Antique Sideboard

Victorian carved walnut and upholstered spoon-back Occasional Chair, Victorian walnut inlaid and gilt-metal mounted Side Cabinet, Victorian walnut Music Cabinet

A Victorian satinwood and
rosewood crossbanded Centre Table,
circa 1880, in the French style, the
serpentine top centred by an amboyna
roundel within an amboyna border, the
ends with opposing frieze drawers, on
gilt-metal mounted cabriole legs, 73cm.
high by 118cm. wide; 2ft. 5in. by
3ft. lOVzin., drawer stamped John Metcalfe
Maker, Richmond.

A rose ood and brass-bound secretaire Military Chest, in two parts, the stationery drawer fitted with small drawers above three long drawers, 100cm. wide; 3ft.
A Victorian black papier-mache and painted Occasional Table, circa 1850, the shaped oval tilt-top with a central spray of flowers bordered with mother-of-pearl and gilt, the

baluster turned stem and moulded circular base with gilt decoration, on iron scroll feet.

A Victorian carved walnut and
upholstered spoon-back Occasional
Chair, circa 1850, with Royal heraldic
needlework and beadwork covering, Honi
Soit qui mal y pense, on cabriole legs and
ceramic castors.

A Victorian papier-mache black
lacquer and mother-of-pearl inlaid
Chair, circa 1850, the broad cresting and
oval splat above a woven cane serpentine
seat, on cabriole legs.

A Victorian walnut and amboyna
banded Davenport, circa 1865, inlaid
throughout with stringing, the sloping
top with a rear stationery compartment,
the panelled sides including a door
enclosing drawers, on a platform base
with bun feet, 58cm. wide; lft. 10V2in.

A George Ill-style carved
gilt-gesso mirror-back Console Table,
circa 1850, the back with a pierced scroll
cresting above a pair of twin-branch
candle sconces, the serpentine white
marble top above a pierced frieze with a
central cartouche, on scrolled cabriole
supports, 255cm. high by 89cm. wide;
8ft. Wrin. by 2ft. llin.

A Victorian carved mahogany
scroll-end Chaise Longue, circa 1850,
with a pierced side-rail and pink velvet
upholstery, on cabriole legs, 186cm. long;
6ft. lin.

A William and Mary-style walnut
Candle Stand, circa 1920, the octagonal
crossbanded top above a turned, carved
and chamfered stem, on scrolled tripod
supports, 32cm. wide; 121/2in.

A Victorian walnut inlaid and
gilt-metal mounted Side Cabinet, circa
1870, the central panel door enclosing a
lined interior, flanked by a pair of bowed
glazed doors, on turned ebonised bun
feet, faults, 107cm. high by 152cm. wide;
3ft. 6in. by 5ft.

A George Ill-style mahogany
Bowl Stand, with triple turned supports
293    and a pair of small drawers, on cabriole
legs, 92cm. high; 3ft. Viin.

A George Ill-style mahogany
Bowl Stand, with triple turned supports
and a pair of small drawers, on cabriole
legs, 81cm. high; 2ft. 8in.

A Victorian ash Writing Table,
circa 1860, the rounded rectangular top
with a frieze drawer, the turned end
supports joined by a stretcher, on
scrolled legs, 76cm. wide; 2ft. 6in., bearing
trade label of Wylie & Lockhead, 45
Buchanan Street, Glasgow.

A George II-style carved
mahogany Library Armchair, circa
1900, upholstered in brown hide, on
cabriole legs with acanthus carved knees
and scroll feet.

A Victorian walnut Music
Cabinet, circa 1870, inlaid throughout
with ebonised spandrels and boxwood
stringing, the glazed panel door
enclosing divisions and a drawer, the
turned pilasters above a plinth base, on
castors, 102cm. high by 62cm. wide; 3ft. 4in.
by 2ft. Vim.

A Victorian carved Stool, circa
1850, with a floral beadwork seat, on
cabriole legs, 84cm. wide; 3ft. 7in.

A George Ill-style mahogany and
fretwork Urn Table, circa 1880, with a
pierced galleried top above a slide, on
moulded chamfered square legs headed
by pierced angle brackets, on flared feet
joined by stretchers, 68cm. high by 28cm.
wide; 2ft. 3in. by llin.

An oak narrative Cabinet by The Reverend Charles Donald, made-up,
relating to the Latin legend of Sir Guy, the
domed mother-of-pearl inlaid cornice
centred by three candle sconces and
flanked by panels of script above a pair
of recessed panelled doors with iron
hasps enclosing a painted interior with a
door and pierced tracery, the pierced
supports with painted figures including
an angel, below are two long panelled
drawers with iron handles and pierced
iron escutcheons, the whole with painted
portrait and figural niches and a pair of
heraldic shields, 190cm. high by 122cm.
wide; 6ft. 3in. by 4ft
The following information is provided in a document supplied by the vendor: Made by The Rev. Charles Donald in his later years, about 1920, having retired to Staffordshire after

25 years’ magnificent work in the worst slums of London. The wood used was oak 600 years old, used in the construction of a barn which had to be pulled down by the village

squire: no nails or screws were used in Sir Bevis, which was constructed using tools which were in use 600 years earlier at the time the oak was planted. These two pieces of

furniture were the first and last he ever made.
The Christmas Cupboard The Latin legend on ‘Sir Guy’ says: ‘This oak is made for Common use but dedicated to the Highest like ourselves’. The Latin on the inner door says: ‘I

sought thee without - but lo! Thou wast within’. ‘One seeks God in Nature in vain. He is within the heart.’ Le coeur a raisons car le raison ne connait pas.
Sir Guy had lived a gay life, till he met on Christmas Day a poor girl with her babe which changed his life after he gave himself to charity. This is depicted inside. They were

done by a very good professional artist, Conway.

An oak narrative Cabinet by The Rev. Charles Donald, made-up, relating to the tale of Sir Bevis, the shallow raised back surmounted by wrought iron candle sconces and colonnade

niches enclosing miniature painted figures, the pierced front carved throughout with borders of script and enclosed by a pair of doors, below is a three-panel base including a

pair of doors and revealing painted panels, on stile feet, 120cm. high by 165cm. wide; 3ft. llin. by 5ft. 5in.
The following information is provided in a document supplied by the vendor: Sir Bevis, by The Rev. Charles Donald. ‘I made it at Brampton where I got the finely seasoned oak.

The Bramptons had held the old half-timbered Hall for centuries till they sold it to my Squire, Sir John Hall. A young Brampton was shot there by the Cromwellians as he stood in

the doorway clothed in silk shirt and red stockings. The villagers say his ghost has often been seen there - a sad child in red stockings. An educated lady assured me that she

had seen him. I spent midnight alone there, but he failed to appear. In the parish was Blore(?) Heath where the famous battle was fought, and on the edge of the moat (now mostly

a bog) is a wood where, according to local legend, a great serpent once lived, the terror of villagers crossing that lonely spot. The “ghost” (red stockings) and the Snake of

Blore Heath are the background of Sir Bevis.
In the left panel, Sir Bevis is in bed and hears the red-hosed ghost who tells him the coming fate of his two sons.
The younger, a good lad, who always did as he was told, was to marry a rich heiress. All the centre panel is taken up with the wedding in the chapel - the organist and retainers

etc. - and the rich opal, a gift from the bride.
But the elder son was a very bad boy. He put live rats in his father’s boots and sewed up the sleeves of his Sunday suits, etc. So the Serpent of Blore scared his horse and

later devoured him. That is the story when I made the service cupboard for the child. That opal by the way is real and cost ?10 when opals were cheap.’

An Edwardian mahogany and
satinwood banded breakfront Library
Bookcase, circa 1910, the moulded
cornice above three astragal doors
enclosing adjustable shelves, the lower
part with three panel cupboard doors, on
a plinth base, 224cm. high by 183cm. wide;
7ft. 4in. by 6ft.

A late Victorian mahogany and
satinwood banded breakfront secretaire
Bookcase, circa 1900, by Edwards &
Roberts, inlaid throughout with urns, •
trophies and stylised floral designs, the
pierced fret swan-neck pediment above
two pairs of astragal doors enclosing
adjustable shelves, the lower part with a
writing drawer revealing satinwood
veneered stationery compartments, below
are two pairs of panelled doors, on
bracket feet, 285cm. high by 250cm. wide;
9ft. 4in. by 8ft. 2V2in., drawer stamped
Edwards fcf Roberts.

Edwardian satinwood and parcel-gilt small Bureau, Victorian rosewood Occasional Table, Edwardian mahogany Display Cabinet, Edwardian mahogany Armchairs

An Edwardian satinwood and
parcel-gilt small Bureau, circa 1910,
decorated throughout with painted floral
sprays, the fall revealing a well and
pigeon-holes, the frieze drawer above
turned and fluted splayed legs joined by
pierced stretchers, 74cm. high by 38cm.
wide; 2ft. 5in. by lft. 3in.

A late Victorian rosewood
Occasional Table, circa 1900, inlaid
throughout with ivory and boxwood
stringing, the serpentine top with a
central arabesque roundel, the cabriole
legs with stretchers joined by a small
circular undertier, 75cm. wide; 2ft. 5V2in.

A George Ill-style mahogany
Wing Armchair, circa 1900, with
tapestry upholstery, on moulded
chamfered square legs joined by
stretchers.

A Victorian satinwood secretaire
Cabinet, circa 1860, the panelled fall
with rosewood inlaid arabesques, the
interior with stationery compartments
and a leather-inset writing surface, the
conformingly inlaid frieze drawer above
fluted turned legs with gilt-metal
mounts, on brass castors, 136cm. high by
97cm. wide; 4ft. 5V2in. by 3ft. 2in., castors
stamped Cope Collinson Patent.

A set of six Victorian carved
walnut balloon-back Chairs, circa 1855,
with floral crestings and mid-rails above
damask upholstered serpentine seats, on
cabriole legs.

A Victorian figured walnut combined Work and Tea Table, circa 1860, inlaid throughout with stringing, the rectangular fold-over top above a frieze drawer and a solid well, the

turned and splayed supports joined by a stretcher, 61cm. wide; 2ft.

An Edwardian mahogany Display
Cabinet, circa 1905, inlaid throughout
with ivory and sycamore floral motifs,
the domed cornice with a mirrored
recess above a pair of bowed leaded
glazed doors, the base with a further
recess and a pair of leaded glazed doors,
on tapered square legs with foliate
carved feet, 225cm. high by 99cm. wide;
7ft. 4V2in. by 3ft. 3in.

A pair of George Ill-style
satinwood and painted Armchairs, circa
1880, the pierced shield-shaped backs
decorated with floral sprays, the caned
seats above tapered square legs, on spade
feet.
Cf. Regency Furniture by Francis Collard, published by Antique Collectors’ Club, page 235: A painted satinwood Chair, circa 1880, by Wright &f Mansfield.

A black lacquer Chinoiserie
Bergere Sofa, circa 1920, the double
caned back and seat with turquoise velvet
upholstered cushions, on square legs,
168cm. wide; 5ft. 6in.

A George Ill-style mahogany
small Chest, 20th Century, the moulded
top above a slide and three long drawers,
on bracket feet, 73cm. high by 67cm. wide;
2ft. 5in. by 2ft. 2V2in.

A George Ill-style mahogany
Armchair, made-up, with a pierced
trellis back and bowed cane seat with
green velvet squab cushion, on fluted
turned legs.

An Edwardian satinwood
demi-lune Pier Cabinet, circa 1905,
inlaid throughout with ebony stringing and sycamore bandings, the later marble top above a panelled door decorated with marquetry ribbon-tied baskets of fruit, on shaped bracket

feet, 90cm. high by 111cm. wide; 2ft. 11′fain, by 3ft. 7′/2in., formerly with an upper section.

A pair of Edwardian mahogany
Armchairs, circa 1910, the wreath inlaid
cresting rails above tub-shaped backs
with griffin arm supports, the
serpentined seats on cabriole legs ending
in paw feet.

A George Ill-style mahogany
armchair, circa 1910, with a pierced and
swag carved splat and dipped striped
velvet upholstered seat, on moulded
chamfered square legs; together with a
matching single Chair.

A Victorian papier-mache Music
Stand, circa 1855, the adjustable
cartouche-shaped frame with a titled
painting of Paul and Virginie, after
Augustus Leopold Egg, on a telescopic
brass stem and gilt decorated baluster
pillar with scrolled tripod supports,
faults, now lacking detachable music ledge,
74cm. high when retracted; 2ft. 5in., the
reverse with an indistinct hand-written
label.

A Victorian walnut and inlaid Side Cabinet, circa 1855, with gilt-metal mounts and inset Sevres-style porcelain plaques, the central cupboard flanked by a pair of bowed glazed

doors, on a plinth base, 107cm. high by 156cm. wide; 3ft. 6in. by 5ft. IVnn.

A George Ill-style carved giltwood Overmantel Mirror, circa 1850, the pierced foliate and flame motif frame with four cartouche-shaped panels, 109cm. high by 118cm. wide;

A Victorian burr walnut and
tulipwood crossbanded Centre Table,
circa 1850, the rectangular quarter-
veneered top with serpentine sides, the
scroll carved supports joined by a
stretcher with lion masks at each end,
72cm. high by 149cm. wide; 2ft. 4l/iin. by
4ft. llin.

A George Ill-style mahogany breakfront Library Bookcase, circa 1920, the dentilled cornice above four pairs of astragal doors and a pair of slides, the interior with adjustable

shelves, on bracket feet, 249cm. high by 238cm. wide; 8ft. 2in. by 7ft. 11 tein.

A pair of George Ill-style gilt-
gesso Wall Mirrors, the cartouche-
shaped surrounds carved with ‘C’-scrolls,
flame motifs and flowerheads, 66cm. high
by 49cm. wide; 2ft. 2in. by lft. 7in.

Italian walnut and satinwood banded Work Table, Louis XV-style kingwood parquetry Table, Regency tortoiseshell and mother-of-pearl inlaid Tea Caddy

An Italian walnut and satinwood banded Work Table, circa 1850, with kingwood crossbanding and pierced brass gallery, the circular hinged top revealing a velvet-lined well, the

triple supports above an undertier and scroll feet, 38cm. diam.; lft. 3in.

An Italian massive white veined circular marble Table, modern, the
circular top with inlaid painted sprays of flowers, on moulded octagonal base, 200cm. diam.; 6ft. 7in.

An Italian Side Table, modern, en suite with the previous lot, the ‘D’-shaped top with inlaid painted decoration, on two moulded rectangular plinth supports, 183cm. wide; 6ft.

A Louis XV-style kingwood parquetry Table, circa 1870, with gilt-metal mounts, the rosewood crossbanded top inlaid with stringing, the frieze drawer above cabriole legs, 77 by

99cm.; 2ft. 6in. by 3ft. 3in.

A Dutch mahogany and purple-heart crossbanded drop-leaf Table, circa 1790, inlaid throughout with stringing, the rectangular quarter veneered top with a frieze drawer, on

tapered square legs, 101cm. wide open; 3ft.3V2in.

An Italian carved giltwood
cartouche-shaped Wall Mirror, circa
1870, the frame pierced and carved with
shells and rocaille, the plate etched with
a mythological figure, 78cm. high;
2ft. Vfrm.

A French Transitional-style
mahogany breakfront Vitrine, with
marble top and gilt-metal mounts, the
glazed door enclosing a lined shelf and
interior, the lower part with Vernis
Martin panels, the square cabriole legs
ending in sabots, 167cm. high by 152cm.
wide; 5ft. 3in. by 5ft.

A Continental painted four-fold
Screen, 19th Century, opening to reveal
a scene depicting musical instruments
and a music stand, together with exotic
birds and a monkey, painted on canvas,
each fold 140cm. high by 46cm. wide;
4ft. 7in. by lft. 6in.

TEA CADDIES, WRITING BOXES, etc.

A Regency tortoiseshell and
mother-of-pearl inlaid Tea Caddy, circa
1820, the domed hinged top revealing a
two-division interior, the bowed front
with Chinoiserie inlay, 18cm. wide; 7in.

A Regency rosewood and
brass-inlaid Tea Caddy, circa 1820, of
sarcophagus form, with a three-division
interior, on gadrooned turned feet,
34cm.

A George IV mahogany Book
Tray, circa 1825, the scrolled sides ,with
pierced spindle balustrades, the plinth
base on bun feet, 41 cm. wide; lft. 4in.

An Indian hardwood and
cut-brass inlaid Deeds Box, circa 1850,
the hinged top revealing a sectioned
interior with a detachable tray, the sides
with brass carrying handles, 56cm. wide;
lft. Win.

A Napoleon III amboyna and
rosewood Liqueur Set, circa 1860, with
gilt-metal mounts, the hinged top
opening in conjunction with a hinged
front and sides to reveal four decanters
and stoppers, with fourteen glasses, on a
plinth base with bun feet, one stopper
broken and one glass broken, 38cm. wide;
lft. 3in.

A Victorian black papier-mache
Tray by Jennens 8c Bettridge, circa
1850, with gilt and mother-of-pearl
Chinoiserie scene within a serpentine
border, 68cm.; 2ft. 3in.

A boulle Desk Stand, circa 1880,
the cut-glass inkwell with a rear
gilt-metal handle flanked by a pair of
lidded compartments, the front with a
kidney-shaped pen-tray, 29cm. wide;
IVhin.

A Victorian figured walnut and
brass-bound Cigar Box, circa 1870, of
rectangular form with an inscribed plaque, the hinged top revealing a watercolour of a Mediterranean harbour scene, 44cm.

A Chinese export black lacquer and gilt Tea Caddy, circa 1840, the
hinged cover revealing a metal
two-division compartment, 27cm. wide;
10V2in.

A Victorian rosewood and mother-of-pearl inlaid Writing Box, circa 1840, the velvet-lined interior with compartments, the sides with countersunk brass handles, 45cm. wide; lft.

5V2in.

A Victorian coromandel Decanter Box, circa 1890, the hinged top and fall-front revealing three cut-glass decanters and stoppers including gilt-metal labels, together with three

beakers and two liqueur glasses, incomplete, the interior with two inscribed plaques, 32cm. wide; lft. ‘hin., bearing the label H. W. Bedford, 67 Regent St. and Chapman’s Patent

No. 191.

A Victorian black papier-mache and mother-of-pearl inlaid combined Work and Jewellery Box, circa 1850,
decorated throughout with floral sprays
and gilt borders, the hinged top above a
pair of doors enclosing four drawers, on
a splayed base with a valanced frieze,
25cm. wide; Win.

George III mahogany Knife Box, rosewood and brass-bound Writing Slope, Victorian Tunbridgeware maple and rosewood Sewing Box, Victorian Tunbridgeware rosewood Box

A Japanese black lacquer and
mother-of-pearl inlaid Stationery
Cabinet, late 19th Century, of
wedge-shaped form, decorated
throughout with birds and flowers
overlaid with gilt, the pair of doors and
hinged top revealing compartments,
40cm. wide; lft. 4m.

An octagonal tortoiseshell-veneered Tea Caddy, 19th century, with shallow pyramidal lid, ivory stringing and silver mounts.

A George III mahogany Knife Box, circa 1790, with kingwood crossbanding, the sloping hinged top inlaid with a shell medallion, the interior with cutlery divisions, 23cm. wide;

9in.

A Victorian papier-mache Tray,
circa 1850, of serpentined form, painted
with a floral spray, birds and butterflies,
on an ivory ground, 82cm. wide; 2ft. 8in.

A George III mahogany two-
division Cheese Coaster, circa 1790, of
typical form, on brass castors, faults,
43cm. wide; lft. 5m.

A Victorian black papier-mache Tray, circa 1850, of serpentined outline, painted with floral sprays and gilt scrolls, faults, 77cm. wide; 2ft. 6in.    ?300—500

A George III satinwood Tea Caddy, circa 1790, inlaid throughout with stringing and kingwood banding, the top and front with oval harewood medallions, 12cm.; 43Ain.
A George III mahogany Knife Box, circa 1790, of typical form, inlaid with chevron stringing and a compass point medallion, the interior converted for stationery, 26cm. wide;

Win.

A William IV rosewood and
mother-of-pearl inlaid Tea Caddy, circa
1835, with gadrooned mouldings
throughout, the hinged top revealing a
three-division interior, on bun feet, 32cm.
wide; 12V2in.

A George IV mahogany and
rosewood Writing Slope, circa 1825,
with cut-brass inlay, the top centred by a plaque engraved Charles Coward, the interior with compartments and a lateral frieze drawer, 51cm. wide; lft. 8in.

A rosewood and brass-bound Writing Slope, circa 1825, with countersunk handles and a leather-lined interior including compartments, 46cm. wide; lft. 6m.

A rosewood and ebonised miniature Writing Cabinet, circa 1850,
inlaid throughout with ivory floral
motifs, the pair of doors with foliate
scroll pilasters and central stylised
fruiting vines, the interior with a glazed
fall-front above two drawers flanked by
open shelves, 36cm. wide; lft. 2in., possibly
Sinhalese.

A George IV rosewood and
brass-bound Writing Slope, circa 1825,
with a leather-lined interior and compartments, 51 cm. wide; lft. 8in.

A George III satinwood Tea
Caddy, circa 1810, of sarcophagus form,
inlaid with geometric bandings, on
gilt-metal ball feet, altered, 31cm. wide;
12in.

A Victorian Tunbridgeware
maple and rosewood Sewing Box, circa
1850, inlaid throughout with geometric
mosaic, the hinged top and fall-front
revealing accessories including tatting
shuttles, a ratchet action winder and a
pair of small drawers, on bun feet, 28cm.
wide; llin.
A boulle Casket, circa 1860, the
slightly domed square hinged top revealing a void interior, on gilt-metal bun feet, 14cm. wide; 5Win.

A George IV rosewood and
brass-bound Decanter Box, circa 1820,
of square form, with carrying handles, the hinged top revealing three glass decanters and stoppers, 20cm. wide; 8in.

A George III mahogany Octagonal
Tea Caddy, circa 1790, inlaid with
stringing and crossbanding, the hinged
top revealing a two-division interior,
15cm. wide; 6in.

A George IV mahogany small
Jewellery Cabinet, circa 1820, of square
form, inlaid with stringing, the hinged
top revealing silk-lined compartments,
the pair of opposing doors each
enclosing six drawers, on bracket feet,
32cm. high by 29cm. wide; 12′/2in. by
lV/iin

A Regency rosewood
Tunbridgeware Candle Stand, circa
1825, with a circular top, on a turned
adjustable stem and moulded base,
22.5cm. high; 83Ain., bearing a trade label
Edward Nye, Manufacturer, Mount Ephraim
and Parade, Tunbridge Wells.

An ebonised wood and brass inlaid Decanter Box, 3rd quarter 19th Century, the top and front hinged opening to reveal four matching faceted glass decanters and thirteen glasses,

32cm.; 12Wn.

A French ebonised wood and brass inlaid rectangular Decanter Box, circa 1870’s, with hinged front and sides, fitted with four cut-glass decanters and sixteen glasses
A straw-work Box, French, circa 1815, of rectangular form, the cover with a farming scene surrounded by a scroll border, on bracket feet, 14cm.; 5Win.

A French brass and red
tortoiseshell Standish, circa 1840, of
rectangular shape, fitted with twin moulded glass inkwells and taper holder and snuffer, 32cm. wide; 12Win.

A French brass and red
tortoiseshell boulle Standish, mid-19th
Century, of rectangular form, with
beaded volute mounts and sphinx
caryatid corner mounts, fitted with twin
faceted glass inkwells, 35cm.; 14in.

A boulle Standish, French, 19th
Century, of rectangular shape, fitted
with pen-tray and twin wells, all-over
inlaid with brass, on four ormolu
‘Turkish’ caryatids, 29cm. wide; lVMn.

A Victorian Jennens and Bettridge
oval papier-mache Tray, circa 1840, the
black field painted with a flower spray
within gilt foliate surround, 74cm. wide;
2ft. 5 in., signed on the back Jennens and
Bettridge.

A Victorian scallop-shaped papier-mache Tray, circa 1850, the
centre inlaid with mother-of-pearl flower
spray within raised gilt painted vine
border, 76cm.; 30in.
A Victorian papier-mache
Inkstand, circa 1850, of scallop shape
with mother-of-pearl inlay, central
compartment and twin glass wells with
gilt-metal mounts, 31cm.; 12in. across.

A Victorian Tunbridgeware
rosewood Box, circa 1850, of
wedge-shaped form, inlaid throughout with geometric mosaic, 16cm.; 6V2in.

Nine various pieces of Victorian
Tunbridgeware, 1st half 19th Century,
comprising: a rectangular Box with a cube pattern top, 26cm. wide; Win., a Watch Stand, 9cm.; 31/2in., a small rectangular Box and Cover, 11cm.; 4V2in., a square Box and Cover

with cube pattern inlay, 8cm.; 3in., two Pin Cushions, 3 and 4cm. diam.; 1 and Vhin., a ring turned Box and Cover, 4cm. high; ll/2in., a square Picture Frame with a circular

aperture, 13cm.; 5in., and a Ruler, 23cm. wide; 9in.
A sycamore Tea Caddy, of
cantaloup form, the segmented sides
with one ebonised panel, 11cm. high;
4V2in.

GAMES BOXES AND CHESS SETS

A Victorian papier-mache shaped
rectangular Games Box, circa 1840,
hinged, opening to reveal five
compartments containing mother-of-
pearl counters and playing cards, painted
all-over with flowers and ornamental
pheasants, some slight damage, 24cm.;
9′/2in. wide.

An Indian ebony and ivory
veneered octagonal miniature Chess
Table, 19th Century, with horn stem,
23cm.; 9in.; together with miniature ivory
Chess set in sandalwood box.

A Victorian burr walnut and
inlaid Games Compendium, circa 1870,
of triangular form, the front hinged
opening to reveal cribbage board,
dominoes, playing cards and two score
boards, 25cm. wide; Win.

A Jaques Staunton boxwood and
ebony Chess Set, the kings 9cm.; 3V2in., in
mahogany box with original label.

An Indian bone Chess set, 19th Century, chip carved pieces, the kings 8cm.; 3in.; and a similar ivory Chess Set, incomplete.

An Indian ivory Chess Set, 19th Century, red stained and natural, baluster turned pieces on acanthus carved circular bases, the kings 6cm.; 2V2in., in wood box.

A bone Chess Set, mid-19th Century, with sectional carved and turned pieces, on beaded circular bases, the kings 13cm.; 5V4in., in wood box.

VICTORIAN MAHOGANY SETTEE, BREAKFRONT CABINET, THREE PILLAR DINING TABLE, GEORGE III STYLE MAHOGANY DINING CHAIRS, ROSEWOOD SALON CHAIR

A LATE WILLIAM IV MAHOGANY BREAKFRONT CABINET, the top with gadrooned edge above three glazed doors enclosing adjustable shelves, interposed by pillars on turned supports and

castors, 40in (102cm) by 59in (150cm), second quarter of the 19th century.

A ROSEWOOD AND SIMULATED ROSEWOOD BOOKCASE with a break-front white marble top above three sections each interposed by corbels containing adjustable shelves, the sides fitted

with slim doors for further leaves, on a plinth base, 47in (119cm) by 62in (158cm), mid 19th century.

A GOOD ROSEWOOD CONVERSATTON CHAIR, with a pair of revolving arm chairs each with a wasted button upholstered back with molded volute terminals, joined by a central section with

serpentine padded seat, upholstered in red plush throughout, on molded cabriole supports and castors, 40in (102cm) by 80in (204cm) wide, mid 19th century.

A GEORGE III STYLE MAHOGANY THREE PILLAR DINING TABLE, the top
with receded edge and broad cross-banding, the centre pedestal with quadruple receded down swept supports, the two end pedestals each on triple down swept supports, 29in (74cm)

by 121in (308cm) including two leaves by 44in (112cm), early 20th century.

A GEORGE III MAHOGANY DINING TABLE, with two demy Lune end sections and a rectangular centre section, each with a boxwood strung frieze, on four slightly tapering square

supports and spade feet, 31in (79cm) by 127in (223cm) including two leaves by 54in (137cm), early 19th century, but restored.

А GEORGE III STYLE MAHOGANY EXTENDING DINING TABLE, the top with demy Lune ends and fluted edge, above a fluted frieze on receded and ring turned supports, 29in (74cm) by 84in

(213cm), including three leaves by 42in (107cm), 20th century.

A GOOD SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS, including two armchairs, each with an arched molded rail, pierced splat, drop-in leather padded seat on square chamfered

supports, early 20th century.

A WALNUT AND MARQUETRY DRAW-
ING ROOM SUITE, including a chaise langue with a padded back and scrolled end, 71in (180cm) wide; and a pair of open Arm Chairs; and a pair of low Nursing Chairs; and а set of

four Side Chairs, each with а waited and shaped back, padded seat on square tapering supports and spade feet, inlaid throughout with boxwood and ivory lines and designs, late

19th early 20th century.

A GOOD SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS, including two armchairs, each with а molded arched rail pierced splat, drop-in seat on molded square supports, early

20th century.

A GOOD SET OF SIX MAHOGANY DIN-ING CHAIRS, each with a broad shaped concave rail above а molded pierced splat, plush covered padded seat, on cabriole supports and castors, mid

19th century; and a very similar pair of Dining Chairs.

A SET OFSIX WALNUT DINING CHAIRS,   A GOOD WALNUT DRAWTNG ROOM
each with a molded balloon SUITE, including a settee with а shaped back, padded seat serpentine molded and button on molded cabriole supports, mid upholstered back, 77in (96cm);

19th century. Armchairs; and a set of six
Side Chairs, all with shaped padded seats on cabriole supports, two of the side chair backs dam-aged, mid 19th century.

A GOOD SET OF SIX GEORGE III MAHOGANY DINING CHAIRS, including two armchairs, each with an arched guilloche molded shield shaped back enclosing finely receded sticks with

foliate capitals, padded bow front seats on receded baluster and turned supports, 20th century.

A PAIR OF GEORGE III STYLE MAHOGANY OPEN ARMCHAIRS, each with a molded shield shaped back with pierced splat, molded open arms, drop-in seat on fluted square tapering supports,

third quarter 19th century.

A GOOD SET OF FIVE GEORGE III MAHOGANY DINING CHAIRS, each with a receded concave rail above а receded ‘X’ splat, padded seat on outset gadrooned front supports, early 19th

century.

AN UNUSUAL LIBRARY CHAIR with а padded back rail above a pierced splat carved with lions about а shield, padded seat on cabriole supports and claw feet, third quarter 19th

century.

A ROSEWOOD SALON CHAIR with а scroll button padded back contained by a molded frame, padded seat on cabriole supports and castors, mid 19th century.

A PAIR OF ROSEWOOD FOOTSTOOLS, each with a Rexene padded top, molded frame on wavy cabriole supports, 8in (20cm) by 14in (36cm), mid 19th century.

A LATE  WILLIAM  IV  ROSEWOOD
STOOL, the square padded top on ‘X’ frame supports joined by а molded pole stretcher, 16in (41cm) by 20in (51cm), second quarter 19th century.

A SET OF FOUR WALNUT SIDE CHAIRS, each with a molded balloon shaped back, padded seat on serpentine outline on molded cabriole supports, mid 19th century,
A GOOD SET OF EIGHT QUEEN ANNE STYLE WALNUT DINING CHAIRS, including two armchairs, each with a solid vase shaped splat, drop-in seat on shell molded cabriole supports, 20th

century,

A SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS, including one armchair, each with а shaped rail and pierced splat, molded with an anthemion and foliage, saddle shaped

drop-in seat, on molded square supports, 20th century.

A SET OF NINE GEORGE III STYLE MAHOGANY DINING CHAIRS, matching the one.

A GOOD WALNUT DRAWTNG ROOM
SUITE, including a settee, an armchair and a side chair each with а blue silk brocade padded back and seat contained by a cross banded, inlaid and molded frame on ring turned

supports and castors, together with four side chairs en suite, the settee 62in (158cm) wide, third quarter 19th century.

A SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS, including two armchairs, each with an entwined pierced splat back, drop-in seat, above a gadrooned rail on cabriole

supports and bail and claw feet, early 20th century.

AN EARLY VICTORIAN MAHOGANY
SETTEE, the button upholstered back contained by a molded frame, with padded scroll ends and seat, on turned supports and castors, 83in (211cm) wide, second quarter 19th

century.

WALNUT WALL MIRROR, MAHOGANY TOILET MIRROR, MAHOGANY TRIPOD TABLE, MAHOGANY SOFA TABLE, BOW FRONT HANGING  WALL  CUPBOARD

A GEORGE III STYLE WALNUT WALL
MIRROR, the rectangular beveled plate contained by a gilt slip and surmounted by a crisp parcel gilt floral and foliate draped cresting, 47in (120cm) by 29in (74cm), the

cresting 18th century, the remainder made up later.

A GOOD GEORGE III FRETTED AND CARVED WALL MIRROR,   the   oval
plate contained by a chevron banded slip and a finely fretted and incised cresting, frame and apron, 34in (87cm) by 80in (46cm), third quarter of the 18th century.

A GEORGE II WALNUT AND PARCEL GILT PIER GLASS, the later plate contained by a molded slip beneath а swan neck and foliate carved cresting centered by a cartouche, 51l/2in

(131cm) by 24in (61cm), second quarter 18th century, restored. V A very similar Pier Glass is illustrated in The Furniture at Temple Neivsham House and Lotheston Hall by

Christopher Gilbert.

A FRUITWOOD VENEERED GEORGE III WALL MIRROR, the plate contained by a gilt and molded slip, the shaped pediment pierced with feathers above a shaped apron, 40in (102cm) by 20in

(5iem), mid 18th century with restorations.

A LATE GEORGE II MAHOGANY TOILET MIRROR, the later rectangular plate on standard supports above а three-drawer base on bracket feet, 28in (71cm) by 17in (43cm).

A GEORGE III MAHOGANY TOILET MIRROR with a shield shaped swing plate on standard supports, 22in (56cm) by 17in (43cm).

A LATE REGENCY ROSEWOOD AND CUT BRASS TEAPOY, with a raised rectangular top enclosing a fitted interior, with four tea canisters and two cut and etched glass mixing bowls, the

sides applied with embossed and ring handles on а slender self tapering pedestal and four down swept supports and claw toe castors, inlaid throughout with designs and lines.

A GEORGE III MAHOGANY DECANTER ВОХ of rectangular form, the hinged top and front inlaid with an oval patter, parquetry and chevron lines, the sides applied with swan neck

handles, the silk lined interior with nine gilt soda glass decanters and a tray, a phial and two cordial glasses en suite, 9V2in (24cm) by 13in (33cm), late 18thlearly 19th

century.

A PINE FOLDING POLE LADDER, with eight rungs, 108in (275cm).

A GEORGE III YEW WOOD AND MAHOGANY TRIPOD TABLE, the dished top on a vase turned baluster stem and do swept supports, 27in (69cm) by 23in (59cm) diameter, third quarter 18th

century with restorations.

А GEORGE III MAHOGANY TRIPOD TABLE, the 35in diameter top on а tapering columnar stem and do swept supports and later casters, third quarter 18th century.

A GEORGE III MAHOGANY TRIPOD TABLE, the rectangular top with canted corners and fluted edge on a vase turned stem and crab stock supports, 29in (74cm) by 17V2in (44cm), late

18th century.

A GEORGE III MAHOGANY GAMES
TABLE, the rectangular top with broad canted corners, inlaid with а satinwood reserve and cross banding, above a conforming banded frieze and four molded tapering supports, 28in

(71cm) by 36in (92cm).

A WILLIAM IV ROSEWOOD GAMES AND
WORK TABLE, the rectangular top with molded edge opening to reveal a maple and rosewood veneered chess board, above a frieze drawer, wool bag slide lacking, on Standard supports

joined by a pole stretcher, on molded feet, 29in (74cm) by 22in (56cm), second quarter 19th century.

A LATE GEORGE III MAHOGANY SOFA TABLE, the rectangular top above two real and two dummy drawers on Standard supports with brass toe castors joined by a pole stretcher, inlaid

throughout with ebony lines, 282in (72cm) by 592in (149cm) extended, first quarter of the 19th century.

ANOTHER GEORGE III MAHOGANY BOW FRONT CORNER HANGING WALL
CUPBOARD, the cross banded doors enclosing three shelves above one real and two dummy drawers, early 19th century.

A LATE GEORGIAN BOW FRONT MAHOGANY CORNER HANGING WALL
CUPBOARD, with a gadrooned pediment above a pair of shell inlaid doors enclosing three shelves, 47in (119cm) by 33in (84cm) early 19th century.

A GEORGE III MAHOGANY CORNER HANGING WALL CUPBOARD with а
shaped fielded panel door enclosing three shelves, 37l/2in (95cm) by 32in (81cm).

A  LATE  GEORGE  II  MAHOGANY
CORNER CUPBOARD with a fretted dentil cornice, paneled door flanked by stop fluted sides enclosing three shaped shelves, now on cabriole supports, 46in (117cm) by 3l2in (80cm),

mid 18th century.

A GEORGE III MAHOGANY BOW FRONT HANGING  WALL  CUPBOARD,   the
doors enclosing three shelves, the sides and frieze inlaid with box-wood lines, late 18th century.

GEORGE III MAHOGANY CORNER LAP TABLE, DUTCH WALNUT AND PAINTED BUREAU BOOKCASE, MAHOGANY GAMES TABLE, MARQUETRY  CENTRE  TABLE

AN EARLY GEORGE III MAHOGANY CORNER LAP TABLE, the top with
reentrant corners on square molded supports, 28V2in (72cm) by 37in (94cm) extended, the top mid 18th century.

A GEORGE III MAHOGANY STANDING
CORNER CUPBOARD, the upper part with a dentil cornice and parquetry inlaid frieze,. above an astragal glazed bow front door, the lower part with a pair of bow front doors on

bracket feet, 78in (198cm) by 29in (74cm), partly late 18th century.

A  MARQUETRY AND  PARQUETRY
ENCOIGNURE, the segmental top of bow front outline inlaid with а foliate roundel, the bow front cupboard door inlaid with a rustic scene including a herdsman and animals

contained by olivewood and kingwood cross bandings, on shaped bracket feet, 34V2in (88cm) by 24in (61cm), North Italian, early 19th century, restored.

A GEORGE III MAHOGANY SUPPER TABLE, the rectangular top fitted with two flaps and a frieze drawer, on square chamfered supports, 28in (71cm) by 42in (107cm), third quarter 18th

century.

A GEORGE III MAHOGANY CORNER WALL CUPBOARD, with a molded pediment above a pair of bow front drawers enclosing three shelves, flanked by fluted sides, late 18th century, now on

a stand with tapering supports and spade feet, joined by a platform, inlaid throughout with oval shell parterre and boxwood strings, the stand 20th century.

A GOOD DUTCH WALNUT AND MARQUETRY PRESS with a broken arched pediment above a pair of shaped panel doors each inlaid with a vase and mask, enclosing shelves and three drawers,

above one concave and two further long cock beaded drawers flanked by canted sides, on tapering square feet, inlaid throughout with broad chevron bandings, 94in (239cm) by 63in

(160cm), Dutch, late 18th century.

A GOOD DUTCH WALNUT AND PAINTED BUREAU BOOKCASE,   the
upper part with a domed canору surmounted by three urns above а pair of bevel glazed doors enclosing a velvet lined interior, the lower part with a fall front enclosing a baize

inset writing surface and a series of fourteen small drawers, two fitted with secret compartments above a series of two short and three long drawers of concave/convex outline,

flanked by ogee shaped sides, above а shaped plinth on stepped block feet and castors, painted throughout with candelabra ornament, urns, musical trophies, angels and foliate

sprays, (240cm) by 41in (104cm), late 18th century, restored and painted late 19th century.

A WILLIAM AND MARY WALNUT AND MARQUETRY  CENTRE  TABLE,   the
rectangular top inlaid with an oval reserve of flowers and birds in а variety of woods and ivory, contained by a foliate frame and flower and bird filled spandrels all on an

ebony ground, above а frieze drawer, the drawer sides and back all conformingly inlaid, on twist turned supports and bun feet joined by an X stretcher inlaid with figures, 31in

(79cm) by 41 in (104cm), late 17th century but reconstructed and restored.

A FINE DUTCH WALNUT AND MARQUETRY  BUREAU BOOKCASE,   the
upper part with an ogee molded pediment centered by a foliate cartouche above a pair of shaped paneled doors enclosing shelves and three drawers, above two candle slides, the

lower part with а fall front enclosing a finely fitted interior with a central cupboard flanked by pilasters, stepped drawers and pigeon holes above а well, the three long

drawers below of concave/convex outline inlaid with imitation lion ring mask handles, flanked by shaped outset corners, on ebonized bun feet, inlaid throughout with flower

filled vases, scrolling foliage and birds, 95in (241cm) by 48in (122cm), early 18th century.

A GEORGE II MAHOGANY AND FRUIT-WOOD TEA OR GAMES TABLE,  the
demo Lune top with a polished interior and a well below, on four slender supports and club feet, 28in (71cm) by 33in (84cm), second quarter 18th century.

A GOOD MAHOGANY SERPENTINE SIDE CABINET, OF GEORGE III DESIGN, the top with molded edge above a Greek key fret molded frieze and a conforming drawer, above а pair of astragal

glazed doors, on bracket feet, 40in (102cm) by 50in (127cm).

А  GOOD  PAIR  OF  GEORGE  III
MAHOGANY COMMODES, each of serpentine outline with a molded cross banded top with re entrant corners, above four graduated drawers on bracket feet, 32in (81cm) by 42in (107cm),

third quarter 18th century.

A SOUTH GERMAN OR NORTHITALIAN WALNUT CABINET on stand with а
pair of doors enclosing two shelves, the doors and sides inlaid with broad strap work designs, the stand with ebonized bands on twist turned supports joined by а flat stretcher,

68l/2in (174cm) by 38in (97cm), the cabinet early 18th century with restorations, the stand 20th century.

A GEORGE III MAHOGANY TRAY of
rectangular form with broadly canted corners contained by a gallery with brass side handles, the top inlaid with satinwood cross banding, 23in (59cm) by (44cm), late 18thlearly

19th century.

A GEORGE III MAHOGANY CHEESE
COASTER of concave section, castors lacking, 6in (15cm) by 17in (43cm), early 19th century.

A MAHOGANY POLE SCREEN,   the
later oval screen containing а worked picture, the pole with а turned finial and vase turned stem on a tripod base, 55in (140cm).
A GEORGE III MAHOGANY DUMB WAL-
TER, with three circular dished tiers, interposed by vase-turned stems, on a tripod base.

A GOOD GEORGE II MAHOGANY GATELEG DINING TABLE, the circular
top on four finely carved supports with lion mask capitals and hairy bail and claw feet, 28V2in (72cm) by 59in (150cm) diameter, second quarter 18th century. V For a similar

table with lion mask and acanthus carved supports from the Percival Griffiths collection see Ralph Edwards’ Shorter Dictionary of English Furniture.

A GEORGE III MAHOGANY BREAKFAST
TABLE, the rectangular cross-banded top on a baluster pedestal and quadruple receded downs wept supports with brass toe castors, 27in (69cm) by 56in (137cm) by 47in (119cm),

late 18thlearly 19th century.

A GEORGE III MAHOGANY DINING
TABLE in two demo line sections, each with four square molded supports, 28in (71cm) by 52in (132cm) diameter, third quarter 18th century with restorations.

A GOOD GEORGE III MAHOGANY GAMES TABLE, the rectangular top with outset corners and a flower-head carved border, opening to reveal a baize lined interior with square polished

corners for candle holders, the frieze of conforming outline on cabriole supports finely carved at the knees with foliate cartouche on hairy claw feet, the concertina action

hinge stamped h. tidbits, 29in (74cm) by 36in (92cm), third quarter 18th century.

SIDE CABINET -  WINE COOLER AND STAND - BUREAU BOOKCASE - BREAKFRONT SIDEBOARD - SECRETAIRE BOOKCASE

A GEORGE III OCTAGONAL MAHOGANY WINE COOLER AND STAND, the lid and body with
three brass bands and a pair of loop handles, with zinc-lined interior, the stand
with square tapering legs and castors, 2ft. 3in. high by Ift. 6in. wide (68cm. by 46cm.) circa 1770.

A GEORGE III MAHOGANY DINING TABLE, the piain top with D-ends and square
chamfered legs, 2ft. 4in. high by 6ft. 2′Ain. long (71cm. by 189cm.) circa 1770.

A GEORGE III SERPENTINE-FRONTED MAHOGANY SIDE CABINET, with a pair of
quarter-veneered doors in a well figured wood, each with a large oval
crossbanded in tulipwood, on a plinth, 3ft. lin. high by 4ft. 1 Vtin. wide (94cm. by 126cm.) circa 1775.

A GEORGE III MAHOGANY KNEEHOLE SMALL
SIDEBOARD OR DRESSING TABLE, with a drawer above an
arch flanked at each side of a deep drawer, on square
tapering legs with scrolled brackers, 3ft. V/zin. wide
(95cm.) circa 1780, stringing later.

A GEORGE III SERPENTINE-FRONTED MAHOGANY
SIDEBOARD, with a central drawer above an arch flanked
on the right by a bottle drawer and two drawers on the
left, on six tapering legs of square and diamond section
with block feet, 2ft. 11 foin, high by 5ft. llfoin. wide
(91cm. by 181cm.) circa 1780.

A GEORGE III MAHOGANY BUREAU BOOKCASE, with
a dentil cornice and piain frieze above a pair of glazed
doors with astragal mullions, the lower part with a Aap
enclosing a fitted interior above four long drawers on
bracket feet, 8ft. foin, high by 3ft. 83kin. wide (245cm. by
113.5cm.) circa 1775.

A GEORGE III MAHOGANY DRAUGHTSMAN’S KNEE-
HOLE TABLE, with moulded double-hinged top, the frieze
drawer with compartments and a baize-lined slide,
above six drawers flanking a recessed cupboard, on
bracket feet and castors, 4ft. lin. wide (125cm.) circa 1780,
possibly Scottish, handles replaced.

A GEORGE III MAHOGANY SETTEE, with stufted
serpentine-topped back and sloping over-scrolled arms,
with stufted seat and three square front legs, part with
blind fret Gothic fluting, 7ft. 2in. wide (219cm.) circa
1770, restored.

A GEORGE III SERPENTINE FRONTED MAHOGANY
SIDEBOARD, with a ring-turned brass rail and a frieze
drawer flanked by a bottle drawer on one side and two
short drawers on the other, on moulded square tapering
legs, applied with brackets, 3ft. lin. high by 5ft. 6in. wide
(92cm. by 168cm.) circa 1785.

A GEORGE III MAHOGANY SIDEBOARD,
of bowed breakfront form, the concave centre section with a
drawer above a linen drawer with a recessed arch, with a deep drawer on the
left and a cupboard on the right, and and raised on six circular
tapering reeded legs, 3ft. lin. high by 7ft. wide (94cm. by 214cm.) circa 1800.

A GEORGE III D-SHAPED MAHOGANY SERVING
TABLE, with a reeded edge, a drawer and four circular
tapering reeded legs with a brass gallery, 5ft. Gin. wide
(168cm.) circa 1800.

A SET OF EIGHT GEORGE III MAHOGANY DINING
CHAIRS, including a pair of Armchairs, with serpentine
toprails and pierced vase-shaped splats, the armchairs
with outcurved scrolling arms, drop-in seats and square
chamfered legs joined by H-stretchers, circa 1780, some
restorations.

A SET OF EIGHT GEORGE III MAHOGANY DINING
CHAIRS, including an Armchair, each with a serpentine
top above three pierced splats carved with acanthus
leaves, the armchair with outcurved scrolling supports,
drop-in seats on square tapering legs, joined by
H-stretchers, circa 1790.

A PAIR OF SIMILAR GEORGE III MAHOGANY SIDE
CHAIRS, with curved toprails and leaf-carved dowel
splats, drop-in seats and square tapering legs joined by
stretchers, circa 1790.

A GEORGE III MAHOGANY D-SHAPED BREAKFRONT SIDEBOARD,
the top crossbanded in satinwood with two long drawers
flanked by a hinged bottle drawer at one side and a cupboard on the other, on square tapering legs ending in spade feet,
the whole inlaid with satinwood stringing, 6ft. 4in. zoide (194cm.) circa 1790.

A GEORGE III MAHOGANY SIDEBOARD, of bowed breakfront form,
the concave centre section with a drawer above a linen drawer
with a recessed arch, with a deep drawer on the left and a cupboard on the right, and and raised on six circular
tapering reeded legs, 3ft. lin. high by 7ft. wide (94cm. by 214cm.) circa 1800.

A GEORGE III D-SHAPED MAHOGANY SERVING
TABLE, with a reeded edge, a drawer and four circular
tapering reeded legs with a brass gallery, 5ft. 6in. wide
(168cm.) circa 1800.

A SET OF EIGHT GEORGE III MAHOGANY DINING
CHAIRS, including a pair of Armchairs, with serpentine
toprails and pierced vase-shaped splats, the armchairs
with outcurved scrolling arms, drop-in seats and square
chamfered legs joined by H-stretchers, circa 1780, some
restorations.

A LATE GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE,
the centre section with a pair of doors with lancet glazing
bars flanked by a pair of single doors and each end with a pair of doors, the flush lower parts with piain panelled doors
each outlined with brass strip moulding, on splayed bracket feet,
8ft. high by 15h. lin. wide (263cm. by 460cm.) circa 1790.

A REGENCY MAHOGANY SECRETAIRE BOOKCASE, the
moulded comice and a pair of doors with arched and
oval glazed panels outlined by reeded mouldings and
enclosing shelves, the lower part with a fitted secretaire
drawer inlaid with scrollwork above three long drawers
flanked by Cluster columns on splayed bracket feet, 7ft.
3V2in. high by 3ft. 7′/2in. wide (222cm. by 110cm.) top circa
1800, base circa 1810.

A REGENCY PENWORK LETTER BASKET - PARCEL-GILT AND EBONISED CONVEX MIRROR - MID-VICTORIAN PAPIER-MACHE TRAY - ROSEWOOD AND WALNUT TABLE CABINET

A PAIR OF SPA PAINTED BOXES of shaped outline, the slightly domed lids each
painted with a scene of peasants after Breugel, one with haymakers refreshing themselves,
the other with a game of bowls, the sides with landscapes, ail decorated en grisaille on a
cream ground, 5′hin. wide (14cm.) circa 1760.

A REGENCY PENWORK LETTER BASKET of boat shape, with elaborately shaped top
and central division pierced with a carrying handle decorated with insects and flowers,
partly in polychrome on a black ground, on four gilt-metal claw-and-ball feet, 9′Ain. wide
(23.5cm.) circa 1810.

A PAIR OF GEORGE III GILTWOOD WALL BRACKETS in the French style, each with
three S-scroll arms supporting a drip-pan and a nozzle, the fluted backplates headed by an
oval wreath of ribbon-tied oak foliage and pastoral trophies and with husk pendant apron,
Hin. high (28cm.) circa 1780.

A PAIR OF REGENCY GILTWOOD WALL LIGHTS each with a pair of scrolling arms
with reeded cup-shaped brass nozzles, the backplates in the form of conjoined spheres
centred by an ebonised eagle with outspread wings holding tasselled gilt-metal chains in
his beak, 2ft. 3in. high (69cm.) circa 1805.

ANOTHER of similar design, 2ft. Win. open (86.5cm.) circa 1815.

A GEORGE IV ROSEWOOD-VENEERED AND GILT-BRASS PEDESTAL, the quarter-
veneered crossbanded square top with a cast brass frieze of scrollwork and supported on
four reeded pillars, the bases with drums cast with cherubs and standing on a stepped
square base similarly veneered to the top, on four mushroom-shaped feet,
by lft. 2V4in. square (80cm. by 36cm.) circa 1830.

A REGENCY PARCEL-GILT AND EBONISED CONVEX MIRROR, the double moulded
frame with a main band incised with curving gilt lines and set with paterae, with an inner
berried laurel leaf border and outer bead border, circa 1810.

A VENETIAN OCTAGONAL, CLEAR AND MOSAIC GLASS WALL MIRROR of elongated
octagonal form, with bevelled plate, the conforming frame with an inner and outer mirror
border and a main mosaic border of polychome flowers on a white “tiled” ground set with
clear glass clasps and flowerheads, 2ft. 8in. high by 2ft. min. wide (81cm. by 67cm.) circa.

A REGENCY PAPIER-MACHE TRAY stamped Howard London, of rectangular shape
with rounded corners and decorated in shades of gilt on black with sprays of flowers and
moths and the border with anthemion, with a pair of gilt-metal serpent loop handles, 2ft.
1 Van. wide (64cm.) circa 1810.

A MID-VICTORIAN OVAL PAPIER-MACHE TRAY with overscrolled edge, the border
decorated in gilt on a black ground, with a vermiculate design enclosing rectangles of
quatrefoils, 2ft. ‘hin. wide (62.5cm.) circa 1850.

A MID-VICTORIAN PAPIER-MACHE TRAY stamped B. Walton & Co. Warranted, of
similar outline decorated in gilt and polychrome on black with vases, birds, chains of
flowers and rococo fretwork, lft. 7′hin. wide (49.5cm.) circa 1850.

ANOTHER of similar outline, the centre with a spray of polychrome flowers on
black, the border with maiden-hair fern and rococo scrollwork in gilt, lft. 7in. wide
(48cm.) circa 1850.

A GENOESE WALNUT FALL-FRONT CABINET, with moulded cornice above a frieze containing two drawers and faced with naked figures, the fall front enclosing an interior fitted with a central carved cupboard surronnded by drawers, the Stiles also faced with figures, 2ft. lhin. high by 2ft. 3in. wide (62cm. by 68cm.) circa 1600.

AN ITALIAN WALNUT PRIE-DIEU, with a moulded
dentil cornice and frieze drawer above a cupboard door
flanked by fielded panels, with a kneeler enclosing a
compartment, on a moulded base and scrolling feet, the
whole inlaid with stylized floral marquetry and a double-
headed eagle, 2ft. lOin. high by 2ft. 4in. wide (87cm. by
71cm.) 17th Century, probably Tuscan.

A NORTH ITALIAN WALNUT COMMODE of three
long drawers inlaid in bone with stars, on later bracket
feet, 2ft. Whin. high by 3ft. 6′Mn. wide (90cm. by 106cm.)
circa 1700, drawer relined.

A GOANESE INLAID TABLE CABINET, the exterior
and interior covered with trellis in ivory on ebony and
padouk, the fall front enclosing an arrangement of one
long and seven short drawers, lft. 4in. wide (40cm.)
early 18th Century, distressed.

A FLEMISH ROSEWOOD AND WALNUT TABLE CABINET with a coffered hinged compartment, enclosing a mirror flanked by painted scenes of figures in land-scapes above a pair of geometrically panelled cupboard doors enclosing an arrangement of ten drawers around a cupboard enclosing an architectural mirrored interior, each drawer and the interior of the cupboards set with painted panels of a mythological nature, lft. 4in. high by lft. 6in. wide (41cm. by 45.5cm.) late 17th Century.

A DUTCH MARQUETRY AND EBONY-VENEERED SIDE
TABLE, the top inlaid with a bouquet of tulips and roses
within floral spandrels, the plain frieze drawer on
spirally turned baluster legs joined by a wavy X-framed
stretcher, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.)
circa 1680, restored.

A REGENCE ARMOIRE with moulded cornice above
a pair of walnut doors each with three fielded panels
decorated with a circle and star motifs, with panelled oak
sides and turned bun feet, 7ft. 2′/iin. high by 5ft. 6in. wide
(220cm. by 168cm.)circa 1720.

A SOUTH GERMAN BOULLE CASKET, the top inlaid
in pewter and brass with the Rape of Europa, within a
floral frame, the fall front and sides similarly decorated,
the interior now fitted with ten slim drawers, the sides
with carrying handles, 8in. high by lft. lin. wide (21cm. by
23cm.) early 18th Century.

MAHOGANY TOILET MIRROR - MARBLE-TOPPED SERPENTINE MARQUETRY COMMODES - BOW-FRONT CHEST - NORTH COUNTRY WINDSOR ARMCHAIRS - PAINTED D-SHAPED SIDE CABINET

A GEORGE III MAHOGANY TOILET MIRROR with rectangular crossbanded frame,
the supports with acorn finials and the base with a pair of drawers, on bracket feet, lft.
11 in. wide (58cm.)

A FINE PAIR OF GEORGE III MARBLE-TOPPED SERPENTINE MARQUETRY COMMODES
in the manner of John Cobb, each with a moulded mottled rust and beige marble top, the
frieze veneered in satinwood and inlaid with trailing flowering stems tied in the centre by
a ribbon, the front and sides in quarter-banded kingwood and with four giant satinwood
ovals finely inlaid with ribbon-tied panels of flowers, the projecting corners and sides
inlaid with garrya and raised on short square tapering legs, one pair of doors enclosing a
pair of adjustable shelves, the other with two pairs of four tulipwood-crossbanded
satinwood drawers, 2ft. 10′Ain. high by 3ft. Win. wide by 2ft. deep (87cm. by 117cm. by
61cm.) circa 1775.

A GEORGE III PAINTED D-SHAPED SIDE CABINET, the top with a border or ribbon-tied
flowers, a pair of doors and side panels each with panels of flowers in ivory and rust,
all on a dark brown ground, on four square tapering legs with block feet,
6in. wide(92cm. by 107cm.) circa 1790, decoration restored.

A GEORGE III MAHOGANY TOILET MIRROR, the shield-shaped plate with
crossbanded surround and with three drawers in the bow-fronted base, lft 7′Ain wide
(48.5cm.) circa 1785.

A LATE 18TH CENTURY JAPANNED CHEST OF FOUR LONG DRAWERS with a
moulded top and bracket feet, decorated throughout in gilt and red with sprays of flowers
on a black ground, 2ft. Win. high by 3ft. 8in. wide (87cm. by 112cm.) circa 1780, decoration
renewed.

A CIRCULAR PLATE PAIL with piain tapering cylindrical body, two brass bands
and hinged loop handle, lft. 2′Ain. high by lft. 23Ain. diameter (36cm. by 37.5cm.) circa 1750.

A GEORGE II CIRCULAR MAHOGANY PLATE PAIL, the slatted body with a raoulded
brass rim with hinged loop handle and piain brass base band, lft. high by ll3Ain. diameter
(30.5cm. by 30cm.) circa 1750.

A GEORGE II MAHOGANY PEAT BUCKET with slightly tapering horizontally
ringed body, two brass bands and hinged loop handle, lft. 3lhin. high by lft. 2V2in.
diameter (39.5cm. by 37cm.) circa 1750.

A SERPENTINE-FRONTED STEEL BASKET GRATE of George III design, the pierced
frieze applied with ovals and raised on a pair of circular tapering pillars, with four urn
finials, 2ft. 3in. wide (69cm.); and a set of three steel fire irons with urn finials; and a
serpentine-fronted pierced steel fire curb with a design of rococo scrollwork and a pair of
gryphons, 4ft. wide (122cm.).

A GEORGE III MAHOGANY CHEST of three long drawers, with a moulded top and
bracket feet, 3ft. wide (91cm.) circa 1800.

A LATE GEORGE III MAHOGANY BOW-FRONT CHEST of four graduated long drawers with a brushing slide and splayed bracket feet, 3ft. 3in. wide (100cm.) circa 1800

A REGENCY MAHOGANY BOW-FRONT CHEST of two short and three long well figured drawers with turned hardwood handles inset with mother-o’-pearl dises, on splayed bracket feet, 3ft. 4V2in. high by 3ft. 5in. wide (102.5cm. by 104.5cm.) circa 1815.

A SET OF THREE REGENCY “BAMBOO” CHAIRS including a pair of Armchairs, the
backs and arms filled with spindles, with rush seats, carved throughout to resemble
bamboo, circa 1810, now painted blue on pale grey, the side chair showing traces of the
original painted bamboo decoration.

A PAIR OF EMBOSSED BIRD PICTURES in the manner of Samuel Dixon, each with an exotic coloured bird, one perched on a flowering tree, the other accompanied by (24cm. by 19cm.) thtrd quarter ^Century,^ modern white and gilt frames.

A PAIR OF EMBOSSED PAPER FLOWER PICTURES in the manner of Samuel Dixon each with a spray of flowers tied with a blue ribbon and including Auricula and NaTciLs, in original japanned frames decorated with gilt flowers on blac:9^by Vhin. (25cm. by 19cm.) third quarter 18th Century.

ANOTHER PAIR, similar, min. by Vkin. (25cm. by 19cm.).

A REGENCY PENWORK GAMES BOX of elongated octagonal form, the lid with
chinoiserie scene of two men carrying a lady on a hammock to a pagoda, the sides
decorated with gryphons and scrollwork all in black and white and enclosing
compartments with engraved mother-o’-pearl tiles and fish counters, on eight gilt-metal
bail feet, 8Van. wide (21cm.) circa 1805.

A REGENCY PENWORK TEA CADDY, the domed lid with a chinoiserie scene of a
man and woman rowing on a lake with swans and pagodas, the body with slightly tapering
sides and chequered edge to the lid above an elaborate foliate design, the interior with a
glass mixing bowl and a pair of removable canisters, with hinged maplewood lids, lft. 2in.
wide (35.5cm.) circa 1805.

A “HARLEQUIN” SET OF EIGHT GOOD NORTH COUNTRY WINDSOR ARMCHAIRS in
yew and elmwood, of rieh colour, each arched back with a pierced double splat flanked by
dowels, the curved arms on turned supports and the shaped elm seat on turned legs and
H-stretchers, second quarter 19th Century.

A ROCKING CHAIR of very similar design, on plain rockers, second quarter 19th
Century.