Antique Sideboard

Louis XV-style kingwood Cartonnier, Milanese rosewood and kingwood marquetry Commode, Louis XVI-style mahogany and gilt-metal mounted Cylinder Bureau

A Louis XV-style kingwood Cartonnier, circa 1900, of cartouche form, with pierced gallery and an arrangement of seven hide-covered drawers, on splayed feet, 81 cm. high by 76cm.

wide; 2ft. 8in. by 2ft. 6in.
A Dutch walnut Bureau, circa 1730, in two parts, with later inlaid satinwood medallions and chevron stringing, the fall revealing a well and later stationery compartments with

satinwood veneers, the pair of small frieze drawers above three long graduated drawers, with a fluted apron, on bracket feet, restored, 103cm. high by 98cm. wide; 3ft. 41/2in.

by 3ft. 21/2in.

A Louis XV-style kingwood and
marquetry Jardiniere, circa 1870, with
gilt-metal mounts throughout, the oval
top with a brass liner within a cavetto
border, the cabriole legs headed by swag
mounts and ending in sabots, 78cm. high
by 80cm. wide; 3ft. 7in. by 2ft. 7l/2in.

A pair of Dutch walnut and
floral marquetry Armchairs, circa 1880,
with solid vase-shaped splats, decorated with armorial shields, the serpentined drop-in seats above cabriole legs (2)

A Milanese rosewood and
kingwood marquetry Commode, circa
1790, the quarter veneered top with a
foliate roundel within multiple banded
borders, the foliate scroll inlaid frieze
drawer above two long drawers inlaid
sans traverse, on tapered square legs,
faults, 88cm. high by 118cm. wide;
2ft. 10′/2in. by 3ft. Whin.

A Louis XV giltwood Fauteuil,
circa 1760, with cartouche-shaped back
and serpentined seat covered in floral
striped brocade, the moulded frame with
flowerhead cresting and centre to the
seat-rail, on cabriole legs.
A Louis XV-style carved giltwood Bergere, circa 1900, the
panelled upholstered back and seat
covered in floral brocade, on cabriole
legs.

A Louis XVI-style mahogany and gilt-metal mounted Cylinder Bureau, circa 1880, the galleried marble top with three frieze drawers, the fall revealing a pull-out writing surface

and stationery compartments, the kneehole surrounded by five short drawers, on fluted turned legs, 110cm. high by 73cm. wide; 3ft. 7in. by 2ft. 5in.

A pair of mahogany and brass oval Basin Stands, circa 1880, the
galleried tops with circular apertures above two open tiers, on tubular supports, 86cm. high by 70cm. wide; 2ft. 1 Oin. by 2ft.

A Louis XVI-style mahogany and gilt-metal mounted Cylinder Bureau, circa 1890, the galleried marbled top with three small frieze drawers painted with ribbon-tied swags, the fall

with a Vernis Martin-style painted panel of a Watteauesque scene, the interior with a pull-out writing surface and stationery compartments, the swag painted frieze drawer above

fluted turned legs, 114cm. high by 80cm. wide; 3ft. 9in. by 2ft. 7V2in.

A Dutch satinwood and rosewood
oval Table, circa 1790, the top centred
by a shell medallion within multiple
chequer bandings, the conformingly
inlaid frieze above tapered square legs,
75cm. high by 90cm. wide; 2ft. 5V2in. by
2ft. HV2in.

A set of six Spanish cherry wood
ladder-back Chairs, 19th Century, the
ornate fretwork splats with turned
supports, the upholstered seats on
turned legs joined by conforming front
stretchers.

A Louis XV-style carved
beechwood Duchesse Brise, circa 1920,
upholstered in beige velvet, on cabriole
legs, 190cm. long; 6ft. 2in.

A Louis XVI-style carved
beechwood Bergere, upholstered in
striped brocade, on fluted turned legs

A Louis XVI-style carved
beechwood framed Chaise Longue,
upholstered in yellow fabric, on fluted turned legs, 119cm. long; 3ft. llin.

A Louis XV-style amboyna and
gilt-metal mounted Card Table, circa
1870, the serpentine rosewood
crossbanded top centred by a floral
marquetry panel, on cabriole legs, 92cm.
wide; 3ft.

An Italian walnut and Certosina
Cabinet, circa 1870, the pair of panel
doors inlaid with classical figures, the
sides with fluted turned pilasters, on
turned feet, 121cm. high by 94cm. wide;
3ft. 11 ‘/2in. by 3ft. 1 in.

A Dutch walnut and floral marquetry drum-top Table, circa 1830,
the circular top with alternating real and
dummy frieze drawers, the baluster
turned chamfered stem on quadruple
splayed legs ending in brass cappings,
111cm. diam.; 3ft. 8in.

A Louis XV-style kingwood
parquetry Table a Rognon, circa 1900,
with gilt-metal mounts, the galleried
marble top above two frieze drawers, on
cabriole legs joined by an undertier,
74cm. high by58cm. wide; 2ft. 5in. by
lft. llin.

A mahogany Work Table, circa
1840, the rectangular hinged tray-top
above a frieze drawer and a solid well,
on bobbin turned and splayed supports
joined by a stretcher, 53cm. wide; lft. 9in.,
possibly German.

A Louis XV-style parquetry
Commode, 20th Century, with a
serpentine marble top and gilt-metal
mounts, the three long graduated
drawers above splayed legs, 85cm. wide;
2ft. 91/2in.

A pair of Louis XVI-style kingwood and marquetry Card Tables,
the folding top with interlaced and leaf spandrels centred by a shaped oval floral panel, with applied gilt-metal borders and projecting rounded corners above an inlaid frieze,

on fluted tapering supports joined by ‘X’-shaped stretchers with a gilt-metal floral boss, 78 by 70cm.; 2ft. 6Win. by 2ft. 3Wm.

18th Century-style mahogany Bureau-on-Chest, Victorian walnut and floral marquetry Side Cabinet, Chinese export lacquer Work Table, Chinese carved rosewood Jardiniere Stand

An 18th Century-style mahogany Bureau-on-Chest, circa 1920, the quarter veneered fall revealing a fitted interior, the serpentine-fronted commode base with two short and two

long graduated drawers, the canted corners above shaped bracket feet, 109cm. high by 94cm. wide; 3ft. 7in. by 3ft. lin., possibly German.

A Victorian walnut and inlaid
Cabinet Bookcase, circa 1850, with
gilt-metal mounts, the moulded cornice
above a pair of glass panel doors
enclosing a velvet-lined and shelved
interior, below are a pair of panel doors
and a shaped plinth base, 198cm. high by
124cm. wide; 6ft. 6in. by 4ft. lin.

A Victorian mahogany Buffet,
circa 1870, with three tiers and turned
supports, on brass castors, 88cm. wide;
2ft. 10V2in.

A Victorian carved mahogany
Gothic-style box-seat Settle, circa 1870,
the tall back with a cornice above pierced
tracery panels and heraldic shields, the
linenfold box seat with a hinged cover,
200cm. high by 157cm. wide; 6ft. 7in. by
5ft. 2in.

A Victorian walnut and floral marquetry Side Cabinet, the raised mirror back with a pierced carved cresting, the serpentine white marble top above a pair of panelled doors, on a

plinth base, 173cm. high by 149cm. wide; 5ft. 8in. by 4ft. Whin.

A George Ill-style mahogany and painted twin-pedestal Dining Table, made-up, the ‘D’-end top decorated en grisaille with a classical border, the columnar turned pillars on

splayed tripod supports with brass cappings and castors, 300 by 121cm.; 9ft. Win. by
3ft. HV2in., including two leaf insertions.

A set of ten Victorian gilt carved
and upholstered Chairs, circa 1850, the
cartouche-shaped backs and bowed seats
covered in gold damask, the foliate
decorated frames with paterae cresting
rails, the cabriole legs ending in castors.

A Victorian rosewood Card
Table, circa 1840, the fold-over top with
circular claret baize lining, the medallion
carved frieze above a leaf-clad pillar and
domed base, on carved scroll feet and
castors, 92cm. wide; 3ft.

A Victorian burr walnut
harlequin Davenport, circa 1850, with
rising rear section revealing pigeonholes
and three small drawers, the piano
moulded hinged top revealing slide,
adjustable inset and two small drawers,
on carved cabriole supports, the sides
with four real and four opposing dummy
drawers, on bun feet and castors, the
rising action requiring restoration, 56cm.
wide; lft. Win.

ORIENTAL FURNITURE

A pair of Chinese carved
hardwood Armchairs, circa 1900, the
pierced tub-shaped backs profusely carved with dragons, the solid serpentine seats above cabriole legs.

A Japanese lacquer Occasional
Table, circa 1920, the yellow-ochre top
decorated with floral sprays, the gilt stem
with foliate carved supports, on a square
base with bracket feet, 67cm. diam.; 2ft.

A Chinese export lacquer Work Table, circa 1830, decorated with gilt pavilions on a cinnamon ground, the hinged top revealing a black lacquer and gilt interior with lidded

compartments and ivory accessories, the baluster turned stem on triform base with paw feet, 62cm. wide; 2ft.

A Chinese rosewood Altar Table, circa 1900, the rectangular top with an inset burrwood panel flanked by scrolled ends, the fret carved frieze on square legs joined by

stretchers, 81cm. high by 119cm. wide; 2ft. 8in. by 3ft. llin.

A Burmese carved rosewood
Tripod Table, circa 1880, the circular
top with an inset famille-verte ceramic
panel, the baluster turned stem above
triple splayed legs, 56cm. diam.; lft. Win.

A Chinese carved rosewood Jardiniere Stand, circa 1900, with a circular marble-inset top above a pierced prunus frieze, on cabriole legs, 90cm. high; 2ft. HViin.
A Chinese carved hardwood Jardiniere Stand, circa 1900, with a marble-inset rectangular top above a pierced fret frieze and shaped supports, united by two undertiers, 42cm.

wide; lft. 4′/2in.

A Japanese black lacquer and mother-of-pearl inlaid Work Table, late 19th Century, decorated throughout with birds and flowers, the chamfered rectangular top above a fabric well

and pierced supports, on arched legs, 46cm. wide; lft. 6in.

Chinese coromandel lacquer six-fold Screen, late 19th Century, with a gilt reserved scene depicting courtesans and a pavilion, the reverse side depicting birds and flowers

within stylised borders, 183 cm. high; 6ft.; together with an associated mahogany Stand, with a carved gallery back and a drawer, on turned feet, converted from, a William IV

sideboard, 249cm. wide; 8ft. 2in.
An Indian carved hardwood Armchair, circa 1890, of tub form, profusely carved and pierced with birds and beasts amidst scrolls, on eagle scroll feet with purple velvet stuffed

seat.

CONTINENTAL FURNITURE

An Egyptian walnut and
mother-of-pearl inlaid leopard Stool,
circa 1900, decorated throughout with
inlaid geometric designs, the woven seat
with a rear raised panel depicting
Egyptian figures, on twin stylised leopard
supports, 64cm. high by 78cm. wide;
2ft. lin. by 2ft. 6V2in.

A pair of stools of similar design were sold at Sotheby’s London on 4 November 1988, lot 162.

A Dutch mahogany and floral
marquetry Stool, circa 1890, the drop-in
tapestry seat and scrolled sides on
cabriole legs ending in claw and ball feet,
75cm. wide; 2ft. 5V2in.

PARCEL GILT WALL MIRROR, WALNUT DISPLAY CABINET, GILT BRONZE AND BOULLE SIDE CABINET, EBONY AND IVORY ‘RENAISSANCE” CABINET ON STAND

A GEORGE III STYLE PARCEL GILT WALL MIRROR, with a swan neck pediment centered by a cartouche above a rectangular plate contained by a shaped frame with а gilt egg and dart

border, 56in (142cm) by 32in (81cm), 20th century.

A GOOD EDWARDIAN ROSEWOOD AND MARQUETRY ENVELOPE CARD TABLE, the square top cross-banded and bisected with satin-wood bands and inlaid with shells, baskets of fruit and ribbon

tied foliage in a variety of woods, above a single drawer, on four tapering supports, joined by а platform stretcher on spade feet, 31in (79cm) by 22in (56cm), early 20th

century.

A WALNUT WHAT NOT with four plat-forms interposed by turned supports and fretted brackets, 48in (122cm) by 29in (74cm), third quarter 19th century.
A QUARTETTO OF ROSEWOOD TABLES, each with a rectangular top on slender ring turned supports and standard feet  third quarter of the 19th century, but extensively restored, 30in

(76cm) by 18in (46cm).

A FINE TRANSITIONAL STYLE MAHOGANY AND ORMOLU COM-MODE, the green, pink and white flecked marble top of outset break-front outline above three frieze drawers applied with

bandeaux mounts, flanked by curved corners with rams’ mask handles and vine mounts, the lower part hinged to open in three parts, the central panel applied with an urn

surmounted by figures of mermaids contained by swirling foliage and drapery, the side panels applied with trophies, all contained by bead and finely chiseled mounts, enclosing

two long drawers above a shaped apron on cabriole supports applied with горе chutes and sabots, 36in (92cm) by 55in (140cm).

A WALNUT DISPLAY CABINET, the white marble top of multiple serpentine outline, above a conforming molded frieze and a central pair of glazed cupboard doors, flanked on either

side by a glazed cupboard door, on a conforming plinth and turned feet, 38in (97cm) by 73in (86cm), third quarter 19th century.

AN EBONISED, GILT BRONZE, CUT BRASS AND PORCELAIN SIDE CABINET, the breakfront top above a frieze applied with three porcelain plaques and a central cupboard door also applied

with porcelain plaque, flanked by a pair of glazed cupboard doors, on a plinth base, inlaid with cut brass lines and applied with gilt bronze mounts throughout, 38in (96cm) by

67in (170cm), third quarter 19th century.

A MAHOGANY POLE SCREEN, with а rectangular needle worked panel on an adjustable stem and concave sided plinth on scroll feet, 64in (157cm), second quarter 19th century.

A GEORGE III STYLE MAHOGANY WALL BRACKET WITH THREE STAGES, each with a baluster gallery interposed by lattice sides, 31in (79cm) by 35in (89cm), early 20th century.

A ROSEWOOD POLE SCREEN WITH А RECTANGULAR PLUSH AND GROSS POINT WORK PICTURE of flowers and foliage on a molded stem and down-swept supports, 59in (150cm), mid 19th century.

A ROSEWOOD POLE SCREEN with а Berlin wool worked floral panel contained by a foliate molded frame on a baluster pedestal, down swept supports with scroll feet, 59in (150cm), mid

19th century.

A GEORGE III STYLE MAHOGANY WASHSTAND OF SQUARE FORM, the top contained by a three quarter gallery with an aperture for a basin and tumblers, above an open section and a drawer

on slender square supports, 39in (99cm) by 22in (56cm), third quarter 19th century; with a Copeland and Garrett New Blanche transfer printed basin and an Andalusia transfer

printed jug.

AN EBONY GILT BRONZE AND BOULLE SIDE CABINET, the top of continuous serpentine outline, above a bow-front central cupboard door flanked by ogee glazed side doors, all interposed

by outset corners applied with mask mounts, on а conforming plinth, veneered throughout with contra parties cut brass on a red tortoiseshell ground, 45in (114cm) by 85in

(216cm), third quarter 19th century.

A WALNUT SIDE CABINET, with a mirrored back above an outset white marble top, and an arched mirrored cupboard door, flanked by pilasters and convex cupboard  doors on either

side, on a plinth j base, 69in (175cm) by 55in (140cm), mid 19th century.

AN  UNUSUAL  MAHOGANY GAMES
TABLE, with a square inset baize top fitted with four pierced brass grilles with drawers for cards below, and with sockets for candleholders at each corner, on turned supports,

29in (74cm) by 35in (89cm), third quarter 19th century.

A WALNUT AND PIETRA DURA GAMES
TABLE, the circular top with an inset marble panel inlaid with а chess board in a variety of stones, the stem with three fluted turned supports on scroll feet, 28in (71cm) by

20in (51cm), mid 19th century.

A GOOD PARCEL GILT WALNUT AND GILT BRONZE DISPLAY CABINET, the galleried superstructure fitted with a plush lined glazed cup-board above an inverted break-front top, the frieze

with blue and white painted plaques imitating Jasper flanking ebony inlaid panels, above a central section with adjustable book shelves flanked by glazed cupboards, interposed

by outset ebony and inlaid columns on a conforming plinth base, 51in (130cm) by 72in (183cm), third quarter 19th century.

AN EBONY AND IVORY ‘RENAISSANCE” CABINET ON STAND, with an ivory balustrade above a fall front enclosing a central cupboard of architectural proportions flanked by small

drawers, above a further drawer, the stand fitted with а drawer on four turned supports joined by a platform, inlaid throughout with etched ivory masks, foliage and a vignette,

56in (142cm) by 28in (71cm), Italian, third quarter 19th century.

A ‘RENAISSANCE’ EBONY AND IVORY WASH STAND, the rectangular top with a slightly veined white marble panel above a pair of cupboard doors inlaid with roundels entitled L’arte and

L’industria, the panels verso entitled La Sciensa and L’agricoltura, the sides of concave section inlaid with roundels entitled Christofor Colombo and Galileo Galilei on faceted

supports and castors, 33in (84cm) by 40in (102cm), Italian, third quarter 19th century.

AN  EBONISED AND  WALNUT  SIDE
CABINET, with a single panel door, enclosing a plush lined interior on bail feet, inlaid throughout with boxwood lines and designs and applied with gilt metal mounts, 44in

(112cm) by 36in (92cm), third quarter 19th century.

A GOOD KINGWOOD WALNUT AND MARQUETRY SIDE CABINET, the top of
continuous serpentine outline above a shaped frieze inlaid with floral parquetry swags, centered by a glazed door with mirrored open sides, each fitted with two shelves,

interposed by outset corners, on а conforming plinth base, applied throughout with gilt bronze mounts, 41in (104cm) by 66in (168cm), mid 19th century.

WALNUT AND MARQUETRY CABINET, MECHANICAL DUMB WAITER, PAINTED AND PORCELAIN SIDE CABINET, MAHOGANY PEDESTAL DESK, WALNUT ROLL TOP DESK

A GOOD PAIR OF EBONISED AND PARCEL GILT CARVED WOOD EGYPTO-BLACKAMOOR STANDING FIGURES, of a male and a female, each with а dish upon their head and wearing a loin cloth, on a

column carved with palmettos and flanked by kneeling figures, 83in (210cm), late 19th century.

A GOOD WALNUT AND MARQUETRY CABINET, the slightly raised serpentine top above two frieze drawers and a pair of paneled doors of con-forming outline, outset molded corners carved

with cartouches and foliate scrolls, the paneled sides of conforming outline above a shaped apron and finely molded cabriole supports, inlaid throughout with flower filled

scrolling cartouches contained by reserves, Min (137cm) by 46in (117cm), French, third quarter 19th century.

A SPANISH PALISANDRE CHEST ON STAND, the chest of rectangular form with a fall front enclosing six drawers about a central cupboard, inlaid throughout with ivory lines, on an

ebonized stand with square supports, 44in (112cm) by 20in (51cm), 19th century.

A BLACK PAINTED AND PORCELAIN SIDE CABINET, the upper part with а fall-front inset with a blue and white ceramic plaque enclosing а birch veneered fitted interior, flanked by

Flemish style free standing columns, the lower part with a cupboard door applied with a roundel ceramic plaque flanked by architectural fluted columns, 57in (145cm) by 32in

(8iem), third quarter 19th century.

A GEORGE III STYLE CORNER WALL CUPBOARD, the glazed door with concave shaped and boxwood strung glazing bars enclosing two shelves, 42in (107cm) by 28in (72cm), on a shaped

mahogany stand.

A LATE WILLIAM IV MAHOGANY MECHANICAL DUMB WAITER, with а rectangular tier with molded edge rising above two further tiers on standard supports, with scroll feet, 44in (112cm)

by 43in (109cm) extended.

AN EBONISED AND WALNUT BONHEUR DU JOUR, with a cupboard door flanked by mirrored cupboards, above two drawers, on fluted tapering supports joined by a concave platform

stretcher, on turned feet and castors, the whole applied with gilt metal bead moldings and incised with gilt lines, 50in (127cm) by 46in (117cm), third quarter of the 19th

century).
a mahogany standing corner cupboard, the upper part with an astragal glazed door enclosing shelves, the lower part with a pair of panel doors on bracket feet, 84in (214cm) by

35in (89cm), third quarter 19th century).

A GEORGE III STYLE MAHOGANY SEMANIER with a dentil cornice, blind fret carved frieze and seven cock beaded drawers, on bracket feet, 67in (170cm) by 29in (74cm), made up out of

some 18th century pieces.
A GOOD AMBOYNA, EBONY, GILT BRONZE AND “SEVRES” BONHEUR DU JOUR, the superstructure with а mirrored recess flanked on either side by a cupboard, all interposed by outset free

standing columns, the outset lower part with three frieze drawers one fitted with an inset leather writing surface and applied with continuous gilt
bronze and porcelain guilloche, above an open section fitted with two shelves, on toupee feet, 61in (155cm) by 53in (135cm), mid 19th century.

A MAHOGANY PEDESTAL DESK, the
rectangular top with a red inset leather writing surface and molded edge, above a kneehole drawer and four drawers in each pedestal, 30in (76cm) by 48in (122cm), second quarter

19th century with. restorations.

A MAHOGANY PEDESTAL DESK, the
rectangular top with a green inset leather writing surface above three drawers and with three drawers in each pedestal, 32in (81cm) by 28in (71cm) by 55in (140cm), third quarter

19th century.

A  GOOD  WALNUT  HARLEQUIN
DAVENPORT, the spring operated superstructure fitted with three drawers above a piano fall front enclosing an inset leather pull-out writing surface fitted with pen and ink

wells above four real side drawers opposed by four dummy side drawers and flanked by fretted and molded front supports, 36in (92cm) by 21in (53cm), third quarter 19th century.

A WALNUT HARLEQUIN DAVENPORT, the pop-up superstructure with а three quarter gallery, above а piano fall-front and pull-out writing surface with fitted interior, the sides with

four real drawers opposed by four dummy drawers and with molded standard supports on turned feet, 39in (99cm) by 23in (58cm), mid 19th century.

A GEORGE III STYLE MAHOGANY BOW-FRONT  SIDE BOARD with   а
knee-hole drawer flanked by а cupboard and a deep drawer, each inlaid an oval reserve, on square supports and spade feet, (95cm) by 42in (107cm), reconstructed late 19thlearly

20th century.

A  “BOULLE”  AND  EBONISED  SIDE
CABINET, with a serpentine shaped top above a bow front door enclosing a plush lined interior, flanked by outset corners applied with mask capitals, on a conforming shaped

plinth, applied throughout with red tortoiseshell and cut brass panels, 45in (115cm) by 282in (73cm), third quarter 19th century, restored.

A LARGE SHANNON DESK СО. WALNUT ROLL TOP DESK, the tambour front enclosing a fitted interior above a knee hole drawer and four drawers and a slide in each pedestal, bearing a

Shannon Desk Со., Made in America plaque, 52in (132cm) by 60in (153cm), late 19th century.

AN EBONY AND GILT BRONZE WRITING TABLE, the top of continuous serpentine outline with a foliate molded edge, above a frieze drawer with a fitted interior on cabriole supports

applied with leafy mounts chutes and sabots, 29in (74cm) by 40in (102cm), mid 19th century.

A LOUIS XV GILTWOOD AND GLAZED FIRE SCREEN WITH TWO FOLDS, each with an asymmetrical beveled glazed panel above a solid panel applied with composition leafage, on shaped feet,

each panel 45in (114cm) by 20in (5iem), 20th century.

A LOUIS XV STYLE KING WOOD CENTRE TABLE, the serpentine shaped top veneered with cube parquetry, the slightly bombe sides fitted with а single drawer on cabriole supports,

applied throughout with gilt bronze mounts, chutes and sabots,(75cm) by 31in (79cm), late 19thlearly 20th century.

A MAHOGANY MARQUETRY AND PARQUETRY BOOKCASE, with а slightly shaped pediment above two pairs of glazed doors enclosing adjustable shelves, the outset lower part with a series of

four paneled doors, each inlaid with an oval reserve and a draped urn, on a plinth base, inlaid throughout with cube parquetry designs and boxwood lines, (257cm) by 87in

(201cm), the bookcase 19th century, inlaid later in the 19th century.

A DRUCE & СО. GEORGE III STYLE
MAHOG ANY SIDEBOARD with a brass rail above a bow front section with a frieze drawer and two dwarf cupboard doors flanked on either side by a pedestal with a frieze drawer above

a cupboard door, applied throughout with garret carved festoons and fluting, 63in (160cm) by  (280cm); And А Pair of Mahogany Urns and Covers, each with a pineapple finial above

a foliate carved, festooned and ribbon tied ovoid body, on а square base and bracket feet, each urn 26in (66cm), bearing a Druce & Со. pale, Baker Street, Portman Square, London

W, 20th century.
a walnut breakfast table, the
oval top on a baluster stem and quadruple down swept molded supports, 29in (74cm) by 55in (140cm) by 42in (107cm), third quarter 19th century).

CHARLES II CARVED SILVERED CABINET STAND - QUEEN ANNE WALNUT BUREAU BOOKCASE - GEORGE I WALNUT SIDE CHAIR - GEORGE III LIBRARY WING ARMCHAIR

A JAPANNED CABINET ON STAND, the cabinet with a pair of
doors decorated with birds in a landscape in shades of gilt
on black and enclosing an arrangement of eleven similary
decorated drawers, 5ft. 4in. high overall by 3ft. ‘hin.
wide (162.5cm. by 93cm.) second quarter 18th Century,
on plain ebonised stand with chamfered legs.

A SMALL CHARLES II CARVED SILVERED CABINET STAND,
the frieze with a pair of foliate whorls supporting flowers,
carved with a scallop-shell at each side, raised on slender
foliate S-scroll legs, 2ft. 6lhin. high by 2ft. 4V2in. wide (77cm. by 72cm.)
circa 1670, now ebonised.

A QUEEN ANNE NEEDLEWORK-COVERED WALNUT
ARMCHAIR, with rectangular back, shaped wings,
outscrolled arms, the bowed seat with a loose cushion
and with cabriole front legs with pad feet, circa 1710,
covered in floral wool needlework on a yellow ground,
the back cabriole legs restored.

A QUEEN ANNE WALNUT CLOSE STOOL, the hinged
top enclosing a pottery bowl, with a deep shaped frieze,
simple cabriole legs with pad feet, lft. 7in. wide
circa 1710.

A QUEEN ANNE WALNUT BUREAU BOOKCASE, with
a moulded cornice above a pair of arched glazed doors
enclosing shelves, with candleslides below, the lower
part with a fitted interior above two short and two
graduated long drawers on bracket feet, 6ft. 9in. high by
3ft. 4in. wide (207cm. by 101.5cm.) base circa 1710, upper
part later.

A GEORGE I WALNUT BUREAU BOOKCASE, with a moulded cavetto
comice above a pair of mirrored doors enclosing shelves, the
flap enclosing a fitted interior with a well above two short and two
graduated long drawers, on bracket feet, 6ft. 9′/2in. high by 3ft. 1 Viin. wide (209cm. by 95cm.) circa 1715.

A GEORGE I GILTWOOD PIER GLASS, the divided
bevelled plate with a narrow scroll-carved border,
flanked by fruit and leaves, the shaped apron decorated
with a shell and fiowers with swan-neck cresting
similarly decorated, flanking a foliate cartouche, 5ft.
Hin. high by2ft. 2′/2in. wide (183cm. by 67cm.) circa 1720,
with restoration.

A QUEEN ANNE WALNUT CABINET ON CHEST, the
moulded comice and a pair of chevron-banded doors,
each with a chevron arch enclosing an arrangement of
eleven drawers and a drawer with four small drawers,
the lower part with two short and two long chevron
banded drawers, on bracket feet, 5ft. Whin. high by 3ft.
8in. wide (179cm. by 112cm.) circa 1710, feet and handles
later.

A RARE GEORGE II LABURNUMWOOD BUREAU,
the sloping front enclosing an interior fitted with drawers,
pigeon-holes and a cupboard ail in mahogany, with four graduated
long drawers below, the front with quarter-veneered laburnumwood
panels, 4ft. high by 3ft. 8lhin. wide (112cm. by 113cm.) mid-18th Century,
later top and ogee bracket feet, originally with an upper part.

A GOOD SET OF FOUR GEORGE II MAHOGANY
CHAIRS, with leaf-carved toprails, pierced splats, stuffed
saddle-shaped drop in seats, and cabriole front legs
carved with leafy cabochons and ending in claw-and-ball
feet, circa 1740.

AN EARLY GEORGE I WALNUT SIDE CHAIR, with an
arched toprail and vase-shaped splat, the saddle-shaped
drop-in seat on short carved cabriole legs ending in pad
feet, circa 1720, drop-in seat missing.

A GEORGE II MAHOGANY CORNER CUPBOARD, in well
figured wood, with a dentil comice and the door with
a well figured fielded panel of shaped outline enclosing
three shelves with shaped frieze, 3ft. 7′/2in. high by 2ft.
Win. wide (110cm. by 87cm.) circa 1740, on a mid-Victorian stained
pinewood stand with three legs.

A GEORGE II WALNUT TALLBOY,
in two parts with two short and six long drawers,
on bracket feet, 6ft. Vhin. high by 3ft. 6in. wide (187cm. by 108cm.) circa 1740.

A GEORGE II MAHOGANY AND PARCEL-GILT LOOKING
GLASS, the rectangular mirror plate within a moulded
and parcel-gilt frame, the shaped parcel-gilt cresting
centred by a shell, the sides hung with gilt flowers and
foliage, 3ft. lin. high by lft. 8in. wide (94cm. by 51cm.)
circa 1750.

A GEORGE II MAHOGANY TRIPLE TOP TEA OR
GAMES TABLE, with two hinged flaps, one piain and one
with a baize-lined interior with candle-stands and
counter wells, with a frieze drawer and cabriole legs
ending in pad feet, 2ft. oVzin. high by 2ft. Win. wide
(75cm. by 86.5cm.) circa 1750.

A GEORGE II MAHOGANY ARMCHAIR,
the rounded toprail above a pierced vase-shaped splat and
scrolling outcurved arm supports with drop-in seat on
square moulded legs joined by stretchers, mid-18th Century.

A  SET  OF  FIVE  EARLY  GEORGE  III  MAHOGANY
CHAIRS, with soft serpentine-topped backs and serpentine-topped
backs and serpentine-fronted seats, on square chamfered legs, with H-stretchers, circa 1760.

AN EARLY GEORGE III LIBRARY WING ARMCHAIR,
in faded crimson leather, the arched toprail curving
round to form the wings and outcurved scrolling arm
rests, the stuffed seat on square moulded legs, now with
castors, circa 1765.

A GOOD GEORGE II MAHOGANY LIBARY ARMCHAIR, with stuffed serpentine-topped back,
the stuffed arms with outscrolled leaf-carved handles and leaf-carved supports, the stuffed seat on well-carved cabriole legs, headed by cabochons and leaf and scroll feet, circa 1755.

A GEORGE III MAHOGANY SERPENTINE-FRONTED CHEST, of four graduated long drawers,
the top drawer fitted with a baize-lined slide and lidded compartments and originally with a mirror, on bracket feet, 2ft. 9in. high by2ft. Win. wide (84cm. by 87cm.) circa 1770.

GEORGE I TAPESTRY-COVERED WALNUT ARMCHAIR - WALNUT WING ARMCHAIR - MAHOGANY BEDSIDE CUPBOARDS - MAHOGANY TOILET MIRROR - A PAIR OF MAHOGANY CANDLESTICKS

A FINE GEORGE I TAPESTRY-COVERED WALNUT ARMCHAIR, the arched back and
seat covered in a Soho tapestry woven with brightly coloured summer flowers on a pale
yellow ground within strapwork, the shaped arms on shepherd’s crook supports and the
cabriole front legs with pad feet and joined by an H-stretcher to the turned back legs, circa
1720.

AN IMPORTANT PAIR OF GEORGE I GILTWOOD PIER GLASSES with divided and
arched bevelled mirror plates, the conforming border with bevelled mirror panels outlined with a guilloche moulding and surmounted by a strapwork cresting carved with leaves,
shells and chains of flowers, the shaped apron supporting a pair of gilt-brass candle-arms, 5ft. 6in. high by 3ft. lin. wide (168cm. by 94cm.) circa 1720.

A QUEEN ANNE WALNUT WING ARMCHAIR with rectangular back, the wings
continuing into the outcurved arms and the bowed seat on plain cabriole front legs with
pad feet joined to the simpler cabriole back legs by plain turned H-stretchers, circa 1715,
backfeetrestored.

A GOOD GEORGE I WALNUT WING ARMCHAIR with a rectangular back, shaped
wings and outscrolled arms, the bowed seat on cabriole front legs, the brackets carved
with flowerheads continuing into leaves and ending in claw-and-ball feet, with well raked
back legs, circa 1730.

A QUEEN ANNE NEEDLEWORK-COVERED WALNUT STOOL, the stuffed rectangular
top embroidered in wool petit-point with flowers in carmine, blue and yellow on a pale
rust ground, the simple cabriole legs with plain brackets and square feet, lft. 8′/2in. wide
(52cm.) circa 1710, restored.

A GEORGE II PARCEL-GILT MAHOGANY WALL MIRROR, the rectangular plate with a
moulded frame with an inner gilt leaf border with shaped apron and the shaped cresting
carved and pierced with a giltwood leaf, 3ft. 3Ain. high by lft. 7lMin. wide (93.5cm. by
49cm.) circa 1740, plate replaced, cresting damaged.

A FINE GEORGE II WALNUT WING ARMCHAIR, the back with serpentine toprail,
shaped sides, outscrolled arms, the bowed seat on cabriole front legs caryed with foliate rococo C-scrolls and ending in carved claw-and-ball feet, on castors.

AN EARLY GEORGE III MAHOGANY BEDSIDE CUPBOARD with shaped tray top and
shelf above a cupboard, on square chamfered legs, with a pair of brass loop carrying
handles, lft. 8V4in. wide (51.5cm.) circa 1760.

A PAIR OF EARLY GEORGE III MAHOGANY BEDSIDE CUPBOARDS
each gallery pierced with carrying handles and quatrefoils,
with a tambour cupboard above a pull-out lower part, on square chamfered legs, lft. 7in. wide (48cm.) circa 1760, interiors origmaUy fined with pots.

A FINE SET OF EIGHT GEORGE III MAHOGANY ARMCHAIRS
with bead-carved moulded frames, each curved oval back with
three flutcd stick splats centred by an oval patera, with delicate outscrolled downswept arms bowed stuffed seats and
square tapenng legs headed by oval paterae and leaves and ending in block feet, circa 1775examples illustrated in The Dictionary ofEnglish Furniiure,
Volume 1, page 299 figure 233, and Christopher Gilbert.
Furniture at Temple Newsam House and Lotherton Hall, page 94,
A FINE SET OF FOUR GEORGE III MAHOGANY CHAIRS en suite, the backs of
matching design, the drop-in seats on moulded bowed seatrails and raised on ring
legs but without the paterae, circa 1775.

A GEORGE III WALNUT ARMCHAIR of generous proportions, the serpentine toprail
above a vase-shaped splat with simple piercing, the shaped arms with outscrolled handles
the drop-in seat on square moulded chamfered legs joined by H-stretchers, the cross
stretcher with simple piercing, circa 1765.

AN ASPREY’S SILVER-MOUNTED SHAGREEN STATIONERY HOLDER
with domed lid corner mounts and escutcheon, with marks for London 1903.

A FINE PAIR OF CHINESE MIRROR PICTURES in contemporary English frames, the
rectangular plates each finely painted with sprays of flowering tree peony in shades of
pink and with a pair of exotic birds with houses on the farther bank of a river in the
background, the frames with a pair of slender pillars flanked by scrolls and leaves
dripping with water with pierced cartouche apron and leaf capped cartouche cresting, 3ft.
high by lft. Win. wide (110cm. by 56cm.) mid-18th Century.

A GEORGE III MAHOGANY TOILET MIRROR with shield-shaped plate and three
drawers in the serpentine-fronted base, lft. min. wide (42cm.) circa 1780.

A GEORGE III OVAL GILTWOOD WALL MIRROR with bead and gadroon
mouldings, the cresting formed of fleur-de-lys and wheat ears and with garlands of
convolvulus in plaster on wire, the apron with floral scrolls, 3ft. Sin. high by lft. SVan.
wide (104cm. by 44cm.) circa 1775.

A PAIR OF GEORGE III GILT-METAL AND GLASS CANDLESTICKS
each with a thistle-shaped nozzle and petal-shaped drip-pan
hung with clear and pale yellow faceted drops, supported on a slice-cut inverted ovoid stem and the Bristol blue-glass
bases decorated in gilt with Bacchic revels, with beaded gilt-metal mounts.

A GEORGE III BLACK-JAPANNED TOILET MIRROR, the plate of inverted heart
shape and with a conforming stand headed by carved husks and a pierced anthemion,
decorated throughout with gilt chinoiseries on a black ground, 2ft. 5V2in. high by lft. Win.
wide (75cm. by 56cm.) circa 1770.

A MAHOGANY TOILET MIRROR with rectangular crossbanded frame and the
moulded uprights with downcurved supports and ivory finials, 2ft. lin. wide (63.5cm.)
mirror circa 1790.

A PAIR OF MAHOGANY CANDLESTICKS each with a reeded brass nozzle and the
drip-pan with pierced tassels, on a reeded baluster stem and turned base.

A PAIR OF SMALL GEORGE III MAHOGANY SEMI-CIRCULAR SlDE TABLES, the “plum
pudding “-veneered tops with a tulipwood crossbanding and a moulded edge, the friezes
inlaid in satinwood with fluting and raised on three slender tapering fluted square legs,
2ft. 4V2in. high by 2ft. 2V2in. wide (72.5cm. by 67.5cm.) circa 1780.

FLEMISH ARMADA CHEST - ELMWOOD BOARDED STOOL - CARVED AND INLAID OAK CHEST - CARVED OAK ARMCHAIR - STANDING LIVERY CUPBOARD

A FLEMISH ARMADA CHEST in iron overlaid with interlaced riveted
strapwork, with a thirteen-tongue interior sprung lock, lft. 7in.
high by 3ft. 2in. wide (48cm. by 96cm.) late,17th Century.

A DUTCH OAK SPICE CABINET with a rectangular moulded top above a
panelled door carved with the initials A F and the date 1661,
enclosing an arrangement of drawers, lft. 23Uin. high by lft.
lin. wide (37.5cm. by 33cm.) late 17th Century.

A RARE LATE MEDIAEVAL SMALL BOARDED CHEST with hinged top, the front carved
with acorns, oak and other leaves, a pair of ringed crosses and stirrup-shaped motifs, the
back with leaves, bird-headed animals and serpents, the end boards each with an incised
trident motif enclosing three leaves above a Gothic arch, lft. 3lAin. high by 2ft. long
bv Hin deep (39cm. by 67.5cm. by 28cm.) circa 1500, base board and hinges replaced.

A FRENCH CARVED OAK SMALL COFFRET with two plank top, the front with two
panels carved with “Romayne” roundels of a bearded and moustachioed man, and a
woman, each shown half-length, the sides with plain roundels, on a moulded base with a
shaped underside and bracket feet, lft. 6in. high by 2ft 3′Ain. wide (46cm. by 69cm.) circa
1530, one side moulding missing.

A JAMES I ELMWOOD BOARDED STOOL, the top with a moulding along the long sides
and gouge carving at each end, the frieze shaped along the underside of the front and back
and with shaped and buttressed end boards pierced to form the legs, lft. 9′Ain. high by lft.
wide (54cm. by 55cm.) circa 1620.

A LATE GOTHIC OAK BOARDED STOOL with moulded top, the frieze pierced at the
front and back and headed by an incised cross, with shaped end supports, lft. 9in. high by
lft. lin. long (53cm. by 48cm.) part of frieze missing.

AN ELIZABETHAN MINIATURE OR CHILD’S OAK CHEST,
the top with a pair of small panels inlaid with geometrie design
and with a pellet-moulded border, the framing of the lid and the
frieze carved with knulling on three sides and with a similar band
on the base, the front and sides with geometrie inlay in the panels,
and the back with a heavily moulded frame, lft. high by lft.
8′Ain. wide (39cm. by 52cm.) circa 1600.

A LATE ELIZABETHAN CARVED AND INLAID OAK CHEST with moulded six-panel top
and fluted frieze, the front and ends with inlaid panels enclosed by numerous carved and
moulded borders, divided and flanked by fluted split pillars and with a fluted base
moulding, on four short ball-shaped legs with shaped front stretcher and trestle side
stretchers, 3ft. ‘hin. high by 4ft 3′/2in. wide (93cm. by 131cm.) circa 1600, feet and stretchers
replaced and with restorations.

A GOOD CHARLES I CARVED OAK ARMCHAIR
with flattened scrollwork toprai above a band of five
circles and leaf-carved back panel, the shaped arms on square
barster arm supports, and the legs joined by moulded stretchers, arca 1640.

A FINE CHARLES II CARVED AND PUNCH-DECORATED OAK ARMCHAIR dated 1682,
with shaped toprail above the date and a panel with a semi-circular arch enclosing flowers
and with guilloche carved uprights, the downcurved arms on bobbin-turned supports
with bobbin-turned front legs and piain stretchers.

A CHARLES I OAK JOINT STOOL with a moulded top, the moulded frieze shaped along the underside,
the turned legs of double baluster form and joined by a moulded H-stretcher, lft. Hin.
high by lft. 5′/2in. long (58.5cm. by 44.5cm.) circa 1630.

A CHARLES I OAK JOINT STOOL with a moulded top, the frieze carved with leafy
lunettes on ail sides, on baluster-shaped legs with plain stretchers, lft. 11′Ain. high by lft.
53A in. long (60cm. by 45cm.) circa 1630.

A SMALL CHARLES I OAK DROP-LEAF STOOL-TABLE, the oval top supported on
lopers, the stool base with turned baluster-shaped supports and moulded stretchers, lft.
llin. high by 2ft. 2′hin. open (59cm. by 67.5cm.) circa 1640.

A CHARLES I OAK LOW STOOL
with moulded square top, baluster-shaped legs and plain stretchers,
lft. min. high by lft. 33/dn. wide (37cm. by 40cm.) circa 1640.

AN OAK BOX STOOL with moulded hinged lid, the frieze carved with a guilloche
band and bands of pelleted moulding, the baluster-shaped legs with incised circles, joined
by plain stretchers, lft. 5in. high by lft. 5in. wide (43cm. by 43cm.)partly mid-17th Cent.
and reconstructed.

A RARE JAMES I OAK TRIANGULAR STOOL with moulded top, the frieze with shaped
underside simple baluster legs and piain stretchers, lft. 9′Ain. high by lft. 2′Ain. wide
(54cm. by 36cm.) circa 1615, branded HD.

A A RARE CHARLES I OAK TRIANGULAR STOOL, with moulded frieze, fine baluster-
shaped legs and piain stretchers, lft. Win. high by lft. 2′Mn. wide (56cm. by 37cm.) circa
1640.

A JAMES I OAK JOINT STOOL with a moulded top, the frieze carved with leafy
lunettes and raised on elaborately turned fluted legs joined by plain stretchers, lft. 73Ain.
high by lft. 53Ain. wide (50.5cm. by 45cm.) circa 1620    ?1000-1500
V See R. W. Symonds, op. cit., plate 107

A JAMES I OAK JOINT STOOL with moulded top, the moulded frieze with punched
decoration and raised on fluted baluster legs with moulded stretchers, lft. 9′/2in. high by
lft. wide (54cm. by 46.5cm.) circa 1610, one corner of top replaced.

A JAMES I OAK STANDING LIVERY CUPBOARD with plank top, the front with three
moulded panels, the centre one forming the door having an applied diamond moulding,
divided and flanked by split balusters, the sides with a diamond-moulded panel and pairs
of split balusters, raised on four baluster-shaped legs, the front pair of thicker form than
the back pair, joined by a platform stretcher, 2ft. 1 l’Ain, high by 3ft. 4in. wide (90cm. by
102cm.) circa 1620.