archi-
tectural moulded superstructure above three cupboard
doors flanking six short drawers, set with ivory panels
engraved with figures, landscapes and fruit and flowers,
the lower part with a frieze drawer similarly decorated,
on six later spirally turned legs and waved X-stretchers,
4ft. 4in. high by 3ft. 8in. wide (133cm. by 113cm.)part 17th
Century, distressed.

A PAINTED, LEATHER-COVERED CHEST, the domed
top, front and sides painted with armoriai designs, with
carrying handles, 2ft. 3V2in. high by 3ft. 2in. wide (70cm.
by 97cm.) late 17th/early 18th Century, probably German,
on later bun feet.

A FLEMISH WALNUT ARMCHAIR, the toprail carved
with scrolls flanking a Coronet, with spirally-turned
supports and oval caned splat within a scroll-carved
frame, with outcurved scrolling arms and spiral supports
on a caned seat and scrolling acanthus-leaf-carved front
legs with scrolled coronet-carved front stretcher, circa
1680, extensively restored.

A DUTCH PAINTED THREE-FOLD CHIMNEY BOARD
showing the interior of a mill with a horse operating a
treadmill and the miller baling flour at one side, painted
with the legend van boekwyt maakt men meel van gerste
maakt men grutten den gever die geeftveel omt lichaamt
onderstutten, circa 1900.

A COMPOSITE MARBLE COLUMN - A PAIR OF BARBEDIENNE GILT-BRONZE CANDLESTiCKS - BURR-CHESTNUT MUSICAL CIGARETTE BOX

A PAIR OF NEO-CLASSICAL REVIVAL URNS,
each of slender ovoid form cast in low relief with an aesthetic arrangement of blossom and insects, black slate socles, 18fin; 47.5cm, 1870’s.

A PATINATED LEAD FIGURE OF A SCOUT,
the young man standing with his arms raised holding a hat and a staff, on a wooden plinth, 16in; 41cm, early 20th century.

A SPELTER FIGURE OF A PUTTO, standing with one arm raised holding a vase, on a wooden socle, 27in; 68cm, c. 1870.

A PAIR OF SPELTER URNS AND COVERS,
each cast with cherubs at play, the
Covers with a single cherub holding a
cup of wine, the sides with vine-cast
handles, on ebonised socles, 15in;
38cm, c. 1880.

A COMPOSITE MARBLE COLUMN with a
turned body and base, 46 by 12in; 117 by 30.5cm, late 19th century.

A PAIR OF ROCOCO GILT-BRONZE CHENETS,
each with a bold acanthus scroll resting
on a corcelled pillar, 13in; 33cm wide,
second half of the 19th century.

A   PAIR   OF   BARBEDIENNE   GILT-BRONZE
CANDLESTiCKS, each tapering stem cast
with flowers, Hin; 28cm, signed with
founders’ mark F. Barbedienne and with
engraved erroneous date 1780, 1880-
1900.

A PAIR OF  BRONZE  CANDELABRA,  each
with a scroll-cast base cast with a seated figure of a Chinaman beside a three-branch candle-arm, 13in; 33cm, c. 1860.

A SIMULATED MARBLE COLUMN with a
Corinthian capital above a turned stem and base, 58in; 149cm, late 19th century.

A BRONZE VASE cast with two lizards clinging to the rim and shoulder of the vase, their mouths interlocked, lOin; 26cm, c. 1860.

A BRONZE AND MARBLE ENCRIER witil a
figure of a man seated between a terrestrial globe and a celestial globe, on a yellow-veined marble base inset with a pen scoop, Hin; 28cm, c. 1840.

A PAIR OF BRONZE URNS, each with a gad-rooned lip and leaf-cast cover enclosing a sconce,the sides with carryinghandles, 7jin; 18.5cm, mid 19th century.

A BOULLE DESK SET comprising a blotter and an encrier with a central compart-ment for an inkwell, each inlaid with brass scrollwork on a red tortoiseshell ground, the encrier.

A ‘REGENCE’ GILT-BRONZE CHENET, the pierced acanthus balustrade sur-mounted by a female calif, 22 by 27in; 56 by 68.5cm, mid 19th century.

A GLASS DISPLAY CASE, the domed top with rectangular sides held by pressed metal flowerhead supports, 29 by 25in; 74 by 63.5cm, late 19th\early 20th century, now painted gold.

A GILT-BRONZE-MOUNTED CELADON VASE,
the body with leaves and flowers, the base and cover applied with ‘C scroll and leaf-cast mounts, 22in; 56cm, the top now fitted as a lamp, third quarter of the 19th century.

AN UNUSUAL SILVERED BRONZE CHAN-
DELIER with a pierced framework
applied with studded lattice-work sides
enclosing four lights, each with a shell
cover, 19in; 48cm wide, fitted for
electricity, with chains and ceiling rose,
c. 1890.

A BOULLE WRITING SLOPE, the serpentine top hinged in two parts and inlaid with cut-brass scrolling leaves on a red tortoiseshell ground enclosing a burr satin birch interior with two inkwells, a velvet-lined writing slope and compart-ments for pen and ink, the lock plate and hinges engraved with leaves, 5 by 14fin; 14 by 37.5cm, c. 1860.

A  BURR-CHESTNUT  MUSICAL   CIGARETTE
BOX, the hinged top enclosing two com-partments, the base with a musical box, 4 by 7in; 11 by 18cm, early 20th Century.

A   GILT-BRONZE   CORINTHIAN   COLUMN
LAMP with a green-painted stepped base and pleated shade, 25in; 63.5cm, fitted for electricity, c. 1880; And Another Similar but composite, 20th Century.

A REGENCY PENWORK LETTER BASKET - PARCEL-GILT AND EBONISED CONVEX MIRROR - MID-VICTORIAN PAPIER-MACHE TRAY - ROSEWOOD AND WALNUT TABLE CABINET

A PAIR OF SPA PAINTED BOXES of shaped outline, the slightly domed lids each
painted with a scene of peasants after Breugel, one with haymakers refreshing themselves,
the other with a game of bowls, the sides with landscapes, ail decorated en grisaille on a
cream ground, 5′hin. wide (14cm.) circa 1760.

A REGENCY PENWORK LETTER BASKET of boat shape, with elaborately shaped top
and central division pierced with a carrying handle decorated with insects and flowers,
partly in polychrome on a black ground, on four gilt-metal claw-and-ball feet, 9′Ain. wide
(23.5cm.) circa 1810.

A PAIR OF GEORGE III GILTWOOD WALL BRACKETS in the French style, each with
three S-scroll arms supporting a drip-pan and a nozzle, the fluted backplates headed by an
oval wreath of ribbon-tied oak foliage and pastoral trophies and with husk pendant apron,
Hin. high (28cm.) circa 1780.

A PAIR OF REGENCY GILTWOOD WALL LIGHTS each with a pair of scrolling arms
with reeded cup-shaped brass nozzles, the backplates in the form of conjoined spheres
centred by an ebonised eagle with outspread wings holding tasselled gilt-metal chains in
his beak, 2ft. 3in. high (69cm.) circa 1805.

ANOTHER of similar design, 2ft. Win. open (86.5cm.) circa 1815.

A GEORGE IV ROSEWOOD-VENEERED AND GILT-BRASS PEDESTAL, the quarter-
veneered crossbanded square top with a cast brass frieze of scrollwork and supported on
four reeded pillars, the bases with drums cast with cherubs and standing on a stepped
square base similarly veneered to the top, on four mushroom-shaped feet,
by lft. 2V4in. square (80cm. by 36cm.) circa 1830.

A REGENCY PARCEL-GILT AND EBONISED CONVEX MIRROR, the double moulded
frame with a main band incised with curving gilt lines and set with paterae, with an inner
berried laurel leaf border and outer bead border, circa 1810.

A VENETIAN OCTAGONAL, CLEAR AND MOSAIC GLASS WALL MIRROR of elongated
octagonal form, with bevelled plate, the conforming frame with an inner and outer mirror
border and a main mosaic border of polychome flowers on a white “tiled” ground set with
clear glass clasps and flowerheads, 2ft. 8in. high by 2ft. min. wide (81cm. by 67cm.) circa.

A REGENCY PAPIER-MACHE TRAY stamped Howard London, of rectangular shape
with rounded corners and decorated in shades of gilt on black with sprays of flowers and
moths and the border with anthemion, with a pair of gilt-metal serpent loop handles, 2ft.
1 Van. wide (64cm.) circa 1810.

A MID-VICTORIAN OVAL PAPIER-MACHE TRAY with overscrolled edge, the border
decorated in gilt on a black ground, with a vermiculate design enclosing rectangles of
quatrefoils, 2ft. ‘hin. wide (62.5cm.) circa 1850.

A MID-VICTORIAN PAPIER-MACHE TRAY stamped B. Walton & Co. Warranted, of
similar outline decorated in gilt and polychrome on black with vases, birds, chains of
flowers and rococo fretwork, lft. 7′hin. wide (49.5cm.) circa 1850.

ANOTHER of similar outline, the centre with a spray of polychrome flowers on
black, the border with maiden-hair fern and rococo scrollwork in gilt, lft. 7in. wide
(48cm.) circa 1850.

A GENOESE WALNUT FALL-FRONT CABINET, with moulded cornice above a frieze containing two drawers and faced with naked figures, the fall front enclosing an interior fitted with a central carved cupboard surronnded by drawers, the Stiles also faced with figures, 2ft. lhin. high by 2ft. 3in. wide (62cm. by 68cm.) circa 1600.

AN ITALIAN WALNUT PRIE-DIEU, with a moulded
dentil cornice and frieze drawer above a cupboard door
flanked by fielded panels, with a kneeler enclosing a
compartment, on a moulded base and scrolling feet, the
whole inlaid with stylized floral marquetry and a double-
headed eagle, 2ft. lOin. high by 2ft. 4in. wide (87cm. by
71cm.) 17th Century, probably Tuscan.

A NORTH ITALIAN WALNUT COMMODE of three
long drawers inlaid in bone with stars, on later bracket
feet, 2ft. Whin. high by 3ft. 6′Mn. wide (90cm. by 106cm.)
circa 1700, drawer relined.

A GOANESE INLAID TABLE CABINET, the exterior
and interior covered with trellis in ivory on ebony and
padouk, the fall front enclosing an arrangement of one
long and seven short drawers, lft. 4in. wide (40cm.)
early 18th Century, distressed.

A FLEMISH ROSEWOOD AND WALNUT TABLE CABINET with a coffered hinged compartment, enclosing a mirror flanked by painted scenes of figures in land-scapes above a pair of geometrically panelled cupboard doors enclosing an arrangement of ten drawers around a cupboard enclosing an architectural mirrored interior, each drawer and the interior of the cupboards set with painted panels of a mythological nature, lft. 4in. high by lft. 6in. wide (41cm. by 45.5cm.) late 17th Century.

A DUTCH MARQUETRY AND EBONY-VENEERED SIDE
TABLE, the top inlaid with a bouquet of tulips and roses
within floral spandrels, the plain frieze drawer on
spirally turned baluster legs joined by a wavy X-framed
stretcher, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.)
circa 1680, restored.

A REGENCE ARMOIRE with moulded cornice above
a pair of walnut doors each with three fielded panels
decorated with a circle and star motifs, with panelled oak
sides and turned bun feet, 7ft. 2′/iin. high by 5ft. 6in. wide
(220cm. by 168cm.)circa 1720.

A SOUTH GERMAN BOULLE CASKET, the top inlaid
in pewter and brass with the Rape of Europa, within a
floral frame, the fall front and sides similarly decorated,
the interior now fitted with ten slim drawers, the sides
with carrying handles, 8in. high by lft. lin. wide (21cm. by
23cm.) early 18th Century.