Antique Sideboard

Regency gilt-gesso convex Wall Mirror, Victorian mahogany oval Sutherland Table, Louis XVI-style carved elm Fauteuil, Victorian rosewood revolving Piano Stool

A walnut and gilt painted triple Dressing Table Mirror, faults, 110cm. wide.

A George III mahogany tray-top Bedside Commode, with a tambour front above a pull-out base, on moulded square legs, 52cm. wide.

A George Ill-style large mahogany and crossbanded break-front Sideboard, 19th Century, the three frieze drawers flanked by a deep drawer and a cellaret drawer, the bell flower

carved terminals above tapered square legs and spade feet, 274cm. long.

A pair of early 19th Century-style black japanned and gilt ‘X’-framed Armchairs, with pierced trellis backs and button upholstered ivory dralon seats.

A Victorian oak and upholstered revolving tub-shaped Chair, covered in brown leathercloth; together with another tub-shaped Chair in matching upholstery, on turned legs and

castors.

A giltwood Standard Lamp, with a floral embroidered shade, on a fluted stem and carved tripod supports, 185cm. high.

A Regency gilt-gesso convex Wall Mirror, with an eagle cresting, 81cm. high.

A late George III mahogany small Chest, with ebonised stringing and four long drawers, on bracket feet, 80cm. wide.

A Victorian rosewood revolving Piano Stool, with an octagonal stem and triform base, on scroll feet, 50cm. high.

A 17th Century-style oak Joint Stool, with turned and square legs joined by stretchers, 47cm. wide.

A George Ill-style mahogany Armchair, with trellis splat and distressed green striped brocade slip-in seat, on tapered square legs.

A George III mahogany and satinwood banded Card Table, inlaid throughout with stringing, the breakfront top above tapered square legs, 92cm. wide.

A Victorian mahogany oval Sutherland Table, on turned legs with arched feet and castors, 99cm. wide when open.

A Victorian mahogany and beechwood adjustable Bed Table, 76cm. wide.

A gilt-gesso hanging Display Cabinet, 19th Century, with pierced trophy cresting and a pair of glazed doors, 80cm. wide.

A George III mahogany Chair, with
pierced vase-shaped splat and slip-in
pale-green velvet seat, on tapered square legs;
together with a George III mahogany Chair,
with pierced splat, slip-in gold damask seat and
chamfered square legs.

A pair of George III mahogany Dining Table Ends, with ‘D’-shaped tops, on tapered square legs and brass castors, each 98cm. wide.

A pair of Continental painted and parcel-gilt Chairs, late 18th Century, with pierced splats and rush seats, including loose velvet upholstered squabs, on fluted tapered square

legs joined by turned stretchers.

A Louis XVI-style carved elm Fauteuil,
with vellow damask upholstery, on fluted
turned legs.

A Dutch mahogany miniature Secretaire a Abattant of late 18th Century design, inlaid with multiple bandings and paterae, on tapered square feet, faults, 65cm. high by 34cm.

wide.

LOUIS XVI MARBLE, BRONZE AND ORMOLU PENDULE, DIRECTOIRE ORMOLU-MOUNTED MARBLE MANTEL CLOCK, XVI ORMOLU-MOUNTED MAHOGANY SIDE CABINET, ORMOLU AND BRONZE WALL CLOCK

A RARE AND VERY IMPORTANT LOUIS XVI MARBLE, BRONZE AND ORMOLU PENDULE
A CERCLES TOURNANTS attributed to Thomire, the enamel hour and minute rings decorated in the manner of Coteau with exceptionally finely drawn gilt and polychrome scrollwork, the

pointer at the end of a spray of roses, the movement with inverted anchor escapement and numbered count wheel, the case in the form of a drum-shaped altar faced with a

pro¬cession of well-modelled figures bearing offerings to the sacrifice, one leading a bull, and with a ram’s mask at either side, on the right a priestess stands before a

smoking tripod making libation over the flame, her acolyte kneeling before her between a red marble urn and a bunch of summer flowers spilling from a basket, the base mounted

with a leafy mask between two gryphons and acanthus scrolls enclosing trophies, the curved ends with garlands of fruit and flowers, 2V/2in. high by 24in. wide (54cm. by 61cm.)

circa 1785
Design for Lot 99 attributed to Thomire, published by kind permission oj the Musee des Arts Decoratifs, Paris
An almost identical clock is shown in a design attributed to Thomire in the Musee des Arts Decoratifs, Paris. The design, which shows alternative arrangements for a chimney

piece, is probably part of a bronzier’s catalogue rather than an actual project for decoration
A similar clock was exhibited The Age of Neo-Classicism, London 1972, catalogue number 1620, it was also attributed to Thomire
Another version is at Longleat House in the Collection of the Marquess of Bath and is illustrated in the guidebook
A third version was sold from the Collection of the Countess Bismarck, Sotheby Monte Carlo, 26th May 1980, lot 656

A Louis XVI ORMOLU-MOUNTED MARBLE MANTEL CLOCK, the enamel dial signed Blanc l’aine et Compe. a Paris and with pierced gilt hands, the movement with silk suspension and outside

count wheel, the case surmounted by an urn and supported between two shaped columns headed by porcelain plaques, the base faced with mounts composed of eagles’ masks and

flowering scrolls, 20V2in. high (52cm.) circa 1790

A GOOD ORMOLU, BRONZE AND WHITE MARBLE MANTEL CLOCK, the enamel
dial signed Polin Vaine A Paris and with pierced engraved gilt hands and calendar
dial with red numerals, the movement with silk suspension and outside count wheel, the
case surmounted by a bacchante and in the form of a litter borne on the Shoulders of two
putti astride seated goats, the breakfront base mounted with infant musicians among
clouds, 20in. high (51cm.), late 18th/early 19th Century    ?2500-3500
For another example of the same model see Tardy, La Pendule Francaise, Volume 2, page 122. A similar clock was exhibited in the 1968 Antique Dealers’ Fair at Grosvenor House

A Louis XVI ORMOLU-MOUNTED GREY MARBLE MANTEL CLOCK, the enamel
dial signed Martinet London and with pierced gilt hands and steel calendar hand, the
movement with outside count wheel and altered suspension, the arched base surmounted
by a fiaming torch and quiver and with fluted pilasters flanked by fruit and flowers below
the dial, the inverted breakfront base faced with foliate mounts, Whin. high (47cm.) circa
1785
Presumably made for the English market

A DIRECTOIRE ORMOLU-MOUNTED MARBLE MANTEL CLOCK, the (chipped) enamel
dial signed Le Cour a Paris, the movement with silk suspension and outside count wheel,
the case surmounted by an um and supported between two verde antico columns of rec-
tangular section headed by vases of flowers, on a stepped rectangular base, 20in. high (51cm.)
circa 1795

A LATE Louis XVI ORMOLU-MOUNTED MAHOGANY SMALL COMMODE, with
Belgian fossil marble top, three long drawers, fluted rounded corners and fluted tapering
legs, 2ft. Hin. high by 2ft. lOin. wide (89cm. by 86.5cm.) circa 1785

A PAIR OF LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLES DESSERTES, the wedge-shaped white marble tops with pierced three-quarter galleries, each with a drawer in the panelled

frieze, raised on fluted supports joined by conforming shelf stretchers, with turned tapering legs, 2ft. 9in. high by 2ft. 7in. wide (84cm. by 79cm.) circa 1785

A Louis XVI GILTWOOD ARMCHAIR stamped P. Gerard, the rectangular back
with a bead moulded frame, the vase-shaped splat hung with laurel swags and trumpets,
the padded arms on downcurved moulded supports, with stuffed seat, on turned fluted
tapering legs headed by paterae, circa 1780
Ponce Gerard received Master 13 May 1778

A PAIR OF LOUIS XVI MAHOGANY SIDE CABINETS, the mottled grey marble tops with three-quarter galleries, the friezes with ormolu bead and petal mouldings, the doors each with

three mirrored panels enclosing shelves, flanked by reeded pilasters, on toupie feet, 3ft. 6in. high by 2ft. 9V4in. wide (107cm. by 84cm.) circa 1785, mirror panels later

A DIRECTOIRE BRASS-MOUNTED MAHOGANY COMMODE, the breche violette marble
top with a pierced three-quarters brass gallery and with three long brass-panelled drawers,
the top one with three small panels and with original rectangular loop handles, the pro-
jecting rounded corners inlaid with brass fluting, raised on toupie feet, 2ft. Whin. high
by 4ft. 1 ‘Mn. zoide (88cm. by 126cm.) circa 1790

A A PAIR OF ORMOLU CHENETS, each in the form of a cherub, issuing from boldly
cast leafy scrollwork and warming his hands at a flaming brazier, on fluted and bead-cast
bases, W/nn. high by 15in. wide (34cm. by 38.5cm.) 19th Century

A PAIR OF ORMOLU-MOUNTED GREY MARBLE VASES in Louis XVI style, with
pomegranate fmials, lion mask handles, leafy socles and square bases, 18in. high (64cm.)
19th Century

A Louis XVI ORMOLU-MOUNTED MAHOGANY SIDE CABINET with white marble
top, the panelled frieze with beaded borders above three glazed doors also with beaded
borders and fianked by fluted and stop-fluted pilasters, on fluted tapering legs, the back
with interlaced double V mark, 2ft. Hin. high by 6ft. V2in. wide (89cm. by 185cm.) circa
1785
The double V inventory mark is traditionally associated with Versailles, though it is also recorded as being the mark of the Chateau de Wideville

AN ORMOLU AND BRONZE WALL CLOCK, the circular white enamel dial and
movement signed Planchon a Paris, the case in the form of a drum suspended from ribbons
with an eagle and laurel leaves below, 21 in. high (55cm.) the back stamped MP and
numbered 9572,19th Century

A LOUIS XVI PAINTED HALF-TESTER BED, with waved moulded cornice
supported on two fluted posts, with arched stuffed ends faced by fluted and leaf-carved
columns, raised on fluted tapering feet, 4ft. 9in. wide by 7ft. long (145cm. by 213cm.) circa
1780

A PAIR OF LOUIS XVI BRONZE AND ORMOLU CANDLESTICKS, each with a leafy nozzle held in the arms of a winged bronze cherub who balances on one foot on a cloud, on cylindrical white

marble pillar with square base, 103Ain. high (27cm.) circa 1790

A PAIR OF LOUIS XVI ORMOLU-MOUNTED PORPHYRY VASES of urn shape with
satyr mask handles supporting swags of flowers, the gadrooned leaf-cast socles on rec-
tangular bases, Hin. high (28cm.) circa 1780, on later rectangular ormolu-mounted blocks,
WMn. high overall (39cm.)

A PAIR OF Louis XVI BRONZE, GILT-BRONZE AND WHITE MARBLE CANDELABRA,
each in the form of a cherub with scant drapery holding a flaming torch in each hand
forming the candie nozzles, standing on drum-shaped marble plinths with rectangular
bases, Whin. (42cm.) circa 1780

A LOUIS XVI ORMOLU-MOUNTED BLACK AND WHITE MARBLE MANTEL CLOCK,
the enamel dial signed Piolaine a Paris, and with pierced gilt hands and Arabie chapters,
the movement with outside count wheel and altered suspension, the case surmounted
by an eagle and with fluted columns backed by corbels faced with chains of flowers, ail
headed by urns of flowers, the base mounted with floral scrolls, 21 ‘hin. high (54.5cm.)
excluding later feet, circa 1785

A DIRECTOIRE MAHOGANY SECRETAIRE A ABATTANT, the moulded comice above a frieze set with a brass band, above a drawer and a fall-front enclosing a fitted interior, with three

further drawers and a drawer in the base flanked by fiuted columns, on turned feet, 4ft. IVhin. high by2ft. 6in. wide (151cm. by 76cm.) late 18th Century

WAINSCOT ARMCHAIR, OAK CHEST, GEORGE III OAK TRIPOD TABLE, GEORGE III OAK SETTLE, GEORGE III OAK TRIPOD TABLE, OUEEN ANNE STYLE WALNUT SIDE CHAIRS

A RARE WAINSCOT ARMCHAIR, with а
shaped cresting above a paneled back flanked by ears, down swept open arms, solid seat on slightly molded square supports, partly chip carved and with diaper stamps throughout,

mid 17th century.

А BEECH CHILD’S WINDSOR ARM CHAIR, with a ‘U’ shaped back and spirally turned spindles, solid seat on turned supports, third quarter 19th century with restorations.

AN OAK JOINT STOOL, the top with molded edge on four baluster turned supports, 18in (46cm) by 16V2in (42cm), 19th century.

A HARLEQUIN SET OF SIX OAK AND FRUITWOOD ‘DERBYSHIRE’ DINING CHAIRS, each with characteristic arched top rail, solid seat on turned supports, late 17thlearly 18th century, some

with restorations.

AN ASH AND ELM WINDSOR ARM-
CHAIR, with a dished seat above а crinoline stretcher, mid 19th century.

A GEORGE III OAK HALL SEAT, with а
five fielded panel back cross-
banded in mahogany, down swept
open arms, solid seat on cabriole
supports and pad feet, 45in
(115cm) by 74in (188cm), third
quarter 18th century.

AN OAK CHEST of four drawers, with a plain rectangular top on а boldly molded plinth and bracket feet, 36in (92cm) by (93cm), partly third quarter of the 17th century, the

plinth and feet added later and carved throughout in the 19th century.

A PAIR OF OUEEN ANNE STYLE WAL-
NUT SIDE CHAIRS, each with a vase
shaped splat, drop-in seat on cabriole supports and pad feet, one
bearing a brand WG, late
19th century.

А PAIR OF GEORGE III ELM DINING
CHAIRS, each with an arched rail,
pierced splat, drop-in seat on
square supports, early l9th century.

AN ASH AND ELM WINDSOR ARM
CHAIR, with pierced splat back,
dished seat on turned supports
joined by an ‘H’ stretcher, late 19th
century

A PAIR OF LATE 17TH CENTURY STYLE
SPANISH SIDE CHAIRS, each with а raised and stamped arched leather panel back and seat, the baluster supports joined by a Flemish rail, third quarter 19th century.

AN OAK LANCASHIRE SIDE CHAIR,
with a typical double arched splat
back, solid seat, on turned sup-
ports, third quarter 17th century
restored.

A GEORGE III OAK TRIPOD TABLE, the circular top on a vase turned steins and down swept supports, 28in (71cm) square, late 18th century.

AN ELM AND OAK CRICKET TABLE, the circular top on three baluster turned supports joined by rails, 26in (66cm) by 25in (64cm) diameter, early 18th century.

A SET OF EIGHT MID 17TH CENTURY
STYLE FARTHINGALE DINING CHAIRS,
including two armchairs, each
with a rectangular padded back
and seat on baluster and reel
turned supports, early 20th century.

AN EARLY GEORGE III OAK SETTLE, the
rectangular fielded four panel back
above a later solid seat, open arms
on cabriole supports and pad feet,
37in (94cm) by 72in (183cm), mid
I8th century.

A PAIR OF GEORGE III ELM AND FRUIT-
WOOD DINING CHAIRS, each with an
arched rail, pierced splat, solid
seat on tapering square supports;
and a very similar Dining Chair, all
late 18th century.

GOOD WALNUT TEA CADDY, GEORGE III MAHOGANY TEA BOX, INDIAN IVORY STATIONERY BOX, TORTOISESHELL TWO DIVISION TEA CADDY, ROSEWOOD COMBINED DRESSING AND JEWELLERY BOX

A GEORGIAN HIDE COVERED CASKET, the domed lid with a swing handle contained throughout by brass studs and bands, (26cm) by 15in (38cm).

A GOOD WALNUT TEA CADDY of sarcophagus form, with a raised lid enclosing two divisions and а molded glass mixing bowl, on an ogee plinth and square feet, inlaid throughout with

fine boxwood lines, 82in (22cm) by 15in (38cm), mid 19th century

A TORTOISESHELL TWO DIVISION TEA
CADDY, with a slightly domed lid,
the top and sides inlaid with fine
metal lines on turned feet, 5in
(13cm) by 6in (15cm),early19th
century.

AN EARLY VICTORIAN TORTOISESHELL
TWO DIVISION TEA CADDY of rectangular form, the top applied with а polychrome and very eulogies picture of Westminster Abbey,  by 7in (18cm), second quarter 19th century.

A WALNUT COMBINED JEWEL AND
DRESSING CASE of rectangular form, the top opening to reveal fitted scent decanters and boxes with silver plated fittings, above а jeweler drawer, 7in (18cm) by 12in (31cm), mid

19th century.

A CALAMANDER WOOD AND BRASS
BOUND STATIONERY, the domed
top applied with an oval jasper
mount, 6 l/2in (16cm) by 9in (23cm);
and a Blotter en suite, (29cm) by  (22cm), both mid
19th century.

A LATE GEORGE III MAHOGANY TEA
BOX of rectangular form, inlaid
throughout with designs in a variety of woods, first quarter 19th century; and а
Turned Mahogany Stand.

AN ANGLO INDIAN TEAK, IVORY AND
SADELI WORKBOX, of rectangular form, with a slightly raised lid enclosing a fitted interior, incised and inlaid throughout with animals and birds, 5in (13cm) by 13in (33cm),

third quarter 19th century.

A TORTOISESHELL TWO DIVISION TEA
CADDY, the slightly raised lid with
an initialed plaque above а
broadly fluted front on button feet,
inlaid throughout with fine metal
lines, 53Ain (15cm) by 8in (20cm),
second quarter 19th century.

A ROSEWOOD  DESK ENCRIER,   of
rectangular form with a bobbin turned handle, opening to reveal а wafer well flanked by ink and pen wells, above a side drawer, on turned feet, 6in (15cm), mid 19th century.

AN ANGLO INDIAN IVORY STATION-
ERY BOX, the sloping top and sides
applied with ribbed panels con-
tained by engraved borders, 6in
(15cm) by 82in (22cm), mid 19th
century; and a Mother of Pearl Card
Case, by 3in (8cm), second quarter 19th century.

AN ANGLO INDIAN HORN WORK BOX
with a boldly gadrooned top and sides, fitted interior, 5in (13cm) by 12in (36cm), mid 19th century.

A GEORGE III MAHOGANY TWO DIVI-
SION TEA CADDY, the top and front
inlaid with an oval shell, and
throughout with boxwood lines,
5in (13cm) by 7in (18cm), late 18th
century; and a Walnut and Tun-
bridge two division Tea Caddy,
by 8in (20cm), mid
19th century.

A TORTOISESHELL TWO VISION TEA
CADDY, of rectangular form with button feet, by 63/4in (17cm), second quarter 19th century.

A GEORGE III MAHOGANY TEA CADDY of square form, inlaid with chevron lines throughout, 42in square, late 18thlearly 19th century.

A REGENCY PEN WORKED AND LAC-
QUER COUNTER , of rectangular form, painted and lacquered with chino series, on embossed metal feet, the interior with compartments, and ivory and mother of pearl counters,

4x/2in by 12in (31cm), early 19th century.

A TORTOISESHELL TWO DIVISION TEA
CADDY of rectangular form on but-ton feet, 4x/2in by 6in (15cm), second quarter 19th century.

A ROSEWOOD COMBINED DRESSING
AND JEWELLERY BOX, of rectangular
form, fitted with glass and silver
plated bottles and pots, above а
secret jeweler drawer, 7in (18cm)
by 12in (31cm).

А ROSEWOOD AND BOULLE WRITING
CASE, in the form of a blotter, the
front and back panels inlaid with
cut brass and pewter designs
enclosing a silk lined interior,
102in (27cm) by 14in (36cm), second quarter 19th century.

AN OAK COMBINED TANTALUS AND
SMOKING COMPENDIUM, the hinged top and front opening to reveal decanters, glasses and chromed fittings for pipes, 132in (34cm) by 18in (46cm), late 19th  early 20th century.

AN EBONY AND PORCUPINE QUILL-
WORK BOX of rectangular form
enclosing a fitted tray.

A WALNUT AND TUNBRIDGE WRITING
BOX of rectangular form, inlaid with parquetry bands enclosing а fitted interior, 7in (18cm) by 20in (51cm), third quarter 19th century.

A GEORGE III SATINWOOD TWO DIVI-
SION TEA CADDY, of rectangular
form with canted sides, the top
inlaid with a shell, by
71/2in (19cm), late 18th century

GEORGIAN OAK DRESSER, LARGE OAK TRIDARN, OAK AND ELM BUREAU, ASH AND ELM WINDSOR WHEEL BACK DINING CHAIRS, OAK COUNTRY MADE DINING CHAIRS

A MID GEORGIAN OAK DRESSER BASE,
the rectangular top above three
cock beaded drawers and an open
section interposed by turned
balusters, above a pot board and
shaped plinth, 3l2in (80cm) by
73in (186cm), mid 18th century.

A LATE GEORGE III OAK AND MAHOGANY DRESSER, the pediment supported by corbels and split balusters, with three plate shelves, the break front lower part with f our central

drawers, flanked on either side by a drawer and a panel cupboard door, on bracket feet, 85in (216cm) by 62in (166cm), second quarter 19th century.

AN OAK PRESS, with a pair of arched panel doors enclosing hanging pegs above a series of four short cock beaded drawers and one long drawer, on bracket feet, 77in (196cm) by

51in (130cm), 19th century.

AN OAK DRESSER, the upper part with a molded pediment above three plate rails, the lower part with three frieze drawers above а pair of cupboard doors flanking three further

short drawers, above a shaped apron, 80in (203cm) by 66in (168cm), second quarter 19th century.

AN OAK TRIDARN, the upper part with a frieze initialed M.I., Aged 13, 1714, above an open section with turned supports, the centre section with pendant bosses and а pair of

cupboard doors flanking а central panel, the lower part with а pair of cupboard doors, on stump supports, 83in (211cm) by 57in (145cm), early 18th century but extensively

restored.

A LARGE OAK TRIDARN, with a castellated pediment, above a shaped
pelmet initialed ТВ 1675 and an
open section, the rail below carved
with rosettes and pendant bosses
flanking two cupboard doors and а
lozenge molded panel, the lower
part with a fluted rail and a pair of
four panel doors, now on turned
feet,  912in  (233cm) by 79in
(201cm), mid 17th century, but the
pediment early20th century, and with
restorations throughout.
The pediment indistinctly
inscribed ‘This cabinet was
repaired and polished by Robinson
Swire, Cabinetmaker.

A LATE GEORGIAN OAK AND ELM DRESSER, the upper part with three plate shelves, the lower part with three frieze drawers above a pair of cupboard doors enclosing three further

central drawers, on bracket feet, 81(207cm) by 64in, late 18th century, later pulls.

A LATE GEORGE III OAK AND MAHOG ANY    DRESSER,     the
mahogany veneered pediment inlaid with boxwood lines above three plate rails, the lower part with three short drawers above а pair of mahogany veneered panel doors flanking one

real and two dummy drawers on bracket feet, 80in (203cm) by (153cm), early 19th century.

A GEORGE III OAK BUREAU, the fall front enclosing a fitted drawer above four graduated drawers, on later bracket feet, 40in (102cm) by 36in (92cm), third quarter 18th century.

AN OAK AND ELM BUREAU, the fall
front applied with geometric moldings enclosing a fitted interior, pollard elm veneered sides, above two short and three long drawers, each applied with geometric moldings, on

bracket feet, 40in (103cm) by 34in (86cm), reconstructed and remodeled in the 20th century.

A GEORGE III OAK CHEST ON STAND, the cross banded top above two short and three long graduated cock beaded drawers, the stand with four short drawers flanking an arched centre,

on dwarf cabriole supports, 48in (122cm) by 42in (107cm), late 18thlearly 19th century.

A WALNUT CHEST ON STAND, with а
molded pediment above two
short and three long drawers, first
quarter 18th century, the stand with
one long and two deep drawers
above a shaped apron on cabriole
supports, inlaid with herring-
bone bandings throughout, 61in
(155cm) by 45in (114cm).

A CHARLES II OAK CHEST ON STAND, the chest in two parts, each part with two drawers applied with geometric moldings, the stand with three drawers above an arcade, reduced in

height, 45in(114 cm) by 43in (109cm), third quarter 17th century.

A SET OF TEN ‘JACOBEATHAN’ DINING
CHAIRS, including a pair of arm-
chairs, each with a tall carved and
pierced back with a padded panel,
padded seat on baluster supports
and castors, third quarter 19th century.

AN OAK WAINSCOT ARM CHAIR, with
a shaped cresting above a foliate carved panel back, open arms, later solid seat on baluster turned supports, 49in (125cm) overall, second quarter 17th, century.

A SET OF FLVE ASH AND ELM WINDSOR
WHEEL BACK DINING CHAIRS, each
with a wheel pierced splat flanked
by sticks, dished seat on turned
supports and rails, second quarter
19th century, each bearing a brand
Mark M.S.

A HARLEQUIN SET OF EIGHT ELM LAD-
DER BACK DINING CHAIRS, including
four side chairs, each with а pоке
rail, and a pair of side chairs, and
two armchairs, all with rush seats
and on pad feet.

A MID 17ТН CENTURY OAK JOINT BACK
STOOL with a shaped cresting flanked by finials, the back panel carved with stylized foliage and contained by guilloche and lunette carved rails and styles, solid seat on ring

turned supports.

A HARLEQUIN SET OF SEVEN GEORGE
III  OAK COUNTRY MADE DINING
CHAIRS including one armchair, five with an arched rail, all with stick splats and solid seat on tapering supports, all late 18th century.

AN ASH AND ELM WINDSOR ARMCHAIR, with a pierced splat, dished seat on turned supports joined by a crinoline stretcher, mid 19th century.

JACOBEATHAN OAK SIDE TABLE, CHARLES II OAK GATELEG DINING TABLE, TUDOR STYLE OAK REFECTORY TABLE, GEORGIAN OAK DRESSER, GEORGE III OAK PRESS

A JACOBEATHAN OAK SIDE TABLE, the back panel of molded outline, the top with a molded border above two drawers on twist turned supports and square feet, 45in (115cm) by 43l2in

mid 19th century, possibly out of some earlier pieces.

AN OAK CRICKET TABLE, the 21in top on triangular outset supports, 242in high, third quarter 18th century.

А 17TH CENTURY STYLE OAK REFEC-
TORY TABLE, the top with
clenched ends, the rails carved
with scrolling dragons on ring
turned and baluster supports,
joined by flat rails, 30in (76cm) by
63in (160cm) by 352in (90cm),
early 20th century, possibly made up
using some earlier pieces.

A LATE CHARLES II OAK GATELEG DIN-
ING TABLE, the oval top on baluster turned supports joined by а molded rail on later turned feet, 29in (74cm) by 69in (175cm) by 54in (137cm), third quarter 17th century with

restorations.

A CHARLES I OAK REFECTORY DINING
TABLE, the three plank top with clenched ends above molded frieze rail on baluster supports, joined by rail stretchers, 30in (76cm) by 85in (216cm) by 30in (76cm), second

quarter 17th century, the top associated.

A GEORGE II ELM GATELEG DINING
TABLE, the oval top on cabriole
supports and pad feet, 29in (74cm)
by 48in (122cm) by 56in (142cm)
extended, mid 18th century.

А 17TH CENTURY STYLE OAK REFEC-
TORY TABLE, with a three plank top, on four baluster turned supports joined by a central rail, on block feet, 292in (75cm) by 96in (244cm) by 32in (81cm), reconstructed using

some earlier pieces.

A GOOD GEORGE II OAK LOWBOY, the
rectangular top above one long
and two short drawers, flanking а
shaped central apron, on cabriole
supports and pad feet, 27in (69cm)
by (77cm), mid 18th century.
It is refreshing to find a period
table of this type with its original brass pulls.

AN EARLY GEORGE III OAK LOWBOY,
the rectangular top above a long
fitted drawer and three further
drawers and an arched apron, on
cabriole supports, reduced in
height, 31in (79cm) by 34in (87cm),
mid 18th century.

А 17TH CENTURY STYLE OAK DRAW LEAF TABLE, the top inlaid with а parquetry geometric design, the frieze carved with grotesques and with mask capitals, on massive baluster

supports joined by а molded stretcher, on bun feet, 31in (79cm) by 121 (309cm) extended by 39in (99cm), Dutch, late 19thlearly 20th century.

A LATE TUDOR STYLE OAK REFECTORY TABLE, the rectangular top with clenched ends above a frieze carved with scrolling strap work, on four cup and cover supports with Ionic

capitals, all joined by square rails, 31 (80cm) by 78in (198cm) by 34y2in (88cm), third quarter 19th century incorporating some earlier pieces.

AN OAK AND ELM DRESSER, the elm
upper part with an ogee pediment above three plate rails, the oak lower part fitted with three drawers above an arcaded section and pot board interposed by baluster supports,

later turned feet, 82x/2in (210cm) by 74in (188cm), early 18th century with restorations.

A GEORGIAN OAK DRESSER BACK,
with a shaped pediment and pierced frieze above three plate shelves flanked by fluted sides, 51in (130cm) by 76in (93cm), mid 18th century.

A LATE 17ТН CENTURY STYLE OAK DRESSER, the back with three plate shelves, the lower part with three deep drawers, on baluster supports joined by a pot board, on turned feet,

86in (219cm) by 71in (180cm), reconstructed using some earlier timber.

A LATE GEORGE III OAK PRESS, with а pair of shaped panel cupboard doors, above three dummy drawers and three further real drawers, on bracket feet, inlaid throughout with

bandings and designs, 802in (205cm) by 54in (138cm), early 19th century.

A MID GEORGIAN OAK DRESSER, the upper part with an arcaded pediment above two plate rails, the lower part with three frieze drawers above an arched central panel flanked by

fielded panel doors on stump feet, 81in (206cm) by 62in (157cm), third quarter 18th century.

A GEORGIAN OAK PRESS, with a pair
of cupboard doors, each with two lancet fielded panel doors above three short drawers and two long drawers on a plinth base, 58in (147cm) by 54in (137cm), mid 18th century with

restorations.

AN OAK DRESSER, the upper part with a shaped pediment, above two plate rails flanked on either side by niches and cupboards, the lower part with a molded edge and three frieze

drawers inters-posed by split bobbins on shaped supports, 84in (214cm) by 65in (165cm), constructed late 19thlearly 20th century, possibly using some earlier materials.

A LATE GEORGE III OAK PRESS, with а pair of cupboard doors, each with two arched fielded panels above а series of five drawers, now on а shaped plinth, 592in (151cm) by 55in

(140cm), late 18thlearly 19th century with restorations.

AN OAK DRESSER, the superstructure with an ogee pediment and
arcaded frieze above two plate
rails flanked by pigeon holes
above a pair of cupboard doors,
the lower part with three cross-
banded drawers on cabriole sup-
ports and pad feet, 77in (196cm) by
80in (204cm), reconstructed using
some 18th century pieces.

COMMONWEALTH OAK COFFER, PAIR OF OAK CABINETS, GEORGE III OAK MULE CHEST, JAPANNED CORNER WALL CUPBOARD, STANDING CORNER CUPBOARD

A COMMONWEALTH OAK COFFER,
with a triple panel top, fluted frieze and two panel front, on stump supports bearing a brand mark RB, 27in (69cm) by 50in (127cm), mid 17th century.

AN OAK COFFER, the four panel top carved with lozenges above а carved three panel front, on stump feet, 28in (71cm) by 49in (124cm), mid 17th century, the carving later.

AN OAK COFFER, the four panel top above a carved rail initialed I.H. and a four panel front, on stump supports, 28in (71cm) by 58in (147cm), third quarter 17th century.

A RARE CHARLES I OAK MULE CHEST,
the rectangular top with molded edge, the interior fitted with а candle box and two secret drawers, the front with three panels applied with geometric moldings interposed by

self tapering molded pilasters, above two drawers applied with geometric moldings flanking a central secret drawer, on stump feet, 31in (79cm) by 53in (135cm), early 17th

century.

A LATE 17TH CENTURY OAK COFFER,
the three panel top above a con-forming front, each front panel inlaid with a lozenge and pennants, on stump feet, 25in (64cm) by 48in (122cm), the top extensively restored.

A CHARLES I OAK COFFER, the plain
top above a triple panel front applied with molding 1684, on square stump sup-ports, the side panels similar applied with moldings, (70cm) by 51in (130cm), second quarter 16th

century, the top restored, driver lacking.

A LARGE OAK COFFER, with a four panel top, the front with a series of nine rectangular fielded panels, on stump supports, 36in (92cm) by 56in (142cm) by 27in (69cm), second

quarter 18th century.

A PAIR OF OAK CABINETS, each with а
pair of doors, each containing two
Flemish carved panels of religious
inspiration, flanked by fluted
pilasters, on a plinth base, 39in
(99cm) by 38in (97cm), the cabinets
made up third quarter 19th century,
the eight panels 19th century.

A CHARLES  II OAK  COFFER,   the
rectangular top with a molded edge, now cut and hinged, above а guilloche and rosette carved rail and three panel front initialed IM and dated 1669, and carved with stylized

flowers, on stump feet with later brackets and castors, 31in (79cm) by 50in (127cm), mid 17th century.

A GEORGE III OAK MULE CHEST, the
rectangular top with molded
edge enclosing a candle box and
two drawers above a four fielded
panel front and two drawers, on
ogee bracket feet, cross-banded
throughout in mahogany, 33in
(84cm) by 59in (150cm), third quarter of the 18th century.

A GEORGE II JAPANNED CORNER WALL CUPBOARD, with a shaped pediment above a paneled door painted with a vase, flowers and а bird, enclosing three shelves, 39in (99cm), early 18th

century.

AN UNUSUAL OAK COFFER, the top
with molded edge above a three panel front applied with geometric moldings and interposed by pear-wood split balusters above two short drawers, on stump feet, the top initialed

E.D.(77cm) by 512in (131cm), second quarter 17th century, but restored and with alterations.

A GEORGE III OAK HANGING CORNER CUPBOARD, with a pair of bow front doors enclosing a fret frieze and three shelves flanked by fluted sides, 37in (94cm) by 28in (71cm), late 18th

century.

AN ELM AND OAK HALL BENCH, with
a five fielded panel back inscribed
1736, open arms, box seat with а
panel front on reduced stump
supports, 412in (105cm) by 60in
(152cm), second quarter 18th century.

A GEORGE II STANDING CORNER CUPBOARD, with a mahogany veneered frieze and cross-banded panel door above one real and two dummy drawers, on a later stand, 65in (163cm) by 32in

(82cm), early 19th century.

А PINE SIDE TABLE, of George I design with a gadrooned and foliate carved border above a shaped apron on cabriole supports carved at the knees with a shell, on bail and claw

feet, 32in (81cm) by 42in (107cm).

AN EARLY 17TH CENTURY STYLE OAK
REFECTORY TABLE, the five plank rectangular top with clenched ends on a molded rail and foliate carved cup and cover baluster supports joined by square rails, 30in (76cm) by

82in (208cm) by 41in (104cm), reconstructed using some early timber.

A SMALL OAK GATELEG TABLE, the oval top above a single drawer on slender turned supports joined by rails, on turned feet, 27in (69cm) by 42in (107cm) extended by 37in (94cm),

third quarter of the 17th century.

AN OAK SIDE TABLE, the rectangular top with molded edge above а single drawer on baluster supports joined by rails, 30in (76cm) by 27in (69cm), early 18th century with

restorations.

A GEORGE II OAK AND FRUITWOOD
SIDE TABLE, the top with a chamfered edge above two frieze drawers and a shaped apron on turned
supports and pad feet, 272in
(70cm) by 29in (74cm), mid 18th
century.

ASH AND ELM SPINNING WHEEL, GEORGIAN ОAK BIBLE BOX, OAK WALL BRACKET, ОAK MULE CHEST, OAK COFFER, ОAK HANGING CORNER WALL CUPBOARD

AN ASH AND ELM SPINNING WHEEL,
the 27in spokes wheel on a stool
base with four supports, early 19th
century.

A MID GEORGIAN ОAK BIBLE BOX, the
rectangular top with a molded
edge enclosing a compartment
and two secret drawers, (26cm) by 24in (61cm), mid 18th
century.

A PAIR OF ОAK PILASTERS, Carved
with a figure of Adam and Eve and
stylized fruit-laden trees, each
plinth carved with saintly mask
above a claw carved plinth, second
quarter 17th century.

AN ОAK BIBLE BOX AND STAND, the
plain rectangular top above carved
and molded sides, the stand with
baluster supports joined by rails,
(55cm) by 22in (57cm),
late 17th century.

AN OAK BIBLE BOX, with a rectangular top, the front plank carved ER1692 above a rosette, and incised throughout with designs, 92in (24cm) by 29in (74cm).

AN OAK WALL BRACKET, carved with a squatting figure of a monk holding a rosary; and a similar lime wood Wall Bracket, both (23cm) high, late 19thlearly 20th century.

A GEORGE III ОAK HANGING CORNER
WALL CUPBOARD, with a fielded panel door enclosing three shaped shelves above a shaped frieze, 45in (114cm) by 30in (76cm), late 18th century

А GEORGE III ОAK CORNER WALL CUP-
BOARD with a pair of panel doors
enclosing two shelves, cross-
banded in mahogany throughout,
39in (99cm) by 33in (84cm), early
19th century.

A CARVED ОAK PANEL, carved in bold relief with a scene after the end, the body of Christ on the Virgin Mary’s knee, flanked by angels, (27cm) by 7in (18cm), early 17th century,

stormed.

A GEORGE III ОAK HANGING CORNER
WALL CUPBOARD, the panel door cross-banded in mahogany, flanked by fluted sides, and enclosing three shaped shelves, 40in (102cm) by 272in (70cm), late 18th century.

A LATE GEORGE III ОAK HANGING WALL CUPBOARD, with a mahogany veneered frieze above a pair of panel doors each inlaid with a shell enclosing three shelves, three drawers and a

secret drawer, 432in by 34in (86cm), early 19th century.

A WALNUT PLAQUE, carved alto relieve with an armoire clad figure wearing a plumed helmet, contained by a lacquered brass frame, 20in (51cm) by 15in (38cm), the plaque French,

early 19th century.

A GEORGE III ОAK MULE CHEST, the hinged top with molded edge above a four panel front and three drawers, on stump feet, 35in (89cm) by 56in (143cm), third quarter of the 18th

century.

AN OAK CHEST of rectangular form, with two short and three long drawers, all applied with moldings, 29in (74cm) by 33in (84cm), early 18th century, formerly on а stand.
A GEORGE III ОAK MULE CHEST, the
top with a molded border, above a triple fielded panel front and two drawers, on stump feet, 32in (81cm) by 51in (130cm), mid 18th century.

AN ОAK PLANK COFFER, the top with
long strap hinges, the front plank
with a chip carved border, the
sides contained by iron bands,
2l2in (55cm) by 49in (125cm), late
17th century.

AN ОAK STANDING CORNER CUPBOARD, the upper part with а single arched glazed door enclosing two shelves above one real and two dummy drawers, the lower part with a pair of

cupboard doors, on bracket feet, (217cm) by 43in, second quarter 19th century.

AN ОAK STANDING CORNER CUPBOARD, with a molded pediment above an arched fielded panel door, cross banded in mahogany and inlaid with naive parquetry roundels, with canted sides

on bracket feet, 54in (139cm) by 32in (81cm), partly mid 18th century.

AN ОAK STANDING CORNER CUPBOARD, the upper part with a pair of glazed doors above one real and two dummy drawers and a pair of paneled cupboard doors, on bracket feet, 78in

(198cm) by 39in (99cm), late 19th century.

A GEORGE II OAK MULE CHEST, the
top with a molded border, the three panel front inlaid with hearts and cross banded in mahogany above two short cross banded drawers, on stump feet, 29in (74cm) by 49in (125cm),

mid 18th century.

A JAMES I OAK COFFER, with a later double hinged top above a two paneled front applied with moldings and interposed by hearts and split balusters, now on castors, 28in (71 cm)

by 49in (125cm), second quarter 17th century restorations.

WALNUT WALL MIRROR, MAHOGANY TOILET MIRROR, MAHOGANY TRIPOD TABLE, MAHOGANY SOFA TABLE, BOW FRONT HANGING  WALL  CUPBOARD

A GEORGE III STYLE WALNUT WALL
MIRROR, the rectangular beveled plate contained by a gilt slip and surmounted by a crisp parcel gilt floral and foliate draped cresting, 47in (120cm) by 29in (74cm), the

cresting 18th century, the remainder made up later.

A GOOD GEORGE III FRETTED AND CARVED WALL MIRROR,   the   oval
plate contained by a chevron banded slip and a finely fretted and incised cresting, frame and apron, 34in (87cm) by 80in (46cm), third quarter of the 18th century.

A GEORGE II WALNUT AND PARCEL GILT PIER GLASS, the later plate contained by a molded slip beneath а swan neck and foliate carved cresting centered by a cartouche, 51l/2in

(131cm) by 24in (61cm), second quarter 18th century, restored. V A very similar Pier Glass is illustrated in The Furniture at Temple Neivsham House and Lotheston Hall by

Christopher Gilbert.

A FRUITWOOD VENEERED GEORGE III WALL MIRROR, the plate contained by a gilt and molded slip, the shaped pediment pierced with feathers above a shaped apron, 40in (102cm) by 20in

(5iem), mid 18th century with restorations.

A LATE GEORGE II MAHOGANY TOILET MIRROR, the later rectangular plate on standard supports above а three-drawer base on bracket feet, 28in (71cm) by 17in (43cm).

A GEORGE III MAHOGANY TOILET MIRROR with a shield shaped swing plate on standard supports, 22in (56cm) by 17in (43cm).

A LATE REGENCY ROSEWOOD AND CUT BRASS TEAPOY, with a raised rectangular top enclosing a fitted interior, with four tea canisters and two cut and etched glass mixing bowls, the

sides applied with embossed and ring handles on а slender self tapering pedestal and four down swept supports and claw toe castors, inlaid throughout with designs and lines.

A GEORGE III MAHOGANY DECANTER ВОХ of rectangular form, the hinged top and front inlaid with an oval patter, parquetry and chevron lines, the sides applied with swan neck

handles, the silk lined interior with nine gilt soda glass decanters and a tray, a phial and two cordial glasses en suite, 9V2in (24cm) by 13in (33cm), late 18thlearly 19th

century.

A PINE FOLDING POLE LADDER, with eight rungs, 108in (275cm).

A GEORGE III YEW WOOD AND MAHOGANY TRIPOD TABLE, the dished top on a vase turned baluster stem and do swept supports, 27in (69cm) by 23in (59cm) diameter, third quarter 18th

century with restorations.

А GEORGE III MAHOGANY TRIPOD TABLE, the 35in diameter top on а tapering columnar stem and do swept supports and later casters, third quarter 18th century.

A GEORGE III MAHOGANY TRIPOD TABLE, the rectangular top with canted corners and fluted edge on a vase turned stem and crab stock supports, 29in (74cm) by 17V2in (44cm), late

18th century.

A GEORGE III MAHOGANY GAMES
TABLE, the rectangular top with broad canted corners, inlaid with а satinwood reserve and cross banding, above a conforming banded frieze and four molded tapering supports, 28in

(71cm) by 36in (92cm).

A WILLIAM IV ROSEWOOD GAMES AND
WORK TABLE, the rectangular top with molded edge opening to reveal a maple and rosewood veneered chess board, above a frieze drawer, wool bag slide lacking, on Standard supports

joined by a pole stretcher, on molded feet, 29in (74cm) by 22in (56cm), second quarter 19th century.

A LATE GEORGE III MAHOGANY SOFA TABLE, the rectangular top above two real and two dummy drawers on Standard supports with brass toe castors joined by a pole stretcher, inlaid

throughout with ebony lines, 282in (72cm) by 592in (149cm) extended, first quarter of the 19th century.

ANOTHER GEORGE III MAHOGANY BOW FRONT CORNER HANGING WALL
CUPBOARD, the cross banded doors enclosing three shelves above one real and two dummy drawers, early 19th century.

A LATE GEORGIAN BOW FRONT MAHOGANY CORNER HANGING WALL
CUPBOARD, with a gadrooned pediment above a pair of shell inlaid doors enclosing three shelves, 47in (119cm) by 33in (84cm) early 19th century.

A GEORGE III MAHOGANY CORNER HANGING WALL CUPBOARD with а
shaped fielded panel door enclosing three shelves, 37l/2in (95cm) by 32in (81cm).

A  LATE  GEORGE  II  MAHOGANY
CORNER CUPBOARD with a fretted dentil cornice, paneled door flanked by stop fluted sides enclosing three shaped shelves, now on cabriole supports, 46in (117cm) by 3l2in (80cm),

mid 18th century.

A GEORGE III MAHOGANY BOW FRONT HANGING  WALL  CUPBOARD,   the
doors enclosing three shelves, the sides and frieze inlaid with box-wood lines, late 18th century.

GEORGE III MAHOGANY CORNER LAP TABLE, DUTCH WALNUT AND PAINTED BUREAU BOOKCASE, MAHOGANY GAMES TABLE, MARQUETRY  CENTRE  TABLE

AN EARLY GEORGE III MAHOGANY CORNER LAP TABLE, the top with
reentrant corners on square molded supports, 28V2in (72cm) by 37in (94cm) extended, the top mid 18th century.

A GEORGE III MAHOGANY STANDING
CORNER CUPBOARD, the upper part with a dentil cornice and parquetry inlaid frieze,. above an astragal glazed bow front door, the lower part with a pair of bow front doors on

bracket feet, 78in (198cm) by 29in (74cm), partly late 18th century.

A  MARQUETRY AND  PARQUETRY
ENCOIGNURE, the segmental top of bow front outline inlaid with а foliate roundel, the bow front cupboard door inlaid with a rustic scene including a herdsman and animals

contained by olivewood and kingwood cross bandings, on shaped bracket feet, 34V2in (88cm) by 24in (61cm), North Italian, early 19th century, restored.

A GEORGE III MAHOGANY SUPPER TABLE, the rectangular top fitted with two flaps and a frieze drawer, on square chamfered supports, 28in (71cm) by 42in (107cm), third quarter 18th

century.

A GEORGE III MAHOGANY CORNER WALL CUPBOARD, with a molded pediment above a pair of bow front drawers enclosing three shelves, flanked by fluted sides, late 18th century, now on

a stand with tapering supports and spade feet, joined by a platform, inlaid throughout with oval shell parterre and boxwood strings, the stand 20th century.

A GOOD DUTCH WALNUT AND MARQUETRY PRESS with a broken arched pediment above a pair of shaped panel doors each inlaid with a vase and mask, enclosing shelves and three drawers,

above one concave and two further long cock beaded drawers flanked by canted sides, on tapering square feet, inlaid throughout with broad chevron bandings, 94in (239cm) by 63in

(160cm), Dutch, late 18th century.

A GOOD DUTCH WALNUT AND PAINTED BUREAU BOOKCASE,   the
upper part with a domed canору surmounted by three urns above а pair of bevel glazed doors enclosing a velvet lined interior, the lower part with a fall front enclosing a baize

inset writing surface and a series of fourteen small drawers, two fitted with secret compartments above a series of two short and three long drawers of concave/convex outline,

flanked by ogee shaped sides, above а shaped plinth on stepped block feet and castors, painted throughout with candelabra ornament, urns, musical trophies, angels and foliate

sprays, (240cm) by 41in (104cm), late 18th century, restored and painted late 19th century.

A WILLIAM AND MARY WALNUT AND MARQUETRY  CENTRE  TABLE,   the
rectangular top inlaid with an oval reserve of flowers and birds in а variety of woods and ivory, contained by a foliate frame and flower and bird filled spandrels all on an

ebony ground, above а frieze drawer, the drawer sides and back all conformingly inlaid, on twist turned supports and bun feet joined by an X stretcher inlaid with figures, 31in

(79cm) by 41 in (104cm), late 17th century but reconstructed and restored.

A FINE DUTCH WALNUT AND MARQUETRY  BUREAU BOOKCASE,   the
upper part with an ogee molded pediment centered by a foliate cartouche above a pair of shaped paneled doors enclosing shelves and three drawers, above two candle slides, the

lower part with а fall front enclosing a finely fitted interior with a central cupboard flanked by pilasters, stepped drawers and pigeon holes above а well, the three long

drawers below of concave/convex outline inlaid with imitation lion ring mask handles, flanked by shaped outset corners, on ebonized bun feet, inlaid throughout with flower

filled vases, scrolling foliage and birds, 95in (241cm) by 48in (122cm), early 18th century.

A GEORGE II MAHOGANY AND FRUIT-WOOD TEA OR GAMES TABLE,  the
demo Lune top with a polished interior and a well below, on four slender supports and club feet, 28in (71cm) by 33in (84cm), second quarter 18th century.

A GOOD MAHOGANY SERPENTINE SIDE CABINET, OF GEORGE III DESIGN, the top with molded edge above a Greek key fret molded frieze and a conforming drawer, above а pair of astragal

glazed doors, on bracket feet, 40in (102cm) by 50in (127cm).

А  GOOD  PAIR  OF  GEORGE  III
MAHOGANY COMMODES, each of serpentine outline with a molded cross banded top with re entrant corners, above four graduated drawers on bracket feet, 32in (81cm) by 42in (107cm),

third quarter 18th century.

A SOUTH GERMAN OR NORTHITALIAN WALNUT CABINET on stand with а
pair of doors enclosing two shelves, the doors and sides inlaid with broad strap work designs, the stand with ebonized bands on twist turned supports joined by а flat stretcher,

68l/2in (174cm) by 38in (97cm), the cabinet early 18th century with restorations, the stand 20th century.

A GEORGE III MAHOGANY TRAY of
rectangular form with broadly canted corners contained by a gallery with brass side handles, the top inlaid with satinwood cross banding, 23in (59cm) by (44cm), late 18thlearly

19th century.

A GEORGE III MAHOGANY CHEESE
COASTER of concave section, castors lacking, 6in (15cm) by 17in (43cm), early 19th century.

A MAHOGANY POLE SCREEN,   the
later oval screen containing а worked picture, the pole with а turned finial and vase turned stem on a tripod base, 55in (140cm).
A GEORGE III MAHOGANY DUMB WAL-
TER, with three circular dished tiers, interposed by vase-turned stems, on a tripod base.

A GOOD GEORGE II MAHOGANY GATELEG DINING TABLE, the circular
top on four finely carved supports with lion mask capitals and hairy bail and claw feet, 28V2in (72cm) by 59in (150cm) diameter, second quarter 18th century. V For a similar

table with lion mask and acanthus carved supports from the Percival Griffiths collection see Ralph Edwards’ Shorter Dictionary of English Furniture.

A GEORGE III MAHOGANY BREAKFAST
TABLE, the rectangular cross-banded top on a baluster pedestal and quadruple receded downs wept supports with brass toe castors, 27in (69cm) by 56in (137cm) by 47in (119cm),

late 18thlearly 19th century.

A GEORGE III MAHOGANY DINING
TABLE in two demo line sections, each with four square molded supports, 28in (71cm) by 52in (132cm) diameter, third quarter 18th century with restorations.

A GOOD GEORGE III MAHOGANY GAMES TABLE, the rectangular top with outset corners and a flower-head carved border, opening to reveal a baize lined interior with square polished

corners for candle holders, the frieze of conforming outline on cabriole supports finely carved at the knees with foliate cartouche on hairy claw feet, the concertina action

hinge stamped h. tidbits, 29in (74cm) by 36in (92cm), third quarter 18th century.