Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

Continental carved oak Desk, Chinese red lacquered Cabinet, Edwardian mahogany and inlaid Side Cupboard, French provincial walnut Writing Table

Continental carved oak Desk, Chinese red lacquered Cabinet, Edwardian mahogany and inlaid Side Cupboard, French provincial walnut Writing Table

A Regency mahogany Armchair, the
rectangular back with rope twist rail, the upholstered seat on turned tapering legs; together with a William IV mahogany Armchair, the rectangular back with carved clasp and

scroll arms above an upholstered seat, on turned tapering legs.

A Continental carved oak Desk, 19th
Century, the rectangular top above two real
and two dummy frieze drawers, on bulbous
legs joined by caned and turned stretchers,
151cm. wide.

A Continental carved oak Sideboard,
19th Century, the mirror panel back with
floral and foliate carved cresting above
caryatids, the rectangular top with three frieze
drawers, on twin pedestal bases each with
cupboard enclosed by panel door carved with
dead game between caryatid stiles, on plinth
bases, 223cm. wide.

A Continental carved oak Buffet, the
rectangular top with floral and foliate carved cresting and frieze drawer above undershelf and cupboard enclosed by a pair of panel doors carved with dead game between caryatid

stiles, on platform base, 146cm. wide.

A Continental oak Mirror, the frame carved with three crowns, winged angel and serpent with scroll border, 135cm. high.

An oak kneehole Office Desk, modern,
with seven drawers, 131cm. wide.

A George IV mahogany Sideboard, the rectangular top above cupboard, two short drawers, cellaret drawer and undershelf, on turned tapering legs, 124cm. wide.

A Chinese red lacquered Cabinet, 19th Century, with fall-front, now lacking, above an arrangement of six short and one long drawers; together with matching stool, faults, 67cm.

wide.

An Edwardian mahogany and inlaid
breakfront Sideboard, the top with brass rail
and curtain back and two lidded compart-
ments above five frieze drawers and three
cupboards enclosed by a pair of tambour
doors and a pair of panel doors between two
further cupboards, each enclosed by an inlaid
panelled door, on plinth bases, 210cm. wide;
together with a mahogany two-tier Shelf,
132cm. wide.

An Edwardian mahogany and inlaid Side Cupboard, the rectangular top with two frieze drawers above two cupboards each enclosed by inlaid panel door, on a plinth base, 106cm.

wide.

A Victorian walnut Bonheur du Jour, the superstructure with shelf and pierced foliate cresting above four short drawers, the writing surface inset with green leather above a

frieze drawer, on cabriole legs, 80cm. wide.

A Victorian rosewood Davenport, the
top with baluster turned gallery, the hinged
writing surface inset with green leather and
revealing two real and two dummy drawers,
the side with hinged pen tray and four real
and four dummy drawers, on a plinth base,
faults, 48cm. wide.

A set of eight mahogany Hepplewhite-style Dining Chairs, including two armchairs, the shield-shaped backs with pierced vase-shaped splats, the seats upholstered in brown

leather, on square tapered moulded legs.

A mahogany Tea Table, 19th Century, the ‘D’-shaped fold-over top above satinwood inlaid frieze, on square tapering legs, 91 cm. wide.

A Regency mahogany rectangular Pembroke pedestal Table, with opposing frieze drawer, the quadruple square pillar above splayed legs ending in brass cappings and castors, 106cm.

wide.

A French provincial walnut Writing Table, late 18th Century, with tooled jfjiher-inset top and a drawer, the scroll apron cabriole legs, worm, restored, 81cm. wide.

A George III mahogany rectangular drop-leaf Table, on chamfered square legs, one :.t>if carped. 106cm. wide.

A George Ill-style mahogany Occasional Table, the circular top with distressed pie-crust border, the stop-fluted pillar above scroll tripod supports, 53cm. diam.

A Queen Anne walnut and crossbanded Chest, restored, the two short and three long drawers on bun feet, 97cm. wide, possibly Anglo-Dutch.

A late George III pine standing Corner Cupboard, enclosed by two pairs of panelled doors, on a plinth base, restored, 185cm. high by
105cm. wide.

George II mahogany Bookcase, Edwardian burr walnut veneered and inlaid Occasional Table, Victorian rosewood Centre Table, George III mahogany carver Chair

George II mahogany Bookcase, Edwardian burr walnut veneered and inlaid Occasional Table, Victorian rosewood Centre Table, George III mahogany carver Chair

A George II mahogany Bookcase, with a
pair of fielded panel doors above candle slides,
100cm. wide, formerly with a cabinet base.

Seven various Chairs, comprising: two
ash spindle-back rush-seat chairs, early 19th
Century, including an armchair, an ash
ladder-back rush-seat chair, a Regency
rail-back solid-seat armchair, on sabre legs, a
pair of Victorian balloon-back occasional
chairs, and a simulated bamboo armchair.

A Victorian quarter-veneered oval
pedestal Table, with central inlaid panel, on
five column supports with four carved scroll
legs, 117cm, wide.

An Edwardian burr walnut veneered
and inlaid Occasional Table, the rectangular
fold-over swivel top of crossbanded kingwood,
the undershelf with four sliding trays, on
square tapering legs joined by further concave
sided undershelf, 54cm. wide.

A Louis XV-style giltwood Fauteuil, the
rectangular back with foliate scroll cresting, the
back, arms and seat upholstered with tapestry
panels, on cabriole legs with scroll feet.

A mahogany Occasional Table, the
circular tilt-top on a turned tapering pillar with
triple splayed legs, 76cm. diam.

A mahogany Card Table, the serpentine fold-over top with green baize inset above fluted frieze, on square tapered moulded legs with block feet, 81cm. wide.

A Victorian rosewood Centre Table, the serpentine top above plain frieze, on cabriole legs and scrolled ball feet, 106cm. wide.

A Regency-style giltwood and cobalt
glass mounted rectangular Wall Mirror,
110cm. high.

A Victorian oak extending Dining Table, the chamfered rectangular top on turned pillar legs, with two leaves and a winder. 172cm. extended.

A George III mahogany Washstand, v»iih twin opening top and sliding mirror above a door, a drawer and a sliding commode base, with twin brass handles, faults, 90cm. high

A George III oak Chest, of two short
and three long drawers, on bracket feet, brass
handles.

A George III mahogany carver Chair,
the reeded square back with pierced rails, with
drop-in seat, on square legs with plain
stretchers, some repair.

A part set of Georgian elm Country
Chairs, including four dining chairs and a
carver, the square back with reeded vertical
splats, oak fixed seats, on square legs with
plain stretchers.

An oak free-standing Bookcase, with
pierced gallery above four shelves, 134cm. high.

A George III oak Chest, of two short and three long graduated drawers, on bracket feet, brass handles, 92cm. wide.

A George III oak Chest, of three short and three long graduated drawers, on bracket feet, with shaped apron and brass handles, 97cm. wide.

A carved oak Chest, of two short and three long graduated drawers, each carved with swirled foliage designs flanked by quarter pilaster columns, on stub feet, brass handles,

99cm. wide.

A George III mahogany Chest, of two short and three long graduated drawers, on compressed feet, replacement handles, faults, 102cm. wide.

A gilt-gesso pier glass Mirror, 19th
Century, with elaborate cast foliate and boss
decoration flanked by similarly decorated and
twist columns, 122cm. high by 72cm. wide.

18th Century-style mahogany Bureau-on-Chest, Victorian walnut and floral marquetry Side Cabinet, Chinese export lacquer Work Table, Chinese carved rosewood Jardiniere Stand

18th Century-style mahogany Bureau-on-Chest, Victorian walnut and floral marquetry Side Cabinet, Chinese export lacquer Work Table, Chinese carved rosewood Jardiniere Stand

An 18th Century-style mahogany Bureau-on-Chest, circa 1920, the quarter veneered fall revealing a fitted interior, the serpentine-fronted commode base with two short and two

long graduated drawers, the canted corners above shaped bracket feet, 109cm. high by 94cm. wide; 3ft. 7in. by 3ft. lin., possibly German.

A Victorian walnut and inlaid
Cabinet Bookcase, circa 1850, with
gilt-metal mounts, the moulded cornice
above a pair of glass panel doors
enclosing a velvet-lined and shelved
interior, below are a pair of panel doors
and a shaped plinth base, 198cm. high by
124cm. wide; 6ft. 6in. by 4ft. lin.

A Victorian mahogany Buffet,
circa 1870, with three tiers and turned
supports, on brass castors, 88cm. wide;
2ft. 10V2in.

A Victorian carved mahogany
Gothic-style box-seat Settle, circa 1870,
the tall back with a cornice above pierced
tracery panels and heraldic shields, the
linenfold box seat with a hinged cover,
200cm. high by 157cm. wide; 6ft. 7in. by
5ft. 2in.

A Victorian walnut and floral marquetry Side Cabinet, the raised mirror back with a pierced carved cresting, the serpentine white marble top above a pair of panelled doors, on a

plinth base, 173cm. high by 149cm. wide; 5ft. 8in. by 4ft. Whin.

A George Ill-style mahogany and painted twin-pedestal Dining Table, made-up, the ‘D’-end top decorated en grisaille with a classical border, the columnar turned pillars on

splayed tripod supports with brass cappings and castors, 300 by 121cm.; 9ft. Win. by
3ft. HV2in., including two leaf insertions.

A set of ten Victorian gilt carved
and upholstered Chairs, circa 1850, the
cartouche-shaped backs and bowed seats
covered in gold damask, the foliate
decorated frames with paterae cresting
rails, the cabriole legs ending in castors.

A Victorian rosewood Card
Table, circa 1840, the fold-over top with
circular claret baize lining, the medallion
carved frieze above a leaf-clad pillar and
domed base, on carved scroll feet and
castors, 92cm. wide; 3ft.

A Victorian burr walnut
harlequin Davenport, circa 1850, with
rising rear section revealing pigeonholes
and three small drawers, the piano
moulded hinged top revealing slide,
adjustable inset and two small drawers,
on carved cabriole supports, the sides
with four real and four opposing dummy
drawers, on bun feet and castors, the
rising action requiring restoration, 56cm.
wide; lft. Win.

ORIENTAL FURNITURE

A pair of Chinese carved
hardwood Armchairs, circa 1900, the
pierced tub-shaped backs profusely carved with dragons, the solid serpentine seats above cabriole legs.

A Japanese lacquer Occasional
Table, circa 1920, the yellow-ochre top
decorated with floral sprays, the gilt stem
with foliate carved supports, on a square
base with bracket feet, 67cm. diam.; 2ft.

A Chinese export lacquer Work Table, circa 1830, decorated with gilt pavilions on a cinnamon ground, the hinged top revealing a black lacquer and gilt interior with lidded

compartments and ivory accessories, the baluster turned stem on triform base with paw feet, 62cm. wide; 2ft.

A Chinese rosewood Altar Table, circa 1900, the rectangular top with an inset burrwood panel flanked by scrolled ends, the fret carved frieze on square legs joined by

stretchers, 81cm. high by 119cm. wide; 2ft. 8in. by 3ft. llin.

A Burmese carved rosewood
Tripod Table, circa 1880, the circular
top with an inset famille-verte ceramic
panel, the baluster turned stem above
triple splayed legs, 56cm. diam.; lft. Win.

A Chinese carved rosewood Jardiniere Stand, circa 1900, with a circular marble-inset top above a pierced prunus frieze, on cabriole legs, 90cm. high; 2ft. HViin.
A Chinese carved hardwood Jardiniere Stand, circa 1900, with a marble-inset rectangular top above a pierced fret frieze and shaped supports, united by two undertiers, 42cm.

wide; lft. 4′/2in.

A Japanese black lacquer and mother-of-pearl inlaid Work Table, late 19th Century, decorated throughout with birds and flowers, the chamfered rectangular top above a fabric well

and pierced supports, on arched legs, 46cm. wide; lft. 6in.

Chinese coromandel lacquer six-fold Screen, late 19th Century, with a gilt reserved scene depicting courtesans and a pavilion, the reverse side depicting birds and flowers

within stylised borders, 183 cm. high; 6ft.; together with an associated mahogany Stand, with a carved gallery back and a drawer, on turned feet, converted from, a William IV

sideboard, 249cm. wide; 8ft. 2in.
An Indian carved hardwood Armchair, circa 1890, of tub form, profusely carved and pierced with birds and beasts amidst scrolls, on eagle scroll feet with purple velvet stuffed

seat.

CONTINENTAL FURNITURE

An Egyptian walnut and
mother-of-pearl inlaid leopard Stool,
circa 1900, decorated throughout with
inlaid geometric designs, the woven seat
with a rear raised panel depicting
Egyptian figures, on twin stylised leopard
supports, 64cm. high by 78cm. wide;
2ft. lin. by 2ft. 6V2in.

A pair of stools of similar design were sold at Sotheby’s London on 4 November 1988, lot 162.

A Dutch mahogany and floral
marquetry Stool, circa 1890, the drop-in
tapestry seat and scrolled sides on
cabriole legs ending in claw and ball feet,
75cm. wide; 2ft. 5V2in.

Victorian carved walnut and upholstered spoon-back Occasional Chair, Victorian walnut inlaid and gilt-metal mounted Side Cabinet, Victorian walnut Music Cabinet

Victorian carved walnut and upholstered spoon-back Occasional Chair, Victorian walnut inlaid and gilt-metal mounted Side Cabinet, Victorian walnut Music Cabinet

A Victorian satinwood and
rosewood crossbanded Centre Table,
circa 1880, in the French style, the
serpentine top centred by an amboyna
roundel within an amboyna border, the
ends with opposing frieze drawers, on
gilt-metal mounted cabriole legs, 73cm.
high by 118cm. wide; 2ft. 5in. by
3ft. lOVzin., drawer stamped John Metcalfe
Maker, Richmond.

A rose ood and brass-bound secretaire Military Chest, in two parts, the stationery drawer fitted with small drawers above three long drawers, 100cm. wide; 3ft.
A Victorian black papier-mache and painted Occasional Table, circa 1850, the shaped oval tilt-top with a central spray of flowers bordered with mother-of-pearl and gilt, the

baluster turned stem and moulded circular base with gilt decoration, on iron scroll feet.

A Victorian carved walnut and
upholstered spoon-back Occasional
Chair, circa 1850, with Royal heraldic
needlework and beadwork covering, Honi
Soit qui mal y pense, on cabriole legs and
ceramic castors.

A Victorian papier-mache black
lacquer and mother-of-pearl inlaid
Chair, circa 1850, the broad cresting and
oval splat above a woven cane serpentine
seat, on cabriole legs.

A Victorian walnut and amboyna
banded Davenport, circa 1865, inlaid
throughout with stringing, the sloping
top with a rear stationery compartment,
the panelled sides including a door
enclosing drawers, on a platform base
with bun feet, 58cm. wide; lft. 10V2in.

A George Ill-style carved
gilt-gesso mirror-back Console Table,
circa 1850, the back with a pierced scroll
cresting above a pair of twin-branch
candle sconces, the serpentine white
marble top above a pierced frieze with a
central cartouche, on scrolled cabriole
supports, 255cm. high by 89cm. wide;
8ft. Wrin. by 2ft. llin.

A Victorian carved mahogany
scroll-end Chaise Longue, circa 1850,
with a pierced side-rail and pink velvet
upholstery, on cabriole legs, 186cm. long;
6ft. lin.

A William and Mary-style walnut
Candle Stand, circa 1920, the octagonal
crossbanded top above a turned, carved
and chamfered stem, on scrolled tripod
supports, 32cm. wide; 121/2in.

A Victorian walnut inlaid and
gilt-metal mounted Side Cabinet, circa
1870, the central panel door enclosing a
lined interior, flanked by a pair of bowed
glazed doors, on turned ebonised bun
feet, faults, 107cm. high by 152cm. wide;
3ft. 6in. by 5ft.

A George Ill-style mahogany
Bowl Stand, with triple turned supports
293    and a pair of small drawers, on cabriole
legs, 92cm. high; 3ft. Viin.

A George Ill-style mahogany
Bowl Stand, with triple turned supports
and a pair of small drawers, on cabriole
legs, 81cm. high; 2ft. 8in.

A Victorian ash Writing Table,
circa 1860, the rounded rectangular top
with a frieze drawer, the turned end
supports joined by a stretcher, on
scrolled legs, 76cm. wide; 2ft. 6in., bearing
trade label of Wylie & Lockhead, 45
Buchanan Street, Glasgow.

A George II-style carved
mahogany Library Armchair, circa
1900, upholstered in brown hide, on
cabriole legs with acanthus carved knees
and scroll feet.

A Victorian walnut Music
Cabinet, circa 1870, inlaid throughout
with ebonised spandrels and boxwood
stringing, the glazed panel door
enclosing divisions and a drawer, the
turned pilasters above a plinth base, on
castors, 102cm. high by 62cm. wide; 3ft. 4in.
by 2ft. Vim.

A Victorian carved Stool, circa
1850, with a floral beadwork seat, on
cabriole legs, 84cm. wide; 3ft. 7in.

A George Ill-style mahogany and
fretwork Urn Table, circa 1880, with a
pierced galleried top above a slide, on
moulded chamfered square legs headed
by pierced angle brackets, on flared feet
joined by stretchers, 68cm. high by 28cm.
wide; 2ft. 3in. by llin.

An oak narrative Cabinet by The Reverend Charles Donald, made-up,
relating to the Latin legend of Sir Guy, the
domed mother-of-pearl inlaid cornice
centred by three candle sconces and
flanked by panels of script above a pair
of recessed panelled doors with iron
hasps enclosing a painted interior with a
door and pierced tracery, the pierced
supports with painted figures including
an angel, below are two long panelled
drawers with iron handles and pierced
iron escutcheons, the whole with painted
portrait and figural niches and a pair of
heraldic shields, 190cm. high by 122cm.
wide; 6ft. 3in. by 4ft
The following information is provided in a document supplied by the vendor: Made by The Rev. Charles Donald in his later years, about 1920, having retired to Staffordshire after

25 years’ magnificent work in the worst slums of London. The wood used was oak 600 years old, used in the construction of a barn which had to be pulled down by the village

squire: no nails or screws were used in Sir Bevis, which was constructed using tools which were in use 600 years earlier at the time the oak was planted. These two pieces of

furniture were the first and last he ever made.
The Christmas Cupboard The Latin legend on ‘Sir Guy’ says: ‘This oak is made for Common use but dedicated to the Highest like ourselves’. The Latin on the inner door says: ‘I

sought thee without - but lo! Thou wast within’. ‘One seeks God in Nature in vain. He is within the heart.’ Le coeur a raisons car le raison ne connait pas.
Sir Guy had lived a gay life, till he met on Christmas Day a poor girl with her babe which changed his life after he gave himself to charity. This is depicted inside. They were

done by a very good professional artist, Conway.

An oak narrative Cabinet by The Rev. Charles Donald, made-up, relating to the tale of Sir Bevis, the shallow raised back surmounted by wrought iron candle sconces and colonnade

niches enclosing miniature painted figures, the pierced front carved throughout with borders of script and enclosed by a pair of doors, below is a three-panel base including a

pair of doors and revealing painted panels, on stile feet, 120cm. high by 165cm. wide; 3ft. llin. by 5ft. 5in.
The following information is provided in a document supplied by the vendor: Sir Bevis, by The Rev. Charles Donald. ‘I made it at Brampton where I got the finely seasoned oak.

The Bramptons had held the old half-timbered Hall for centuries till they sold it to my Squire, Sir John Hall. A young Brampton was shot there by the Cromwellians as he stood in

the doorway clothed in silk shirt and red stockings. The villagers say his ghost has often been seen there - a sad child in red stockings. An educated lady assured me that she

had seen him. I spent midnight alone there, but he failed to appear. In the parish was Blore(?) Heath where the famous battle was fought, and on the edge of the moat (now mostly

a bog) is a wood where, according to local legend, a great serpent once lived, the terror of villagers crossing that lonely spot. The “ghost” (red stockings) and the Snake of

Blore Heath are the background of Sir Bevis.
In the left panel, Sir Bevis is in bed and hears the red-hosed ghost who tells him the coming fate of his two sons.
The younger, a good lad, who always did as he was told, was to marry a rich heiress. All the centre panel is taken up with the wedding in the chapel - the organist and retainers

etc. - and the rich opal, a gift from the bride.
But the elder son was a very bad boy. He put live rats in his father’s boots and sewed up the sleeves of his Sunday suits, etc. So the Serpent of Blore scared his horse and

later devoured him. That is the story when I made the service cupboard for the child. That opal by the way is real and cost ?10 when opals were cheap.’

An Edwardian mahogany and
satinwood banded breakfront Library
Bookcase, circa 1910, the moulded
cornice above three astragal doors
enclosing adjustable shelves, the lower
part with three panel cupboard doors, on
a plinth base, 224cm. high by 183cm. wide;
7ft. 4in. by 6ft.

A late Victorian mahogany and
satinwood banded breakfront secretaire
Bookcase, circa 1900, by Edwards &
Roberts, inlaid throughout with urns, •
trophies and stylised floral designs, the
pierced fret swan-neck pediment above
two pairs of astragal doors enclosing
adjustable shelves, the lower part with a
writing drawer revealing satinwood
veneered stationery compartments, below
are two pairs of panelled doors, on
bracket feet, 285cm. high by 250cm. wide;
9ft. 4in. by 8ft. 2V2in., drawer stamped
Edwards fcf Roberts.

Edwardian satinwood and parcel-gilt small Bureau, Victorian rosewood Occasional Table, Edwardian mahogany Display Cabinet, Edwardian mahogany Armchairs

Edwardian satinwood and parcel-gilt small Bureau, Victorian rosewood Occasional Table, Edwardian mahogany Display Cabinet, Edwardian mahogany Armchairs

An Edwardian satinwood and
parcel-gilt small Bureau, circa 1910,
decorated throughout with painted floral
sprays, the fall revealing a well and
pigeon-holes, the frieze drawer above
turned and fluted splayed legs joined by
pierced stretchers, 74cm. high by 38cm.
wide; 2ft. 5in. by lft. 3in.

A late Victorian rosewood
Occasional Table, circa 1900, inlaid
throughout with ivory and boxwood
stringing, the serpentine top with a
central arabesque roundel, the cabriole
legs with stretchers joined by a small
circular undertier, 75cm. wide; 2ft. 5V2in.

A George Ill-style mahogany
Wing Armchair, circa 1900, with
tapestry upholstery, on moulded
chamfered square legs joined by
stretchers.

A Victorian satinwood secretaire
Cabinet, circa 1860, the panelled fall
with rosewood inlaid arabesques, the
interior with stationery compartments
and a leather-inset writing surface, the
conformingly inlaid frieze drawer above
fluted turned legs with gilt-metal
mounts, on brass castors, 136cm. high by
97cm. wide; 4ft. 5V2in. by 3ft. 2in., castors
stamped Cope Collinson Patent.

A set of six Victorian carved
walnut balloon-back Chairs, circa 1855,
with floral crestings and mid-rails above
damask upholstered serpentine seats, on
cabriole legs.

A Victorian figured walnut combined Work and Tea Table, circa 1860, inlaid throughout with stringing, the rectangular fold-over top above a frieze drawer and a solid well, the

turned and splayed supports joined by a stretcher, 61cm. wide; 2ft.

An Edwardian mahogany Display
Cabinet, circa 1905, inlaid throughout
with ivory and sycamore floral motifs,
the domed cornice with a mirrored
recess above a pair of bowed leaded
glazed doors, the base with a further
recess and a pair of leaded glazed doors,
on tapered square legs with foliate
carved feet, 225cm. high by 99cm. wide;
7ft. 4V2in. by 3ft. 3in.

A pair of George Ill-style
satinwood and painted Armchairs, circa
1880, the pierced shield-shaped backs
decorated with floral sprays, the caned
seats above tapered square legs, on spade
feet.
Cf. Regency Furniture by Francis Collard, published by Antique Collectors’ Club, page 235: A painted satinwood Chair, circa 1880, by Wright &f Mansfield.

A black lacquer Chinoiserie
Bergere Sofa, circa 1920, the double
caned back and seat with turquoise velvet
upholstered cushions, on square legs,
168cm. wide; 5ft. 6in.

A George Ill-style mahogany
small Chest, 20th Century, the moulded
top above a slide and three long drawers,
on bracket feet, 73cm. high by 67cm. wide;
2ft. 5in. by 2ft. 2V2in.

A George Ill-style mahogany
Armchair, made-up, with a pierced
trellis back and bowed cane seat with
green velvet squab cushion, on fluted
turned legs.

An Edwardian satinwood
demi-lune Pier Cabinet, circa 1905,
inlaid throughout with ebony stringing and sycamore bandings, the later marble top above a panelled door decorated with marquetry ribbon-tied baskets of fruit, on shaped bracket

feet, 90cm. high by 111cm. wide; 2ft. 11′fain, by 3ft. 7′/2in., formerly with an upper section.

A pair of Edwardian mahogany
Armchairs, circa 1910, the wreath inlaid
cresting rails above tub-shaped backs
with griffin arm supports, the
serpentined seats on cabriole legs ending
in paw feet.

A George Ill-style mahogany
armchair, circa 1910, with a pierced and
swag carved splat and dipped striped
velvet upholstered seat, on moulded
chamfered square legs; together with a
matching single Chair.

A Victorian papier-mache Music
Stand, circa 1855, the adjustable
cartouche-shaped frame with a titled
painting of Paul and Virginie, after
Augustus Leopold Egg, on a telescopic
brass stem and gilt decorated baluster
pillar with scrolled tripod supports,
faults, now lacking detachable music ledge,
74cm. high when retracted; 2ft. 5in., the
reverse with an indistinct hand-written
label.

A Victorian walnut and inlaid Side Cabinet, circa 1855, with gilt-metal mounts and inset Sevres-style porcelain plaques, the central cupboard flanked by a pair of bowed glazed

doors, on a plinth base, 107cm. high by 156cm. wide; 3ft. 6in. by 5ft. IVnn.

A George Ill-style carved giltwood Overmantel Mirror, circa 1850, the pierced foliate and flame motif frame with four cartouche-shaped panels, 109cm. high by 118cm. wide;

A Victorian burr walnut and
tulipwood crossbanded Centre Table,
circa 1850, the rectangular quarter-
veneered top with serpentine sides, the
scroll carved supports joined by a
stretcher with lion masks at each end,
72cm. high by 149cm. wide; 2ft. 4l/iin. by
4ft. llin.

A George Ill-style mahogany breakfront Library Bookcase, circa 1920, the dentilled cornice above four pairs of astragal doors and a pair of slides, the interior with adjustable

shelves, on bracket feet, 249cm. high by 238cm. wide; 8ft. 2in. by 7ft. 11 tein.

A pair of George Ill-style gilt-
gesso Wall Mirrors, the cartouche-
shaped surrounds carved with ‘C’-scrolls,
flame motifs and flowerheads, 66cm. high
by 49cm. wide; 2ft. 2in. by lft. 7in.

Italian walnut and satinwood banded Work Table, Louis XV-style kingwood parquetry Table, Regency tortoiseshell and mother-of-pearl inlaid Tea Caddy

Italian walnut and satinwood banded Work Table, Louis XV-style kingwood parquetry Table, Regency tortoiseshell and mother-of-pearl inlaid Tea Caddy

An Italian walnut and satinwood banded Work Table, circa 1850, with kingwood crossbanding and pierced brass gallery, the circular hinged top revealing a velvet-lined well, the

triple supports above an undertier and scroll feet, 38cm. diam.; lft. 3in.

An Italian massive white veined circular marble Table, modern, the
circular top with inlaid painted sprays of flowers, on moulded octagonal base, 200cm. diam.; 6ft. 7in.

An Italian Side Table, modern, en suite with the previous lot, the ‘D’-shaped top with inlaid painted decoration, on two moulded rectangular plinth supports, 183cm. wide; 6ft.

A Louis XV-style kingwood parquetry Table, circa 1870, with gilt-metal mounts, the rosewood crossbanded top inlaid with stringing, the frieze drawer above cabriole legs, 77 by

99cm.; 2ft. 6in. by 3ft. 3in.

A Dutch mahogany and purple-heart crossbanded drop-leaf Table, circa 1790, inlaid throughout with stringing, the rectangular quarter veneered top with a frieze drawer, on

tapered square legs, 101cm. wide open; 3ft.3V2in.

An Italian carved giltwood
cartouche-shaped Wall Mirror, circa
1870, the frame pierced and carved with
shells and rocaille, the plate etched with
a mythological figure, 78cm. high;
2ft. Vfrm.

A French Transitional-style
mahogany breakfront Vitrine, with
marble top and gilt-metal mounts, the
glazed door enclosing a lined shelf and
interior, the lower part with Vernis
Martin panels, the square cabriole legs
ending in sabots, 167cm. high by 152cm.
wide; 5ft. 3in. by 5ft.

A Continental painted four-fold
Screen, 19th Century, opening to reveal
a scene depicting musical instruments
and a music stand, together with exotic
birds and a monkey, painted on canvas,
each fold 140cm. high by 46cm. wide;
4ft. 7in. by lft. 6in.

TEA CADDIES, WRITING BOXES, etc.

A Regency tortoiseshell and
mother-of-pearl inlaid Tea Caddy, circa
1820, the domed hinged top revealing a
two-division interior, the bowed front
with Chinoiserie inlay, 18cm. wide; 7in.

A Regency rosewood and
brass-inlaid Tea Caddy, circa 1820, of
sarcophagus form, with a three-division
interior, on gadrooned turned feet,
34cm.

A George IV mahogany Book
Tray, circa 1825, the scrolled sides ,with
pierced spindle balustrades, the plinth
base on bun feet, 41 cm. wide; lft. 4in.

An Indian hardwood and
cut-brass inlaid Deeds Box, circa 1850,
the hinged top revealing a sectioned
interior with a detachable tray, the sides
with brass carrying handles, 56cm. wide;
lft. Win.

A Napoleon III amboyna and
rosewood Liqueur Set, circa 1860, with
gilt-metal mounts, the hinged top
opening in conjunction with a hinged
front and sides to reveal four decanters
and stoppers, with fourteen glasses, on a
plinth base with bun feet, one stopper
broken and one glass broken, 38cm. wide;
lft. 3in.

A Victorian black papier-mache
Tray by Jennens 8c Bettridge, circa
1850, with gilt and mother-of-pearl
Chinoiserie scene within a serpentine
border, 68cm.; 2ft. 3in.

A boulle Desk Stand, circa 1880,
the cut-glass inkwell with a rear
gilt-metal handle flanked by a pair of
lidded compartments, the front with a
kidney-shaped pen-tray, 29cm. wide;
IVhin.

A Victorian figured walnut and
brass-bound Cigar Box, circa 1870, of
rectangular form with an inscribed plaque, the hinged top revealing a watercolour of a Mediterranean harbour scene, 44cm.

A Chinese export black lacquer and gilt Tea Caddy, circa 1840, the
hinged cover revealing a metal
two-division compartment, 27cm. wide;
10V2in.

A Victorian rosewood and mother-of-pearl inlaid Writing Box, circa 1840, the velvet-lined interior with compartments, the sides with countersunk brass handles, 45cm. wide; lft.

5V2in.

A Victorian coromandel Decanter Box, circa 1890, the hinged top and fall-front revealing three cut-glass decanters and stoppers including gilt-metal labels, together with three

beakers and two liqueur glasses, incomplete, the interior with two inscribed plaques, 32cm. wide; lft. ‘hin., bearing the label H. W. Bedford, 67 Regent St. and Chapman’s Patent

No. 191.

A Victorian black papier-mache and mother-of-pearl inlaid combined Work and Jewellery Box, circa 1850,
decorated throughout with floral sprays
and gilt borders, the hinged top above a
pair of doors enclosing four drawers, on
a splayed base with a valanced frieze,
25cm. wide; Win.

George III mahogany Knife Box, rosewood and brass-bound Writing Slope, Victorian Tunbridgeware maple and rosewood Sewing Box, Victorian Tunbridgeware rosewood Box

George III mahogany Knife Box, rosewood and brass-bound Writing Slope, Victorian Tunbridgeware maple and rosewood Sewing Box, Victorian Tunbridgeware rosewood Box

A Japanese black lacquer and
mother-of-pearl inlaid Stationery
Cabinet, late 19th Century, of
wedge-shaped form, decorated
throughout with birds and flowers
overlaid with gilt, the pair of doors and
hinged top revealing compartments,
40cm. wide; lft. 4m.

An octagonal tortoiseshell-veneered Tea Caddy, 19th century, with shallow pyramidal lid, ivory stringing and silver mounts.

A George III mahogany Knife Box, circa 1790, with kingwood crossbanding, the sloping hinged top inlaid with a shell medallion, the interior with cutlery divisions, 23cm. wide;

9in.

A Victorian papier-mache Tray,
circa 1850, of serpentined form, painted
with a floral spray, birds and butterflies,
on an ivory ground, 82cm. wide; 2ft. 8in.

A George III mahogany two-
division Cheese Coaster, circa 1790, of
typical form, on brass castors, faults,
43cm. wide; lft. 5m.

A Victorian black papier-mache Tray, circa 1850, of serpentined outline, painted with floral sprays and gilt scrolls, faults, 77cm. wide; 2ft. 6in.    ?300—500

A George III satinwood Tea Caddy, circa 1790, inlaid throughout with stringing and kingwood banding, the top and front with oval harewood medallions, 12cm.; 43Ain.
A George III mahogany Knife Box, circa 1790, of typical form, inlaid with chevron stringing and a compass point medallion, the interior converted for stationery, 26cm. wide;

Win.

A William IV rosewood and
mother-of-pearl inlaid Tea Caddy, circa
1835, with gadrooned mouldings
throughout, the hinged top revealing a
three-division interior, on bun feet, 32cm.
wide; 12V2in.

A George IV mahogany and
rosewood Writing Slope, circa 1825,
with cut-brass inlay, the top centred by a plaque engraved Charles Coward, the interior with compartments and a lateral frieze drawer, 51cm. wide; lft. 8in.

A rosewood and brass-bound Writing Slope, circa 1825, with countersunk handles and a leather-lined interior including compartments, 46cm. wide; lft. 6m.

A rosewood and ebonised miniature Writing Cabinet, circa 1850,
inlaid throughout with ivory floral
motifs, the pair of doors with foliate
scroll pilasters and central stylised
fruiting vines, the interior with a glazed
fall-front above two drawers flanked by
open shelves, 36cm. wide; lft. 2in., possibly
Sinhalese.

A George IV rosewood and
brass-bound Writing Slope, circa 1825,
with a leather-lined interior and compartments, 51 cm. wide; lft. 8in.

A George III satinwood Tea
Caddy, circa 1810, of sarcophagus form,
inlaid with geometric bandings, on
gilt-metal ball feet, altered, 31cm. wide;
12in.

A Victorian Tunbridgeware
maple and rosewood Sewing Box, circa
1850, inlaid throughout with geometric
mosaic, the hinged top and fall-front
revealing accessories including tatting
shuttles, a ratchet action winder and a
pair of small drawers, on bun feet, 28cm.
wide; llin.
A boulle Casket, circa 1860, the
slightly domed square hinged top revealing a void interior, on gilt-metal bun feet, 14cm. wide; 5Win.

A George IV rosewood and
brass-bound Decanter Box, circa 1820,
of square form, with carrying handles, the hinged top revealing three glass decanters and stoppers, 20cm. wide; 8in.

A George III mahogany Octagonal
Tea Caddy, circa 1790, inlaid with
stringing and crossbanding, the hinged
top revealing a two-division interior,
15cm. wide; 6in.

A George IV mahogany small
Jewellery Cabinet, circa 1820, of square
form, inlaid with stringing, the hinged
top revealing silk-lined compartments,
the pair of opposing doors each
enclosing six drawers, on bracket feet,
32cm. high by 29cm. wide; 12′/2in. by
lV/iin

A Regency rosewood
Tunbridgeware Candle Stand, circa
1825, with a circular top, on a turned
adjustable stem and moulded base,
22.5cm. high; 83Ain., bearing a trade label
Edward Nye, Manufacturer, Mount Ephraim
and Parade, Tunbridge Wells.

An ebonised wood and brass inlaid Decanter Box, 3rd quarter 19th Century, the top and front hinged opening to reveal four matching faceted glass decanters and thirteen glasses,

32cm.; 12Wn.

A French ebonised wood and brass inlaid rectangular Decanter Box, circa 1870’s, with hinged front and sides, fitted with four cut-glass decanters and sixteen glasses
A straw-work Box, French, circa 1815, of rectangular form, the cover with a farming scene surrounded by a scroll border, on bracket feet, 14cm.; 5Win.

A French brass and red
tortoiseshell Standish, circa 1840, of
rectangular shape, fitted with twin moulded glass inkwells and taper holder and snuffer, 32cm. wide; 12Win.

A French brass and red
tortoiseshell boulle Standish, mid-19th
Century, of rectangular form, with
beaded volute mounts and sphinx
caryatid corner mounts, fitted with twin
faceted glass inkwells, 35cm.; 14in.

A boulle Standish, French, 19th
Century, of rectangular shape, fitted
with pen-tray and twin wells, all-over
inlaid with brass, on four ormolu
‘Turkish’ caryatids, 29cm. wide; lVMn.

A Victorian Jennens and Bettridge
oval papier-mache Tray, circa 1840, the
black field painted with a flower spray
within gilt foliate surround, 74cm. wide;
2ft. 5 in., signed on the back Jennens and
Bettridge.

A Victorian scallop-shaped papier-mache Tray, circa 1850, the
centre inlaid with mother-of-pearl flower
spray within raised gilt painted vine
border, 76cm.; 30in.
A Victorian papier-mache
Inkstand, circa 1850, of scallop shape
with mother-of-pearl inlay, central
compartment and twin glass wells with
gilt-metal mounts, 31cm.; 12in. across.

A Victorian Tunbridgeware
rosewood Box, circa 1850, of
wedge-shaped form, inlaid throughout with geometric mosaic, 16cm.; 6V2in.

Nine various pieces of Victorian
Tunbridgeware, 1st half 19th Century,
comprising: a rectangular Box with a cube pattern top, 26cm. wide; Win., a Watch Stand, 9cm.; 31/2in., a small rectangular Box and Cover, 11cm.; 4V2in., a square Box and Cover

with cube pattern inlay, 8cm.; 3in., two Pin Cushions, 3 and 4cm. diam.; 1 and Vhin., a ring turned Box and Cover, 4cm. high; ll/2in., a square Picture Frame with a circular

aperture, 13cm.; 5in., and a Ruler, 23cm. wide; 9in.
A sycamore Tea Caddy, of
cantaloup form, the segmented sides
with one ebonised panel, 11cm. high;
4V2in.

GAMES BOXES AND CHESS SETS

A Victorian papier-mache shaped
rectangular Games Box, circa 1840,
hinged, opening to reveal five
compartments containing mother-of-
pearl counters and playing cards, painted
all-over with flowers and ornamental
pheasants, some slight damage, 24cm.;
9′/2in. wide.

An Indian ebony and ivory
veneered octagonal miniature Chess
Table, 19th Century, with horn stem,
23cm.; 9in.; together with miniature ivory
Chess set in sandalwood box.

A Victorian burr walnut and
inlaid Games Compendium, circa 1870,
of triangular form, the front hinged
opening to reveal cribbage board,
dominoes, playing cards and two score
boards, 25cm. wide; Win.

A Jaques Staunton boxwood and
ebony Chess Set, the kings 9cm.; 3V2in., in
mahogany box with original label.

An Indian bone Chess set, 19th Century, chip carved pieces, the kings 8cm.; 3in.; and a similar ivory Chess Set, incomplete.

An Indian ivory Chess Set, 19th Century, red stained and natural, baluster turned pieces on acanthus carved circular bases, the kings 6cm.; 2V2in., in wood box.

A bone Chess Set, mid-19th Century, with sectional carved and turned pieces, on beaded circular bases, the kings 13cm.; 5V4in., in wood box.

George III mahogany Linen Press, George II mahogany Armchair, George IV oak breakfront Library Bookcase, George IV mahogany drop-leaf Breakfast Table

George III mahogany Linen Press, George II mahogany Armchair, George IV oak breakfront Library Bookcase, George IV mahogany drop-leaf Breakfast Table

A George III mahogany Card
Table, circa 1800, inlaid throughout with
ebonised stringing, the chamfered
rectangular fold-over top above tapered
square legs with spade feet, 89cm. wide;
2ft. llin.

A George III mahogany Linen Press, circa 1800, inlaid throughout with stringing, the swan-neck pediment with later gilt-metal mounts, the pair of oval rosewood crossbanded panel

doors now enclosing hanging space, below are four long graduated drawers, on splayed bracket feet,. 129cm. high by 126cm. wide; 4ft. 3in. by 4ft. 2in.

A Regency mahogany and
rosewood crossbanded Breakfast Table,
circa 1820, the rounded rectangular
tilt-top above a ring turned pillar and
quadruple splayed legs ending in brass
cappings and castors, 139 by 100cm.;
4ft. 6′/2in. by 3ft. 3′/2in.

A set of six George III mahogany
Dining Chairs, circa 1780, the
shield-shaped backs with pierced splats, the nailed green leathercloth seats above tapered square legs.

A George II mahogany Armchair, circa 1750, with a pierced vase-shaped splat and drop-in green hide seat, on carved cabriole legs ending in pad feet, restored, including later

seat rails.

A George III mahogany Press
Cupboard, circa 1800, the arched
cornice above a pair of oval panelled
doors, now enclosing a hanging space,
the lower section now with two short and
one long dummy drawer above a real
drawer, on shaped apron with splayed
bracket feet, altered, 211cm. high by 121cm.
wide; 7ft. 11 in. by 4ft.

A George IV oak breakfront
Library Bookcase, circa 1830, with
ebonised mouldings throughout, the
swan-neck pediment above an egg and
dart cornice with dentilled and foliate
carved mouldings, the three pairs of
astragal doors with brass grille panels,
the three frieze drawers each with a pair
of panel doors below enclosing adjustable
shelves, on a plinth base, altered including
later components, 279cm. high by 396cm.
wide; 9ft. 2in. by 13ft.

A George III mahogany oval
Pembroke Table, circa 1800, the
satinwood crossbanded top above a single
drawer, on boxwood strung tapered
square legs ending in castors, restored,
101cm. wide; 3ft. 33/4in.

A George IV mahogany drop-leaf Breakfast Table, circa 1825, with a frieze drawer, the quadruple turned legs above moulded sabre feet ending in ornate brass cappings, noiv

lacking castors, 107cm. wide; 3ft. 6in.

A George III mahogany serpentine-front Sideboard, circa 1790,
the central frieze drawer flanked by two
drawers and a door, on tapered square
legs with spade feet, 160cm. wide;
5ft. 3in.

A Regency rosewood Sofa Table,
circa 1815, the rectangular top
crossbanded in maple, the pair of real
and opposing dummy frieze drawers
inlaid with stringing, the conforming
inlaid rectangular supports on maple
banded splayed legs ending in brass paw
feet and castors, 144cm. wide when open;
4ft. 9in.

A George IV mahogany secretaire Bookcase, circa 1825, the flared cornice above a pair of astragal doors enclosing adjustable shelves, the writing drawer revealing stationery

compartments, below are three long graduated drawers, on bracket feet, 214cm. high by 103cm. wide; 7ft. by 3ft. 4′/2in.

A George IV mahogany secretaire Bookcase, circa 1820, inlaid throughout with ebonised stringing, the flared cornice above a pair of panel doors enclosing adjustable shelves, the

rosewood crossbanded base with a writing drawer above two long drawers, on splayed bracket feet, 230cm. high by 101cm. wide; 7ft. by 3ft.

A Victorian mahogany and brass-bound secretaire Military Chest, circa 1850, in two parts, the pair of frieze drawers including a writing drawer above three long graduated

drawers, on turned feet, 109cm. high by 99cm. wide; 3ft. 7m. by 3ft. 3m.

A late George III mahogany and upholstered Wing Armchair, circa 1800,
the tub-shaped back upholstered in
green velvet, on ring turned legs with
brass castors.

A George II red walnut kneehole
Dressing Table, circa 1740, the moulded
top above one long frieze drawer and an
arrangement of seven drawers
surrounding a recessed cupboard door,
on bracket feet, 71cm. high by 77cm. wide;
2ft. 4in. by 2ft. 6in.

A George III mahogany Wing
Armchair, circa 1760, upholstered in
nailed brown hide, on chamfered square
legs joined by stretchers.

A George III mahogany Card Table, circa 1790, inlaid throughout with stringing, the satinwood banded ‘D’-shaped top above tapered square legs, 91 cm. wide; 3ft.

A late George III mahogany Commode Chest, circa 1800, the
crossbanded fall-front above two drawers, on bracket feet, altered, 71cm. high by 63cm. wide; 2ft. 4in. by 2ft. lin.

A William IV mahogany Cellaret,
circa 1830, of sarcophagus form, the
hinged top revealing a lead-lined
interior, with panelled sides, on a plinth
base, 65cm.; 2ft. V/2in.

George IV mahogany Side Cabinet, George III mahogany secretaire Cabinet, George III mahogany semi-circular Card Table, George II mahogany drop-leaf Table

George IV mahogany Side Cabinet, George III mahogany secretaire Cabinet, George III mahogany semi-circular Card Table, George II mahogany drop-leaf Table

A George IV mahogany Side
Cabinet, circa 1830, the foliate scroll
frieze with three drawers above a pair of
recessed cupboard doors flanked by six
short drawers, the reeded and carved
turned pilasters above carved turned
feet, 91cm. high by 147cm. wide; 3ft. by
4ft. Win.

A George III mahogany secretaire Cabinet, circa 1790, inlaid throughout with segmented spandrels and paterae, the stepped pediment with a drawer above a pair of panelled doors

enclosing three drawers, the secretaire drawer flanked by a pair of drawers, below are a pair of panelled doors enclosing later sliding trays, on shaped bracket feet, 188cm.

high by 126cm. wide; 6ft. 2in. by 4ft.

A mahogany Tripod Table, early 19th Century, with an associated top, on a turned stem with cabriole legs, 30cm. diam.; lft.

A George III mahogany Chest, circa 1770, the moulded top above two short and three long graduated drawers, on bracket feet, 86cm. high by 99cm. wide; 2ft. Win. by 3ft. 3in.

A pair of George III mahogany
Hall Chairs, circa 1780, the oval backs
with pierced trellis splats, the dished
solid seats on tapered square legs.

A set of six Regency mahogany
rail-back Chairs, circa 1810, including
two armchairs, with disc decorated
mid-bars and Trafalgar seats, on turned
reeded legs, restored.

A George III fiddle-back mahogany bow-front Side Table, circa 1790, the frieze with one long drawer above tapered square legs, faults, 76cm. wide; 2ft. 6in.

A George III mahogany semi-circular Card Table, circa 1790,
inlaid throughout with stringing, on tapered square legs with later ebonised spade feet, 91cm. wide; 3ft.

A George III mahogany secretaire
Chest, circa 1790, the crossbanded top
above a writing drawer revealing
stationery compartments, below are three
long graduated drawers and splayed
bracket feet, 104cm. high by 94cm. wide;
3ft. Sin. by 3ft. lin.

A George II mahogany drop-leaf Table, circa 1750, the oval top on tapered turned legs with pad feet, restored, 125cm. wide; 4ft. lin.

A George III mahogany Tea Table, circa 1770, the serpentined fold-over top with egg and dart mouldings, the moulded chamfered square legs headed by pierced angle brackets, top

warped, 90cm. wide;
2ft. lV/iin.

A set of five George IV
mahogany rail-back Dining Chairs, circa
1820, including two armchairs, the
scrolled crestings above upholstered seats
covered in corded green velvet, on sabre
legs, faults.

A Regency rosewood Pembroke
Table, circa 1815, inlaid throughout with
brass stringing and fleur-de-lys, the
rounded rectangular top with a frieze
drawer, the ring turned pillar on
quadruple splayed legs ending in brass
paw feet, 119 by 79cm. extended; 3ft. llin.
by 2ft. 7in.

A William IV carved oak Teapoy,
circa 1835, the hinged top with a foliate
border enclosing four cut-glass blending
bowls and a pair of canisters, the lotus
leaf carved and turned stem on a shaped
platform base with petal-shaped feet,
46cm. wide; lft. 6in.

A George III mahogany Bureau,
circa 1770, the fall enclosing stationery
compartments, the two short and two
long drawers above bracket feet, restored,
91cm. wide; 3ft.

A set of four George III mahogany Dining Chairs, circa 1780,
the pierced splats carved with swags, the
drop-in seats above tapered square legs
joined by stretchers.

A George III mahogany Escritoire, circa 1770, the cavetto cornice with dentilled mouldings, the fall-front revealing numerous small drawers and pigeon-holes, below are three

long graduated drawers, on shaped bracket feet, 168cm. high by 101cm. wide; 5ft. 6in. by 3ft. 4in., impressed above the fall R. Gore, 1774, P. 1670.

A Regency rosewood three-tier Whatnot, circa 1810, with real and dummy drawers, the ring turned supports ending in ceramic castors, 140cm. high by 50cm. wide; 4ft. 7in. by lft.

A George IV carved rosewood
marble-top pedestal Table, circa 1825,
the circular specimen marble top with chessboard inset, the acanthus-clad columnar pillar above a triform base, on carved claw feet and castors, carving partially lacking, 70cm.

diam.; 2ft. 3l/2in.

A William IV carved rosewood Canterbury, with three pierced divisions above a frieze drawer, on turned feet and brass castors, 51cm. wide; lft. 8in.